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1
Kovaleva, M. V. "Organization of the lord's court in Renaissance Italy". Abyss (Studies in Philosophy, Political science and Social anthropology), nr 1(27) (2024): 147–56. http://dx.doi.org/10.33979/2587-7534-2024-1-147-156.
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The article describes the process of the emergence and development of the courts of the Italian sovereigns of the Renaissance. The author examines the structure of the courts of secular and spiritual lords. A detailed hierarchy of court positions, duties of courtiers, and their sources of income are provided. An external and internal description of the sovereign's residence is given.
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Ragauskienė, Raimonda. "The Noblewoman’s Court in the Sixteenth-Century Grand Duchy of Lithuania". Lithuanian Historical Studies 8, nr 1 (30.11.2003): 27–60. http://dx.doi.org/10.30965/25386565-00801002.
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Drawing on an extant list of courtiers (1552) of the wife of the starosta of Žemaitija, references in correspondence, posthumous property inventories and individual pieces of legislation, the present article aims to illustrate the generalized composition of sixteenth-century noblewomen’s court in the GDL, and the functions of those attached to such courts. At the same time an attempt is made to determine the role of noblewomen in appointing officials and co-opting court members and, in general, establishing the limits of their rights and patronage. The size of the court depended on the social position of the lady as its head – on the office held by her husband and on the role of the noblewoman herself in her family as well as on her personality. Minors were attended merely by a few servants, while the courts of married women and in particular those of widows comprised between 50 and 60 courtiers. As a rule, noblewomen’s courts consisted of several parts that functioned as a single unit: court officials, the male quarters (male courtiers and messengers), court specialists (medical practitioners, clergymen and musicians), the female quarters (ladies, young ladies and lady’s maids) and court staff (servants, craftsmen and coachmen). The role of the husband was crucial in the formation of noblewomen’s court. Noblewomen themselves could transform their court after the death of their husbands. The maintenance of a large number of court members required massive investment on the part of noblewomen. Nevertheless, such investment, albeit without any obvious dividends, paid off ultimately. The court was a matter of their prestige; it was important in raising noblewomen’s status in society. A court enabled them to develop their clientele and to participate actively in public life and create their own home clientele. Through their mediation their clients could become clients of their husbands or of their friends of the same high social status.
3
Knighton, Tess. "New light on musical aspects of the troubadour revival in Spain". Plainsong and Medieval Music 2, nr 1 (kwiecień 1993): 75–85. http://dx.doi.org/10.1017/s0961137100000425.
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The revival of the poetic art of the troubadours in eastern Spain from the latter part of the fourteenth century has been well documented. At this time, and through most of the fifteenth century, poet-courtiers at the royal courts of Aragon and Castile drew inspiration from the troubadours of the earlier centuries, many of whom had been active in the Spanish kingdoms. The historiographical tradition for this literary phenomenon begins with Gerónimo Zurita, the great chronicler of the Aragonese kings. In his Annies de la Corona de Aragón (1562–8), he discusses this renewed interest in the ‘Gay Science’ at the Aragonese royal court of Joan I (1387–96), and relates how letters came to prevail over arms at that time as the primary concern of the courtier:
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Dover, Paul M., i Stephen Kolsky. "Courts and Courtiers in Renaissance Northern Italy". Sixteenth Century Journal 36, nr 3 (1.10.2005): 829. http://dx.doi.org/10.2307/20477497.
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MEARS, NATALIE. "COURTS, COURTIERS, AND CULTURE IN TUDOR ENGLAND". Historical Journal 46, nr 3 (wrzesień 2003): 703–22. http://dx.doi.org/10.1017/s0018246x03003212.
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Geoffrey Elton's model of Tudor politics, which emphasized the importance of political institutions and which dominated our understanding of Tudor politics for much of the second half of the twentieth century, has been challenged by a number of historians for over twenty years. They have re-emphasized the importance of social connections and cultural influences and turned attention away from studying the privy council to studying the court. In doing so, they have gone back to re-examine earlier approaches by Sir John Neale and Conyers Read which Elton had challenged. Yet, these new socially and culturally derived approaches, recently labelled ‘New Tudor political history’, remain varied and its practitioners sometimes at odds with each other. Focusing on both established seminal works and recent research, this review considers the different elements of these approaches in relation to Tudor court politics. It assesses the methodological problems they raise and identifies what shortcomings still remain. It demonstrates that Tudor politics are increasingly defined as based on social networks rather than institutional bodies, making issues of access to, and intimacy with, the monarch central. Our understanding has been further enhanced by exploration of political culture and its relationship to political action. However, the review points to the need to integrate more fully the political role of women and the relationship between the court and the wider political community into our understanding of Tudor politics, as well as place England into a European context.
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Hay, Denys. "Papal Courts and Courtiers in the Renaissance". Studies in Church History. Subsidia 8 (1991): 3–13. http://dx.doi.org/10.1017/s0143045900001538.
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The cultural influence of Rome and the papacy during the late fifteenth and early sixteenth centuries has recently attracted much attention. At the same time, courts and courtiers have come under the scrutiny of a number of scholars anxious to define their function in the cultural sphere. This brief essay is an attempt to lean on such work collectively, so to speak, and it can make no claim to originality of source material or personal research. I should perhaps give the tone and indicate the level of my approach by explaining that the gist of what follows formed a lecture given in December 1986 to the Scottish branch of the Renaissance Society at a meeting in Glasgow. I should like to regard it as well as part of this tribute to James Cameron, also as an expression of my thanks to the late Judith Hook for her work for the Society; she herself wrote an important essay bearing on the topic, albeit at a later period, the pontificate of Urban VIII (1623-44), to which I shall refer later.
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Davies, Jonathan. "Review: Courts and Courtiers in Renaissance Northern Italy". English Historical Review 120, nr 487 (1.06.2005): 825–26. http://dx.doi.org/10.1093/ehr/cei284.
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Diggelmann, Lindsay. "Courts and Courtiers in Renaissance Northern Italy (review)". Parergon 22, nr 2 (2005): 233–35. http://dx.doi.org/10.1353/pgn.2006.0013.
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Seregina, Anna. "Englishwomen at Madrid and Brussels in the 17th century: women’s patronage and English Catholic exiles overseas". Adam & Eve. Gender History Review, nr 29 (2021): 43–87. http://dx.doi.org/10.32608/2307-8383-2021-29-43-87.
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The article presents an attempt to reconstruct a communication network of Jane Dormer, Duchess of Feria). A lady at the court of Mary I of England and a wife of a Spanish grand, she was a powerful patroness of English Catholic exiles and helped them enter the Habsburg patronage network. The analysis of political activities of the Duchess of Feria (which included exchange of political information and patronage) compared with that of other women patronesses, first of all, Anne Percy, Countess of Northumberland made it possible to define parameters of women’s patronage. It has been shown that connections to the court of Mary I of England that was partially integrated into the system of Habsburg courts made it easier for the former Marian courtiers to find patrons within transnational clientele of the Habsburgs
10
Martínez Hernández, Santiago. "Between Court and Village: The Evolution of Aristocratic Spaces in Early Modern Spain". Renaissance and Reformation 43, nr 4 (14.04.2021): 19–54. http://dx.doi.org/10.33137/rr.v43i4.36379.
