Gotowe bibliografie tematyczne / Copyright law

Gotowa bibliografia na temat „Copyright law”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 7 lipca 2024

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Spis treści

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Copyright law”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "Copyright law"

1

Rahman, Irsan, Sinintha Yuliansih Sibarani, Sandi Aprianto, Arman Paramansyah i Ayu Citra Santyaningtyas. "Protecting Intellectual Property In The Digital Age With A Law". Journal of Research in Social Science and Humanities 4, nr 2 (19.06.2024): 49–60. http://dx.doi.org/10.47679/jrssh.v4i2.85.

Pełny tekst źródła
Streszczenie:
Life has changed with the development of science and technology. One technology that has a significant impact is the technology of the Internet world, the Internet introduces people to the digital world. Of course, this development also affects the law, especially copyright law. Copyrighted works that were still in a traditional form can now be converted to a digital form or digital copyrighted works can be created. In this case, copyright law, which previously protected traditional forms of copyrighted works, must evolve to include the protection of digital copyrighted works, one of which is through cooperation with technology. This research is a normative study with a focus on how copyright law, which previously protected traditional forms of copyright, must evolve to include protection of digital copyrights, one of which is through cooperation with technology. This research is a normative research with a qualitative approach that is descriptive. As technology allows the conversion of copyrighted works into digital forms, there are advantages such as the easy distribution/notification of copyrighted works, but also the ease of infringement. In view of these developments, the WIPO has issued two international treaties known as the WIPO Internet Treaties. These treaties have been adopted by several countries. Indonesia in its positive copyright law has implemented the protection of digital copyrighted works in its articles. Our copyright law needs to be further enriched to protect digital copyrighted works as suggested by the author in this study
Style APA, Harvard, Vancouver, ISO itp.
2

Sterling, J. A. L. "Copyright law: world copyright law". Computer Law & Security Review 20, nr 6 (listopad 2004): 511. http://dx.doi.org/10.1016/s0267-3649(04)00098-6.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Nainggolan, Samuel Dharma Putra, Ni Made Yordha Ayu Astiti i Diajeng Woro Andini. "COPYRIGHT DAN RIGHT TO COPY (PEMAHAMAN DASAR HAK CIPTA DAN HAK YANG TERKAIT DENGAN HAK CIPTA DALAM BIDANG HAK KEKAYAAN INTELEKTUAL)". HUKUM DAN DINAMIKA MASYARAKAT 20, nr 2 (23.12.2022): 1. http://dx.doi.org/10.56444/hdm.v20i2.3551.

Pełny tekst źródła
Streszczenie:
Copyright is a system of rights in the field of Intellectual Property Rights (IPR). In Indonesia, arrangements regarding Copyright are currently governed by Law Number 28 of 2014 Concerning Copyright. Regulates the scope and protection of a work which is the embodiment of human creativity, taste and initiative as God's creatures. Copyright which is an exclusive right attached to the Author in which there are Economic Rights and Moral Rights. Authors and other parties who receive Rights Related to Copyrights can receive economic benefits from an existing copyrighted work (Economic Rights). died (moral rights). In the Civil Law System legal system, the focus is on protection of the Author, whereas in the Common Law System legal system, the focus is on the protection of Works.
Style APA, Harvard, Vancouver, ISO itp.
4

Leistner, Matthias. "Copyright law in the EC: Status quo, recent case law and policy perspectives". Common Market Law Review 46, Issue 3 (1.06.2009): 847–84. http://dx.doi.org/10.54648/cola2009035.

Pełny tekst źródła
Streszczenie:
The paper gives a topical overview of copyright law in the EC. Firstly, the remarkably comprehensive acquis communautaire in copyright law (with seven specific Directives in the field to date) is briefly outlined. Secondly, the growing body of ECJ case law, referring to the provisions of the Directives’ copyright acquis communautaire, is described and discussed in detail. Thirdly, recent policy initiatives of the Commission, such as the planned extension of the protection term for performing artists and producers of sound recordings as well as the recent Green Book on Copyright in the Knowledge Economy are briefly discussed and critically evaluated. Ultimately, this allows to identify certain core areas of European copyright law for further harmonization or consolidation, such as the fields of copyright contract law, collective management of copyrights and the area of exceptions to copyright in their interplay with technological protection measures. On that basis, perspectives for the future are developed, namely discussing the future possibility of a genuine unification of European copyright law by way of a Community copyright regulation.
Style APA, Harvard, Vancouver, ISO itp.
5

Tang, Xiyin. "Privatizing Copyright". Michigan Law Review, nr 121.5 (2023): 753. http://dx.doi.org/10.36644/mlr.121.5.privatizing.

