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Bates, Catherine. "Courtship and courtliness : studies in Elizabethan courtly language and literature". Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:7d87cb87-8146-4d47-a19e-4cc9aee21467.
Pełny tekst źródłaNijsten, Gerard. "In the shadow of Burgundy : the court of Guelders in the late Middle Ages /". Cambridge [u.a.] : Cambridge Univ. Press, 2004. http://www.h-net.org/review/hrev-a0e6e7-aa.
Pełny tekst źródłaCollins, Andrew William, i n/a. "The transformation of Alexander�s court : the kingship, royal insignia and eastern court personnel of Alexander the Great". University of Otago. Department of Classics, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080811.093142.
Pełny tekst źródłaBowles, Carol De Witte. "Women of the Tudor court, 1501-1568". PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3874.
Pełny tekst źródłaJones, Oliver M. "The Matters of Troy and Thebes and Their Role in a Critique of Courtly Life in Chaucer and the Gawain-Poet". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279137/.
Pełny tekst źródłaReynolds, Neil Anthony Charles. "The Stuart Court and courtiers in exile, 1644-1654". Thesis, University of Cambridge, 1996. https://www.repository.cam.ac.uk/handle/1810/273045.
Pełny tekst źródłaScott, Nicola R. "The court and household of James I of Scotland, 1424-1437". Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/379.
Pełny tekst źródłaNast, Heidi J. (Heidi Joanne). "Space, history and power : stories of spatial and social change in the palace of Kano, Northern Nigeria, circa 1500-1990". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41055.
Pełny tekst źródłaThroughout the analyses, landscapes are seen as politically created and communicative material structures. Examination of epistemological relations used in landscape analyses demonstrates important linkages between how field research is structured and relations of power.
Malavolta, Marilia Gabriela. "Sobre a arte e a necessidade da dissimulação em "Il libro del cortegiano"". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270239.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: A obra de Baldassare Castiglione, Il Libro del Cortegiano, é composta por diálogos que têm como finalidade a construção, com palavras, daquele que, tendo cumprido uma série de preceitos, poderia ser tido como um perfeito homem de corte. Este assunto principal (o objetivo da obra) é levado a cabo a partir de uma série de outros assuntos, como, para citar apenas alguns: a questão da língua italiana, a arte, o merecimento individual contraposto à nobreza de nascimento, a verdadeira função da cortesania, amizade versus adulação, a importância da primeira impressão bem como da opinião universal, os vícios, as virtudes e a fortuna. A obra é composta, igualmente, por referências (anunciadas e não anunciadas) ao que ilustres antigos (como Platão, Aristóteles, Xenofonte, Cícero, Ovídio, Horácio, Sêneca ou Quintiliano) já haviam pensado sobre tal matéria - a perfeição - ou sobre outras que, para o pleno desempenho do gentil-homem, serão essenciais: a graça, a medida ou decoro, a sprezzatura e a dissimulação. O domínio destas fontes clássicas constitui um dos aspectos do refinamento cortês (e, dado ser a Corte o cenário do Cortegiano, as citadas referências ajudam a compor a exemplaridade da obra em si). Com efeito, manter uma atitude sprezzata ("desenvolta") é manter uma atitude elegante. De forma ligeiramente menos completa, manter uma atitude dissimulada deve consistir em uma eventual necessidade de ocultamento com fins valorosos, como orientar o Príncipe e manter preservado o clima cordial e refinado da Corte. Em tempo, dissimular significa enganar, ocultar algo, mentir, fingir; sprezzatura, por sua vez, implica engano, ocultamento, mentira, fingimento SEM a aplicação visível de esforço. Uma e outra são valorosas se atreladas ao conhecimento: conhecimento de si próprio, das circunstâncias, das Humanidades
Abstract: The book II Libro dei Cortegiano, by Baldassare Castiglione, presents, in the form of dialogues, the precepts that a man should achieve in order to become a perfect courtier. This main subject (the purpose of the work) is carried out by a series of other subjects, such as, too name a few: the issue of the italian language, the art, the individual merit against the nobleness birth, the real function of the courtliness, friendship versus adulation, the importance of first impression and of universal opinion, the addictions, the virtues and the fortune. The work is composed, equally, by references (announced and not announced) of what ancient illustriuos (such as Plato, Aristotle, Xenophon, Cicero, Ovidio, Horatio, Seneca, Quintilian) had already thought about this matter - perfection - or about others that, for the total fulfillment of the nobleman will be essential: grace, measure or decorum, sprezzatura and dissimulation. The domain of this classical sources constitute one of the aspects of the courteous refinement (and, beeing the Court the scenario of the Cortegiano, the cited references help composing the exemplicity of the work in itself). In fact, maintaining a sprezzata attitude is maintaining an elegant attitude. In a little less complete form, to maintain a dissimulated attitude must consist in a occasional need of concealment with valuable ends, such as orientate the Prince and sustain preserved the cordial and refined climate of the Court. In time, to dissimulate means to deceive, hide something, lie, pretend; sprezzatura, in the meantime, implies deceit, concealment, lie, pretense WITHOUT a visible application of effort. One and another are valuable if harnessed to knowledge: knowledge of yourself, of the circumstances, of Humanities
Mestrado
Mestre em Teoria e História Literária
Kjaergaard, Mette, i n/a. "Dance at the seventeenth-century Danish court". University of Otago. Department of Music, Theatre Studies and Performing Arts, 2008. http://adt.otago.ac.nz./public/adt-NZDU20081127.161219.
Pełny tekst źródłaCassella, Dean Marcel. "Culture and Self-Representation in the Este Court: Ercole Strozzi's Funeral Elegy of Eleonora of Aragon, a Text, Translation, and Commentary". Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33223/.
Pełny tekst źródłaThomas, Andrea Susan. "Renaissance culture at the court of James V, 1528-1542". Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/9673.
Pełny tekst źródłaThomsett, Andrea Irma Irene. "Festival representation beyond words : the Stuttgart baptism of 1616". Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29760.
Pełny tekst źródłaArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Ziam, Saliha. "Les déterminants de la capacité d'absorption des connaissances : le cas des courtiers de connaissances œuvrant dans le domaine de la santé au Canada". Doctoral thesis, Université Laval, 2010. http://hdl.handle.net/20.500.11794/22178.