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In May 1561, King Philip II informed the town hall of Madrid that he had chosen their town as the site for his royal residence and court. That year, the city was swiftly transformed into the Catholic king’s court and the heart of his vast monarchy. It also became the principal political and cultural space for the nobility. Yet the greatest noble houses, particularly those in Castile, were initially resistant to the establishment of a sedentary royal court and continued to exercise and represent their status at their own traditional courts. Increasingly, however, they were obliged to reside in Madrid in order to ensure direct access to the king’s grace and favour. Throughout the seventeenth century, the Spanish aristocracy became courtiers through necessity rather than conviction. In response to this situation, and without neglecting their noble estates and interests, they created their own spaces at court, and over time were able to colonize the royal capital and convert it into their own natural habitat.
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Shishkin, Vladimir. "The French Court of the 16th Century: What Else Do We Not Know About It?" ISTORIYA 14, nr 3 (125) (2023): 0. http://dx.doi.org/10.18254/s207987840024980-7.
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The article examines several interrelated problematic questions, the first of which reflects the justification of scientific relevance for modern Russian historical science of studying the Western royal courts of the Middle Ages and early Modern times, in particular, French court. The author presents the royal court as an important part of French history, which influenced the historical development of European and partly Russian civilization. The interest to the history of French court of Russian historians is also associated with a significant number of rare French documents of the 16th century, concentrated in Russian repositories and requiring introduction into scientific circulation. These documents are largely associated with current Russian research on curial history, which have a long tradition and focus on the institutional history of the court. An overview of current trends in curial research in Western historiography is also presented, which focuses on the study of gender characteristics, personal court members, socio-political evolution of the court, compilation of databases on courtiers and employees, movements and residences of monarchs.
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Ghosh, Samyak. "“Two Kings” in the Tungkhungia Court?" Comparative Studies of South Asia, Africa and the Middle East 42, nr 2 (1.08.2022): 348–55. http://dx.doi.org/10.1215/1089201x-9987814.
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Abstract This article situates the court of the Tungkhungia kings of Brahmaputra Valley (1680–1830), in present day Assam, in the space of courtly convergence and response in eighteenth-century South Asia. It studies a particular moment in the Tungkhungia royal court (1714–44) when a unique political arrangement (“two kings”) was expressed by courtiers, chroniclers, and poets in the language of a stylized fiction of love. The article tries to make meaning of the “two kings” problem by looking at a set of textual and visual materials and situates them within a context of “multilayered cultural semiotics” at work in borderland courts in eighteenth-century South Asia, loosely held within the crumbling edifice of Mughal Hindustan. Toward this end, the article uses its research findings to add fresh insights on the ongoing discussion on courtly culture in early eighteenth-century South Asia and highlights the importance of studying emotions towards understanding political practice.
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Wiratama, Rudy. "REPRESENTATION OF JAVANESE IDENTITIES IN WAYANG GEDHOG DEPICTING PANJI TALES". Jantra. 14, nr 2 (27.12.2019): 203–12. http://dx.doi.org/10.52829/jantra.v14i2.98.
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Wayang Gedhog is a genre of puppetry which once ever enjoyed its popularity in Java, particularly in Surakarta and Yogyakarta until the beginning of 20th century. Its Panji-themed lakon is always for all time identified with court traditions. It implicitly reflects the social order and paradigm of the members of this political institution from its court aristocrats to low-ranked officials. Wayang Gedhog is undergoing an era of change where the life of performing arts is rapidly developing. Using Homi Bhabha’s theory about Self Identification, this research aimed to reveal how far the lakon and artefacts of Wayang Gedhog represents today’s Javanese thoughts and manners and the factors that have influenced the matters. The data were collected from: 1) the information gathered especially from the courtiers, as seen from the social, cultural, religious and political aspects, 2) library research, and 3) puppets of Wayang Gedhog of Surakarta style. This research has found that Wayang Gedhog as a performing art does not only function as an entertainment or aesthetical presentation, but also record the efforts of the Javanese living in the courts to redefine their concepts of self identity.
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Natour, Elisabeth. "Music as Political Practice: Evoking the Sounds of Power at the Early Modern Court". European History Quarterly 53, nr 3 (lipiec 2023): 441–58. http://dx.doi.org/10.1177/02656914231181275.
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Seventeenth-century monarchy was performed, by ritual, by enactments, by sounds, and by visualizations. The crises of European monarchies of the 1620s and 1630s were met with splendid spectacles in which rulers and courtiers acted out idealized royal virtues and power. This article argues the case for the vital importance of music within these spectacles. Musical harmony was thought to mirror the harmony of the spheres, indicating God's plan for the universe. The ruler's ability to master or evoke musical harmony in aulic theatre could thus function as double representation of divine approval of his or her government. By comparing ballets and masques at the French Court of Louis XIII and the British Court of Charles I, music's centrality to political power in the performance of sacral kingship will be demonstrated. A focus on Britannia Triumphans (1638) and Merlaison (1635), works known for the extraordinary attention Charles I and respectively Louis XIII devoted to their performances, exemplifies how the handling of music offers valuable insights into the inner power structures of those courts. In both cases the musical performance was used to communicate and establish related political agendas.
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Kettering, Sharon. "Brokerage at the court of Louis XIV". Historical Journal 36, nr 1 (marzec 1993): 69–87. http://dx.doi.org/10.1017/s0018246x00016113.
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ABSTRACTFor a commission brokers negotiated an exchange between those who had patronage to grant and those in need who were willing to give something in return. They received a fee for their help as intermediaries in the search for patronage. Brokerage differed from patronage in that it was a mercenary service which did not by itself create a personal bond. Noble brokers of royal patronage in the provinces and at court were prevalent during the sixteenth and seventeenth centuries. Provincial brokers included the governors, lieutenants general, intendants, clerics, first presidents of the sovereign courts, military commanders, great nobles, and any resident provincials related to, or well-known by, high-ranking court or government personages. Court brokers included all those regularly at court, and ranged from those immediately surrounding the king, as the fount of royal patronage, downward and outward in layers of influence calculated upon their distance from the king. Brokers in the provinces became less important during Louis XIV's reign because the king himself insisted on supervising the distribution of royal patronage at court. Patronage became more easily obtainable at Versailles than in the provinces, and, increasingly, nobles in need of patronage went to court to find it, aided in their search by courtiers acting as brokers. During Louis XIV's reign, an absolute monarchy sought successfully to centralize the brokerage of royal patronage at court, a hitherto unrecognized aspect of the process of social and political centralization known as early modern statebuilding.
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Januszek-Sieradzka, Agnieszka. "Introduction". Perspektywy Kultury 39, nr 4 (27.12.2022): 19–26. http://dx.doi.org/10.35765/pk.2022.3904.04.