Pełny tekst źródła
Streszczenie:
Much has been written, and much is understood, about how and why digital platforms regulate free expression on the internet. Much less has been written— and even much less is understood—about how and why digital platforms regulate creative expression on the internet—expression that makes use of others’ copyrighted content. While § 512 of the Digital Millennium Copyright Act regulates user-generated content incorporating copyrighted works, just as § 230 of the Communications Decency Act regulates other user speech on the internet, it is, in fact, rarely used by the largest internet platforms—Facebook and YouTube. Instead, as this Article details, creative speech on those platforms is governed by a series of highly confidential licensing agreements with large copyright holders. Yet despite the dominance of private contracting in ordering how millions of pieces of digital content are made and distributed on a daily basis, little is known, and far less has been written, on just what the new rules governing creative expression are. This is, in fact, by design: these license agreements contain strict confidentiality clauses that prohibit public disclosure of any and all of their contents. This Article, however, pieces together clues from publicly available court filings, news reports, and leaked documents. The picture it reveals is a world where the substantive law of copyright is being quietly rewritten. Agreements between digital platforms and rightsholders remove the First Amendment safeguard of fair use, insert a new moral right for works previously deemed ineligible for moral rights protection, and use other small provisions to influence and reshape administrative, common, and statutory copyright law. Further still, recent changes or lobbied-for changes to copyright’s public law seek to either enshrine the primacy of such private governance or altogether remove copyright rulemaking processes from government oversight, cementing the legitimacy of the new private governors. Changing copyright’s public law to enshrine the primacy of such private governance insulates the new rules of copyright from the democratic process, transforming public participation in, and public oversight of, the laws that shape our daily lives. Creative expression on the internet now finds itself at a curious precipice: there is a seeming glut of low-cost or free content, much of it created directly by and distributed to users—yet increasingly regulated by an opaque network of rules created by a select few private parties. An understanding of the internet’s democratizing potential for creativity is incomplete without a concomitant understanding of how the new private rules of copyright may shape, and harm, that creativity.
Style APA, Harvard, Vancouver, ISO itp.
6

Gunawan, Heri, Joni Emirzon i Muhammad Syaifuddin. "THE COMPARISON OF LEGAL DAMAGES FOR COPYRIGHT & BRAND INFRINGEMENT AMONG INDONESIA-CHINA LAWS". Jurnal Pembaharuan Hukum 8, nr 3 (30.12.2021): 466. http://dx.doi.org/10.26532/jph.v8i3.17482.

Pełny tekst źródła
Streszczenie:
Intellectual Property Rights or what is often abbreviated as HAKI is a legal protection given by a certain country to a person or group of individuals who express their ideas in the form of works. This law is a state territory. This means that a work will only be protected by rights in the country where the work originated to obtain IPR. As stated in the Copyright Laws, Intellectual Property Rights are exclusive rights granted by a regulation to a person or group of people for their copyrighted works. This protected work is in the form of intangible objects such as copyrights, patents, and trademarks and tangible objects in the form of information, technology, literature, art, skills, science, and so on. The idea of compensation law for copyright and trademark infringement in Indonesia, of course, can imitate the copyright law and trademark law of the People's Republic of China in regulating more clearly the calculation of the value of losses for copyright and trademark infringement in order to be able to provide legal certainty for the owner / rights holders whose rights have been violated. The research use normative juridical approach. The purpose of writing is to analyze and explain the calculation of compensation by looking at the criteria, evidence, basis, form and formulation of calculating compensation for copyright and trademark infringement. The results of the study stated that the law for compensation that arises as a result of copyright and trademark infringement according to positive law in Indonesia still does not regulate in detail the calculation of the value of the loss of both copyrights and trademarks. Copyright Act No.28 of 2014 and Trademark Act No.20 of 2016 only gives rights to the right owner/right holder to file a claim for compensation, but the law does not regulate how to determine the value of the loss for a copyright infringement as well as brands.
Style APA, Harvard, Vancouver, ISO itp.
7

Alawsi, Dr Husham. "The Role of Bahraini Law on Online Copyright Infringement". International Business & Economics Studies 2, nr 4 (20.11.2020): p23. http://dx.doi.org/10.22158/ibes.v2n4p23.

