Gotowa bibliografia na temat „Creating Verbatim Theatre”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Creating Verbatim Theatre”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Creating Verbatim Theatre"
Redling, Ellen. "Fake News and Drama: Nationalism, Immigration and the Media in Recent British Plays". Journal of Contemporary Drama in English 6, nr 1 (27.04.2018): 87–100. http://dx.doi.org/10.1515/jcde-2018-0013.
Pełny tekst źródłaKhokhlova, Daria. "The character of Levin in the ballet “Anna Karenina” choreographed by John Neumeier Anna Karenina: the peculiarities of choreographic interpretation". Философия и культура, nr 6 (czerwiec 2021): 1–14. http://dx.doi.org/10.7256/2454-0757.2021.6.36354.
Pełny tekst źródłaChenier, Dylan. "Verbatim Voices: An Investigation of Housing and Development in Kingston". Canadian Theatre Review 191 (1.08.2022): 68–71. http://dx.doi.org/10.3138/ctr.191.010.
Pełny tekst źródłaShah, Sonali, i Stephen Greer. "Polio monologues: translating ethnographic text into verbatim theatre". Qualitative Research 18, nr 1 (24.03.2017): 53–69. http://dx.doi.org/10.1177/1468794117696141.
Pełny tekst źródłaLee, Haekyoung. "Creating an Interdisciplinary History and Theater Class: A Case Study on Conducting Oral History for Verbatim Theater". Journal of Korean Theatre Education 35 (31.12.2019): 165–204. http://dx.doi.org/10.46262/kte.35.2.4.
Pełny tekst źródłaBurić, Igor. "Switch on, switch off, or transcending boundaries: Contemporary currents in dramaturgy of performing arts in Novi Sad Theatre". Maska 33, nr 191 (1.09.2018): 116–23. http://dx.doi.org/10.1386/maska.33.191-192.116_5.
Pełny tekst źródłaFrimberger, Katja. "“Some People Are Born Strange”". Qualitative Inquiry 23, nr 3 (7.07.2016): 228–39. http://dx.doi.org/10.1177/1077800416643995.
Pełny tekst źródłaMolley, Scott, Amy Derochie, Jessica Teicher, Vibhuti Bhatt, Shara Nauth, Lynn Cockburn i Sylvia Langlois. "Patient Experience in Health Professions Curriculum Development". Journal of Patient Experience 5, nr 4 (15.05.2018): 303–9. http://dx.doi.org/10.1177/2374373518765795.
Pełny tekst źródłaBianchi, Victoria. "Flexible Characterization: Herstorical Performance in Heritage Sites". New Theatre Quarterly 36, nr 4 (listopad 2020): 355–68. http://dx.doi.org/10.1017/s0266464x20000603.
Pełny tekst źródłaLoots, Lliane. "The autoethnographic act of choreography: considering the creative process of storytelling with and on the performative dancing body and the use of Verbatim Theatre methods". Critical Arts 30, nr 3 (3.05.2016): 376–91. http://dx.doi.org/10.1080/02560046.2016.1205323.
Pełny tekst źródłaRozprawy doktorskie na temat "Creating Verbatim Theatre"
Wilkinson, Linden Ann. "Creating Verbatim Theatre - Exploring the gap between public inquiry and private pain". Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/2472.
Pełny tekst źródłaHyde, Sophie-Louise. "'We should be united' : deploying verbatim methods in poetry to (re)present expressions of identity and ideas of imagined community in the 2011 Birmingham riots". Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/25516.
Pełny tekst źródłaWilkinson, Linden Ann. "Creating Verbatim Theatre - Exploring the gap between public inquiry and private pain". 2008. http://hdl.handle.net/2123/2472.