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The queen’s court was modeled on the king’s court and, as Marcin Kromer wrote in the 16th century, the ruler “feeds, clothes and remunerates” of all his wife’s courtiers (Kromer, 1984, 147), due to its role to merely serve its mistress, it could not be similar to the king’s court in terms of its role in the state. It seems that due to this disparity, the actual role of the queen’s court in politics, culture or the economy was mostly determined by her personality and ambitions on top of her relationship with her spouse, which increased or decreased her chances of making her court, or more precisely, the people associated with it, an important political factor. It is not surprising, therefore, that the attention of researchers was attracted to those Polish queens who stood out for their activity and influence on the state, for example, such as Queen Bona Sforza, while those who rarely or never went beyond the role of a royal consort remained in a deep shadow. Although it should be noted at once that there was an obvious change when the queen’s spouse also became the queen mother – the need to secure the fate of her children, especially sons, generally motivated Polish queens and those immediately surrounding them, making their courts and the people associated with them active participants in public life (SucheniGrabowska, 2009, pp. 247–260). However, these issues did not receive separate attention.
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Barclay, Andrew. "From Castiglione to Kennedy: Courts, Courtiers and Power, 1500-1963 2-4 April 1998, Windsor and London". Court Historian 3, nr 2 (lipiec 1998): 34–38. http://dx.doi.org/10.1179/cou.1998.3.2.005.
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Marasinova, Lena. "Forced Penance in Russian Monasteries in the Second Half of the 18th Century: From Punishment of the Body to Correction of the Soul". Russian History 49, nr 2-4 (28.04.2023): 363–79. http://dx.doi.org/10.30965/18763316-12340054.
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Abstract This paper focusses on the use of the sacred space of monasteries for the punishment of criminals and their simultaneous spiritual purification. The uniqueness and therefore special heuristic value of study into this phenomenon is determined by the following circumstances. The ritual of tonsure has long been used by rulers to punish undesirable and dangerous individuals and remove them from proximity to the throne. However, the “honor” of such a manifestation of royal anger was only awarded to those belonging to the tsar’s inner circle, and disgraced courtiers did not find themselves locked behind monastic walls for the sake of their internal spiritual correction, but solely in order to isolate them. During the reign of Catherine II, the Empress’s own initiative saw a marked increase in the practice of penance in monasteries as punishment for serious crimes. It is noteworthy that such sentences first appeared in Catherine’s written confirmations of sentences, after which they began to be widely utilized by the secular courts. The conclusions of this work are based on royal confirmations of death sentences passed by the Senate, the archives of the local chancelleries, and reports submitted by the abbots of monastic foundations. These materials enable us to draw preliminary conclusions regarding the gradual humanization of punishments in Russia in the second half of the 18th century and the growing use of ecclesiastical practices in court sentences, all at a time in which the scope of spiritual jurisdiction was being reduced.
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Hanovs, Deniss. "THE ARISTOCRAT BECOMES A COURTIER… FEATURES OF EUROPEAN ARISTOCRATIC CULTURE IN THE 17th CENTURY". Via Latgalica, nr 1 (31.12.2008): 62. http://dx.doi.org/10.17770/latg2008.1.1590.
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As John Adamson outlined in his voluminous comparative analysis of European court culture, „in the period between 1500 and 1750 a „Versailles model” of a court as a self-sufficient, situated in a free space, architectonically harmonious city-residency remote from the capital city, where the king’s household and administration was located, was an exception.” The Versailles conception and „model” both architectonically and in terms of practical functioning of the court was spread and secured in the 18th century, developing into a model of absolutism which was imitated to different extents. The spectrum of the adoption of the court of Louis XIV by material and intellectual culture reached from the grand ensembles of palaces of Carskoye Selo in Peterhof, Russia, Drottningholm in Sweden and Sanssouci in Germany to several small residences of the German princes’ realms in Weimar, Hanover, and elsewhere in Europe. Analyzing the works of several researchers about the transformation of the French aristocracy into court society, a common conclusion is the assurance of the symbolic autocratic power by Louis XIV to the detriment of the economic and political independence of the aristocracy. In this context, A. de Tocqueville points at the forfeiture of the power of the French aristocracy and its influence and a simultaneous self-isolation of the group, which he defines as a „caste with ideas, habits and barriers that they created in the nation.” Modern research, when revisiting the methods of the resarch on the aristocracy and when expanding the choice of sources, is still occupied with the problem defined in the beginning of the 19th century by A. de Tocqueville: The aristocracy lost its power and influence, and by the end of the 18th century also its economic basis for its dominance in French society. John Levron defines courtiers as functional mediators between the governor and society, calling them a „screen”.1 In turn, Ellery Schalk stated that in the time of Louis XIV the aristocracy was going through an elite identity crisis, when alongside the old aristocracy involved in military professions (noblesse d’épée), the governor allowed a new, so-called administrative aristocracy (noblesse de robe) to hold major positions and titles of honour. Along with the transformation of the traditional aristocratic hierarchy formed in the early Middle Ages, which John Lough described as an anachronism already back in the 17th century, also the status of governor and its symbolic place in the aristocratic hierarchy changed. It shall be noted that it is the question of a governor’s role in the political culture of absolutism by which the ideas of many researches can be distinguished. Norbert Elias thinks that an absolute monarch was a head of a family, which included the whole state and thereby turned into a governor’s „household”. Timothy Blanning, on the other hand, thinks that the court culture of Louis XIV was the expression of the governor’s insecurity and fears. This is a view which the researcher seems to derive from the traumatic experience of the Fronde (the aristocrats’ uprising against the mother of Louis XIV, regent Anna of Austria), which the culturologist K. Hofmane interpreted from a psychoanalytical point of view and defined Louis XIV as a conqueror of chaos and a despotic governor. In the wide spectrum of opinions, it is not the governor’s political principles which are postulated as a unifying element, but scenarios of the representation of power, their aims and various tools that are combined in the concept of court culture. N. Elias names symbolic activities in the court etiquette as the manifestation of power relations, whereas M. Yampolsky identifies a symbolic withdrawal of a governor’s body from the „circulation in society”, when a governor starts to represent himself, thereby alienating himself from society. George Gooch in this way reprimanded Louis XV as he thought this development would deprive the royal representation from the sacred. In turn, Jonathan Dewald in his famous work „European Aristocracy” noted that Louis XIV was not the first to use the phenomenon of the court for securing the personal authority of a governor, and refers to the courts during the late period of the Italian Renaissance as predecessors of French court culture. What role did the monarch’s closest „viewers” – the courtiers – play in this? K. Hofmane by means of comparison with the ancient Greek mythical monster Gorgon comes to conclusion that the court had to provide prey for the Gorgon (the king), who is both scared and fascinated by the terrific sight (of power and glory). The perception of the court as a collective observer implies the presence of the observed and worshiped object, the king. The public life of Louis XIV, which was subjected to the complicated etiquette, provided for the hierarchical access to the king’s public body. Let’s remember the „Memoirs” of Duc de Saint-Simon that gives a detailed description of the symbolic privileges granted to the courtiers, which along the material gifts (pensions, concessions and land plots) were tools for the formation of the identity and the status of a new aristocrat/courtier – along with the right to touch the king’s belongings, his attire, etc. The basis for securing the structure of the court’s hierarchy was provided by the governor’s body along the lines mentioned above, which according to the understanding of representation by M. Yampolsky was withdrawn from society and placed within the borders of the ensemble of the Versailles palace. There, by means of several tools, including dramatic works of art, the governor’s body was separated from its symbolic content and hidden behind the algorithms of ritualized activities. Blanning also speaks about a practice of hiding from the surrounding environment, thereby defining court culture as a hiding-place that a governor created around himself. It was possible to look at a governor and thereby be observed by him not only on particular festivals, when a governor was available mostly for court society, but also in different works of visual art, for example, on triumphal archs, in engravings, or during horse-racings.