Pełny tekst źródła
Streszczenie:
The main aim of this research paper is to look at the role of Bahraini law in copyright infringement. In Bahrain, many commercially pirated audio and video markets have been eliminated through various laws. However, video, software and audio piracy by end-users is still a huge problem. A copyright infringement is considered to be a violation of an organization or individual’s copyright. It describes the copyrighted material’s unauthorized use, such as images, text, videos, software, music and other original content. Copyright infringements have been formally addressed through various copyrights law in Bahrain, but there are some glaring omissions as well. No other protect has been attacked more than computer hardware and software in Bahrain, copying of computer software is “out of control” in Bahrain. Many companies have been accused of using illegal copies of Microsoft computer software products. The study argues that country might have a beautifully tidy and coherent law, but it might not be followed. The mechanisms of criminal and civil enforcement, and the working of patent and trademark offices and of the judicial system itself, are essential to the enforcement of copyright laws in practice. The absence of governmental interference helps Bahraini software pirates to work at will. The study concludes while contended that there should be a law with regard to compulsory licensing since this compulsory licensing would be required by the companies to transfer data to a domestic partner. Furthermore, stricter enforcement of copyright laws is essential because they would help prevent copyright infringements in Bahrain.
Style APA, Harvard, Vancouver, ISO itp.
8

Fuadi, M. Zulvi Romzul Huda, i Ayon Diniyanto. "Written Quotations and Its Legal Protection: How Indonesian Law Reform on Copyrights Law?" Journal of Law and Legal Reform 3, nr 1 (30.01.2022): 1–16. http://dx.doi.org/10.15294/jllr.v3i1.53630.

Pełny tekst źródła
Streszczenie:
Copyright is still on its way to legalizing a lot of homework to be done. One of these jobs is to protect the economic rights of cited sources for commercial use. So far, the copyright law has not specifically regulated this matter. The law does not even protect the economic rights of citation sources quoted for commercial purposes. This study formulates the problem (1) how is the current legal protection regarding copyright for written works? and (2) how the legal protection should be regarding copyrights for excerpts of written works. The aims of this research are (1) to find out the current legal protection regarding copyright for citations of written works; and (2) formulating the legal protection that should be on copyright for excerpts of written works. The method used in this research is using normative juridical research. The conclusion in this study is to answer the formulation of the problem.
Style APA, Harvard, Vancouver, ISO itp.
9

Owen, Stephen A. "Copyright Law". JONA: The Journal of Nursing Administration 17, nr 10 (październik 1987): 32???35. http://dx.doi.org/10.1097/00005110-198710000-00007.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Krueger, Janice M., i Karen Matthews. "Copyright Law". Serials Librarian 46, nr 3-4 (19.04.2004): 227–32. http://dx.doi.org/10.1300/j123v46n03_05.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Rozprawy doktorskie na temat "Copyright law"

1

Adduono, Christopher. "Rebalancing copyright law". Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/383136/.

Pełny tekst źródła
Streszczenie:
This research focuses on copyright law particularly its ability to provide for the competing needs of both the public and rights holders. The arrival of the internet has brought copyright to the forefront of legal, political and public discussion and has presented copyright law with a unique challenge. The internet although enabling creators to disseminate their works to a wider audience has also facilitated free illegal access to copyrighted materials. This has not only undermined copyright’s effectiveness and caused chaos but has questioned the very legitimacy of the entire concept of copyright. This research discusses copyright law specifically how the concept of balance between right holders and the public originated and if this fundamental concept is maintained in current law. Focus is given to the founding principles of modern copyright law in the Statute of Anne 1710 and Donaldson v Beckett where copyright was deemed to have a dual purpose. The first purpose of copyright is to protect the interests of rights holders so they are incentivised to create socially useful works and can exploit their work. The second opposing purpose of copyright is to protect the interests of the public so knowledge is disseminated, learning is encouraged and the public can adequately access copyrighted works. Although a suitable balance between these rival purposes was once achieved, this research will discuss the changing dynamic between rights holders and the public. This will involve discussion of the history of copyright law as well as the impact of areas such as human rights, copyright subsistence and fair dealing. My motivation for this research is that copyright law is currently facing a crisis with widespread infringement and disregard for the law through piracy. Governments are failing to enforce copyright law and public support for copyright is diminishing. This research is important because governments have repeatedly tried to solve the crisis however these attempts have been unsuccessful and piracy has become commonplace. The current governmental approach is to continue copyright expansion for rights holders and to introduce harsher legislation against users. My research aims to embark on a fundamental reassessment of the nature of copyright itself, what is the purpose of copyright and the competence of current legislation to meet these purposes. This will involve discussion of key internal and external components of the copyright regime to assess their ability to achieve these purposes and protect the interests of both right holders and the public. The thesis will conclude the abovementioned components, current legislation and case law favours the economic interests of right holders above the interests of the public and that a series of reforms are necessary to rebalance copyright law. The thesis makes a contribution to copyright academic discussion by providing a framework for a balanced copyright regime where the interests of the public are a fundamental guiding principle. The overall aim is for the public to be considered equally alongside rights.
Style APA, Harvard, Vancouver, ISO itp.
2

Lee, Yin Harn. "Videogame modifications under copyright law". Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709009.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Beland, Christopher D. (Christopher David) 1978. "Digital technology and copyright law". Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/16818.