Pełny tekst źródłaAranha, Raquel da Silva 1975. "A dança na Corte e os Balés nas Óperas de Portugal no século XVIII = aspectos da presença de elementos franceses no ambiente cultural português". [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284947.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: O modelo francês nas artes disseminou-se por toda a Europa no século XVIII, graças ao poder político representado pela figura de Luis XIV. Essa influência foi absorvida tanto na educação da nobreza quanto nos espetáculos assistidos por ela. No primeiro caso, no que diz respeito à dança, através da tradução de tratados usados para o treinamento dos bons modos do nobre - notadamente o tratado de Pierre Rameau Le Mâitre à danser (Paris, 1725). No segundo, na realização de balés nas óperas - característica do gênero de espetáculo francês - que estimulou na França e na Itália o desenvolvimento de uma literatura especializada sobre as relações entre música, teatro e dança. Seguindo o modelo francês, foram publicados em Portugal três tratados que se remetam à dança cortesã (Cabreira, 1760, Pantezze, 1761 e Bonem, 1767), bem como foram incluídos balés nas Óperas de então, coreografados por nomes importantes como François Sauveterre (antecessor de François Noverre na corte de Stuttgart), Antonio Marrafa, Carlo Bencini, Luigi Chiaveri, Alessandro Zucchelli, Pedro Pieroni, Luiz Chiavre (discípulos de Noverre), Pietro Angiolini e Gaetano Gioja (coreógrafos do balé pré-romântico). O presente trabalho pretende demonstrar a presença de elementos franceses nos ambientes culturais portugueses no século XVIII nos quais a dança realizava um papel importante tanto como expressão dos códigos cortesãos (no ambiente privado e semi-privado), quanto como co-participante dos espetáculos operísticos em que se revela como um dos principais focos de discussão sobre a transformação da ópera. Pretende contextualizar e caracterizar a presença dos balés nas óperas realizadas em Portugal no século XVIII, revelando uma trama complexa de influências francesas e italianas quanto ao tratamento da dança no espetáculo dramático cujo modelo é o italiano, e de que forma esses aspectos fizeram parte da evolução desse gênero em Portugal. Para tanto foram pesquisadas fontes primárias - tratados sobre a temática da dança cortesã publicados tanto em Portugal como fora deste, bem como da dança teatral ligada à ópera (incluindo-se tratados técnicos e reflexões teóricas dos críticos que analisavam as transformações do espetáculo operístico) -, e fontes secundárias (estudos atuais, esparsos mas fundamentais para esta pesquisa, especialmente os autores Guimarães e Hansell). Palavras-chaves: Dança Cortesã; Dança Teatral; Ópera; Portugal; Século XVIII
Abstract: The French model for the arts was spread all over Europe during the Eighteen century, due to the political power that Louis the XIV exerted. This influence has touched the education of the nobility as much as the spectacles noblemen attended. In the former, relating to the dance, it happened through the publication and translation of treatises used to train the nobles - specially the book of Pierre Rameau Le Mâitre à danser (Paris, 1725). In the latter, we can note French influence in the execution of ballet in Operas - a feature of the French approach at the genre - which stimulated, in France and Italy, the development of a special literature concerned with the relations between music, plays and dance. In Portugal, three treatises about the court dance following the French model were published (Cabreira, 1760, Pantezze, 1761 and Bonem, 1767), and also many ballets were included in the operas performed in the country. The ballets were signed by renowned choreographers, such as François Sauveterre (he preceded François Noverre at the Stuttgart court), Antonio Marrafa, Carlo Bencini, Luigi Chiaveri, Alessandro Zucchelli, Pedro Pieroni, Luiz Chiavre (pupils of Noverre), Pietro Angiolini and Gaetano Gioja (choreographers of the preromantic ballet). This dissertation has the purpose of showing the influence of French cultural elements on the Portuguese cultural milieu throughout the 18th-century, in which dance played an important role as a way to express court codes (in private and semi-private environment), as much as a co-participant in operatic performances, where it becomes one of the main focus in the discussion concerning changes in opera. This research aims to give context to and to typify the ballets performed in operas in 18th-century Portugal, revealing the complexity of the connections of French and Italian influences. It aims as well to explain how these features took part in the evolution of the dramatic genre in Portugal. The research was based on primary sources - treatises on court dance published in Portugal and abroad, as well as on documents concerning theatrical dance related to opera (including technical dance treatises and theoretical reflections of philosophers that analysed changes in operatic spectacles) -, and secondary sources
Mestrado
Fundamentos Teoricos
Mestre em Música
Grant, Sarah. "Representations of the princesse de Lamballe (1749-1792) : the portraiture, patronage and politics of a royal favourite at the court of Marie-Antoinette". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1797d7c6-5c22-44a9-8ab3-adfcddfd43fc.
Pełny tekst źródłaTrétout, Thibaut. "Société curiale et monarchie restaurée en France (1814-1830). La "nation des courtisans"". Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H061/document.
Pełny tekst źródłaAccording to the caricatures its detractors produced from the time of the Restoration onwards, adorned with the colours of truth after "the Three Glorious" Days, the Bourbon Court of France would be nothing but anachronistic and ridiculous. This retrospective condemnation prevents from understanding the centrality of Royal Households and Court society in France between 1814 and 1830. As a means to legitimize the hereditary principle embodied by the ruling dynasty, glorify their prominence and stage the scenario of a sacred monarchy, the Restoration Court must be approached from an inner view which traces its roots, the terms of its recreation and its structuring logics. Although it replicates the rules defined by Norbert Elias as typical of the Old Regime, the restored Court society differs from them by the predominancy of courtiers depicted as pure followers within the close intimacy of the Bourbons. An « Ark of legitimacy », a sanctuary of royal traditions, and a center of oppositions to governments, the Court overcame its nationalization through the reform of November 1820, but hastened the assimilation of the courtiers into a coterie, irretrievably alien to the people of France and hostile to liberties. Disavowed by the legitimist pretender to the throne, the Restoration Court was liquidated as early as the year 1830 by the King of the French, who nevertheless had to quickly come to terms with some its legacies so as to create the national Court of the July Monarchy
Pieragnoli, Joan. "La cour et les animaux sous les Bourbons". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040190.
