Gotowe bibliografie tematyczne / Courts and courtiers

Gotowa bibliografia na temat „Courts and courtiers”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "Courts and courtiers"

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Kovaleva, M. V. "Organization of the lord's court in Renaissance Italy". Abyss (Studies in Philosophy, Political science and Social anthropology), nr 1(27) (2024): 147–56. http://dx.doi.org/10.33979/2587-7534-2024-1-147-156.

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The article describes the process of the emergence and development of the courts of the Italian sovereigns of the Renaissance. The author examines the structure of the courts of secular and spiritual lords. A detailed hierarchy of court positions, duties of courtiers, and their sources of income are provided. An external and internal description of the sovereign's residence is given.
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Ragauskienė, Raimonda. "The Noblewoman’s Court in the Sixteenth-Century Grand Duchy of Lithuania". Lithuanian Historical Studies 8, nr 1 (30.11.2003): 27–60. http://dx.doi.org/10.30965/25386565-00801002.

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Drawing on an extant list of courtiers (1552) of the wife of the starosta of Žemaitija, references in correspondence, posthumous property inventories and individual pieces of legislation, the present article aims to illustrate the generalized composition of sixteenth-century noblewomen’s court in the GDL, and the functions of those attached to such courts. At the same time an attempt is made to determine the role of noblewomen in appointing officials and co-opting court members and, in general, establishing the limits of their rights and patronage. The size of the court depended on the social position of the lady as its head – on the office held by her husband and on the role of the noblewoman herself in her family as well as on her personality. Minors were attended merely by a few servants, while the courts of married women and in particular those of widows comprised between 50 and 60 courtiers. As a rule, noblewomen’s courts consisted of several parts that functioned as a single unit: court officials, the male quarters (male courtiers and messengers), court specialists (medical practitioners, clergymen and musicians), the female quarters (ladies, young ladies and lady’s maids) and court staff (servants, craftsmen and coachmen). The role of the husband was crucial in the formation of noblewomen’s court. Noblewomen themselves could transform their court after the death of their husbands. The maintenance of a large number of court members required massive investment on the part of noblewomen. Nevertheless, such investment, albeit without any obvious dividends, paid off ultimately. The court was a matter of their prestige; it was important in raising noblewomen’s status in society. A court enabled them to develop their clientele and to participate actively in public life and create their own home clientele. Through their mediation their clients could become clients of their husbands or of their friends of the same high social status.
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Knighton, Tess. "New light on musical aspects of the troubadour revival in Spain". Plainsong and Medieval Music 2, nr 1 (kwiecień 1993): 75–85. http://dx.doi.org/10.1017/s0961137100000425.

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The revival of the poetic art of the troubadours in eastern Spain from the latter part of the fourteenth century has been well documented. At this time, and through most of the fifteenth century, poet-courtiers at the royal courts of Aragon and Castile drew inspiration from the troubadours of the earlier centuries, many of whom had been active in the Spanish kingdoms. The historiographical tradition for this literary phenomenon begins with Gerónimo Zurita, the great chronicler of the Aragonese kings. In his Annies de la Corona de Aragón (1562–8), he discusses this renewed interest in the ‘Gay Science’ at the Aragonese royal court of Joan I (1387–96), and relates how letters came to prevail over arms at that time as the primary concern of the courtier:
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Dover, Paul M., i Stephen Kolsky. "Courts and Courtiers in Renaissance Northern Italy". Sixteenth Century Journal 36, nr 3 (1.10.2005): 829. http://dx.doi.org/10.2307/20477497.

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MEARS, NATALIE. "COURTS, COURTIERS, AND CULTURE IN TUDOR ENGLAND". Historical Journal 46, nr 3 (wrzesień 2003): 703–22. http://dx.doi.org/10.1017/s0018246x03003212.

