Gotowa bibliografia na temat „Costume”
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Artykuły w czasopismach na temat "Costume"
Taylor, Madeline. "Fitting materials: Costume flows, intra-actions and agency in and around the fitting room". Scene 9, nr 1 (1.12.2021): 97–116. http://dx.doi.org/10.1386/scene_00039_1.
Pełny tekst źródłaBrookins, Amelia. "Costumes as palimpsests: Accumulation of narratives through reuse of costumes in film and theatre". Studies in Costume & Performance 8, nr 1 (1.05.2023): 91–103. http://dx.doi.org/10.1386/scp_00087_1.
Pełny tekst źródłaColpaert, Lisa. "Costume on film: How the femme fatale’s wardrobe scripted the pictorial style of 1940s film noir". Studies in Costume & Performance 4, nr 1 (1.06.2019): 65–84. http://dx.doi.org/10.1386/scp.4.1.65_1.
Pełny tekst źródłaAndersson, Therése. "Costume Cinema and Materiality: Telling the Story of Marie Antoinette through Dress". Culture Unbound 3, nr 1 (19.04.2011): 101–12. http://dx.doi.org/10.3384/cu.2000.1525.113101.
Pełny tekst źródłaAprilianti, Luh Wulan. "An Analysis of Lexicons in Costumes of Baris Gede Dance at Penuktukan Village". International Journal of English Education and Linguistics (IJoEEL) 5, nr 1 (4.07.2023): 18–30. http://dx.doi.org/10.33650/ijoeel.v5i1.5415.
Pełny tekst źródłaZhu, Chun, Kaixuan Liu, Xiaoning Li, Qingwei Zeng, Ruolin Wang, Bin Zhang, Zhao Lü i in. "Research on Archaeology and Digital Restoration of Costumes in DaoLian Painting". Sustainability 14, nr 21 (28.10.2022): 14054. http://dx.doi.org/10.3390/su142114054.
Pełny tekst źródłaTaylor, Madeline, Suzanne Osmond i Sofia Pantouvaki. "Costume Connections". Studies in Costume & Performance 8, nr 2 (1.12.2023): 147–53. http://dx.doi.org/10.1386/scp_00093_2.
Pełny tekst źródłaRaud, Inna. "Vändra kihelkonna naiste traditsioonilised rahvarõivad: komplektide koostamine ja valmistamine tänapäeval. TÜ Viljandi Kultuuriakadeemia pärandtehnoloogia magistritöö 2014 / The traditional folk costumes of the women of Vändra parish". Studia Vernacula 5 (5.11.2014): 169–71. http://dx.doi.org/10.12697/sv.2014.5.169-171.
Pełny tekst źródłaRaud, Inna. "Vändra kihelkonna naiste traditsioonilised rahvarõivad: komplektide koostamine ja valmistamine tänapäeval. TÜ Viljandi Kultuuriakadeemia pärandtehnoloogia magistritöö 2014 / The traditional folk costumes of the women of Vändra parish". Studia Vernacula 5 (5.11.2014): 169–71. http://dx.doi.org/10.12697/sv.2014.5.169-171.
Pełny tekst źródłaMarshall, Susan. "Insubordinate Costume". Studies in Costume & Performance 6, nr 2 (1.12.2021): 283–304. http://dx.doi.org/10.1386/scp_00052_3.
Pełny tekst źródłaRozprawy doktorskie na temat "Costume"
Chu, Hoi-shan. "Museum for traditional Chinese garment". Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956875.
Pełny tekst źródłaNguimfack-Perault, Sylvie. "Une approche ethnologique du costume de spectacle, de ceux qui le portent à ceux qui le fabriquent : identité, savoir faire et transmission". Paris 7, 1999. http://www.theses.fr/1999PA070117.
Pełny tekst źródłaWe recognize the artist in the way he's dressed. We can't confuse between an acrobat and a dancer or a tragedian and a clown. The stage costume associated to a body attitude constitutes a strong indicator about the represented character. In the domain of dance, Music Hall is particularly interesting because of the extravagance of the stage costume. It will be our reference. The formation to become Girl is similar to an initiation. The observer will find all ingredients : emotional shock (audition), loneliness (during fomation) regression (being a Girl means depend on somebody), the new personality and the dull consciousness, the baptism as a sign of belonging to a new community. As a link of this particular formation, the body will have a new memory going beyond the fact of knowing dancing. This fact starts when one wears the stage costume and it's according to this fact that dancing bodies built specific memory. The making of these stage costumes needs a specific knowledge. Specialized handcrafts men possess it. They represent old french corporation of XIIIth century. They adapted ancient knowledge to new raw material. They are the only one to live the birth estate of creation : the transition of raw material to an object, from the esquiss to the volume. All handcrafts men depend on the others to see their creation in a full existence when the artist gathers and wears each part of the costume. However, workshops close one by one because of inadaptated economy. How will creation be going on ? How will knowledge be transmitted ?