Pełny tekst źródłaThis study does not focus in on animals as much as it questions the way they have been used by men and the part they played in the development of court life. In the first part, I address the relation between man and animal in the court context, from the standpoint of the architectural forms, administrative structures as well as the social and legal framework, in which the relation blossomed during the transition of 16th to the 17th century (chapter I to III). Chapter IV deals with yet another aspect of the man-animal relation, describing the use of the latter for alimentary purposes. The second part questions the animals’ participation in the court dynamics, at a point when, beginning with Louis XIII’s reign, courtization accelerated. My first concern was to give a detailed account of the animal’s role in the conception of the cultural models conveyed by propaganda and sponsorship originating from princes (chapter V and chapter VI). On the internal level, chapter VII and VIII describe the way the development of hunting crews and the codification of royal hunts participate in courtization. In the third part, I examine the impact of the court’s settlement on animal populations and the development of zoological architecture. Chapter IX describes the Ménagerie of Versailles, while the next one addresses the joint process of institutionalization of scientific patronage. Finally, in chapter XI and XII, I argue that the selective distribution of animals depending on the court residencies had an impact on spatial organization
Parizot, Olivia. "Les écuyers tranchants et la découpe des aliments dans les péninsules ibérique et italienne à la fin du Moyen Age et à la Renaissance". Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2012/document.
Pełny tekst źródłaMy thesis is at the crossroads of social, cultural and technical history. It deals with the duties of the Carver who was entrusted with a major assignment at the Royal Court: he was given the delicate task of carving the food and serving up the dishes for his Lord. This office, first performed by the royal officers, became a profession at the end of the middle ages and at the beginning of the renaissance period, as may be attested by the multiplication of treaties on carving in Spain and Italy issued at that time. The antiquity of the "arte Cisaria" (1423) led me to wonder about its influence on the Catalan and Italian treaties on carving which were the established later on. I also wondered afterwards to what extent these treaties complied with the established norms. Finally, in order to understand the place occupied by the Carver within the Royal Court, I focused my prosopographic research on the reigns of the Aragonese kings Ferdinand I, and his son Alphonse V
Métaux, Sandra. "La désinvolture : Esthétique et éthique de l'art (de vivre) postmoderne. L'art contemporain italien au regard de la "Sprezzata desinvoltura" de Baldassar Castiglione". Thesis, Pau, 2012. http://www.theses.fr/2012PAUU1001/document.
Pełny tekst źródłaItaly, the cradle of Castiglione’s sprezzata desinvoltura, is undoubtedly the country where the ambiguous relationship between art, politics and media is the strongest. The Italian pavilion of the Venice Biennale in 2009 and 2011 illustrates the complex game of appearances, which are “making worlds" or "lighting up nations." Reading again the history of art through the prism of Castiglione’s concept, the thesis shows us that the world (of art) is itself the effect of this “disinvoltura” ambivalence. Far from having subjugate art to their concepts, the great men, whether kings, philosophers or businessmen are the effects of this casualness (“desinvoltura”) of art. Like Monsieur Jourdain, they would make art without knowing it. Exit Machiavelli! It is now urgent to think this "ruse of art" that leads the world. These are the fundamental stakes of this thesis, that basing itself on the Nietzschean eternal return schema, distinguishes several casualness figures, historical, philosophical and aesthetic
Fonck, Bertrand. "Le maréchal-duc de Luxembourg (1628-1695) et le commandement des armées : carrière des armes et pratique de la guerre sous Louis XIV". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040160.
Pełny tekst źródłaFrançois-Henri de Montmorency-Bouteville, marshal-duke of Luxembourg (1628-1695), followed a long career of general officer, from the end of the Thirty Years’ War till the Nine Years’ War, and had a contrasted life marked by the inconstancies of the favour and the fortune of war. Committed in the Fronde with his relative, the prince of Condé, who obtained for him in 1661 the hand of the heiress of the “pairie” of Luxembourg, he returned to the service during the War of Devolution. Having acquired the protection of Louvois, he commanded in Holland in 1672, then became captain of a company of “gardes du corps”, before becoming marshal of France in 1675. Involved in the Affair of the Poisons, he was pushed aside from commands and had to wait for the campaign of 1690 to find back the direction of the army of Flanders, which he commanded until 1694. His victories, although not totally exploited, were worth to him an unequalled glory at that time, and the nickname of “The Tapissier de Notre-Dame” ; they also made him one of the most powerful generals in the court of Louis XIV, which favored the rise of his family. The study of his career contributes remarkably to the history of the interested collaboration between the high nobility and the absolutist monarchy, and of the place of the generals in the State and the kingdom’s government. The analysis of his campaigns and his experience of command reveals the evolution of warfare, in the time of the “stratégie de cabinet” and the limited conflicts, as well as the progressive transformations of the practice of war and fighting
Pédelaborde, Cindy. "Itinéraires musicaux à la cour de France sous les premiers Bourbons". Thesis, Bordeaux 3, 2012. http://www.theses.fr/2012BOR30058/document.
Pełny tekst źródłaA considerable amount of legends conveys hackneyed images of Henri IV and Louis XIII. The first one was then evoked as a good-natured, warlike figure and a Green Gallant who preferred the popular enjoyments of the boiled chicken and the bawdy songs of the Pont Neuf to the celebrations of the Valois court. His son was, as for him, considered as a taciturn monarch, dominated by his mother or by the almighty Cardinal Richelieu. Curiosity is then rarely aroused by their political personalities which, nevertheless livened up by the passion of the glory, conscious of their role as Kings of France, used both the art for authority purposes, opening the way to their illustrious descendant: Louis XIV.The first purpose of this study is to explore the initiation, if not the edification, of these sovereigns. The political uses of the splendoures were largely underlined, but the link between arts and political education is not much studied. Yet political learning and art education are conveyed by the "encounter" between the child and these shows. This encounter enables the prince to consider the potentialities of the luxurious, and to use these early experiences as a reference that he will accommodate to his profit afterward. Then what place was given to the music in the humanist formation received by the young Henri de Navarre? What was the role assigned to arts in the education of Louis XIII, while his mother, deserving representative of the Medici dynasty, made it a point of honor to provide her court with perpetual celebrations? Women undeniably played a first rank role in the implementation and the development of the court’s shows used to serve the royalist propaganda. This reflection around the role of these "muses" concerning the education of the sovereigns in the artistic sponsorship in addition to the political use of the arts will be the main focus of the first part. The second part is entirely dedicated to the propagandist use of the art. Under the first Bourbons, music developed as a wide range of appearances, psalms or hymns, popular songs or ‘‘airs de cour’’, ballets. All these forms emerged, anchoring more strongly their reigns in the tradition of the French monarchy. Under Henri IV and under his son, asserting a controversial power, the fêtes were part of the governmental strategy; they did not only play a decisive role in strengthening the power any more, they legitimized it, they consolidated it. This is how the dynasty of Bourbons was born
Hême, de Lacotte Rémy. "Entre le trône et l’autel : la grande aumônerie de France sous l’Empire et la Restauration (1804- 1830)". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040215.