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Finucci, Valeria. "Il padre dorme, i figli parlano. La legge del padre riscritta nel "Cortegiano"". Elephant and castle, nr 31 (30.12.2023): 20–34. http://dx.doi.org/10.62336/unibg.eac.31.487.
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The essay examines the birth of the fraternal order, that is ‘democracy’ in its widest sense, in a key text of the Renais-sance, Baldassarre Castiglione’s Book of the Courtier. Here courtiers reunited one evening at the Urbino court steadily create a position of power for themselves by disposing of the father figure of Duke Guidubaldo while suppressing their own rivalries and fashioning a common ideal I. Just as patriarchy, however, this essay argues that the collaborative regime of the brother is constructed on the silencing of women—sis-ters, wives, and mothers—and not just the court ladies of the early 16th century.
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Gładysz, Andrzej. "Rejestr dworzan konnych Zygmunta I Starego wysłanych do walki z Krzyżakami pustoszącymi Mazowsze na przełomie lipca i sierpnia 1520 roku". Przegląd Historyczno-Wojskowy 21, nr 4 (2020): 172–90. http://dx.doi.org/10.32089/wbh.phw.2020.4(274).0006.
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The mounted courtiers of Sigismund I the Old, in addition to their representative function, were a small, trained reserve formation remaining permanently at the side of the king, who could issue them an order at any time. During the so-called Prussian war of 1519–1521, the size of this group reached its peak in the summer of 1520 in Toruń (539 horses in 121 court detachments – pocztach dworskich). During the fights with the Teutonic Knights, the courtiers were constantly responsible for the safety of the monarch in his place of residence, but smaller groups took part in military actions. The analysis of a short fragment of source material included in the manuscript no. 49 (Main Archive of Old Files, Crown Treasury Archive, Section 1: Royal Accounts) allowed to make a detailed description of a small banner, consisting of 69 horses in 15 retinues, taking part in the fight against the Teutonic Knights’ plundering raids to northern Mazovia at the turn of July and August 1520. The composition of the unit and the nature and size of the retinues were discussed, as well as the issue of commanding the group, the costs incurred for its action and, based on Marian Biskup’s research, the battle route was presented. The presented example can be taken as a starting point for a discussion on the military organization of the court. It can be assumed that the king or the marshal, as the court’s superior, would decide which of the individual retinues of mounted courtiers would form one or more court banners that functioned simultaneously and independently. Their number and composition were probably determined by the tasks envisaged for the units.
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Kisby, Fiona. "“When the King Goeth a Procession”: Chapel Ceremonies and Services, the Ritual Year, and Religious Reforms at the Early Tudor Court, 1485–1547". Journal of British Studies 40, nr 1 (styczeń 2001): 44–75. http://dx.doi.org/10.1086/386234.
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There is general agreement now that the court of Henry VIII and his father wasthecenter of politics, patronage, and power in England. It is also well understood how access to the king—the sole font of that power—and the ability to catch “either his ear or his eye” headed, to a large extent, the agenda of any ambitious courtier. Patronage is a theme that has accordingly dominated the historiography of the Tudor royal household, and indeed this is one of the two major concerns of court historians of the early modern period in general. Ceremony is the second, and the Tudor court has been the focus of study in this respect too, as the work of Jennifer Loach and Sidney Anglo attests. Yet while the occasional ceremonies of state (funerals, coronations, royal entries) and of “spectacles” (revels, pageants, and plays) have been the subject of detailed investigation, those that took place on a regular basis exclusively within the physical confines of the royal houses have received very little attention. Consequently historians have failed to notice a fundamental fact of which all courtiers were aware: that, by the early Tudor period and quite probably well before, the weekly routine of ceremony at the English court was structured by the liturgical calendar and thus dominated by religious culture.It is possible that this historiographical lacuna has arisen because the history of the chief organ of religious ceremonial in the royal household—the chapel royal—has largely been neglected.
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Alfiani, Melinda, i Suriani Siagian. "COMPETENCE OF COURTS WHO HAVE THE AUTHORITY TO JUDGE DIVORCE CASES BETWEEN DIFFERENT RELIGIONS". DE'RECHTSSTAAT 10, nr 1 (30.03.2024): 96–103. http://dx.doi.org/10.30997/jhd.v10i1.7207.
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This study is background to the curiosity of the author regarding the competence of the courts that authored the trial of divorce, in which it is known that the justice in Indonesia under the supreme courtis the common justice, the judicial justice, the military justice and the judiciary of each of the courts has its own jurisdiction in this matter public pretrial and the judicial courts have the same authority in the same way to investigate, prosecute and decide the case of divorce in which the judicial system of religion is consigned to any person who is islamic and a public trial is reserved for people outside of islam then what if the subject is them who after marriage and under the marriage bond of one convert, which court has the authority to prosecute this matter and how the law will result upon the child and treasure of the divorce married couples who after marriage change their religion. The reserach methods adjunct in this study are done by the normatif method, which means that the research is based on studies of laws, govornment regulation, judicial decisions, legal opinions and other books and literature relating to this research. Based on the religio of the marriage that occurs, if the marriage occurs in the islamic religion, then divorce must be based on the rules of islamic law, and in this case, the court of religion is the place.
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Gardner, Kevin J. "John Gay, Court Patronage, and The Fables". Reinardus / Yearbook of the International Reynard Society 27 (31.12.2015): 98–111. http://dx.doi.org/10.1075/rein.27.05gar.
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John Gay’s fables comprise an extended satire on the artifice of court life and of the hypocrisy and vanity of courtiers, an ironic perspective from a satirist whose own life was marked by the pursuit of court preferment and patronage. This essay explores the central themes of Gay’s fables and sets them within the context of his letters and earlier poems. His earliest efforts to achieve court preferment through panegyrical poetry lack consistency in high standards of poetic accomplishment; however, Gay’s two extraordinary sets of fables, rich in humour and satire in their varied explorations of the morality of courtiers and court life, succeed in spite of his antithetical impulses about court patronage.
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Kurysheva, Marina. "Koitonites Niketas – The Donor of “Niketas Bible” of the 10th Century". Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, nr 6 (styczeń 2020): 121–28. http://dx.doi.org/10.15688/jvolsu4.2019.6.10.