Marchi, Tavares de Melo Isabela. "Threading Art: the dynamics of costume design and costume studies". VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3380.
Pełny tekst źródłaLebis, Evelyn. "Interactive Costume Design". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11182.
Pełny tekst źródłaKovtun, I. "Egyptian Costume History". Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8476.
Pełny tekst źródłaФролова, Олена Олексіївна, i Н. М. Сиромля. "Traditional Japanese costume". Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18273.
Pełny tekst źródłaHamlin, Gretchen Lapp. "Costume as art /". Online version of thesis, 1991. http://hdl.handle.net/1850/11870.
Pełny tekst źródłaBorton, Lisa Kay. "Graduate costume design". Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/2826.
Pełny tekst źródłaBaker, Terry. "Sing for Your Costumes: A Costume Design Thesis on The Boys from Syracuse". OpenSIUC, 2018. https://opensiuc.lib.siu.edu/theses/2345.
Pełny tekst źródłaSchubert, Gabriella. "Kleidung als Zeichen : Kopfbedeckungen im Donau-Balkan-Raum /". Wiesbaden : Harrassowitz, 1993. http://catalogue.bnf.fr/ark:/12148/cb37450180t.
Pełny tekst źródłaKsiążki na temat "Costume"
Rowland-Warne, L. Costume. New York: Knopf, 1992.
Znajdź pełny tekst źródłaMaclaurin, Ali, i Aoife Monks. Costume. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02951-5.
Pełny tekst źródłaill, McAulay Liz, red. Costume. New York: DK Pub., 2000.
Znajdź pełny tekst źródłaCostume, Inc Roma. Roma costume 2013. Burbank, CA: Roma Costume, 2013.
Znajdź pełny tekst źródłaWeir, Shelagh. Palestinian costume. Austin: University of Texas Press, 1989.
Znajdź pełny tekst źródłaCletus, Anderson, red. Costume design. Wyd. 2. Fort Worth: Harcourt Brace College Publishers, 1999.
Znajdź pełny tekst źródłaill, Badenhop Mary, red. Costume party. Mahwah, N.J: Troll Associates, 1988.
Znajdź pełny tekst źródłaVictoria and Albert museum. Hollywood costume. London: Victoria & Albert Museum, 2012.
Znajdź pełny tekst źródłaill, Mukhida Zul, red. Costume crafts. Milwaukee: Gareth Stevens Pub., 1994.
Znajdź pełny tekst źródłaLe costume. Condé-sur-Noireau: Éditions Charles Corlet, 2012.
Znajdź pełny tekst źródłaCzęści książek na temat "Costume"
Escolme, Bridget. "Costume". W Shakespeare and the Making of Theatre, 128–45. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-28493-8_8.
Pełny tekst źródłaMackenzie, S. C. "Costume". W Handbook for History Teachers, 1028–29. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-179.
Pełny tekst źródłaManning, E. M. Rosalind. "Costume". W Handbook for History Teachers, 447–50. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-56.
Pełny tekst źródłaDickinson, Carol, i A. K. Dickinson. "Costume". W Handbook for History Teachers, 649–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-95.
Pełny tekst źródłaMonks, Aoife. "Introduction". W Costume, 1–6. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02951-5_1.
Pełny tekst źródłaMaclaurin, Ali. "Writing about Costume". W Costume, 7–35. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02951-5_2.
Pełny tekst źródłaMaclaurin, Ali. "The Stage Picture". W Costume, 36–68. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02951-5_3.
Pełny tekst źródłaMonks, Aoife. "Virtuosity, Craft and Technique in the Work of Costume". W Costume, 69–103. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02951-5_4.
Pełny tekst źródłaMonks, Aoife. "Playing the Body: Costume, Stereotypes and Modernity in Performance". W Costume, 104–40. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02951-5_5.
Pełny tekst źródłaMaclaurin, Ali. "Artists and the’ Scenic Body’". W Costume, 141–61. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-02951-5_6.
