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Artykuły w czasopismach na temat "Corps humain – Danse"
Malka, Liora. "La danse ou la mort : l’art de la terreur sans le sang". Protée 27, nr 1 (12.04.2005): 47–52. http://dx.doi.org/10.7202/030540ar.
Pełny tekst źródłaPreljocaj, Angelin. "« Le média de la danse, c’est le corps humain »". Hermès 80, nr 1 (2018): 96. http://dx.doi.org/10.3917/herm.080.0096.
Pełny tekst źródłaChemillier, Marc, Jean Pouchelon, Julien André i Jérôme Nika. "La contramétricité dans les musiques traditionnelles africaines et son rapport au jazz". Anthropologie et Sociétés 38, nr 1 (10.07.2014): 105–37. http://dx.doi.org/10.7202/1025811ar.
Pełny tekst źródłaDehouve, Danièle. "El cuerpo y lo virtual: Danzas y combates en Mesoamérica / Le corps et le virtuel : danses et combats en Mésoamérique". Revista Trace, nr 83 (31.01.2023): 5. http://dx.doi.org/10.22134/trace.83.2023.867.
Pełny tekst źródłaPlancke, Carine. "Rythmomimisme et gestuelle dansée". Anthropologie et Sociétés 36, nr 3 (19.02.2013): 137–52. http://dx.doi.org/10.7202/1014169ar.
Pełny tekst źródłaKardis, Kamil, Maria Kardis, Gabriel Pala, Tadeusz Bak i Michal Valco. "The culture of the body in the media space of postmodern society". XLinguae 14, nr 4 (październik 2021): 312–23. http://dx.doi.org/10.18355/xl.2021.14.04.21.
Pełny tekst źródłaThorström, Tony. "Toward an Ontology of Emergence: Agency Materialization and Redistribution Processes in Jean-Michel Truong’s Le Successeur de pierre". IRIS, nr 38 (30.06.2017): 81–91. http://dx.doi.org/10.35562/iris.1083.
Pełny tekst źródłaThorström, Tony. "Toward an Ontology of Emergence: Agency Materialization and Redistribution Processes in Jean-Michel Truong’s Le Successeur de pierre". IRIS, nr 38 (30.06.2017): 81–91. http://dx.doi.org/10.35562/iris.1083.
Pełny tekst źródłaAnderson, Christopher, Arne Eigenfeldt i Philippe Pasquier. "The Generative Electronic Dance Music Algorithmic System (GEDMAS)". Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 9, nr 5 (30.06.2021): 5–8. http://dx.doi.org/10.1609/aiide.v9i5.12649.
Pełny tekst źródłaMasurelle, Aymeric, Ahmed Rida Sekkat, Slim Essid i Gaël Richard. "TPT-Dance&Actions : un corpus multimodal d’activités humaines". Traitement du signal 32, nr 4 (28.10.2015): 443–75. http://dx.doi.org/10.3166/ts.32.443-475.
Pełny tekst źródłaRozprawy doktorskie na temat "Corps humain – Danse"
Baxmann, Inge. "Mythos : Gemeinschaft : Körper- und Tanzkulturen in der Moderne /". München : Fink, 2000. http://catalogue.bnf.fr/ark:/12148/cb38898800v.
Pełny tekst źródłaParviainen, Jaana. "Bodies moving and moved : a phenomenological analysis of the dancing subject and the cognitive and ethical values of dance art /". Tampere : Tampere university press, 1998. http://catalogue.bnf.fr/ark:/12148/cb377551707.
Pełny tekst źródłaAlmeida, Marcia Soares de. "Les affections plastiques du corps et la danse contemporaine". Paris 1, 2009. http://www.theses.fr/2009PA010693.
Pełny tekst źródłaDenoual, Fabienne. "Le corps/objet dans les arts plastiques et la danse contemporaine". Paris 1, 2006. http://www.theses.fr/2006PA010641.
Pełny tekst źródłaJacoby, Estelle. "Dialogues et convergences entre la danse et la poésie moderne". Paris 8, 2003. http://www.theses.fr/2003PA082319.
Pełny tekst źródłaIn this work the relationship between dance and poetry is seen from two related viewpoints : first, a comparison between the common stakes which those two arts are confronted with, and then, a methodological challenge consisting in reading poetry according to a dance theory approach. According to those viewpoints two main lines of thinking emerge from a restricted definition of dance as a body movement art : precisely body and movement. Those two lines will be studied in three parts. The first will deal with the deconstruction of the notion of body to enable dance to produce a plural body that no longer belongs to facts but fiction. Then will come the question of the body in writing. Three operations will be explored : transcription, translation and transliteration. The third part will demonstrate that, from the dancing point of view, taking movement category into account leads to consider the opening of poetry to the disruption of fiction
Maugery, Ariane. "L' instant et le mouvant : une esthétique du corps dansant : présence corporelle des pratiques dansées". Aix-Marseille 1, 2007. http://www.theses.fr/2007AIX10093.