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Introduction. The article is devoted to the identification of the donor of the famous illuminated codex, which received the name “Niketas Bible” in historiography. The name of the donor Niketas, and his position as a ‘koitonites’ are known from the epigram in this manuscript. Until now, researchers cannot come to a decision about the date of the “Niketas Bible” and hesitate about the identification of its owner to one of the Niketas of the 10th century known to us. Dating to the 960s – 970s has until now been considered the most reasonable. However, all the arguments related to the paleography and the decoration of this manuscript are quite random and don’t make it possible to narrow down its dating on reasonable grounds. In the historiography there was no coherent research of the biographies of those men named Niketas, who could potentially be identified with the eponymous owner of this luxurious manuscript. Methods. On the basis of the prosopographical and historical-cultural analysis, we proposed a new identification of the owner of the manuscript and restored his ‘cursus honorum’, which allows us to obtain a new “narrow” date for ordering the codex of the “Niketas Bible” and identify another manuscript that belonged to him. Analysis. The only ‘koitonites’ Niketas, which would satisfy all the indirect indications of the personality of the donor of “Niketas Bible”, is the protospatharios and ‘koitonites’ Niketas. He was the addressee of one of the letters of Metropolitan of Nicaea Theodore. All the surviving letters of Metropolitan Theodore fit into the period from 956 to 959, and it is precisely this time period that his letter to ‘koitonites’ Niketas should be dated to. It turns out that the codex of “Niketas Bible” is associated with a person who is mentioned in the sources between 956 and 959. There is a solid ‘terminus ante quem’ to limit the residence of ‘koitonites’ Niketas in this position at the court. After the death of Emperor Constantine VII in November 959, his son Romanus II removed all of the courtiers that worked under his father from his posts. Obviously, Niketas had to lose his position along with all the other courtiers. It is possible to identify ‘koitonites’ Niketas with patrician, protospatharios, and droungarios of the fleet Niketas. Courtier Niketas is known as the donor of “Niketas Bible”, while the droungarios Niketas is known as a person who wrote the Paris. gr. 497 manuscript. The Paris. gr. 497 manuscript was written by him when he was in captivity in Africa; after his returning to Constantinople in 968 he decorated this manuscript and in 970 donated it to the church of St. George in Cyprus. Results. ‘Koitonites’ Niketas ordered the manuscript of “Niketas Bible” in the second half of the 950s, ‘terminus ante quem’ – November of 959, or the very beginning of 960. Courtier Niketas is most likely the same person as patrician Niketas. The life story of the eunuch Niketas, the courtier, the commander and the bibliophile, is quite typical for the close circle of Emperor Constantine VII’s and Basil Lecapenos the Nothos.
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Coast, David. "Misinformation and Disinformation in Late Jacobean Court Politics". Journal of Early Modern History 16, nr 4-5 (2012): 335–54. http://dx.doi.org/10.1163/15700658-12342323.
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Abstract This article explores the role of rumor in late Jacobean court politics. It argues that misinformation and disinformation were not incidental to the jostling for power and the interplay of faction that took place at court, but were instead major political forces, capable of affecting the fortunes of even the most powerful courtiers. Perception, as this article demonstrates, was everything at court, since false rumors that individual courtiers would be granted offices or would soon fall from power had a self-fulfilling potential. While contemporaries were quick to assume that rumors were spread deliberately, this paper demonstrates that such false reports were sometimes mere speculation and wishful thinking passed on as fact. False rumors made decisions about court appointments or the disgrace of ministers much more of a collective act, and much less the preserve of the king, than historians have hitherto realized.
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Gladkov, A. K. "Nugae Curialium: Criticism of Dispositions of the Courtiers in Political Thought of Twelfth Century England". Izvestiya of Saratov University. History. International Relations 12, nr 3 (2012): 9–14. http://dx.doi.org/10.18500/1819-4907-2012-12-3-9-14.
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This article deals with the problem of frivolities («nugae») in social and political life of England in the twelfth century. According to John of Salisbury’s «Policraticus of the frivolities of courtiers and the footprints of philosophers» («Policraticus sive de nugis curialium et vestigiis philosophorum», 1159) frivolities are the most significant part of «vita tyranni». Not only courtiers, but also kings, live without understanding of their great role in the state. Immoderate love of hunting, games of chance, magic, music and theatre transforms «reasonable human» into «unbalanced animal». These frivolities influence on the courtiers and their king, who substitutes ideals of «common life» and «common safety» for the «love of himself» and self interests. John of Salisbury fights against «epicurean» apology of pleasures in common and individual life of all parts of society, especially in life of courtiers, and defends Christian ideals of moderation. Thinker creates an image of king and his court in the mirror of frivolities. Study of such kind of everyday life helps to understand nature and peculiarities of perceptions of the unjust power (tyranny) in the middle ages.
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Černušák, Tomáš. "Papal Nuncios in Prague as Part of the Imperial Court: The Significance of Integration, Sociability, and Credibility of Papal Diplomats at the Turn of the Sixteenth and Seventeenth Centuries". Journal of Early Modern Christianity 10, nr 2 (1.11.2023): 279–97. http://dx.doi.org/10.1515/jemc-2023-2048.
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Abstract Papal nuncios at the imperial court in Prague were diplomats who represented their ruler – the sovereign of the Papal States and the head of the Catholic Church. Yet they became a distinctive fixture of the imperial court in the places they served. In order for their integration into the structure of the court to be fluid, their personality traits and character had to fit the universally accepted models that applied to courtiers, namely those pertaining to social background, education, conduct, and disposition. At the same time, they had to possess a sufficient degree of sociability and a capacity to earn trust both in their relationship with the sovereign and with the courtiers. Among the primary instruments of this integration process were a wide variety of social activities, some of which were identical for the entire social group, and others unique to the papal nuncios alone.
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Suharno, Suharno, Amir Junaidi i Muhammad Aziz Zaelani. "Embodying The Meaning Of The Guardian Of The Constitution In The Role Of The Constitutional Court Of Reducing Constitutions Indicated By Policy Corruption". International Journal of Educational Research & Social Sciences 2, nr 3 (29.06.2021): 592–99. http://dx.doi.org/10.51601/ijersc.v2i3.88.
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Purpose of this study was to answer two problems: (i) how is the guardian of the constitution embodied through the function of the Constitutional Court; and (ii) how the Constitutional Court as the guardian of the constitution reduces constitutions that are indicated by the policy corruption. Policy corruption is an invisible and covert element that able to threaten the synergy of the legal system and the public interest. The form of policy corruption is realized in the form of a law. Efforts that can be made to reduce the policy corruption are to implement the tight control over the media, which in this case is relevant to the function of the Constitutional Court. This studywas classified as doctrinal research with primary and secondary legal materials. Comparative approach and case approach were used to answer the legal issues. The results showed that: First, the guardian of the constitution through the function of the Constitutional Court through the optimization of the Constitutional Court Judges as the agent of constitution, strengthening the execution of the Constitutional Court decisions and collaborative steps with other state institutions in enforcing the constitutional guardianship. Second, the Constitutional Court as the guardian of the constitution in reducing laws indicated by the policy corruption is manifested in the form of a Constitutional Court decision that can be retroactive to recover the impact of legal losses that are indicated by the policy corruption, the decision of Constitutional Courtis justified by ultra vires to anticipate the chain of constitutions that indications of policy corruption, the decision of Constitutional Courtis strengthened in terms of its execution and the Court can examine or test the Constitution Drafting (bill/ RUU) (a priori review) as a preventive measure to prevent the enactment of laws that indicate policy corruption.
