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Artykuły w czasopismach na temat "Copyright law"
Rahman, Irsan, Sinintha Yuliansih Sibarani, Sandi Aprianto, Arman Paramansyah i Ayu Citra Santyaningtyas. "Protecting Intellectual Property In The Digital Age With A Law". Journal of Research in Social Science and Humanities 4, nr 2 (19.06.2024): 49–60. http://dx.doi.org/10.47679/jrssh.v4i2.85.
Pełny tekst źródłaSterling, J. A. L. "Copyright law: world copyright law". Computer Law & Security Review 20, nr 6 (listopad 2004): 511. http://dx.doi.org/10.1016/s0267-3649(04)00098-6.
Pełny tekst źródłaNainggolan, Samuel Dharma Putra, Ni Made Yordha Ayu Astiti i Diajeng Woro Andini. "COPYRIGHT DAN RIGHT TO COPY (PEMAHAMAN DASAR HAK CIPTA DAN HAK YANG TERKAIT DENGAN HAK CIPTA DALAM BIDANG HAK KEKAYAAN INTELEKTUAL)". HUKUM DAN DINAMIKA MASYARAKAT 20, nr 2 (23.12.2022): 1. http://dx.doi.org/10.56444/hdm.v20i2.3551.
Pełny tekst źródłaLeistner, Matthias. "Copyright law in the EC: Status quo, recent case law and policy perspectives". Common Market Law Review 46, Issue 3 (1.06.2009): 847–84. http://dx.doi.org/10.54648/cola2009035.
Pełny tekst źródłaTang, Xiyin. "Privatizing Copyright". Michigan Law Review, nr 121.5 (2023): 753. http://dx.doi.org/10.36644/mlr.121.5.privatizing.
Pełny tekst źródłaGunawan, Heri, Joni Emirzon i Muhammad Syaifuddin. "THE COMPARISON OF LEGAL DAMAGES FOR COPYRIGHT & BRAND INFRINGEMENT AMONG INDONESIA-CHINA LAWS". Jurnal Pembaharuan Hukum 8, nr 3 (30.12.2021): 466. http://dx.doi.org/10.26532/jph.v8i3.17482.
Pełny tekst źródłaAlawsi, Dr Husham. "The Role of Bahraini Law on Online Copyright Infringement". International Business & Economics Studies 2, nr 4 (20.11.2020): p23. http://dx.doi.org/10.22158/ibes.v2n4p23.
Pełny tekst źródłaFuadi, M. Zulvi Romzul Huda, i Ayon Diniyanto. "Written Quotations and Its Legal Protection: How Indonesian Law Reform on Copyrights Law?" Journal of Law and Legal Reform 3, nr 1 (30.01.2022): 1–16. http://dx.doi.org/10.15294/jllr.v3i1.53630.
Pełny tekst źródłaOwen, Stephen A. "Copyright Law". JONA: The Journal of Nursing Administration 17, nr 10 (październik 1987): 32???35. http://dx.doi.org/10.1097/00005110-198710000-00007.
Pełny tekst źródłaKrueger, Janice M., i Karen Matthews. "Copyright Law". Serials Librarian 46, nr 3-4 (19.04.2004): 227–32. http://dx.doi.org/10.1300/j123v46n03_05.
Pełny tekst źródłaRozprawy doktorskie na temat "Copyright law"
Adduono, Christopher. "Rebalancing copyright law". Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/383136/.
Pełny tekst źródłaLee, Yin Harn. "Videogame modifications under copyright law". Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709009.
Pełny tekst źródłaBeland, Christopher D. (Christopher David) 1978. "Digital technology and copyright law". Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/16818.
Pełny tekst źródłaIncludes bibliographical references (p. 88-108).
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Intellectual Property is an ideology of the late Twentieth Century which reserves property-like rights in information, so that creators may extract its economic value. Current American copyright law draws mainly from this concept; it has been constructed through history by negotiation between various established economic interests. Information Freedom is a competing ideology which has been successful in the software community. It emphasizes the dangers of over-propertization and the benefits of freely accessible resources, especially non-depletable information resources. Compromise must be reached in a practical (non-ideological) fashion in order to achieve the social goals of: production of creative content (encouraged by fair but not excessive compensation for creators); promotion of scientific, political, technical, artistic, cultural, and economic progress by removing obstacles to accessing content and taking advantage of innovations which change the status quo; protection of creative freedom; and ensuring quality and diversity in the content which is created. Civil disobedience as a means to achieve these goals may be counterproductive if it results in tighter technological restrictions on content availability or stricter legal mechanisms; legal reforms proposed by Lawrence Lessig and Jessica Litman are unlikely to be enacted. Internet-based technologies have strong potential to increase exposure to diversity, decrease costs, and improve the subjective experience for music consumers. Cheaper film-making equipment may have similar positive effects for motion pictures to a lesser degree. Internet bandwidth and other practical limitations suggest that immediate changes in video distribution and consumption patterns are more likely to be driven by the availability of Digital Video Recorders, or perhaps competing Video On Demand services. Different economic models which fund content creation may be appropriate for different applications, and may in some cases further social goals better than strong propertization. Alternative models include voluntary contributions (either from creators or consumers); indirect benefit by establishing reputation, selling related services, cross-promotion, or selling advertising; and public funding. The history of telecommunication, including the telegraph, radio, television, and the Internet, provides evidence that important uses for new technology may not be initially obvious, that the maturation of digital information technology and related economic models is just beginning.
by Christopher D. Beland.