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Geoffrey Elton's model of Tudor politics, which emphasized the importance of political institutions and which dominated our understanding of Tudor politics for much of the second half of the twentieth century, has been challenged by a number of historians for over twenty years. They have re-emphasized the importance of social connections and cultural influences and turned attention away from studying the privy council to studying the court. In doing so, they have gone back to re-examine earlier approaches by Sir John Neale and Conyers Read which Elton had challenged. Yet, these new socially and culturally derived approaches, recently labelled ‘New Tudor political history’, remain varied and its practitioners sometimes at odds with each other. Focusing on both established seminal works and recent research, this review considers the different elements of these approaches in relation to Tudor court politics. It assesses the methodological problems they raise and identifies what shortcomings still remain. It demonstrates that Tudor politics are increasingly defined as based on social networks rather than institutional bodies, making issues of access to, and intimacy with, the monarch central. Our understanding has been further enhanced by exploration of political culture and its relationship to political action. However, the review points to the need to integrate more fully the political role of women and the relationship between the court and the wider political community into our understanding of Tudor politics, as well as place England into a European context.
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Hay, Denys. "Papal Courts and Courtiers in the Renaissance". Studies in Church History. Subsidia 8 (1991): 3–13. http://dx.doi.org/10.1017/s0143045900001538.

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The cultural influence of Rome and the papacy during the late fifteenth and early sixteenth centuries has recently attracted much attention. At the same time, courts and courtiers have come under the scrutiny of a number of scholars anxious to define their function in the cultural sphere. This brief essay is an attempt to lean on such work collectively, so to speak, and it can make no claim to originality of source material or personal research. I should perhaps give the tone and indicate the level of my approach by explaining that the gist of what follows formed a lecture given in December 1986 to the Scottish branch of the Renaissance Society at a meeting in Glasgow. I should like to regard it as well as part of this tribute to James Cameron, also as an expression of my thanks to the late Judith Hook for her work for the Society; she herself wrote an important essay bearing on the topic, albeit at a later period, the pontificate of Urban VIII (1623-44), to which I shall refer later.
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Davies, Jonathan. "Review: Courts and Courtiers in Renaissance Northern Italy". English Historical Review 120, nr 487 (1.06.2005): 825–26. http://dx.doi.org/10.1093/ehr/cei284.

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Diggelmann, Lindsay. "Courts and Courtiers in Renaissance Northern Italy (review)". Parergon 22, nr 2 (2005): 233–35. http://dx.doi.org/10.1353/pgn.2006.0013.

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Seregina, Anna. "Englishwomen at Madrid and Brussels in the 17th century: women’s patronage and English Catholic exiles overseas". Adam & Eve. Gender History Review, nr 29 (2021): 43–87. http://dx.doi.org/10.32608/2307-8383-2021-29-43-87.

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The article presents an attempt to reconstruct a communication network of Jane Dormer, Duchess of Feria). A lady at the court of Mary I of England and a wife of a Spanish grand, she was a powerful patroness of English Catholic exiles and helped them enter the Habsburg patronage network. The analysis of political activities of the Duchess of Feria (which included exchange of political information and patronage) compared with that of other women patronesses, first of all, Anne Percy, Countess of Northumberland made it possible to define parameters of women’s patronage. It has been shown that connections to the court of Mary I of England that was partially integrated into the system of Habsburg courts made it easier for the former Marian courtiers to find patrons within transnational clientele of the Habsburgs
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Martínez Hernández, Santiago. "Between Court and Village: The Evolution of Aristocratic Spaces in Early Modern Spain". Renaissance and Reformation 43, nr 4 (14.04.2021): 19–54. http://dx.doi.org/10.33137/rr.v43i4.36379.