Pełny tekst źródłaUsing arts-informed/narrative inquiry as its methodology, this thesis examines the creation of a performance text using verbatim theatre techniques. The play, Remembering One Day in December, evolved from the interweaving of personal narratives taken from volunteer participants, who were impacted by the 1999 Glenbrook Rail Disaster, when a crowded commuter train collided with the almost stationary Indian Pacific. It also includes documentary extracts from the first of three Public Inquiries into the event. From multiple perspectives, yet with shared motifs, the play tells the story of the day, the disillusionment with anticipated trauma support and concludes with the participants’ slow but inspiring journeys towards healing. The thesis also explores the increasing interest in performance as a research tool, because of its capacity to comprehensively present a multiplicity of complex truths. Also at this time of centralized media ownership and homogenized, reductionist media content, this thesis also suggests that the verbatim theatre form, so particularly dependent on complex cultural narratives, could be evolving as a bridge between mainstream stages and community concerns, where community can be either global or regional and some of its concerns are no longer the province of news and current affairs. Lastly this thesis offers the researcher an opportunity to reflexively examine the editing process in the construction of the play text. It describes the researcher’s journey from interviewer to story custodian and analyses how this shift in relationship affected the text’s content and structure, where the intention to deliver an authentic and compelling piece of verbatim theatre remained paramount.
Książki na temat "Creating Verbatim Theatre"
Summerskill, Clare. Creating Verbatim Theatre from Oral Histories. Taylor & Francis Group, 2020.
Znajdź pełny tekst źródłaSummerskill, Clare. Creating Verbatim Theatre from Oral Histories. Taylor & Francis Group, 2020.
Znajdź pełny tekst źródłaSummerskill, Clare. Creating Verbatim Theatre from Oral Histories. Taylor & Francis Group, 2020.
Znajdź pełny tekst źródłaSummerskill, Clare. Creating Verbatim Theatre from Oral Histories. Taylor & Francis Group, 2020.
Znajdź pełny tekst źródłaSummerskill, Clare. Creating Verbatim Theatre from Oral Histories. Taylor & Francis Group, 2020.
Znajdź pełny tekst źródłaSummerskill, Clare. Creating Verbatim Theatre from Oral Histories. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773.
Pełny tekst źródłaCreating Verbatim Theatre from Oral Histories. Taylor & Francis Group, 2020.
Znajdź pełny tekst źródłaCzęści książek na temat "Creating Verbatim Theatre"
Summerskill, Clare. "What Is Verbatim Theatre?" W Creating Verbatim Theatre from Oral Histories, 8–22. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-3.
Pełny tekst źródłaSummerskill, Clare. "Oral History and Verbatim Theatre". W Creating Verbatim Theatre from Oral Histories, 23–29. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-4.
Pełny tekst źródłaSummerskill, Clare. "Checklist for Producing Your Verbatim Play". W Creating Verbatim Theatre from Oral Histories, 178–79. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-20.
Pełny tekst źródłaSummerskill, Clare. "Ethical Considerations and Guidelines for Verbatim Theatre Processes". W Creating Verbatim Theatre from Oral Histories, 45–59. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-7.
Pełny tekst źródłaSummerskill, Clare. "Getting Started". W Creating Verbatim Theatre from Oral Histories, 69–91. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-10.
Pełny tekst źródłaSummerskill, Clare. "The Interview". W Creating Verbatim Theatre from Oral Histories, 92–108. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-11.
Pełny tekst źródłaSummerskill, Clare. "After the Interview". W Creating Verbatim Theatre from Oral Histories, 109–15. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-12.
Pełny tekst źródłaSummerskill, Clare. "Sculpting Your Play". W Creating Verbatim Theatre from Oral Histories, 116–27. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-13.
Pełny tekst źródłaSummerskill, Clare. "Scripting Options and Techniques". W Creating Verbatim Theatre from Oral Histories, 128–37. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-14.
Pełny tekst źródłaSummerskill, Clare. "Beyond the Script". W Creating Verbatim Theatre from Oral Histories, 138–43. Routledge, 2020. http://dx.doi.org/10.4324/9780429059773-15.
Pełny tekst źródła