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Lysikov, Pavel. "Diarchy? The System of Co-Rulership in Byzantium at the Turn of the 13th – 14th Centuries and Its Impact on the Situation in the State". Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, nr 6 (luty 2021): 180–200. http://dx.doi.org/10.15688/jvolsu4.2020.6.14.
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Introduction. The study is dedicated to the system of co-rulership in Byzantium in the early Palaiologan period. Our goal is to determine the role of the Byzantine emperor, the son and co-ruler of his father, the emperor Andronikos II Palaiologos (1282–1328), Michael IX (1294–1320) in the political destabilization of the empire at the turn of the 13th–14th centuries by identifying the specific nature of power relations in the state at the time under study. Methods. The methodological basis of the study is a systematic approach. The power relations in Byzantium at the turn of the 13th–14th c. are considered as a system of interconnected elements that perform certain functions in relation to each other and to the system as a whole. The principles of the hermeneutic method allow us to give a holistic interpretation of the sources that form our understanding of the subject under study. Analysis and Results. As a result of the study, we found out that the specific nature of power relations in Byzantium at that time was determined by two circumstances. First, by the institutionalization of the co-rulership that occurred during the reign of the first Palaiologoi. It was mostly due to the publication of the prostagma by Michael VIII (1259–1282) in 1272, an important document, many provisions of which, in our opinion, were fully implemented (and, to some extent, even expanded) during the reign of his son Andronikos II. Second, by the division of managerial functions within the ruling family. While Andronikos II dealt with a whole range of issues related to various state activities (fiscal, socio-economic, administrative, political and legal, foreign policy, etc.), the younger basileus concentrated in his hands mainly the command of the army. The isolated position of Michael IX which consisted in his constant stay outside Constantinople and the presence of significant military contingents under his control provided a certain degree of independence for the younger basileus in his military and political decisions which often contradicted those of his father. At the same time, this separate co-existence of two imperial courts in the state with their own staff of courtiers disrupted the unity within a narrow group of the Byzantine elite, led to its disengagement and the appearance of people who associated with the younger emperor their further acquisition of high ranks and broader powers in Byzantium. After the death of Michael IX (1320) this circumstance will have a significant impact on the outbreak of the civil war in the empire (1321–1328).
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Yorqulovich, Khalikulov Azizbek. "The History Of The Early Medieval Sugd Court (Based On The Mug Mountain Archive)". American Journal of Social Science and Education Innovations 02, nr 12 (30.12.2020): 281–86. http://dx.doi.org/10.37547/tajssei/volume02issue12-49.
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The article provides information on the state court and economic relations in Sughd in the early Middle Ages, the procedure for conducting and processing trade documents, certificates and receipts. Opinions were analyzed on the basis of Mug Mountain documents, ie correspondence between rulers and courtiers, reports of certificates of economic income and expenditure, archival documents on receipts.
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Dybek, Dariusz. "Jak zostać dworzaninem Maryi…, czyli Samuela Brzeżewskiego Zaciąg dworzanów na kurię Najświętszej Królowej nieba i ziemi na kazaniu w dzień Jej narodzenia". Poznańskie Studia Polonistyczne. Seria Literacka, nr 31 (2.01.2018): 295–318. http://dx.doi.org/10.14746/pspsl.2017.31.12.
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Samuel Brzeżewski is a long-forgotten Polish Baroque preacher. He left behind three written sermons, of which two take on Marian themes. Among those is Zaciąg dworzan.w na kurię Najświętszej Kr.lowej nieba i ziemi […] – „The recruitment of courtiers to the curia of the Blessed Queen of heaven and earth at a sermon on the day of her birth” (transl.), written in 1644 and published in 1645. It came into existence on the occasion of the anniversary of the birth of the Mother of God and has an interesting sermon-concept form. In spite of the fact that the author reached for the expression „queen”, from time immemorial applied with reference to Mary, he combined with it an interesting fictional plot by portraying the process of the recruiting of courtiers for the court of the queen (it is one of the few Old Polish texts referring to the manner of recruitment for the court of a monarch). Closer study of various desirable features of courtiers (beauty, education, bravery) leads Brzeżewski to arrive at the conclusion that the greatest opportunities for admission to the service of the Mother of God are gifted to „bandits” (i.e. hardened sinners rejected by all) and „agonizantes” (viz. the dying) – those to whom Mary shows her kindness and magnanimity.
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Ali, Daud. "Between Market and Court: The Careers of two Courtier-Merchants in the Twelfth-Century Deccan". Journal of the Economic and Social History of the Orient 53, nr 1-2 (2009): 185–211. http://dx.doi.org/10.1163/002249910x12573963244368.
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AbstractRelations between royal courts and merchant groups have been a frequently discussed but narrowly circumscribed topic in early Indian history—with analyses confined to mutual gains acquired through interactions. Using the careers of two merchant families active at the Hoysala court in south India at the end of the twelfth century as a starting point, this essay explores the existence of “shared” worlds between court and market, and focuses particularly on the development of distinctively “courtly” codes and sensibilities among merchant groups. It postulates the existence of a commensurable, and to a certain extent, composite culture between the realms of court and market which allowed ambitious men to move between both worlds.Les relations entre les régimes dynastiques et les groupes de marchands a fait l’objet bien défini de discussions nombreuses dans l’historiographie de l’Inde ancienne tandis que les approches se limitaient aux profits réalisés des deux côtés par ces interactions. Fondé sur l’étude des carrières de deux familles de commerçants qui furent actives à la cour des souverains Hoysala dans le Sud de l’Inde à la fin du douzième siècle, cet essai explore l’existence de ces mondes “partagés” entre la cour et le marché, et se focalise en particulier sur le développement de codes spécifiquement “courtois” et les sensibilités entre les groupes de marchands. Cela demande l’existence d’une culture analogue et dans un certain sens composite entre le domaine de la cour et celui du marché qui permettait aux ambitieux de les fréquenter tous les deux.
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Dardess, John W. "Culture, Courtiers, and Competition: The Ming Court (1368-1644)". Chinese Historical Review 16, nr 1 (styczeń 2009): 107–10. http://dx.doi.org/10.1179/tcr.2009.16.1.107.
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CAMPBELL ORR, CLARISSA. "Popular History, Court Studies and Courtier Diaries". Court Historian 17, nr 1 (czerwiec 2012): 1–15. http://dx.doi.org/10.1179/cou.2012.17.1.001.
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Tirosh, Yoav. "Scolding the Skald: The Construction of Cultural Memory in Morkinskinna’s Sneglu-Halla þáttr". European Journal of Scandinavian Studies 47, nr 1 (1.01.2017): 1–23. http://dx.doi.org/10.1515/ejss-2017-0001.