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In May 1561, King Philip II informed the town hall of Madrid that he had chosen their town as the site for his royal residence and court. That year, the city was swiftly transformed into the Catholic king’s court and the heart of his vast monarchy. It also became the principal political and cultural space for the nobility. Yet the greatest noble houses, particularly those in Castile, were initially resistant to the establishment of a sedentary royal court and continued to exercise and represent their status at their own traditional courts. Increasingly, however, they were obliged to reside in Madrid in order to ensure direct access to the king’s grace and favour. Throughout the seventeenth century, the Spanish aristocracy became courtiers through necessity rather than conviction. In response to this situation, and without neglecting their noble estates and interests, they created their own spaces at court, and over time were able to colonize the royal capital and convert it into their own natural habitat.
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Rozprawy doktorskie na temat "Courts and courtiers"

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Bates, Catherine. "Courtship and courtliness : studies in Elizabethan courtly language and literature". Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:7d87cb87-8146-4d47-a19e-4cc9aee21467.

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In its current sense, courting means 'wooing'; but its original meaning was 'residing at court'. The amorous sense of the word developed from a purely social sense in most major European languages around the turn of the sixteenth century, a time when, according to some historians, Western states were gradually moving toward the genesis of absolutism and the establishment of courts as symbols and agents of centralised monarchical power. This study examines the shift in meaning of the words courtship and to court, seeking the origins of courtship in court society, with particular reference to the court and literature of the Elizabethan period. Chapter 1 charts the traditional association between courts and love, first in the historiography of 'courtly love', and then in historical and sociological accounts of court society. Recent studies have questioned the quasi- Marxist notion that the amorous practices of the court and the 'bourgeois' ideals of harmonious, fruitful marriage were antithetical, and this thesis examines whether the development of 'romantic love' has a courtly as well as a bourgeois provenance. Chapter 2 conducts a lexical study of the semantic change of the verb to court in French, Italian, and English, with an extended synchronic analysis of the word in Elizabethan literature. Chapter 3 goes on to diversify the functional classification required by semantic analysis and considers the implications of courtship as a social, literary and rhetorical act in the works of Lyly and Sidney. It considers the 'humanist' dilemma of a language that was aimed primarily at seduction, and suggests that, in the largely discursive mode of the courtly questione d'amore, courtship could be condoned as a verbalisation of love, and a postponement of the satisfaction of desire. Chapter 4 then moves away from the distinction between humanist and courtly concerns, to examine the practice of courtship at the court of Elizabeth I. It focuses on allegorical representations of Desire in courtly pageants, and suggests that the ambiguities inherent in the 'legitimised' Desire of Elizabethan shows exemplify the situation of poets and courtiers who found themselves at the court of a female sovereign. In chapter 5 discussions of the equivocation inveterate to courtly texts leads to a study of The Faerie Queene, and specifically to Spenser's presentation of courtship and courtly society in the imperialist themes of Book II and their apparent subversion in Book VI. The study concludes with a brief appraisal of Spenser's Amoretti as a model for the kind of courtship that has been under review.
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Nijsten, Gerard. "In the shadow of Burgundy : the court of Guelders in the late Middle Ages /". Cambridge [u.a.] : Cambridge Univ. Press, 2004. http://www.h-net.org/review/hrev-a0e6e7-aa.

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Collins, Andrew William, i n/a. "The transformation of Alexander�s court : the kingship, royal insignia and eastern court personnel of Alexander the Great". University of Otago. Department of Classics, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080811.093142.

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This thesis examines Alexander�s conception of kingship, his relationship with royal traditions in the three great kingdoms of the Near East, and the concomitant transformation of the king�s court by which Alexander created a distinctive royal insignia and introduced new court personnel and protocol. Section I ("Alexander and Near Eastern Kingship") contains Chapters I, II, and III. Section II ("The Transformation") comprises Chapters IV to VI. In Chapter I, I examine the Macedonian background of Alexander�s court and his native conception of kingship. Chapter II is a study of the kingship of Egypt. Chapter III deals with the kingship of Babylon and Persia. I then turn to an analysis of Alexander�s policies towards the Persians and the concept of the "kingship of Asia," as this was understood by Alexander. This crucial concept is to be distinguished from the kingship of Persia, a position which Alexander supplanted and replaced with his personal kingship of Asia. In Section II, three chapters are devoted to an analysis of the transformation of Alexander�s court. Chapter IV covers the origin and significance of Alexander�s royal insignia. Chapter V examines the introduction of, and the role played by, Persians and easterners in the king�s court; and Chapter VI the significance of other Persian court offices.
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Bowles, Carol De Witte. "Women of the Tudor court, 1501-1568". PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3874.