Pełny tekst źródłaThe “Grande Aumônerie” traditionally refers, in France, to the clergy in charge of the exercise of the ministryto the sovereign and, among his subjects, to all those attached to his person. A long time confined to the court,this service knows, from its restoration by Napoleon until its removal by the July Monarchy, an unprecedentedgrowth. The incorporation of various components, which the most important is certainly, under theRestoration, the military chaplaincy, converts the modest aulic department into a national institution, whosenumbers equall to those of a small diocese. This work examines how the existence of such a clergy actuallyaffects the running of the Concordat System, through a detailed study of its structures, its staff and its pastoralactivity. It also raises the question of the political weight of the court clergy in the management of religiousaffairs in a constitutional government. Eventually a finding stands out : the marginalization, even before itsdisappearance, of the “Grande Aumônerie”, which, by contrast, underlines the soundness of the institutionsestablished by Bonaparte in order to regulate the religions. The ancient alliance of Throne and Altar then givesway, definitively, to the merely administrative relationship between Church and State
Pieragnoli, Joan. "La cour et les animaux sous les Bourbons". Electronic Thesis or Diss., Paris 4, 2015. http://www.theses.fr/2015PA040190.
Pełny tekst źródłaThis study does not focus in on animals as much as it questions the way they have been used by men and the part they played in the development of court life. In the first part, I address the relation between man and animal in the court context, from the standpoint of the architectural forms, administrative structures as well as the social and legal framework, in which the relation blossomed during the transition of 16th to the 17th century (chapter I to III). Chapter IV deals with yet another aspect of the man-animal relation, describing the use of the latter for alimentary purposes. The second part questions the animals’ participation in the court dynamics, at a point when, beginning with Louis XIII’s reign, courtization accelerated. My first concern was to give a detailed account of the animal’s role in the conception of the cultural models conveyed by propaganda and sponsorship originating from princes (chapter V and chapter VI). On the internal level, chapter VII and VIII describe the way the development of hunting crews and the codification of royal hunts participate in courtization. In the third part, I examine the impact of the court’s settlement on animal populations and the development of zoological architecture. Chapter IX describes the Ménagerie of Versailles, while the next one addresses the joint process of institutionalization of scientific patronage. Finally, in chapter XI and XII, I argue that the selective distribution of animals depending on the court residencies had an impact on spatial organization
Hême, de Lacotte Rémy. "Entre le trône et l’autel : la grande aumônerie de France sous l’Empire et la Restauration (1804- 1830)". Electronic Thesis or Diss., Paris 4, 2012. http://www.theses.fr/2012PA040215.
Pełny tekst źródłaThe “Grande Aumônerie” traditionally refers, in France, to the clergy in charge of the exercise of the ministryto the sovereign and, among his subjects, to all those attached to his person. A long time confined to the court,this service knows, from its restoration by Napoleon until its removal by the July Monarchy, an unprecedentedgrowth. The incorporation of various components, which the most important is certainly, under theRestoration, the military chaplaincy, converts the modest aulic department into a national institution, whosenumbers equall to those of a small diocese. This work examines how the existence of such a clergy actuallyaffects the running of the Concordat System, through a detailed study of its structures, its staff and its pastoralactivity. It also raises the question of the political weight of the court clergy in the management of religiousaffairs in a constitutional government. Eventually a finding stands out : the marginalization, even before itsdisappearance, of the “Grande Aumônerie”, which, by contrast, underlines the soundness of the institutionsestablished by Bonaparte in order to regulate the religions. The ancient alliance of Throne and Altar then givesway, definitively, to the merely administrative relationship between Church and State
Fonck, Bertrand. "Le maréchal-duc de Luxembourg (1628-1695) et le commandement des armées : carrière des armes et pratique de la guerre sous Louis XIV". Electronic Thesis or Diss., Paris 4, 2011. http://www.theses.fr/2011PA040160.
Pełny tekst źródłaFrançois-Henri de Montmorency-Bouteville, marshal-duke of Luxembourg (1628-1695), followed a long career of general officer, from the end of the Thirty Years’ War till the Nine Years’ War, and had a contrasted life marked by the inconstancies of the favour and the fortune of war. Committed in the Fronde with his relative, the prince of Condé, who obtained for him in 1661 the hand of the heiress of the “pairie” of Luxembourg, he returned to the service during the War of Devolution. Having acquired the protection of Louvois, he commanded in Holland in 1672, then became captain of a company of “gardes du corps”, before becoming marshal of France in 1675. Involved in the Affair of the Poisons, he was pushed aside from commands and had to wait for the campaign of 1690 to find back the direction of the army of Flanders, which he commanded until 1694. His victories, although not totally exploited, were worth to him an unequalled glory at that time, and the nickname of “The Tapissier de Notre-Dame” ; they also made him one of the most powerful generals in the court of Louis XIV, which favored the rise of his family. The study of his career contributes remarkably to the history of the interested collaboration between the high nobility and the absolutist monarchy, and of the place of the generals in the State and the kingdom’s government. The analysis of his campaigns and his experience of command reveals the evolution of warfare, in the time of the “stratégie de cabinet” and the limited conflicts, as well as the progressive transformations of the practice of war and fighting
Waters, Roderick-Pascal. "La "sprezzatura" : enjeux et concepts". Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0011.