S.B.
Mysoor, Poorna. "Implied licences in copyright law". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:8d5f4169-4f04-4e1f-9600-d93b6adbcd53.
Pełny tekst źródłaAplin, Tanya Frances. "Multimedia technology and copyright law protection". Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395284.
Pełny tekst źródłaMarais, Richard. "Investigating musical copyright infringement: Examining International Understandings of Musical Copyright Infringement for Potential Adaptation into South African Copyright Law". Master's thesis, Faculty of Law, 2019. http://hdl.handle.net/11427/31006.
Pełny tekst źródłaItal, Eric Guy. "Copyright law and the Internet : in modern South African law". Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51666.
Pełny tekst źródłaENGLISH ABSTRACT: The Internet is coming more and more into focus of national and international legislation. Especially with regard to copyright law, the rapid growth of the Internet, its global character, its novel technical applications and its private and commercial use by millions of people makes the control over a work complicated and raises copyright problems all over the world. Present legislation is therefore challenged to avoid gaps in the law. Considering the rapid growth of online providers and users in South Africa, it is likely that copyright disputes with regard to the Internet will evolve here soon. In this dissertation, the "world" of the Internet and its lawfulness with regard to existing South African copyright law will be examined. The examination tries to establish whether South African copyright law is able to cope with the present Internet problems and whether it leads to reasonable results. The first chapter of this dissertation will give an overview of the basic principles of the Internet, including the history, development and function of the Internet. Furthermore the changing aspects by means of diqital technology will be discussed. Because the global character of the Internet lead to "international" infringements, governments are considering the prospect of reaching international accord on the protection of intellectual property in the digital era. In chapter two, the present international harmonisation of copyright law will be introduced. Especially the quick adoption of the World Intellectual Property Organisation Treaties in December 1996 demonstrated that an international realisation for a call for action is existing. In chapter three, the application of South African copyright law with regard to the Internet will be discussed. First, it will be examined if a digital work on the Internet is protected in the same way as a "traditional" work. Second, the various rights of the copyright holder are discussed in connection with the use of a work on the Internet. Third, the potential application of the exclusive rights of the copyright holder to various actions on the Internet, such as caching, Web linking and operating an online service will be discussed. The Internet is a worldwide entity, and, as such, copyright infringement on this system is an international problem. The scenario of global, simultaneous exploitation of works on the Internet conflicts sharply with the current system of international copyright protection, which is firmly based on national copyright laws with territorial effects. Section four provides therefore an overview of the applicable law on an international net and analyses the necessity and borders of protection.
AFRIKAANSE OPSOMMING: Nasionale en internasionale wetgewing fokus in In toenemende mate op die Internet. Die versnelde groei van die Internet, sy wêreldkarakter, sy nuwe tegnologiese aanwendings en sy private en kommersiële gebruik deur miljoene mense maak beheer oor In werk baie gekompliseerd en skep veral outeursregprobleme regoor die wêreld. Wetgewing soos dit tans is, word dus uitgedaag om die leemtes in die reg te ondervang. Gegewe die vinnige groei van gekoppelde verskaffers en gebruikers in Suid-Afrika, is dit waarskynlik dat - outeursreggeskille met betrekking tot die Internet binnekort ook hier gaan ontwikkel. In hierdie verhandeling gaan die "wêreld" van die Internet en sy wettigheid onder bestaande Suid-Afrikaanse outeursregwetgewing ondersoek word. In die ondersoek word gepoog om vas te stelof Suid-Afrikaanse outeursregwetgewing geskik is om die Internetprobieme wat tans bestaan te hanteer en of dit lei tot aanvaarbare resultate. Die eerste hoofstuk van die verhandeling sal In oorsig gee van die basiese beginsels van die Internet, insluitende die geskiedenis, ontwikkeling en funksie van die Internet. Verder sal die veranderende aspekte as gevolg van digitale tegnologie bespreek word. Die wêreldkarakter van die Internet gee aanleiding tot "internasionale" inbreukmakings en om hierdie rede oorweeg regerings die moontlikheid van internasionale ooreenkomste oor die beskerming van intellektuele eiendom in die digitale era. In hoofstuk twee word die bestaande internasionale harmonisering van outeursreg bespreek. Veral die vinnige aanname van die World Intellectual Property Organisation se verdrae in Desember 1996, illustreer dat daar In internasionale bewustheid is dat iets in die verband gedoen moet word. In die derde hoofstuk word die aanwending van die Suid-Afrikaanse outeursreg met betrekking tot die Internet bespreek. Eerstens word ondersoek of a digitale werk op die Internet op dieselfde wyse as 'n "tradisionele" werk beskerm kan word. Tweedens word die verskillende regte van die outeursreghebbende in verband met die gebruik van 'n werk op die Internet, bespreek. Derdens word die potensiële aanwending van die eksklusiewe regte van die outeursreghebbende op verskillende aksies op die Internet, soos byvoorbeeld kasberging, web koppeling en die werking van 'n gekoppelde diens, bespreek. Die Internet is 'n wêreldwye verskynsel en sodanig is outeursreginbreukmaking op hierdie stelsel 'n internasionale probleem. Die scenario van 'n wêreldwye, gelyktydige uitbuiting van werke op die Internet is in skerp konflik met die huidige stelsel van internasionale outeursregbeskerming wat stewig gegrond is op nasionale wetgewing met territoriale werking. Hoofstuk vier bied daarom 'n oorsig oor die toepaslike reg op 'n internasionale netwerk en analiseer die nodigheid en ook grense van beskerming.