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Writing the history of Tudor women is a difficult task. "Women's lives from the 16th century can rarely be constructed except when these women have had influential connections with notable men.This is no less true for the court women of Tudor England than for other women of the time. The purpose of this thesis is to discuss some of the more memorable court women of Tudor England who served the queens of Henry VIII, Mary I, and Elizabeth I, 2 and to determine what impact, if any, they had on their contemporary times and to evaluate their roles in Tudor history.
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Jones, Oliver M. "The Matters of Troy and Thebes and Their Role in a Critique of Courtly Life in Chaucer and the Gawain-Poet". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279137/.

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Both Chaucer and the Gawain-poet use the Matters of Troy and Thebes as material for a critique of courtly life, applying these literary matters to the events and actions in and around Ricardian England. They use these classical matters to express concerns about the effectiveness of the court of Richard II. Chaucer uses his earlier works as a testing ground to develop his views about the value of duty over courtly pursuits, ideas discussed more completely in Troilus and Criseyde. The Gawain-poet uses the Matter of Troy coupled with the court of King Arthur to engage in a critique of courtly concerns. The critiques presented by both poets show a tendency toward duty over courtly concerns.
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Reynolds, Neil Anthony Charles. "The Stuart Court and courtiers in exile, 1644-1654". Thesis, University of Cambridge, 1996. https://www.repository.cam.ac.uk/handle/1810/273045.

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Scott, Nicola R. "The court and household of James I of Scotland, 1424-1437". Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/379.

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This thesis examines the importance of the royal court and household in Scotland during the reign of James I (1424-37). The medieval royal court and household has received little concentrated attention in recent Scottish studies. However, a significant body of published research exists elsewhere in Britain and Europe which shows the importance of this arena for other kingdoms at this time. These studies have emphasised how the court and household was an important centre for politics and culture in the medieval period, indicating how a similar study of the Scottish evidence is essential for a fuller understanding of James I’s reign. Through a variety of sources, the composition of James’s household and court affinity has been examined. It is evident from this that James lacked an appropriate body of companions and high-status administrative officers for a medieval ruler and this was to have significant consequences for his reign. Additionally, by looking at some of the cultural aspects of the royal court, in particular the architecture, literature and religion, a clearer picture of the socio-political dynamics and tensions of James I’s reign emerges. In contrast to the generally held view of James as a politically successful, strong and active monarch for much of his reign, this study instead indicates a king who failed to establish an attractive and useful court and household that could be exploited for royal political gain. With his failure to establish a suitable court and household, James was a king incomplete and it is the contention that this contributed significantly to the king’s assassination.
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Nast, Heidi J. (Heidi Joanne). "Space, history and power : stories of spatial and social change in the palace of Kano, Northern Nigeria, circa 1500-1990". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41055.

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The dissertation records changes in the Kano palace landscape between 1500 and 1990. Patriarchal practices that shaped the initial palace layout at vernacular domestic and state levels are outlined. Royal women were secluded and male slaves occupied public household domains, state strongholds. Later increases in eunuchs' and slave women's powers and spaces are also recorded. The demise of slave women's political realms and the rise of an autocratic and militaristic male state structure following the Fulani jihad of 1807 are then detailed. Lastly, the impact of British imperialism on the landscape of male and female slavery is presented. Because male slaves were placed publicly, they were the main receivers and negotiators of colonial change, and their spaces underwent the most forceful change.
Throughout the analyses, landscapes are seen as politically created and communicative material structures. Examination of epistemological relations used in landscape analyses demonstrates important linkages between how field research is structured and relations of power.
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Malavolta, Marilia Gabriela. "Sobre a arte e a necessidade da dissimulação em "Il libro del cortegiano"". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270239.