Pełny tekst źródłaIn his 'Book of the Courtier' (Venice, 1528), Baldassare Castiglione (1478-1529) touches on 'a certain Recklessness ('sprezzatura'), to cover art withall, and seem whatsoever [the Courtier] does and says to do it without pain, and (as it were) not minding it', of which 'grace is much derived', 'for in rare matters and well brought to pass every man knows the hardness of them, so that a readiness therein makes great wonder' (I, XXVI, modern-spelling Hoby translation). Our study begins with a contextual analysis of 'sprezzatura''s main concepts : grace versus beauty, nature and artlessness versus labour. From a genealogical point of view, we then offer a fresh aesthetical translation of Augustine's theological (and anthropological) concept of grace, which turns out to strongly support 'sprezzatura''s conceptual frame ; we thereupon investigate Castiglione's relationship to the 'classical' value of artlessness, as found both among Ancients (Horace, Cicero, the Elder Pliny) and Moderns (Boileau, Rapin, Bouhours, Gracián). Setting back the focus on context, we then expound the inner workings of the Court, become acquainted with a number of contemporary theorists of Beauty and Grace (Ficino, Alberti, Bembo, Diacceto, Varchi, Firenzuola, Della Casa, Romei, Sardi, Accetto), and set 'sprezzatura' within the realm of 'Maniera' (especially Bronzino and Giambologna). Conclusions are eventually drawn while discussing Bourdieu's concept of 'Distinction'.We hold that 'sprezzatura' should not be reduced to the classical scheme of 'ars est celare artem', neither does it shrink grace to the mere lustre of beauty ; much to the contrary, it accounts for the very drama of imminence, thus making an aesthetical use of imagination inspired by the Christian understanding of grace. Neither should the 'mediocritas' claimed by Castiglione be reduced to its lesser self, inspired by the likes of Della Casa and Accetto : it strives for a perfect balance and a virtuoso equilibrium between the merely natural and the ridicule of 'affettazione' (which may be linked to the pursuit of the sublime). Truly, 'sprezzatura' 'reaches to the edge of generosity' (Baltasar Gracián, 'El Héroe', XIII, personal translation).Various Appendices are attached, especially : an enquiry into the roots of the concept of 'Angel' wielded by Ficino and Diacceto ; a review of various courts of the Italian Renaissance outlining their main aesthetical and cultural values
Paquette, Sepideh. "Recherches sur la cour royale égyptienne à l’époque saïte (664-525 av. J.-C.)". Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20139.
Pełny tekst źródłaThis thesis offers an analysis of the Egyptian "royal court" under the XXVIth Saite Dynasty (664-525 BC) based on textual (private and official records) and historical sources. The synthesis develops around three main axes and deals with the "Court" in its social meaning as defined by the historical sociology. The first part, then, concentrates on the study of the court as the House of the sovereign and attempts to identify the activities which characterize the "court life", its domestic organization and which make the curial space "private" or "official". The second part examines the court as a symbol of social order and the outil of representation and communication of the monarchic authority: the protocol of the Royal palace and its key role to maintain the social balance between the Saite kings and their subjects (system of the favours ḥswt) are analyzed here. The third part focuses on the social actors of the Residence (courtiers and royal entourage) and tends to demonstrate the various categories of these elites and to reveal the modalities of their accesses to the palace and to the position of "model courtier" within the hierarchical order of the court. Finally, the diachronic study followed throughout the synthesis allows to better comprehend the impact of the Archaism on the Saite palace institution and consequently to estimate the continuity and/or the changes of this system compared to the traditional models of the Pharaonic court. The corpus includes a group of prosopographical data belonging to more than 130 royal high officials. The third volume is composed of three sections general bibliography, appendices and indexes
Vial, Charles-Eloi. "Les chasses des souverains en France (1804-1830)". Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040222.
Pełny tekst źródłaHunting had always been the privileged activity of kings since the mediaeval period, and for the later Bourbons it became a consuming passion. Indeed Louis XV and Louis XVI were to be criticized by a proto public opinion ; it was thought that hunts were expensive and that they distracted the rulers from the duties of government. The royal hunts disappeared with the fall of the monarchy. But Napoleon, with his desire to appropriate the outward show of monarchical legitimacy, brought it back. Marshal Berthier was appointed Grand veneur and given the task of organizing the imperial hunt in exactly the same way as it had been done under Louis XVI. Napoleon made the hunts a powerful political instrument and a Court indulgence whilst at the same time making considerable savings. The Restoration in fact chose not to revive Ancien Régime customs but preserved the Napoleonic hunting administration. This gave rise to the paradox of a Restoration attempting to reinvigorate monarchical traditions but using structures created by Napoleon. This is that strong continuity, human, budgetary, but also political and symbolic, inside a geographical field concentrated around Paris that made it possible for the Court to circulate around the different imperial hunting residences, to dedicate certain days to the hunts, and to invite some important political figures. All of these aspects are to be found in the sources : archives, newspapers, autobiographies, artworks
Vial, Charles-Eloi. "Les chasses des souverains en France (1804-1830)". Electronic Thesis or Diss., Paris 4, 2013. http://www.theses.fr/2013PA040222.
Pełny tekst źródłaHunting had always been the privileged activity of kings since the mediaeval period, and for the later Bourbons it became a consuming passion. Indeed Louis XV and Louis XVI were to be criticized by a proto public opinion ; it was thought that hunts were expensive and that they distracted the rulers from the duties of government. The royal hunts disappeared with the fall of the monarchy. But Napoleon, with his desire to appropriate the outward show of monarchical legitimacy, brought it back. Marshal Berthier was appointed Grand veneur and given the task of organizing the imperial hunt in exactly the same way as it had been done under Louis XVI. Napoleon made the hunts a powerful political instrument and a Court indulgence whilst at the same time making considerable savings. The Restoration in fact chose not to revive Ancien Régime customs but preserved the Napoleonic hunting administration. This gave rise to the paradox of a Restoration attempting to reinvigorate monarchical traditions but using structures created by Napoleon. This is that strong continuity, human, budgetary, but also political and symbolic, inside a geographical field concentrated around Paris that made it possible for the Court to circulate around the different imperial hunting residences, to dedicate certain days to the hunts, and to invite some important political figures. All of these aspects are to be found in the sources : archives, newspapers, autobiographies, artworks
Cho, Jun Hee. "Court in the Market: The 'Business' of a Princely Court in the Burgundian Netherlands, 1467-1503". Thesis, 2013. https://doi.org/10.7916/D81R6W73.