Pełny tekst źródła
Streszczenie:
Thesis (S.B.)--Massachusetts Institute of Technology, Program in Science, Technology, and Society, 2002.
Includes bibliographical references (p. 88-108).
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Intellectual Property is an ideology of the late Twentieth Century which reserves property-like rights in information, so that creators may extract its economic value. Current American copyright law draws mainly from this concept; it has been constructed through history by negotiation between various established economic interests. Information Freedom is a competing ideology which has been successful in the software community. It emphasizes the dangers of over-propertization and the benefits of freely accessible resources, especially non-depletable information resources. Compromise must be reached in a practical (non-ideological) fashion in order to achieve the social goals of: production of creative content (encouraged by fair but not excessive compensation for creators); promotion of scientific, political, technical, artistic, cultural, and economic progress by removing obstacles to accessing content and taking advantage of innovations which change the status quo; protection of creative freedom; and ensuring quality and diversity in the content which is created. Civil disobedience as a means to achieve these goals may be counterproductive if it results in tighter technological restrictions on content availability or stricter legal mechanisms; legal reforms proposed by Lawrence Lessig and Jessica Litman are unlikely to be enacted. Internet-based technologies have strong potential to increase exposure to diversity, decrease costs, and improve the subjective experience for music consumers. Cheaper film-making equipment may have similar positive effects for motion pictures to a lesser degree. Internet bandwidth and other practical limitations suggest that immediate changes in video distribution and consumption patterns are more likely to be driven by the availability of Digital Video Recorders, or perhaps competing Video On Demand services. Different economic models which fund content creation may be appropriate for different applications, and may in some cases further social goals better than strong propertization. Alternative models include voluntary contributions (either from creators or consumers); indirect benefit by establishing reputation, selling related services, cross-promotion, or selling advertising; and public funding. The history of telecommunication, including the telegraph, radio, television, and the Internet, provides evidence that important uses for new technology may not be initially obvious, that the maturation of digital information technology and related economic models is just beginning.
by Christopher D. Beland.
S.B.
Style APA, Harvard, Vancouver, ISO itp.
4

Mysoor, Poorna. "Implied licences in copyright law". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:8d5f4169-4f04-4e1f-9600-d93b6adbcd53.

Pełny tekst źródła
Streszczenie:
Copyright licences can be implied when the doing of a restricted act is covered neither by the express licence of the copyright owner, nor by one of the statutory limitations and exceptions. The manner in which copyright licences are implied, therefore, holds the key to broadening the scope of permissible acts. In contrast to the rigidity of statutory limitations and exceptions, implied licences are more malleable in being able to respond to a diverse set of circumstances, as the need arises. Thus, implied licences can serve as a flexible and targeted mechanism to balance competing interests, including those of copyright owners and content users, especially in today’s dynamic technological environment. However, implication as a process is contentious, and there are no established rules for implying a licence. Implication of a copyright licence is even more complicated because the conceptualisation of a copyright licence is unsatisfactory. The resulting uncertainty has prevented implied licences from being embraced more readily by the courts. The objective of this thesis is, therefore, firstly, to reconceptualise a copyright licence that is broad enough to accommodate the diverse circumstances in which copyright licences arise, and certain enough to assist in finding their constituents; secondly, to propose frameworks for implying copyright licences in a methodical and transparent manner, based on three sources: the consent of the copyright owner; an established custom; and state intervention to achieve public policy goals. The frameworks are also customised differently for implied bare and implied contractual licences. The thesis demonstrates the robustness of these frameworks by rationalising them with the existing case law. Underscoring the contemporary relevance of implied licences, in conclusion, the thesis tests and validates the frameworks in relation to three essential and ubiquitous functions on the internet – browsing, hyperlinking and indexing.
Style APA, Harvard, Vancouver, ISO itp.
5

Aplin, Tanya Frances. "Multimedia technology and copyright law protection". Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395284.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Marais, Richard. "Investigating musical copyright infringement: Examining International Understandings of Musical Copyright Infringement for Potential Adaptation into South African Copyright Law". Master's thesis, Faculty of Law, 2019. http://hdl.handle.net/11427/31006.

Pełny tekst źródła
Streszczenie:
This thesis examines international approaches to musical work copyright infringement law for the purpose of establishing an approach that can be utilised effectively under the South African copyright infringement framework. In doing so, the importance of the various interactive elements of musical works is investigated as well as the modes of assessment in infringement scenarios. The findings are used to create a robust middle-ground approach to be adapted into the South African copyright infringement framework. Further considerations that impact infringement outcomes are addressed to the extent that they are contextually relevant. These include a discussion of research undertaken on the continent regarding the relationship between creators and the music-related copyright regime as well as the role that exceptions and limitations play in infringement outcomes.
Style APA, Harvard, Vancouver, ISO itp.
7

Ital, Eric Guy. "Copyright law and the Internet : in modern South African law". Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51666.