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Orientador: Carlos Eduardo Ornelas Berriel
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-06T05:56:52Z (GMT). No. of bitstreams: 1 Malavolta_MariliaGabriela_M.pdf: 4534104 bytes, checksum: a75c53f2eb43d223c3fbcf4a5bcc9fec (MD5) Previous issue date: 2006
Resumo: A obra de Baldassare Castiglione, Il Libro del Cortegiano, é composta por diálogos que têm como finalidade a construção, com palavras, daquele que, tendo cumprido uma série de preceitos, poderia ser tido como um perfeito homem de corte. Este assunto principal (o objetivo da obra) é levado a cabo a partir de uma série de outros assuntos, como, para citar apenas alguns: a questão da língua italiana, a arte, o merecimento individual contraposto à nobreza de nascimento, a verdadeira função da cortesania, amizade versus adulação, a importância da primeira impressão bem como da opinião universal, os vícios, as virtudes e a fortuna. A obra é composta, igualmente, por referências (anunciadas e não anunciadas) ao que ilustres antigos (como Platão, Aristóteles, Xenofonte, Cícero, Ovídio, Horácio, Sêneca ou Quintiliano) já haviam pensado sobre tal matéria - a perfeição - ou sobre outras que, para o pleno desempenho do gentil-homem, serão essenciais: a graça, a medida ou decoro, a sprezzatura e a dissimulação. O domínio destas fontes clássicas constitui um dos aspectos do refinamento cortês (e, dado ser a Corte o cenário do Cortegiano, as citadas referências ajudam a compor a exemplaridade da obra em si). Com efeito, manter uma atitude sprezzata ("desenvolta") é manter uma atitude elegante. De forma ligeiramente menos completa, manter uma atitude dissimulada deve consistir em uma eventual necessidade de ocultamento com fins valorosos, como orientar o Príncipe e manter preservado o clima cordial e refinado da Corte. Em tempo, dissimular significa enganar, ocultar algo, mentir, fingir; sprezzatura, por sua vez, implica engano, ocultamento, mentira, fingimento SEM a aplicação visível de esforço. Uma e outra são valorosas se atreladas ao conhecimento: conhecimento de si próprio, das circunstâncias, das Humanidades
Abstract: The book II Libro dei Cortegiano, by Baldassare Castiglione, presents, in the form of dialogues, the precepts that a man should achieve in order to become a perfect courtier. This main subject (the purpose of the work) is carried out by a series of other subjects, such as, too name a few: the issue of the italian language, the art, the individual merit against the nobleness birth, the real function of the courtliness, friendship versus adulation, the importance of first impression and of universal opinion, the addictions, the virtues and the fortune. The work is composed, equally, by references (announced and not announced) of what ancient illustriuos (such as Plato, Aristotle, Xenophon, Cicero, Ovidio, Horatio, Seneca, Quintilian) had already thought about this matter - perfection - or about others that, for the total fulfillment of the nobleman will be essential: grace, measure or decorum, sprezzatura and dissimulation. The domain of this classical sources constitute one of the aspects of the courteous refinement (and, beeing the Court the scenario of the Cortegiano, the cited references help composing the exemplicity of the work in itself). In fact, maintaining a sprezzata attitude is maintaining an elegant attitude. In a little less complete form, to maintain a dissimulated attitude must consist in a occasional need of concealment with valuable ends, such as orientate the Prince and sustain preserved the cordial and refined climate of the Court. In time, to dissimulate means to deceive, hide something, lie, pretend; sprezzatura, in the meantime, implies deceit, concealment, lie, pretense WITHOUT a visible application of effort. One and another are valuable if harnessed to knowledge: knowledge of yourself, of the circumstances, of Humanities
Mestrado
Mestre em Teoria e História Literária
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Kjaergaard, Mette, i n/a. "Dance at the seventeenth-century Danish court". University of Otago. Department of Music, Theatre Studies and Performing Arts, 2008. http://adt.otago.ac.nz./public/adt-NZDU20081127.161219.