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AbstractAround the year 1060, the misbehaving Icelandic skald Sneglu-Halli arrives at the court of king Haraldr harðráði and manages to provoke the king and his fellow courtiers, yet he leaves a richer and more successful man as a result. A literary analysis of
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Tighe, William J. "Five Elizabethan courtiers, their Catholic connections, and their careers". British Catholic History 33, nr 2 (15.09.2016): 211–27. http://dx.doi.org/10.1017/bch.2016.25.
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This article considers some of the men and women who served in the Privy Chamber of Elizabeth I and those men who held significant positions in her outer Chamber for evidence of Catholic beliefs, sympathies or family connections. It then discusses the careers of five men who at various times in Elizabeth’s reign were members of the Band of Gentlemen Pensioners. It will show that their court careers were decisively affected by their Catholic beliefs and connections and, in one case, by a temporary repudiation of Catholicism. Their careers witness both to a fluidity of religious identity that facilitated their advancement at Court and to a narrowing of this identity over the course of the reign.
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Shishkin, Vladimir. "Marguerite de Valois on the move. Organization of the trip of the Queen of Navarre to Flanders in 1577". Adam & Eve. Gender History Review, nr 31 (2023): 168–85. http://dx.doi.org/10.32608/2307-8383-2023-31-168-185.
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The article is devoted to the study of organizational processes accompanying the travels of royal princesses of France, in particular, the sister of King Henry III, Queen of Navarre Marguerite de Valois. The author analyses the "Memoirs" of the Queen, as well as the staff list of her court (1578) and demonstrates that male courtiers made up the major part of Marguerite’s entourage during the Queen’s travels. The most important of these travels is her journey outside France, to Spanish Flanders in 1577, with a multi-purpose political mission designed to access the validity of the claims of Francois de Valois, the younger brother in the royal family, to the throne of Brabant. The article presents conclusions about the use of all types of vehicles — land and river — of the royal train by the court in the warm season, as well as the characteristics of the travel modes of different categories of courtiers and employees of the court, men and women. It is shown that the Queen was accompanied by high-status secular and ecclesiastical persons of the French court, who are often related to each other, as well as by a part of the military royal house, specially allocated to protect the daughter of France.
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Ben-Naeh, Yaron. "Ottoman Jewish courtiers: an oriental type of the court Jew". Jewish Culture and History 19, nr 1 (10.12.2017): 56–70. http://dx.doi.org/10.1080/1462169x.2017.1409999.
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Dziubinskii, Ian. "Warsaw Court of the Viceroy of the Kingdom of Poland Grand Duke Konstantin Nikolaevich. 1862–1863". Slavianovedenie, nr 3 (2023): 5. http://dx.doi.org/10.31857/s0869544x0025869-8.
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Grand Duke Konstantin Nikolaevich (1827–1892) was the governor of the Kingdom of Poland from June 1862 to October 1863, that is, on the eve and during the Polish uprising. Despite the high degree of knowledge of this crisis period in the history of Russian-Polish relations, the Warsaw Grand Duke’s court remained outside the research focus of historians. The court of the Grand Duke-viceroy was a unique space where symbolic relations between the dynasty and the subjects were built. In Warsaw Konstantin Nikolaevich implemented his own «scenario of power». The key ceremonial mode was the image of the unity of the empire. The viceroy faced difficulties in finding Polish courtiers loyal to the empire and widely involved his subordinates from the Naval Ministry. Based on a wide range of documents from the GA RF, OR RGB, OR RNB, RGIA, RGA VMF and sources of personal origin, the genesis and functioning of the court of the Grand Duke, as well as the everyday life of the august family in several Warsaw residences are considered. The introduction of new sources into scientific circulation made it possible to establish the circle of courtiers, the financial support of the court and practices peculiar for the court. Despite the long absence of the emperor’s brother in the northern capital, the main function of maintaining his state activity continued to be executed by the staff of the Marble Palace.
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Wijayanti, Asri, i Aniqotun Nafiah. "PAYMENT OF WAGE UNDER MINIMUM WAGE FOR ABDI DALEM SULTAN PALACE (DAERAH ISTIMEWA YOGYAKARTA)". Humanities & Social Sciences Reviews 7, nr 3 (2.04.2019): 52–58. http://dx.doi.org/10.18510/hssr.2019.738.
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Purpose of Study: The compensation for running a job is to get wages. There is one form of wage protection through minimum wage. The fact is, there are still workers who have not earned a minimum wage of minimum wage after they run their jobs. One of them is the court palace of Yogyakarta Palace. This study aims to analyze the validity of the court servants in getting wages below the minimum wage.
Methodology: This legal research uses a socio-legal approach. The result of this research is Abdi Dalem get wages in the form of “kecuca” which amount is less than the minimum wage of Yogyakarta Province. Sultan Hamengkubuana X should be prosecuted for violation of Article 90 paragraph (2) jo. Article 187 of Law Number 13 Year 2003. The right to prosecute of the courtiers has never been implemented because the working relationship between the courtiers and the Sultan is devotion. The sense of service is the soul of the agreement on which the working relationship is based. What has been agreed upon by the parties binding as the law for the party making it (Article 1338 B.W. Burgerlijkwetboek).
Results: The significance of this research is that the principle of local wisdom which is the basis of working relations can be unleashed.
Implications/Applications: The contribution of this research is the emergence of an understanding that the employment relationship is not solely aimed at earning wages. A sense of tranquility after work becomes the choice of the destination of the courtiers to serve the Sultanate of Yogyakarta.
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Ronnes, Hanneke. "The architecture of William of Orange and the culture of friendship". Archaeological Dialogues 11, nr 1 (czerwiec 2004): 57–72. http://dx.doi.org/10.1017/s1380203804001369.
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The grand houses and gardens of William of Orange (1650–1702) and his courtiers in Britain and the Netherlands are strongly influenced by the French style, itself associated with Louis XIV, who was actually William’s arch-rival. This paper explores that paradox by probing ideas of power and friendship in 17th-century court culture.
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Kisby, Fiona. "Officers and Office-Holding at the English Court: A Study of the Chapel Royal, 1485–1547". Royal Musical Association Research Chronicle 32 (1999): 1–61. http://dx.doi.org/10.1080/14723808.1999.10540983.
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There is an established literature on office-holding in the English royal household, which has focused on those members of the court involved in the royal body service and ceremonial; those associated with the domestic needs of the monarch, the royal family and wider domus and those involved in its administration. Yet this mainly deals with the late seventeenth century and beyond; comparable detailed and comprehensive information on this particular aspect of court history for earlier periods has yet to appear in print. The courts of the Tudors have, for example, suffered in this respect. This is surprising, for recent historical scholarship has shown that far from ossifying into a purely domestic establishment as an older generation of scholars thought, the Tudor Court was rather of central importance in the political, administrative, religious and cultural history of sixteenth-century England. By that time the royal domus was the centre of politics, patronage and power and access to the sovereign—the sole font of that power—and the ability to catch ‘either… [his/her] ear or… eye’ headed, to a large extent, the agenda of any ambitious courtier. A published investigation of the patterns and procedures of office-holding within this important institution is, therefore, long overdue.