Pełny tekst źródłaPressard-Berthier, Véronique. "Expression de l'intériorité en danse moderne et contemporaine". Paris, EHESS, 2013. http://faraway.parisnanterre.fr/login?url=https://www.harmatheque.com/ebook/expression-de-l-interiorite-en-danse-moderne-et-contemporaine-50068.
Pełny tekst źródłaThe passage of an exteriority codified looking for an interior movement in dance is the object of our study with the question of the emergence of the subject-dancing put watermark. The period of rupture between academicism and modemity in dance in the West is analyzed in the direction of a more general cultural evolution, including the phenomenon of birth of the individual, that is intimately bound the enlargement of the concept of equality and greater personal freedom. A study on physical interiority has retained our attention with the aim to highlight the process of progressive awareness of the intemal sensitivity of the dancer (transformation of the psychological and sensitive universe) from the Belle Epoque. The impact of modem dance on the culture of the time and vice versa has been subjected to specifie investigations, providing a layout perspective oftaste class to the public of an era, for a certain approach to the dancing body in close relationship with echoes of the dance productions. The writings of dancers, choreographers, theorists of the movement, physiologists, sociologists, historians, psychologists and philosophers constitute the base, informative and conceptual research, without omitting considerations of writers on the subject. Two interviews with choreographer Angelin Preljocaj, based on a questioning of his practices and his "felt", allow the analysis to be grounded in reality and the actuality of the object of study
Feuillet, Isabelle. "La danse du peintre : essai d'analyse d'une pratique picturale". Rennes 2, 1998. http://www.theses.fr/1998REN20032.
Pełny tekst źródłaWe propose a comparative analysis between a form of pictural practice and contemporary dance. The progressive approach sets in a first place, the problem of the model and otherness. The classical model is analysed in its relation to the painter along with the dancer model. It is the presence / absence of the model which draws our attention here. The drawing will endeavour to assimilate all the tension and energy a dancing body can convey, and so to the limits of representation
Bourdie, Annie. "Créations chorégraphiques d’Afrique francophone : systèmes de représentations et stratégies de reconnaissance en période contemporaine". Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST0006.
Pełny tekst źródłaContemporary choreographies from Africa have been crossed by social representations of dance, bodyand arts but they are also nurtured by the historical western gaze on Africa, on the “Black“, and on“his“ dance. Furthermore, the ambivalent relationships built for generations between France andAfrica have impacted these representations, including professional scenic dance.During the seventies, Léopold Sedar Senghar, driven by the ambition to promote arts in Africa throughthe concept of Negritude, proposed, with the french choreographer Maurice Béjart, a new artisticexperience called Mudra Afrique. This school was a training project about performing arts for Africandancers, nurtured by Senghor’s and Bejart’s representations, with the aim of “modernizing“ dance inAfrica. This project did not have the expected impact, even though the director of Mudra, GermaineAcogny, thanks to this school, has become one of the most influencial figure in the African dance, infrench-speaking area and beyond.Nevertheless, the explosive development of contemporary choreographies from Africa, since the1990s, is mainly due to the France’s foreign policy by redefining cultural cooperation with the Africancontinent. Its specific program called Afrique en Creations aimed to enable African artists to developtheir own contemporary expression. It contributed more specifically to the promotion of“contemporary African dance“ through the launch of biennial choreographic encounters in Africa. Bythis way, France reaffirmed the specific nature of its ties with Africa through arts and culture. Againstsuch a backdrop, when political and artistic expressions are closely related, how the artists dealt withthe dominant models? Could they move away from this established framework? Which strategies didthey adopt? And more specifically, what about the French-speaking choreographers?
Potrovic, Laura. "Ce qu'un corps peut devenir : cartographie entre danse et philosophie". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA087/document.
Pełny tekst źródłaThis thesis does not explore what body is, but what a body can become. It explores the body as event-in-making throughout the concepts such as Body without Organs (Antonin Artaud, Gilles Deleuze and Félix Guattari), bodying (Erin Manning), body-in-making (Erin Manning). What all of those concepts have in common is the same state - a state of becoming. Here, body becomes, and as such - it is a verb, an activity, a force. This thesis does not only explore the body as a force of becoming, but it also explores the becoming of that force - at the molecular, experiential and relational level. As Manning says, a body is always more-than one. Here, we are trying to approach the physical, experiential and relational becomings of a body in movement. That which moves the body from the state of being into the state of becoming is movement. This thesis is trying to show how movement never stops. We always move, therefore, there is a continuity of becoming. A body is never just a form, but a force-form. Movement is that which opens the body toward its becoming of force(s). A moving body is not a form of expression, but a force-field of expressivity. Movement makes the body, therefore, the body itself is a movement. We are not dancing with the body, we are dancing the body itself. The body is a score, a body-score, of its own becoming
Książki na temat "Corps humain – Danse"
1943-, Nègre Mireille, red. Quand la vie prend corps: Essai à deux voix. Paris: Les Éd. du Cerf, 2012.