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This thesis examines the culture and practice of dance in Denmark in the seventeenth century, focussing on the performance practice within festivals, the pervading French influence and philosophical discourse of dance. The repertoire of staged court dance in Denmark comprises ballets and plays performed in conjunction with festival events such as coronations, weddings, and christenings. Typical is the 1634 festival in honour of Prince-Elect Christian and Magdalena Sibylla�s wedding in Copenhagen, a celebration of international significance. Subsequent celebrations during the reigns of Frederik III and Christian V followed similar models. The festival of 1655 in homage of Prince Christian, for example, gave rise to performances of the ballet Unterschiedliche Oracula, and the German-language opera Arion. The programmes from these performances, along with other contemporary descriptions, provide evidence of aspects of the ballet genre, stage construction, machinery, characters, allegory and political themes. The Danish productions, which also include an equestrian ballet, are in many respects comparable to French court ballets produced from the beginning of the century. Evidence that French choreographies were known in Denmark is clearly provided by choreographies in the publication Maître de Danse (Glückstadt 1705) and the Danish manuscript of violin dance tunes Additamenta 396 4�. Evidence that the Danish aristocracy actively sought and coveted French culture can be found as early as the wedding festival in 1634 and well into the eighteenth century. French acculturation is evident elsewhere too, such as in Ludvig Holberg�s comedy Jean de France (1722), in a translation of French dance etiquette for youth, in contemporary accounts of French clothing and language, and by the employment of French musicians and dancing masters at the Danish court. Included is an examination of Andreas Schroder�s treatise De Saltatoribus (Flensburg 1622) and Thomas Bartholin�s dance chapter in his book Qu�stiones Nuptialis (Copenhagen 1670) as significant Danish primary sources. These sources are placed in contrast with contemporary European dance manuals such as Arbeau, De Lauze, Esquivel de Navarro, Caroso and Negri. Danish and other European authors differ in their views on the morality of dance, although they cite many of the same Ancient and Biblical sources for their persuasive arguments. Just as Denmark was connected to other countries of northern Europe in a complex political web, so too did these courts share artistic and cultural traditions, which are reflected in the sources related to dance. Danish dance practices can especially be demonstrated to be akin to those of neighbouring German courts, which, like Denmark, imitated the dance fashions of France.
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Książki na temat "Courts and courtiers"

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Baldassarre, Castiglione. The book of the courtier. London: Everyman, 1994.

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Govion Broglio Solari, Catherine Hyde, Marquise de, 1755 or 1756-1844., editor i Association Vendée militaire, red. Mémoires relatifs à la famille royale de France, pendant la Révolution: Accompagnés d'anecdoctes inconnues et authentiques sur les princes contemporains et autres personnages célèbres de cette époque. Ingrandes-sur-Loire: Association Vendée militaire, 2019.

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Hinde, Thomas. Courtiers: 900 years of English court life. London: Gollancz, 1986.

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Shubinskiĭ, S. N. Istoricheskie ocherki i rasskazy. Moskva: Moskovskiĭ rabochiĭ, 1995.

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Carafa, Diomede. Memoriali. Roma: Bonacci, 1988.

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Shubinskiĭ, S. N. Istoricheskie ocherki i rasskazy. Tallinn: Skif Aleks, 1994.

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Bell, Jean. Kösem Sultan: Topkapı'da bir gelin. İstanbul: Aksoy Yayıncılık, 1998.

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Georg Adolf Wilhelm von Helbig. Russkie izbranniki. Moskva: Voennoe izd-vo, 1999.