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Crête, Raymonde, Cinthia Duclos i Frédéric Blouin. "Les courtiers en épargne collective, leurs dirigeants et leurs représentants sont-ils à l’abri de sanctions disciplinaires au Québec ?" Revue générale de droit 42, nr 1 (22.09.2014): 267–446. http://dx.doi.org/10.7202/1026923ar.
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Au cours des vingt dernières années, l’industrie des fonds d’investissement a connu une croissance phénoménale au Québec, comme ailleurs au Canada. Dans le processus de distribution de ces fonds d’investissement, où la confiance joue un rôle prédominant, les courtiers en épargne collective, leurs dirigeants et leurs représentants sont assujettis à un éventail important d’obligations et de mécanismes de surveillance et de contrôle, qui visent à minimiser le risque de manquements professionnels et à préserver la confiance des épargnants à l’égard des marchés financiers et du système juridique en général, tant sur le plan microéconomique que macroéconomique. La présente étude a pour but d’analyser et d’évaluer de manière critique les régimes de sanctions disciplinaires applicables aux courtiers en épargne collective, à leurs dirigeants et à leurs représentants exerçant leurs activités au Québec et ailleurs au Canada. En procédant à une analyse comparative du contenu des régimes de sanctions disciplinaires, de même qu’à une étude empirique des décisions rendues en cette matière de 2005 à 2011, l’objectif général est de faire ressortir, tant en théorie qu’en pratique, les points saillants de l’encadrement disciplinaire en vue de déterminer si celui-ci peut contribuer à prévenir les comportements déviants des acteurs du courtage en épargne collective. Plus précisément, un des objectifs de cette étude est d’analyser et d’évaluer de manière critique le régime de sanctions disciplinaires, notamment en regard d’une possible immunité, légale ou de facto, dont les courtiers en épargne collective et leurs dirigeants québécois peuvent bénéficier en leur qualité respective d’employeurs et de superviseurs, comparativement aux représentants de ces courtiers, de même qu’en regard de leurs homologues qui œuvrent ailleurs au Canada.
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Lynn, Eleri. "The Bacton Altar Cloth: Elizabeth I's ‘long-lost skirt’?" Costume 52, nr 1 (marzec 2018): 3–25. http://dx.doi.org/10.3366/cost.2018.0045.
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Blanche Parry was Chief Gentlewoman and close confidante of Queen Elizabeth I. She was an influential courtier and received regular gifts of clothing from the queen, as a sign of favour and friendship. Blanche was a native of the small village of Bacton, Herefordshire, and, though it was a world away from the courts that she knew for most of her life, she evidently retained a deep affection for the place of her birth. She commissioned an elaborate monument within the church of St Faith, Bacton, and made generous bequests to the parish. Further connections between the late Tudor court and the small village can be seen in the form of a distinctly late sixteenth-century embroidered altar cloth that belongs to the church. The altar cloth was traditionally associated with Blanche, and it has been assumed over the years that it was a direct gift or bequest from Blanche herself. However, recent research conducted by the author and conservators at Historic Royal Palaces supports the more intriguing proposition that the altar cloth was, in fact, fashioned from a high-status court dress that may have once been the forepart of one of Queen Elizabeth I's own skirts. This article aims to prove this proposition through an analysis of materials and techniques, and of the evidence that links Bacton with the royal court itself.
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Šedvydis, Laurynas. "Lucko (1507–1536) ir Vilniaus (1536–1555) vyskupo Pauliaus Alšėniškio dvaras : dvarioniai ir tarnybiniai bajorai". Deeds and Days 64 (2015): 9–28. http://dx.doi.org/10.7220/2335-8769.64.1.
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PARRY, GLYN. "JOHN DEE AND THE ELIZABETHAN BRITISH EMPIRE IN ITS EUROPEAN CONTEXT". Historical Journal 49, nr 3 (wrzesień 2006): 643–75. http://dx.doi.org/10.1017/s0018246x06005462.
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Recent scholarship on the ideological origins of the British Empire has emphasized the importance of John Dee's imperial writings in justifying the Elizabethan exploitation of English Atlantic discoveries. Yet a closer reading of these writings in the context of European politics, Elizabethan Court intrigues, and Dee's occult natural philosophy and magical imperialism reveals their covert purpose of recovering a lost British Empire in Europe. Dee wrote initially to address both the chronic and acute problems facing the regime in 1576, but rather than being an autonomous authority whose ideas commanded attention because of their intrinsic power, he was subordinate to the Court patronage system. Consequently his writings only gained attention when revised to align with the policies of powerful courtiers such as the earl of Leicester, and even then influential Catholic courtiers could exploit contingent political circumstances to counter his influence. Dee's writings remained problematic not only because restoring the British Empire in Europe would entail confronting Spain, but also because in their hidden centre they proposed the creation of an apocalyptic empire by magical means, particularly the philosopher's stone. In the end the contingent events that made Dee's writings briefly influential ensured their ultimate irrelevance to Elizabethan policy-making.
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Koczwara, Stanisław. "Ekumeniczna działalność świeckich dworzan cesarza Justyna I (518-527) w świetle ich korespondencji z Rzymem". Vox Patrum 42 (15.01.2003): 319–25. http://dx.doi.org/10.31743/vp.7162.
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Taking over the throne in 518 by the Emperor Justin I impacted on the emperor's court to change politics in order to support of the Chalcedonian Synod. The most important thing was that, the Emperor as well as his supporting courtiers, took into consideration the main role of the Apostolic See in protecting truth religion. Courtly guardians of Chalcedon such as the Empress Eufemia, Justinian's relative a commander of the Court Guard Vitalian, maids of honour: Anastasia, Palmacja Julianan Anicia, Celer, Pompeius, German were successful in making an ecumenical effort to restore the union in the Catholic Church.
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Gjerdingen, Robert O. "Courtly Behaviors". Music Perception 13, nr 3 (1996): 365–82. http://dx.doi.org/10.2307/40286175.
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In addition to preserving a record of tones, chords, intervals, and other musical features, the historical text known as Mozart's Keyboard Sonata in Et Major, K. 282 (189g), also preserves traces of complex musical behaviors that were developed and replicated within eighteenth-century court society. The article focuses on several musical behaviors that would have been obvious to courtiers in Mozart's time and relates his presentation of them in K. 282 to courtly norms.
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Krawczyk, Dariusz. "Miroir ou parangon? La cour et les courtisans dans L’Heptaméron". French Forum 47, nr 2-3 (2022): 65–80. http://dx.doi.org/10.1353/frf.2022.a914321.
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Abstract: The world of the court, with its values and practices, underpins the world Marguerite de Navarre’s Heptaméron , without being the main subject of the short stories. The objective of this article is to analyze how the court and its courtiers were described by one of its founders. It is indeed possible to see not only that Marguerite does not share the vision of the court transmitted in anti-aulic writings, which were very popular in the sixteenth century, but that, in fact, she proposes an idealized vision of the court. It is even possible to observe a certain promotion of courtly culture and its values without the collection of nouvelles becoming an apology of the court. Observations concerning the inscription of La Coche in courtly practices precede the thematic analysis of the frame narrative and of some of the short stories.