Znajdź pełny tekst źródłaLucie, Nérot, red. La danse des 5 rythmes: Un chemin de transformation par le mouvement. Paris: Le Courrier du livre, 2009.
Znajdź pełny tekst źródłaThe Renaissance and seventeenth-century rationalism. London: Routledge, 2003.
Znajdź pełny tekst źródłaAndré, Lepecki, red. Of the presence of the body: Essays on dance and performance theory. Middletown, Conn: Wesleyan University Press, 2004.
Znajdź pełny tekst źródłaLeigh, Foster Susan, red. Choreographing history. Bloomington: Indiana University Press, 1995.
Znajdź pełny tekst źródłaNoisette, Philippe. Le corps et la danse. Paris: Martinière, 2005.
Znajdź pełny tekst źródłaColette-Chantal, Adam, red. Le corps. Paris: Edition Marketing, 1992.
Znajdź pełny tekst źródłaRepenser le corps humain. Montréal: Médiaspaul, 2010.
Znajdź pełny tekst źródłaLeigh, Foster Susan, red. Corporealities: Dancing, knowledge, culture, and power. London: Routledge, 1996.
Znajdź pełny tekst źródłaEmmanuel, Dockès, Lhuiller Gilles i Conservatoire national des arts et métiers (France), red. Le corps et ses représentations. [Paris]: Litec, 2001.
Znajdź pełny tekst źródłaCzęści książek na temat "Corps humain – Danse"
Diemberger, Hildegard. "Montagnes sacrées, os des ancêtres, sang maternel – le corps humain dans une communauté tibétaine du Nepal (les Khumbo)1". W La Production du corps, 269–79. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003211150-12.
Pełny tekst źródłaFaure, David, i Elsa Tuffa. "Le corps des chercheurs « au travail » : corps en mouvement, corps ému". W Les émotions dans la recherche en sciences humaines et sociales, 249–69. Presses universitaires de Rennes, 2021. http://dx.doi.org/10.4000/books.pur.150377.
Pełny tekst źródłaZanna, Omar. "Chapitre II. L’empathie, une disposition humaine". W Le corps dans la relation aux autres, 117–28. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.69597.
Pełny tekst źródłaJacquey, Évelyne, Sylvain Hatier, Agnès Tutin i Laurence Kister. "Annotation du lexique scientifique transdisciplinaire dans des écrits scientifiques en Sciences Humaines et Sociales". W Lexique(s) et genre(s) textuel(s) : approches sur corpus, 271–88. Editions des archives contemporaines, 2020. http://dx.doi.org/10.17184/eac.2924.
Pełny tekst źródła"Des corps productifs dans un pays en guerre, 1914–1918". W Nourrir la machine humaine, 110–43. McGill-Queen's University Press, 2015. http://dx.doi.org/10.1515/9780773597150-008.
Pełny tekst źródłaLe Breton, David. "Au corps de la recherche". W Les émotions dans la recherche en sciences humaines et sociales, 17–29. Presses universitaires de Rennes, 2021. http://dx.doi.org/10.4000/books.pur.150242.
Pełny tekst źródłaGUELLATI, Amel. "Le cas de l’arabe". W Echantillons représentatifs et discours didactiques, 129–40. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.6545.
Pełny tekst źródłaProsperi, Laura. "Le pouvoir de la nourriture sur la reproduction humaine : discours diététique et différences de genre d’après l’ouvrage de Giovanni Marinello (Italie-France : xvie et xviie siècles)". W Un aliment sain dans un corps sain, 291–307. Presses universitaires François-Rabelais, 2007. http://dx.doi.org/10.4000/books.pufr.2590.
Pełny tekst źródłaPesaro, Nicoletta. "Human/Inhuman/Post-human. Female Bodies in Modern and Contemporary Chinese Literature: Literary Descriptions of Psychological and Social Unease". W Le corps dans les littératures modernes d’Asie orientale : discours, représentation, intermédialité. Collège de France, 2022. http://dx.doi.org/10.4000/books.cdf.12665.
Pełny tekst źródła"Index général des étymons parus et à paraître dans le dictionnaire PatRom". W Les parties du corps humain 2 – Les particularités physiques et morales, XXIX—XXXVI. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110456851-005.
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