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Ojhā, Īśvaralāla Gi. Dīvāna Phatehamahamada. Visanagara: Īśvaralāla Ojhā, 2004.

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Indonesia. Kementerian Pariwisata dan Ekonomi Kreatif. The courts of Java. Jakarta]: Ministry of Tourism and Creative Economy, Republic of Indonesia, 2013.

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Części książek na temat "Courts and courtiers"

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Ugolini, Paola. "Courts and Courtiers in the Renaissance". W Encyclopedia of Renaissance Philosophy, 1–14. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-02848-4_668-1.

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Ugolini, Paola. "Courts and Courtiers in the Renaissance". W Encyclopedia of Renaissance Philosophy, 887–900. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_668.

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Krallis, Dimitris. "The Courts of Justice, the Court, and the Courtiers". W Serving Byzantium's Emperors, 121–38. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04525-8_7.

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Smuts, R. Malcolm. "Courtiers, ministers and favourites". W Early Modern Court Culture, 67–83. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429277986-6.

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Currie, Elizabeth. "Action men: martial fashions in Florence, 1530-1630". W La moda come motore economico: innovazione di processo e prodotto, nuove strategie commerciali, comportamento dei consumatori / Fashion as an economic engine: process and product innovation, commercial strategies, consumer behavior, 367–87. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-565-3.20.

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This chapter analyses the influence of contemporary ideals of valour, physical strength, and martial skill on male court fashions. It outlines the various channels that enabled the propagation of martial styles and begins by examining the close relationship between inner valour and outward display, highlighting the meanings ascribed to the words “bravo” and “bravura” in sixteenth-and seventeenth-century Italian texts and imagery. Florentine courtiers were surrounded by idealised representations and performances of warfare, including mock battles with lavish costumes that were a key feature of Medici propaganda. Soldiers and mercenaries were themselves frequently characterised as fashion setters, associated with gaudy colours, flamboyance, and ornate decorations considered inappropriate male attire in many civic contexts. The chapter proceeds to focus on three key aspects of male dress connected with military might and physical strength: leather upper garments, frogged fastenings on cloaks and gowns, and adherent, short trunk hose. Consumer demand for these styles and their cultural meanings are traced through contemporary literature, visual sources, and archival records.
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Barclay, Katie, i François Soyer. "Eustache Du Refuge (1564–1617), A Treatise of the Court or Instructions for Courtiers Digested into two Books". W Emotions in Europe 1517–1914, 178–90. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003175506-30.

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Doran, Susan. "Courts and Courtiers". W From Tudor to Stuart, 216–53. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198754640.003.0009.

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Abstract On James’s accession, changes were introduced into the royal court. Two new households were immediately formed, and a new department, James’s bedchamber, was established. Because of James’s bounty to the Scots who were gentlemen of the bedchamber, anti-Scottish sentiment became rife both inside and outside the court. The courts of Anna and Henry were not sites of factional politics nor oppositional to James’s, and the contrast between father and son was one of emphasis rather than substance. With a few exceptions, the court calendar was the same as under Elizabeth, and each summer James continued the tradition of royal progresses. Masques became a vital part of winter entertainments, and the court was more cosmopolitan than it had been under Elizabeth. Although disorderly behaviour was occasionally observed at James’s court, it was not the everyday experience and ambassadors were impressed with its magnificence and grandeur.
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Braden, Gordon. "Courtiers". W Petrarchan Love and the English Renaissance, 178–205. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192858368.003.0005.