Rimmer, Matthew Rhys. "The pirate bazaar the social life of copyright law". View electronic text, 2001. http://eprints.anu.edu.au/documents/disk0/00/00/08/14/index.html.
Pełny tekst źródłaPappalardo, Kylie. "A tort law framework for copyright authorisation". Thesis, Australian Catholic University, 2016. https://acuresearchbank.acu.edu.au/download/6aec78ae2abe6756fca11aa9f6e4284ba96b0e8f42e231b18f9dcc4fd7a4b810/3621143/Pappalardo_2016_A_Tort_Law_Framework_for_Copyright_Authorisation.pdf.
Pełny tekst źródłaAhlgren, Erik. "Does EU copyright law threaten digital freedom?" Thesis, Uppsala universitet, Juridiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-324451.
Pełny tekst źródłaKsiążki na temat "Copyright law"
Copyright law. Wyd. 8. New Providence, NJ: LexisNexis, 2010.
Znajdź pełny tekst źródłaJoyce, Craig. Copyright law. New York, N.Y. (235 E. 45th St., New York 10017): M. Bender, 1986.
Znajdź pełny tekst źródła), China (Republic :. 1949. Copyright law. Taipei, Taiwan, Republic of China: Industrial Development and Investment Center, 1988.
Znajdź pełny tekst źródłaCraig, Joyce, red. Copyright law. Wyd. 6. Newark, NJ: LexisNexis, 2003.
Znajdź pełny tekst źródłaCraig, Joyce, red. Copyright law. Wyd. 7. Newark, NJ: LexisNexis, 2006.
Znajdź pełny tekst źródłaJapan), Survey Japan (Tokyo, red. Copyright law. Tokyo: Survey Japan, 1988.
Znajdź pełny tekst źródłaCraig, Joyce, i Craig Joyce, red. Copyright law. Wyd. 2. New York, N.Y. (235 E. 45th St., New York 10017): M. Bender, 1991.
Znajdź pełny tekst źródłaCraig, Joyce, red. Copyright law. Wyd. 7. Newark, NJ: LexisNexis, 2006.
Znajdź pełny tekst źródłaLind, Robert C. Copyright law. Wyd. 4. Durham, N.C: Carolina Academic Press, 2012.
Znajdź pełny tekst źródłaJoyce, Craig. Copyright law. New York, NY: M. Bender, 1989.
Znajdź pełny tekst źródłaCzęści książek na temat "Copyright law"
Bernstein, Gregory. "Copyright Law". W Understanding the Business of Media Entertainment, 9–46. Second edition. | New York, NY : Routledge, 2019. | Series: American film market presents: Routledge, 2019. http://dx.doi.org/10.4324/9780429020827-3.
Pełny tekst źródłaHart, Tina, i Linda Fazzani. "Copyright". W Intellectual Property Law, 129–32. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-14129-6_14.
Pełny tekst źródłaHart, Tina, Simon Clark i Linda Fazzani. "Copyright". W Intellectual Property Law, 149–52. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-06736-4_12.
Pełny tekst źródłaNetanel, Neil Weinstock. "Why Have Copyright Law?" W Copyright. Oxford University Press, 2018. http://dx.doi.org/10.1093/wentk/9780199941148.003.0004.
Pełny tekst źródłaGoldstein, Paul. "Territoriality, National Treatment, And Choice Of Law". W International Copyright, 61–119. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195128857.003.0003.