Pełny tekst źródła
Streszczenie:
Thesis (LLM)--University of Stellenbosch, 2000.
ENGLISH ABSTRACT: The Internet is coming more and more into focus of national and international legislation. Especially with regard to copyright law, the rapid growth of the Internet, its global character, its novel technical applications and its private and commercial use by millions of people makes the control over a work complicated and raises copyright problems all over the world. Present legislation is therefore challenged to avoid gaps in the law. Considering the rapid growth of online providers and users in South Africa, it is likely that copyright disputes with regard to the Internet will evolve here soon. In this dissertation, the "world" of the Internet and its lawfulness with regard to existing South African copyright law will be examined. The examination tries to establish whether South African copyright law is able to cope with the present Internet problems and whether it leads to reasonable results. The first chapter of this dissertation will give an overview of the basic principles of the Internet, including the history, development and function of the Internet. Furthermore the changing aspects by means of diqital technology will be discussed. Because the global character of the Internet lead to "international" infringements, governments are considering the prospect of reaching international accord on the protection of intellectual property in the digital era. In chapter two, the present international harmonisation of copyright law will be introduced. Especially the quick adoption of the World Intellectual Property Organisation Treaties in December 1996 demonstrated that an international realisation for a call for action is existing. In chapter three, the application of South African copyright law with regard to the Internet will be discussed. First, it will be examined if a digital work on the Internet is protected in the same way as a "traditional" work. Second, the various rights of the copyright holder are discussed in connection with the use of a work on the Internet. Third, the potential application of the exclusive rights of the copyright holder to various actions on the Internet, such as caching, Web linking and operating an online service will be discussed. The Internet is a worldwide entity, and, as such, copyright infringement on this system is an international problem. The scenario of global, simultaneous exploitation of works on the Internet conflicts sharply with the current system of international copyright protection, which is firmly based on national copyright laws with territorial effects. Section four provides therefore an overview of the applicable law on an international net and analyses the necessity and borders of protection.
AFRIKAANSE OPSOMMING: Nasionale en internasionale wetgewing fokus in In toenemende mate op die Internet. Die versnelde groei van die Internet, sy wêreldkarakter, sy nuwe tegnologiese aanwendings en sy private en kommersiële gebruik deur miljoene mense maak beheer oor In werk baie gekompliseerd en skep veral outeursregprobleme regoor die wêreld. Wetgewing soos dit tans is, word dus uitgedaag om die leemtes in die reg te ondervang. Gegewe die vinnige groei van gekoppelde verskaffers en gebruikers in Suid-Afrika, is dit waarskynlik dat - outeursreggeskille met betrekking tot die Internet binnekort ook hier gaan ontwikkel. In hierdie verhandeling gaan die "wêreld" van die Internet en sy wettigheid onder bestaande Suid-Afrikaanse outeursregwetgewing ondersoek word. In die ondersoek word gepoog om vas te stelof Suid-Afrikaanse outeursregwetgewing geskik is om die Internetprobieme wat tans bestaan te hanteer en of dit lei tot aanvaarbare resultate. Die eerste hoofstuk van die verhandeling sal In oorsig gee van die basiese beginsels van die Internet, insluitende die geskiedenis, ontwikkeling en funksie van die Internet. Verder sal die veranderende aspekte as gevolg van digitale tegnologie bespreek word. Die wêreldkarakter van die Internet gee aanleiding tot "internasionale" inbreukmakings en om hierdie rede oorweeg regerings die moontlikheid van internasionale ooreenkomste oor die beskerming van intellektuele eiendom in die digitale era. In hoofstuk twee word die bestaande internasionale harmonisering van outeursreg bespreek. Veral die vinnige aanname van die World Intellectual Property Organisation se verdrae in Desember 1996, illustreer dat daar In internasionale bewustheid is dat iets in die verband gedoen moet word. In die derde hoofstuk word die aanwending van die Suid-Afrikaanse outeursreg met betrekking tot die Internet bespreek. Eerstens word ondersoek of a digitale werk op die Internet op dieselfde wyse as 'n "tradisionele" werk beskerm kan word. Tweedens word die verskillende regte van die outeursreghebbende in verband met die gebruik van 'n werk op die Internet, bespreek. Derdens word die potensiële aanwending van die eksklusiewe regte van die outeursreghebbende op verskillende aksies op die Internet, soos byvoorbeeld kasberging, web koppeling en die werking van 'n gekoppelde diens, bespreek. Die Internet is 'n wêreldwye verskynsel en sodanig is outeursreginbreukmaking op hierdie stelsel 'n internasionale probleem. Die scenario van 'n wêreldwye, gelyktydige uitbuiting van werke op die Internet is in skerp konflik met die huidige stelsel van internasionale outeursregbeskerming wat stewig gegrond is op nasionale wetgewing met territoriale werking. Hoofstuk vier bied daarom 'n oorsig oor die toepaslike reg op 'n internasionale netwerk en analiseer die nodigheid en ook grense van beskerming.
Style APA, Harvard, Vancouver, ISO itp.
8