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Abstract The trope whereby the lover serves his lady the way a feudal vassal does his lord is something Petrarchism inherits from the troubadours at the courts of southern France in the twelfth and thirteenth centuries. For most of its literary life the trope relies on its metaphorical sense, but in the court of Elizabeth I the metaphor takes on serious political reality for the ambitious male courtiers seeking her favor. A number of them write poetry, and that poetry naturally gravitates to Petrarchan themes and language which in this context take on new meaning. The court poems of Edward Dyer, Arthur Gorges, the Earl of Oxford, and the Earl of Essex remain indifferent productions, but Walter Ralegh, a writer of considerable power, left a striking if spotty poetic record of his fraught relations with his queen. We have one actual exchange of poems between them at a tense moment; it offers our closest look at what the intimacy between them might have been like. We also have reports and some fragments of an epic sequence called “The Ocean’s Love to Cynthia,” which seems to have centered on a vision of Petrarchan love as the driving force of European imperialism.
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Crane, Susan. "Maytime in Late Medieval Courts". W New Medieval Literatures, 159–79. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198184768.003.0007.

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Abstract In the Maytimes of fourteenth- and fifteenth-century England and France, courtiers dressed up in plants, celebrated women for being daisies, and allied themselves with the parties of Leaf and Flower. Their behaviour, which has left few traces in chronicles and wardrobe ac counts but quite a bit of poetry in its wake, raises intriguing questions in relation to ritual. How are courtiers who wear garlands of flowers or leaves modifying their self-presentation and what do they think to accomplish by doing so? What relation with nature are they asserting? I will argue that, as ritual, elite Maying works to shape participants’ sexuality. This transformation of sexuality contributes in turn to the ritual’s enactment of privileged social status.
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Cogan, Susan M. "Flowers and Gift Culture at the Elizabethan Court". W Floral Culture and the Tudor and Stuart Courts. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722490_ch08.

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Flowers were a constant presence at court. Over the forty-four years of Elizabeth I’s reign, the records of the New Years’ Gift Exchanges reveal that courtiers increasingly gave her floral-themed gifts. Early in the reign, most were foods such as oranges, ginger, and whole nutmeg. As the years passed, orange blossoms and assorted fruits became regular gifts. As courtiers competed for the queen’s favour, increasingly expensive and elaborate gifts with floral embellishments entered the exchange. This chapter traces the role of flowers in the gift exchanges at the Elizabethan court, focusing particularly on the New Year’s exchange, as it seeks to explain the role of flowers at court throughout Elizabeth’s reign, as signifiers of loyalty and political power.
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Streszczenia konferencji na temat "Courts and courtiers"

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Novelli, Francesco. "Castle Garth in Newcastle (UK): processes of transformation, integration and discharge of a fortified complex in an urban context". W FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11548.

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Castle Garth is the name of the fortified area once enclosed within the castle walls. In the fifteenth century Newcastle became a county in its own right, however, the Garth, being within the castle walls, remained part of the County of Northumberland. The Great Hall, a building separate from the Castle Fortress (the “Keep”), which in later years became known as the “Old Moot Hall”, was used by courts that sat at regular intervals in every county of England and Wales. The Fortress then became a prison for the County and was used as such until the early nineteenth century. Beginning in the fifteenth century, unlicensed traders, taking advantage of the fact that the city authorities had no jurisdiction over the Garth area, settled there with their commercial activities. From the time of Charles II (1630-1685), the area then became famous for its tailors and shoemakers, who grew particularly abundantly on the path known as “Castle Stairs”. In 1619 the fortified complex was rented by James I to the courtier Alexander Stephenson, who allowed the civilian houses to be built inside the castle walls. After the civil war, new houses were added until, towards the end of the eighteenth century, Castle Garth had become a distinct and densely populated community, with a theater, public houses and lodgings. The main urban transformations were started in the early nineteenth century with the construction of the new Moot Hall called County Court. From 1847 to 1849 the fortified enclosure was partially compromised by further intersections with the infrastructure for the construction of the railway viaduct, thus interrupting direct access from the Castle guarding the Black Gate. Despite the development of the contemporary city has affected the preservation of the ancient fortified palimpsest, a strong consolidated link is still maintained by the sedimentation of values ​​of material and immaterial culture. The proposed contribution intends to present this process of integration between fortified structure and city highlighting today the state of the art, the conservation, restoration and enhancement initiatives undertaken in the last forty years.
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