Pełny tekst źródłaKhera, Dipti Sudhir. "Picturing India's "Land of Kings" Between the Mughal and British Empires: Topographical Imaginings of Udaipur and its Environs". Thesis, 2013. https://doi.org/10.7916/D8DV1S3M.
Pełny tekst źródłaFANTONI, Marcello. "La citta del Principe :Spazio urbano e potere principesco nell'Italia dei secoli XIV-XVII". Doctoral thesis, 1991. http://hdl.handle.net/1814/5756.
Pełny tekst źródłaSABBADINI, Roberto. "Il patriziato parmigiano tra la citta e la corte dialettica tra principe e ceti dirigenti nei Ducati Farnesiani (secc XVI-XVIII)". Doctoral thesis, 1994. http://hdl.handle.net/1814/5965.
Pełny tekst źródłaExamining board: Prof. Franco Angiolini, Università di Pisa (supervisore) ; Prof. Jean Boutier, E.H.E.S.S.-Marseille ; Prof. Gaetano Cozzi, Università di Venezia (co-supervisore) ; Prof. Gérard Delille, I.U.E. ; Prof. Cesare Mozzarelli, Università Cattolica Gemelli, Milano
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
BAUER, Volker. "Cameralism and court :the German discourse on court economy in the 18th century". Doctoral thesis, 1993. http://hdl.handle.net/1814/5733.
Pełny tekst źródłaDefence date: 11 October 1993
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
CENTENERO, DE ARCE Domingo. "¿Una monarquía de lazos débiles?: Veteranos, militares y administradores 1580-1621". Doctoral thesis, 2009. http://hdl.handle.net/1814/12699.
Pełny tekst źródłaExamining Board: Bartolomé Yun Casalilla EUI- Supervisor; Giovanni Levi ( U Ca’Foscari); Antonella Romano (EUI)); Irving Alexander Anthony Thompson (U Keele)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
No abstract available
BARRINGTON, Robert. "Philosophy and the court in the literature of the early English Renaissance". Doctoral thesis, 1993. http://hdl.handle.net/1814/5735.
Pełny tekst źródłaExamining board: Prof. Franco Angiolini, EUI (supervisor) ; Prof. Dominic Baker-Smith, University of Amsterdam ; Prof. Gigliola Margiotta-Broglio, Università di Firenze ; Dr. David Starkey, The London School of Economics ; Prof. J.B. Trapp, The Warburg Institute, London
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
"The function of western music in the eighteenth-century Chinese court". Thesis, 2007. http://library.cuhk.edu.hk/record=b6074369.
Pełny tekst źródłaEvidence that Western theoretical writings were included in Lulu zhengyi raises an important question: why did Kangxi demand that Western music theory be incorporated within his imperial treatise? There are only a limited number of studies on Western music in the early Qing court, and this research fills in a serious lacuna. This study will argue that it is not simply due to Kangxi's open mind and fondness for European knowledge that leads to the incorporation of Western music theory in Lulu zhengyi. Kangxi's goal was to use Western music as a tool to restore the lost Chinese ancient music.
The reign of Kangxi witnessed the elevation of Western music in the Qing court. After the reign of Kangxi, Western music continued to be performed at the court, however, its prestige diminished, and it served solely as entertainment for the emperors. Indeed, in Yongzheng's preface to Luli yuanyuan (1723), Western music theory was regarded as that of the Western barbarian. Later, when Qianlong ordered the compilation of the sequel to Lulu zhengyi in 1741, no Western music was included.
Chiu, Wai Yee Lulu.
"May 2007."
Adviser: Michael Edward McClellan.
Source: Dissertation Abstracts International, Volume: 69-01, Section: A, page: 0020.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2007.
Includes bibliographical references (p. 186-219).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in English and Chinese.
School code: 1307.
Chan, Wing-ming. "The changing idea of loyalty in the official historiography of the Qianlong period, 1736-1795". Phd thesis, 1999. http://hdl.handle.net/1885/147412.
Pełny tekst źródłaPapakonstantinou, Maria-Nektaria. "The court of the Byzantine imperial dynasty of the Komnenoi : its ideology, ceremonies, rituals and titles". Thesis, 2015. http://hdl.handle.net/10210/15098.
Pełny tekst źródła""有教無類": 中晚明士大夫對宦官態度的轉變及其行動的意義". 2012. http://library.cuhk.edu.hk/record=b5549383.