Pełny tekst źródłaStreszczenia konferencji na temat "Costume"
Zhanguzhinova, Meruyert, Bagdat Akylbekova, Sabit Kurmanbekov, Nazerke Kumargaliyeva i Nazerke Kairbekkyzy. "Innovative Trends in Ethno-Costumology in the Modern Theater Process". W 15th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2022. http://dx.doi.org/10.22616/reep.2022.15.023.
Pełny tekst źródłaCabral, Alexandra, i Carlos Manuel Figueiredo. "Costume Design: Ergonomics in Performance Art". W Applied Human Factors and Ergonomics Conference. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100820.
Pełny tekst źródłaJayasanka, H. W. J., B. T. G. S. Kumara i Banujan Kuhaneswaran. "CNN Based Costume Categorization Approach to Bootstrap the Costume Recommendations". W 2021 International Conference on Decision Aid Sciences and Application (DASA). IEEE, 2021. http://dx.doi.org/10.1109/dasa53625.2021.9682314.
Pełny tekst źródłaWang, Yunyun. "Methods of Innovative Application of Miao Costume Elements in Modern Costume". W Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.98.
Pełny tekst źródłaPaula, Suélen Carolini de. "BEYOND THE OLD AND THE NEW IN FASHION: THE UPCYCLING BELLY DANCE COSTUME DEVELOPMENT". W ENSUS2023 - XI Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/2596-237x.ensus2023.v11.n1.p229-239.
Pełny tekst źródłaLiang, Jun, i Tian chang Li. "Stitching in Costume Design". W 2nd International Conference on Education, Management and Social Science (ICEMSS 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icemss-14.2014.103.
Pełny tekst źródłaEndres, Thomas G. "Costume, Culture, and Congruence: Identification and Representation of Self via Costume Play". W The Barcelona Conference on Arts, Media & Culture 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2435-9475.2023.12.
Pełny tekst źródłaLuo, Juan. "Analysis on Application of Traditional Chinese Opera Costume Elements in Contemporary Costume Design". W 2017 3rd International Conference on Economics, Social Science, Arts, Education and Management Engineering (ESSAEME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/essaeme-17.2017.88.
Pełny tekst źródłaМокина, А. Ю., i Е. А. Химичева. "SYNTHESIS OF MATERIALS AND TECHNIQUES IN MODERN ARTISTIC TEXTILES AND COSTUME". W КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.20.
Pełny tekst źródłaKinley, Tammy R. "Historic Costume: Assignment Overload Solutions". W Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.12093.
Pełny tekst źródłaRaporty organizacyjne na temat "Costume"
Arthur Bradley, Linda. Mounting a Costume Exhibit:. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-609.
Pełny tekst źródłaJablon-Roberts, Sara, i Eulanda Sanders. Historical Accuracy in Costume Design: Experiences and Perceptions of Broadway Costume Designers. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1745.
Pełny tekst źródłaRhee, Jongeun, i Susanna Bordelon. �Choli�: Re-Design and Engineering Functional Belly Dancing Costume. Ames (Iowa): Iowa State University. Library, styczeń 2019. http://dx.doi.org/10.31274/itaa.8283.
Pełny tekst źródłaMcCracken, Arienne, April Elisha Stanley, Huanjiao Dong i Sara Marcketti. Survey of Historic Costume Course Redesign Using Bloom's Taxonomy. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-368.
Pełny tekst źródłaKwon, Yumi, i Sook Jin Kim. Study on Development of Convergence Subjects for Software Education in Fashion Design: Convergence Education of Western Costume History and 3D Virtual Costume Programs. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1698.
Pełny tekst źródłaWang, Qiuyue, i Ping Zhao. Consumer Behavior Research on Culture Identity of Traditional Chinese Costume. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1352.
Pełny tekst źródłaAdomaitis, Alyssa, i Diana Saiki. Inclusion is the Key: Promoting Cultural Diversity through Historic Costume. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1523.
Pełny tekst źródłaHolt, Sierra B. Using Costume Collection Artifacts for Historic Style Trends Teaching Modules. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1834.
Pełny tekst źródłaOrzada, Belinda T. Ballet Costume Design: the Ultimate Challenge in Function and Sustainability. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-469.
Pełny tekst źródłaAmoroso Leslie, Catherine. Engagement in high enrollment classrooms: History of Costume, hybrid by choice. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-616.
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