Rimmer, Matthew Rhys. "The pirate bazaar the social life of copyright law". View electronic text, 2001. http://eprints.anu.edu.au/documents/disk0/00/00/08/14/index.html.

Pełny tekst źródła
Streszczenie:
Available via the Australian National University Library Electronic Pre and Post Print Repository. Title from title screen (viewed Mar. 28, 2003) Includes bibliographical references. Mode of access: World Wide Web.
Style APA, Harvard, Vancouver, ISO itp.
9

Pappalardo, Kylie. "A tort law framework for copyright authorisation". Thesis, Australian Catholic University, 2016. https://acuresearchbank.acu.edu.au/download/6aec78ae2abe6756fca11aa9f6e4284ba96b0e8f42e231b18f9dcc4fd7a4b810/3621143/Pappalardo_2016_A_Tort_Law_Framework_for_Copyright_Authorisation.pdf.

Pełny tekst źródła
Streszczenie:
The law relating to authorisation liability for copyright infringement in Australia is unclear and unruly. As courts attempt to extend the law to reach new and disruptive intermediaries online, concepts designed to limit the scope of liability to only those at fault - such as the requirement that a person have the 'power to prevent' infringement - have begun to lose their meaning. Further, copyright owners seek measures from intermediaries that go well beyond the remedies available at law - they want users disconnected from the internet, websites blocked, and content filtered. These measures can have serious ramifications for the ways in which individuals are able to engage online, including for purposes of self-expression, community building, and creativity. In this thesis, I argue that the problems with copyright authorisation can be addressed using a tort law framework. I draw specifically from negligence law's focus on personal responsibility and its principles of causation to argue that intermediaries should only be under a duty to take reasonable steps to prevent acts of primary infringement where they have causally contributed to the risk of infringement or where they have real and actual control over the primary infringers and their actions. Concepts of fault, responsibility, causal contribution, risk and control are analysed in the context of negligence cases dealing with the duty to rescue and the duty to control third parties to prevent harm to another. I argue that this approach is more principled, and therefore more robust, than simply relying on the terms 'sanction, approve, countenance' to find authorisation liability under copyright law. I also argue that a negligence framework provides greater flexibility to consider how copyright regulation impacts upon the interests of users in the online environment.
Style APA, Harvard, Vancouver, ISO itp.
10

Ahlgren, Erik. "Does EU copyright law threaten digital freedom?" Thesis, Uppsala universitet, Juridiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-324451.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Książki na temat "Copyright law"

1

Copyright law. Wyd. 8. New Providence, NJ: LexisNexis, 2010.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Joyce, Craig. Copyright law. New York, N.Y. (235 E. 45th St., New York 10017): M. Bender, 1986.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

), China (Republic :. 1949. Copyright law. Taipei, Taiwan, Republic of China: Industrial Development and Investment Center, 1988.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Craig, Joyce, red. Copyright law. Wyd. 6. Newark, NJ: LexisNexis, 2003.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Craig, Joyce, red. Copyright law. Wyd. 7. Newark, NJ: LexisNexis, 2006.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Japan), Survey Japan (Tokyo, red. Copyright law. Tokyo: Survey Japan, 1988.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Craig, Joyce, i Craig Joyce, red. Copyright law. Wyd. 2. New York, N.Y. (235 E. 45th St., New York 10017): M. Bender, 1991.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Craig, Joyce, red. Copyright law. Wyd. 7. Newark, NJ: LexisNexis, 2006.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Lind, Robert C. Copyright law. Wyd. 4. Durham, N.C: Carolina Academic Press, 2012.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Joyce, Craig. Copyright law. New York, NY: M. Bender, 1989.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Części książek na temat "Copyright law"

1

Bernstein, Gregory. "Copyright Law". W Understanding the Business of Media Entertainment, 9–46. Second edition. | New York, NY : Routledge, 2019. | Series: American film market presents: Routledge, 2019. http://dx.doi.org/10.4324/9780429020827-3.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Hart, Tina, i Linda Fazzani. "Copyright". W Intellectual Property Law, 129–32. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-14129-6_14.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Hart, Tina, Simon Clark i Linda Fazzani. "Copyright". W Intellectual Property Law, 149–52. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-06736-4_12.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Netanel, Neil Weinstock. "Why Have Copyright Law?" W Copyright. Oxford University Press, 2018. http://dx.doi.org/10.1093/wentk/9780199941148.003.0004.