Pełny tekst źródła本文認爲明代中後期的士大夫在對待宦官態度與問題上,出現重要的轉變與調適,他們趨向於呼籲改變與宦官對立的關係,普遍強調宦官具備與常"人"一致的天性與善端,主張以引導和"教化"的方式令其從善。這一思維轉向的要義,是中晚明的士大夫在承認宦官官僚政治和認識宦官顯著角色及地位的基礎上,思考通過"改造"宦官進而改善政治。
中晚明時期這股思維轉向更重要地表現為以"化宦"為中心内容的行動與實踐。對宦官讀書之所--内書堂重振的共識與努力以及撰作宦官教化用書,即是這一實踐的直接落實。中晚明人士在内書堂教育和撰作宦官教化書籍中,均重視以歷史和本朝歷史上的宦官善惡實例來強化宦官道德理想教育,感召和鼓勵其去惡向善、忠君愛國以及輔養君德。這是他們借"化宦"來"格君"的努力,是他們施展上層經世理想的表現和重要内容。
在晚明集中出現的衆多宦官教化用書中,萬曆初王畿所作"化宦"書《中鑒錄》是一本對宦官有實際影響和感召力的著作。這與書中揚棄傳統偏見,尊重並同情宦官歷史,鼓勵他們具有常"人"的良知等情形密切關係。與之相反的個案則是張世則撰作的《貂璫史鑒》,以受到宦官排斥告終。其"成敗"視乎它們有否契合中晚明以來宦官在知識文化增廣之餘主體和自我意識提高的趨向。
綜核本文討論所得,主要有以下三點認識。第一,明代士人與宦官的關係複雜多樣,不能以對抗與勾結的二元結構予以簡單處理。中晚明時期不斷出現的"化宦"思想和實踐顯示,士大夫傾向於覺得他們與宦官處於同一政治文化之中,並且有意強化已趨"一體"的向路。第二,在政治現實不利和政治空間有限的情況下,明代士大夫能務實而敏銳地利用"化宦"來"格君",可見他們不曾放棄得君行道的理想,熱情未減。這是政治與文化之間高度呼應、交互影響與滲透的應有真義和全貌。第三,儒家核心價值系統中的原則為後人改造世界提供精神和經典的來源。中晚明人士思考宦官具有"人"的面向與價值並將他們納入"有教無類"之中,顯示儒家價值系統只有回到現實政治與社會生活中並積極地予以回應,摸爬滾打中,才能得到充實和實踐。這是儒學實踐性的特點和要求。
This dissertation studies the attitudes and actions of scholar-officials to the eunuchs in the Ming dynasty. From the perspective of political and cultural interaction, it explores how scholar-officials coped with changes in the political structures and political ecologies in which eunuch politics became a major issue of government. It examines scholar-officials’ thinking and action in dealing with the eunuchs while attempting to implement their political ideal when monarchical despotism reigned in Ming times.
The study finds that there are important changes in scholar-officials’ attitudes in mid and late Ming times. Instead of discrimination against eunuchs they tended to see eunuchs as their equal as human beings. They believed that eunuchs have similar human nature and humaneness as theirs, and advocated making them good imperial servants by moral and civil education. They adopted an approach that government improvement can be achieved by “transforming the eunuchs through a Confucian-based education and recognizing the eunuch’s significant role and status in the imperial government.
Mid and late Ming scholar-officials were eager to put their new ideas into actions. They were keen in reviving the Nei Shu Tang(内書堂), the eunuch school in the palace and in writing books specially intended to educate the eunuchs. These books have a common focus on the eunuch’s moral sense. Good and bad examples from history are cited to encourage them to get rid of evil thought and action and to cultivate their good sense to serve their monarchs and the imperial court well and loyally, thus also to help improve the monarch’s character and enhance his virtues. I consider such effort by mid and late Ming scholar-officials to improve the emperor through educating the eunuchs a key form of upper-level statecraft.
The research finds that the Zhong Jianlu(《中鑒錄》/ Mirror of the Eunuchs)written in the very beginning of the Wanli period by Wang Ji(王畿), the most famous student of Wang Yangming(王陽明), was a very effective education book for enlightening the eunuchs. The success of the book owes much to the respect and sympathy it show for the eunuchs. It considers them as ordinary human beings with conscience and good will rather than discriminating them by traditional prejudice. By contrast, the Diaodang Shijian(《貂璫史鑒》/Historical Mirror of the Eunuchs)written by Zhang Shize(張世則)in the middle period of the Wanli emperor, although also aiming to educate the eunuchs, failed to attract them because of a different approach to its presentation. These two examples shows that whether an education book was accepted by the eunuchs depends on whether it responded aptly to eunuch population’s increase in knowledge and cultural achievement, as well as eunuchs’ awareness of their importance in late Ming times.
In conclusion, this dissertation presents the following three views. First, the relationship between the scholar-officials and the eunuchs, which was often considered in oppositional or conflicting terms, was more complex and diverse. Scholar-officials in mid and late Ming times came to realize, and emphasized, that their political culture should be shared by the eunuchs. Second, Ming scholar-officials were pragmatic attempting to rectify their monarchs by educating the eunuchs, who were their immediate servant. This also shows that scholar-officials still had strong interest in influencing the monarch with their ideals and values at the highest level of imperial government. Third, scholar-officials’ consideration of eunuchs as their fellow human beings capable of being educated for good heart and behavior suggests that the Confucian value system worked in a positive way only when abiding to the reality of political and social life. The practice of Confucian learning finds expression and meaning not in empty theories.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