Pełny tekst źródła"Definition and law". W Copyright, 1–6. Facet, 2019. http://dx.doi.org/10.29085/9781783304257.002.
Pełny tekst źródłaEleonora, Rosati. "EU copyright harmonization and CJEU role and action". W Copyright and the Court of Justice of the European Union. Oxford University Press, 2023. http://dx.doi.org/10.1093/law/9780198885580.003.0002.
Pełny tekst źródłaStory, Alan. "Burn Berne: 1 Why the Leading International Copyright Convention must be Repealed". W Copyright Law, 3–41. Routledge, 2017. http://dx.doi.org/10.4324/9781315095400-1.
Pełny tekst źródłaKohler, David. "This Town Ain’t Big Enough for the Both of Us—Or is It? Reflections on Copyright, the First Amendment and Google’s Use of Others’ Content". W Copyright Law, 311–34. Routledge, 2017. http://dx.doi.org/10.4324/9781315095400-10.
Pełny tekst źródłaLessig, Lawrence. "The Creative Commons*". W Copyright Law, 335–47. Routledge, 2017. http://dx.doi.org/10.4324/9781315095400-11.
Pełny tekst źródłaStreszczenia konferencji na temat "Copyright law"
Ben-Yehuda, R., i R. L. Johnston. "Recent developments in copyright law". W COMPCON Spring 88. IEEE, 1988. http://dx.doi.org/10.1109/cmpcon.1988.4888.
Pełny tekst źródłaKrajnc, Saša. "Copyright Exceptions for Education". W IXth Conference Law and Economics. University of Maribor Press, 2017. http://dx.doi.org/10.18690/978-961-286-115-5.3.
Pełny tekst źródłaJened, Rahmi. "Copyright Protection for Information Management Society". W International Law Conference 2018. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0010054900340043.
Pełny tekst źródłaNajicha, Fatma Ulfatun, i Abdul Kadir Jaelani. "Environmental protection in job copyright law". W 4TH INTERNATIONAL CONFERENCE ON CURRENT TRENDS IN MATERIALS SCIENCE AND ENGINEERING 2022. AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0202109.
Pełny tekst źródła"[Copyright notice]". W 2011 Fourth International Workshop on Requirements Engineering and Law. IEEE, 2011. http://dx.doi.org/10.1109/relaw.2011.6050262.
Pełny tekst źródłaMorgan, Anne M. "An Overview of Copyright and Trademark Law". W 1997 SAE International Off-Highway and Powerplant Congress and Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1997. http://dx.doi.org/10.4271/972700.
Pełny tekst źródłaFiesler, Casey, Jessica L. Feuston i Amy S. Bruckman. "Understanding Copyright Law in Online Creative Communities". W CSCW '15: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2675133.2675234.
Pełny tekst źródłaZirnstein, Elizabeta. "Legal Aspects of Employees Copyright at University". W IXth Conference Law and Economics. University of Maribor Press, 2017. http://dx.doi.org/10.18690/978-961-286-115-5.1.
Pełny tekst źródła"[Copyright notice]". W 2015 IEEE Eighth International Workshop on Requirements Engineering and Law (RELAW). IEEE, 2015. http://dx.doi.org/10.1109/relaw.2015.7330201.
Pełny tekst źródła"Copyright Notice". W 2023 IEEE International Conference on Marine Artificial Intelligence and Law (ICMAIL). IEEE, 2023. http://dx.doi.org/10.1109/icmail59311.2023.10347499.
Pełny tekst źródłaRaporty organizacyjne na temat "Copyright law"
Cooper, Danielle, i Katherine Klosek. Copyright and Streaming Audiovisual Content in the US Context. Ithaka S+R, styczeń 2023. http://dx.doi.org/10.18665/sr.318118.
Pełny tekst źródłaBand, Jonathan. Justice Breyer, Copyright, and Libraries. Association of Research Libraries, maj 2022. http://dx.doi.org/10.29242/breyercopyright2022.
Pełny tekst źródłaMortimer, Julie Holland. Price Discrimination, Copyright Law, and Technological Innovation: Evidence from the Introduction of DVDs. Cambridge, MA: National Bureau of Economic Research, październik 2005. http://dx.doi.org/10.3386/w11676.
Pełny tekst źródłaGledhill, Igle, Richard Goldstone, Sanya Samtani, Keyan Tomaselli i Klaus Beiter. Copyright Amendment Bill Workshop Proceedings Report. Academy of Science of South Africa (ASSAf), 2022. http://dx.doi.org/10.17159/assaf.2022/0078.
Pełny tekst źródłaKhan, B. Zorina. Does Copyright Piracy Pay? The Effects of U.S. International Copyright Laws on the Market for Books, 1790-1920. Cambridge, MA: National Bureau of Economic Research, luty 2004. http://dx.doi.org/10.3386/w10271.
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