Pełny tekst źródła
Streszczenie:
Lying just under the surface of the debates that surround copyright law are sharp disagreements about what are the justifications, if any, for recognizing and protecting copyrights. Some observers and interested parties argue that copyrights need no policy justification because authors have an inherent right...
Style APA, Harvard, Vancouver, ISO itp.
5

Goldstein, Paul. "Territoriality, National Treatment, And Choice Of Law". W International Copyright, 61–119. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195128857.003.0003.

Pełny tekst źródła
Streszczenie:
Abstract The international exploitation of copyrighted works often Implicates questions of territoriality, national treatment, and choice of law. Copyright Is territorial: a French or Japanese copyrigh t does not exist outside France or Japan. The treaty obligation of national treatment requires member countries to give works originating in other member countries no less favorable treatment than they give to works of their own nationals: under the Berne Convention, for example, a Japanese work will as a rule receive in France the same protection that a work by a French national would receive in France.
Style APA, Harvard, Vancouver, ISO itp.
6

"Definition and law". W Copyright, 1–6. Facet, 2019. http://dx.doi.org/10.29085/9781783304257.002.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Eleonora, Rosati. "EU copyright harmonization and CJEU role and action". W Copyright and the Court of Justice of the European Union. Oxford University Press, 2023. http://dx.doi.org/10.1093/law/9780198885580.003.0002.

Pełny tekst źródła
Streszczenie:
Chapter 1 starts with an overview of the history and process of EU harmonization in the copyright field. It then explains the structure, composition, and work of the Court, as well as the mechanism—references for a preliminary ruling—through which the Court of Justice of the European Union (CJEU) has mostly been asked to consider copyright legislation. It provides data on selected aspects of CJEU activity, including having regard to: the areas in which cases have been referred to the Court; Member States of referring courts; intervention of EU Member States; and Judges-Rapporteur and Advocates General (AGs) who have worked on copyright cases. It concludes with a statistical analysis that shows a tendency on the side of the Court to agree with the relevant AGs when these promote expansive interpretations of relevant copyright provisions. By ‘expansive’ it is meant a situation in which the Court concluded that the activities at issue in the background proceedings and as described by the referring courts would fall within the scope of application of copyright’s exclusive rights.
Style APA, Harvard, Vancouver, ISO itp.
8

Story, Alan. "Burn Berne: 1 Why the Leading International Copyright Convention must be Repealed". W Copyright Law, 3–41. Routledge, 2017. http://dx.doi.org/10.4324/9781315095400-1.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Kohler, David. "This Town Ain’t Big Enough for the Both of Us—Or is It? Reflections on Copyright, the First Amendment and Google’s Use of Others’ Content". W Copyright Law, 311–34. Routledge, 2017. http://dx.doi.org/10.4324/9781315095400-10.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Lessig, Lawrence. "The Creative Commons*". W Copyright Law, 335–47. Routledge, 2017. http://dx.doi.org/10.4324/9781315095400-11.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Streszczenia konferencji na temat "Copyright law"

1

Ben-Yehuda, R., i R. L. Johnston. "Recent developments in copyright law". W COMPCON Spring 88. IEEE, 1988. http://dx.doi.org/10.1109/cmpcon.1988.4888.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Krajnc, Saša. "Copyright Exceptions for Education". W IXth Conference Law and Economics. University of Maribor Press, 2017. http://dx.doi.org/10.18690/978-961-286-115-5.3.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Jened, Rahmi. "Copyright Protection for Information Management Society". W International Law Conference 2018. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0010054900340043.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Najicha, Fatma Ulfatun, i Abdul Kadir Jaelani. "Environmental protection in job copyright law". W 4TH INTERNATIONAL CONFERENCE ON CURRENT TRENDS IN MATERIALS SCIENCE AND ENGINEERING 2022. AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0202109.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

"[Copyright notice]". W 2011 Fourth International Workshop on Requirements Engineering and Law. IEEE, 2011. http://dx.doi.org/10.1109/relaw.2011.6050262.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