吳兆丰.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2012.
Includes bibliographical references (leaves 312-336)
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in Chinese and English.
Wu Zhaofeng.
Chapter 第一章 --- 緒論 --- p.9
Chapter 一 --- 政治、制度史研究中的明代宦官 --- p.10
Chapter 二 --- 明代宦官與士大夫關係研究的現狀 --- p.22
Chapter 三 --- 社會文化視角下的明代宦官 --- p.27
Chapter 四 --- 本文的結構和內容安排 --- p.31
Chapter 第二章 --- "攻宦"的效果與思考:以成化名臣王恕為中心 --- p.33
Chapter 一 --- 引言 --- p.34
Chapter 二 --- "攻宦"與王恕名節的建立 --- p.35
Chapter 三 --- "攻宦"與王恕"格君"的努力 --- p.40
Chapter 四 --- 成化末王恕奏疏的彙刊與謀劃入閣的關係 --- p.46
Chapter 五 --- 餘論:"攻宦"的名與實 --- p.54
Chapter 第三章 --- 調適與轉變:明中後期士大夫對宦官的省思 --- p.57
Chapter 第一節 --- 真德秀《大學衍義》對宦官的態度及其"反響" --- p.58
Chapter 一 --- 《大學衍義》齊家之要--目的設置用意 --- p.58
Chapter 二 --- 《大學衍義》對宦官的態度與定位 --- p.62
Chapter 三 --- 《大學衍義》宦官部份在明代的反響 --- p.68
Chapter 第二節 --- 明成、弘年間士大夫對"化宦"的思考與嘗試 --- p.77
Chapter 一 --- "宦侍亦人也":丘濬的思考 --- p.77
Chapter 二 --- "人皆可以為堯舜":賀欽的嘗試 --- p.84
Chapter 第三節 --- 正、嘉年間士人對"化宦"的強調與共識 --- p.90
Chapter 一 --- "性無內外"與"不以類求":湛若水的個案 --- p.90
Chapter (一) --- 《聖學格物通》及其對議禮的態度 --- p.90
Chapter (二) --- "性無內外":《格物通》對"得宦"的強調 --- p.96
Chapter (三) --- "不以類求": 湛若水與太監丘得的來往 --- p.100
Chapter 二 --- "有教無類":正、嘉年間儒臣對宦官的普遍共識 --- p.102
Chapter (一) --- 從黃佐、方鵬到王瓊、顧應祥:"不以其人而沒其善" --- p.103
Chapter (二) --- 何瑭:"内臣未必無君子,外臣未必無小人" --- p.105
Chapter (三) --- 唐樞:"有教無類" --- p.107
小結 --- p.112
Chapter 第四章 --- "化宦"與"格君":中晚明人士重振內書堂的共識與努力 --- p.114
Chapter 第一節 --- "以為汙辱":成 弘年間士大夫對內書堂的觀感和態度 --- p.115
Chapter 第二節 --- "宮府一體":中晚明士大夫對內書堂的重視和重振 --- p.120
Chapter 一 --- 初振與新義:正德和嘉靖初年的情形 --- p.120
Chapter (一) --- 景暘與何瑭 --- p.120
Chapter (二) --- 陸深與徐階 --- p.122
Chapter 二 --- 共識與努力:嘉靖中至萬曆中的情形 --- p.125
Chapter (一) --- 貢汝成:"患無以教之" --- p.126
Chapter (二) --- 郭樸、孫升、趙貞吉 --- p.129
Chapter (三) --- 李春芳、胡傑、亢思謙、汪鏜 --- p.132
Chapter (四) --- 姚弘謨、李貴及其《思齊錄》 金達、陶大臨 --- p.136
Chapter (五) --- 羅萬化、 黃鳳翔、 趙志皋 --- p.140
Chapter (六) --- 黃洪憲、 張元忭及其《內館訓言》、敖文禎 --- p.143
Chapter (七) --- 禮部的呼籲:沈鯉《典禮疏》 --- p.151
Chapter (八) --- 內書堂教材的確定:《中鑒錄》與《貂璫史鑒》 --- p.156
Chapter (九) --- 教材的挑戰者:焦竑周如砥《中學始肄》 --- p.157
Chapter 第三節 --- 餘緒:啓、 禎年間的情況 --- p.163
Chapter 一 --- 東林的聲音:錢士升 --- p.163
Chapter 二 --- "教養內監,最是重任":善書的強調 --- p.164
Chapter 三 --- "我者"與"他者":宦官劉若愚振刷内書堂的倡議 --- p.167
小結 --- p.171
Chapter 第五章 --- 著作與教化:王畿編纂"化宦"書《中鑒錄》的政治背景與内容特色 --- p.173
Chapter 一 --- 引言 --- p.173
Chapter 二 --- 《中鑒錄》的流傳、影響及其版本問題 --- p.175
Chapter 三 --- 萬曆初王畿編纂《中鑒錄》的背景及其推廣的努力 --- p.187
Chapter 四 --- 《中鑒錄》初刊和復梓者太監孫隆、劉成的事略 --- p.199
Chapter (一) --- 翻刻者劉成的生平事略 --- p.199
Chapter (二) --- 劉成與初刊者孫隆的關係 --- p.202
Chapter (三) --- 孫隆的生平及其首刊《中鑒錄》的背景 --- p.206
Chapter (四) --- 孫隆再度提督蘇杭織造期間的政治表現 --- p.216
Chapter 五 --- 《中鑒錄》的內容安排 特色與取材 --- p.224
Chapter 六 --- 小結 --- p.239
Chapter 第六章 --- 同調與異趨:萬曆年間的宦官教化書籍 --- p.241
Chapter 第一節 --- 《中鑒錄》與萬曆年間宦官教化書籍的持續出現 --- p.241
Chapter 一 --- 王畿的同調:鄒德涵的聲音 --- p.241
Chapter 二 --- 宦官"爰書":李騰芳《宦寺考》 --- p.243
Chapter 三 --- "銘讒鼎而志梼杌":徐學聚《歷朝璫鑒》 --- p.248
Chapter 四 --- "均治"之書:劉元卿《六鑒舉要》 --- p.253
Chapter 五 --- 勸善戒惡:胡良臣《內臣昭鑑錄》 --- p.256
Chapter 六 --- 宦官模範:佚名《中貴芳摹》 --- p.258
Chapter 第二節 --- 張世則《貂璫史鑒》的撰作與命運:兼與《中鑒錄》比較 --- p.259
Chapter 一 --- 張世則的生平與思想 --- p.259
Chapter 二 --- 《貂璫史鑒》撰作的政治背景和直接用意 --- p.261
Chapter 三 --- 《貂璫史鑒》內容特色與其備受宦官冷遇的關係 --- p.266
Chapter 四 --- 餘論 --- p.275
小結 --- p.276
Chapter 第七章 --- 結語 --- p.277
Chapter 一 --- 明代士人與宦官關係的重新認識 --- p.281
Chapter 二 --- "化宦"與士人"得君行道"理想的施展 --- p.282
Chapter 三 --- 儒家價值系統的充實和實踐 --- p.284
Chapter 附錄一 --- 丘濬《世史正綱》宦官條目後按語 --- p.285
Chapter 附錄二 --- 張元忭《內館訓言》 --- p.292
Chapter 附錄三 --- 王畿《中鑒錄·中鑒答問》 --- p.297
Chapter 附錄四 --- 王畿《中鑒錄》的按語 --- p.302
Chapter 附錄五 --- 圖一:馮保《經書音釋》自撰跋文後之印章 --- p.310
Chapter 附錄六 --- 圖二:金忠《御世仁風》手書跋文後之章印 --- p.311
參考文獻 --- p.312
STANNEK, Antje. "Telemachs Brueder : die Studienreisen des deutschen Adels im siebzehnten Jahrhundert". Doctoral thesis, 1996. http://hdl.handle.net/1814/5984.
Pełny tekst źródłaExamining Board: Prof. Dr. Dominique Julia, Paris/Florenz (Supervisor) ; Prof. Dr. Winfried Schulze, München (Supervisor) ; Prof. Dr. Michael Müller, Florenz ; Prof. Dr. Michael Herbsmeier, Odense ; Prof. Dr. Marcello Verga, Florenz
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017