Morgan, Anne M. "An Overview of Copyright and Trademark Law". W 1997 SAE International Off-Highway and Powerplant Congress and Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1997. http://dx.doi.org/10.4271/972700.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Fiesler, Casey, Jessica L. Feuston i Amy S. Bruckman. "Understanding Copyright Law in Online Creative Communities". W CSCW '15: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2675133.2675234.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Zirnstein, Elizabeta. "Legal Aspects of Employees Copyright at University". W IXth Conference Law and Economics. University of Maribor Press, 2017. http://dx.doi.org/10.18690/978-961-286-115-5.1.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

"[Copyright notice]". W 2015 IEEE Eighth International Workshop on Requirements Engineering and Law (RELAW). IEEE, 2015. http://dx.doi.org/10.1109/relaw.2015.7330201.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

"Copyright Notice". W 2023 IEEE International Conference on Marine Artificial Intelligence and Law (ICMAIL). IEEE, 2023. http://dx.doi.org/10.1109/icmail59311.2023.10347499.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.

Raporty organizacyjne na temat "Copyright law"

1

Cooper, Danielle, i Katherine Klosek. Copyright and Streaming Audiovisual Content in the US Context. Ithaka S+R, styczeń 2023. http://dx.doi.org/10.18665/sr.318118.

Pełny tekst źródła
Streszczenie:
Copyright law includes special rights for research and teaching, including the fair use right, which can help address gaps between the educational activities that technology facilitates and the exclusive rights copyright grants to authors. In this brief, we review how US copyright law currently applies to streaming content for educational and research purposes and explore the opportunities for academic libraries.
Style APA, Harvard, Vancouver, ISO itp.
2

Band, Jonathan. Justice Breyer, Copyright, and Libraries. Association of Research Libraries, maj 2022. http://dx.doi.org/10.29242/breyercopyright2022.

Pełny tekst źródła
Streszczenie:
On the occasion of Associate Justice Stephen Breyer retiring at the end of this US Supreme Court term, Jonathan Band, who represents and advises the Association of Research Libraries (ARL) on copyright issues, wrote a reflection on Breyer’s impact on the application of copyright law to libraries. In this brief paper, Band reviews Breyer’s majority opinion in Kirtsaeng v. Wiley (2013), which clarified that the first-sale doctrine applied to copies manufactured abroad, and the dissenting opinion Breyer wrote in Golan v. Holder (2012), in which the associate justice drew heavily on amicus briefs filed by the library community and provided language on the important role of libraries in preserving cultural heritage that can be cited in future cases. These two opinions, Band concludes, “reflect a deep understanding of the impact of copyright on libraries, an appreciation for the historic mission of libraries in promoting cultural heritage and making information accessible to the public, and an effort to apply the copyright law in a manner that does not interfere with this mission.”
Style APA, Harvard, Vancouver, ISO itp.
3

Mortimer, Julie Holland. Price Discrimination, Copyright Law, and Technological Innovation: Evidence from the Introduction of DVDs. Cambridge, MA: National Bureau of Economic Research, październik 2005. http://dx.doi.org/10.3386/w11676.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Gledhill, Igle, Richard Goldstone, Sanya Samtani, Keyan Tomaselli i Klaus Beiter. Copyright Amendment Bill Workshop Proceedings Report. Academy of Science of South Africa (ASSAf), 2022. http://dx.doi.org/10.17159/assaf.2022/0078.

Pełny tekst źródła
Streszczenie:
The genesis of the Copyright Amendment Bill was in 2009, when the Department of Trade and Industry (DTI) initiated various studies and impact assessments. In July 2015, the DTI published a Draft Copyright Amendment Bill for public comment. The final 2017 version of the Bill was approved by Parliament in 2019 and it was sent to President Cyril Ramaphosa for action in terms of Section 79(1) of the Constitution. Section 79(1) states that “The President must either assent to and sign a Bill passed in terms of this Chapter or, if the President has reservations about the constitutionality of the Bill, refer it back to the National Assembly for reconsideration”. The President referred the Bill back to Parliament for review on 16 June 2020, on constitutionality issues. In response to the President’s reservations, Parliament’s Portfolio Committee on Trade and Industry has invited stakeholders and other interested parties to submit written submissions on certain sections of the Bill by no later than 9 July 2021. The current copyright law is outdated and does not address the digital environment. The Academy of Science of South Africa seeks to take into account the status of the copyright legislation and the anticipated effects of the amendment Bill on different issues and thereafter, provide recommendations to the President.
Style APA, Harvard, Vancouver, ISO itp.
5

Khan, B. Zorina. Does Copyright Piracy Pay? The Effects of U.S. International Copyright Laws on the Market for Books, 1790-1920. Cambridge, MA: National Bureau of Economic Research, luty 2004. http://dx.doi.org/10.3386/w10271.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Copyright law” dla poszczególnych typów źródeł:
Artykuły w czasopismach Rozprawy doktorskie Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii