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Artykuły w czasopismach na temat "Contributions in illustration of books"
Carreira da Silva, Filipe. "Following the Book: Towards a Pragmatic Sociology of the Book". Sociology 50, nr 6 (11.07.2016): 1185–200. http://dx.doi.org/10.1177/0038038515587650.
Pełny tekst źródłaEisele, David W., i Ira D. Papel. "Principles of Facial Reconstruction". Otolaryngology–Head and Neck Surgery 117, nr 1 (lipiec 1997): 140. http://dx.doi.org/10.1016/s0194-59989770227-4.
Pełny tekst źródłaEisele, David W., i Paul W. Flint. "Book Review". Otolaryngology–Head and Neck Surgery 112, nr 6 (czerwiec 1995): 785. http://dx.doi.org/10.1016/s0194-59989570198-2.
Pełny tekst źródłaEisele, David W. "A Color Atlas of Otolaryngology". Otolaryngology–Head and Neck Surgery 113, nr 6 (grudzień 1995): 835. http://dx.doi.org/10.1016/s0194-59989570037-4.
Pełny tekst źródłaEisele, David W., i David W. Eisele. "Current Surgical Therapy, 5th ed., edited by John L. Cameron. 1118 pages with illustrations. Mosby-Year Book, Inc., St. Louis, 1995. $135.00". Otolaryngology–Head and Neck Surgery 114, nr 6 (czerwiec 1996): 844. http://dx.doi.org/10.1016/s0194-59989670125-0.
Pełny tekst źródłaAlford, Eugene L., i Shelly J. McQuone. "Atlas of Head and Neck Surgery-Otolaryngology, by Byron J. Bailey, Karen H. Calhoun, Amy R. Coffey, and J. Gall Neely, 934 pages with illustrations. Lippincott-Raven, Philadelphia, 1996. $231.00". Otolaryngology–Head and Neck Surgery 118, nr 3 (marzec 1998): 422. http://dx.doi.org/10.1016/s0194-59989870334-1.
Pełny tekst źródłaAbidin, Michael R. "Aesthetic Reconstruction of the Nose, by Gary C. Burget and Frederick J. Menick. 600 pages with illustrations. Mosby—Year Book, St. Louis, 1994. $175.00". Otolaryngology–Head and Neck Surgery 112, nr 2 (luty 1995): 352. http://dx.doi.org/10.1016/s0194-59989570265-2.
Pełny tekst źródłaSmith, Richard V. "Book Reviews". Otolaryngology–Head and Neck Surgery 113, nr 1 (lipiec 1995): 164. http://dx.doi.org/10.1016/s0194-59989570166-4.
Pełny tekst źródłaEisele, David W. "Book Review". Otolaryngology–Head and Neck Surgery 106, nr 2 (sierpień 1992): 216. http://dx.doi.org/10.1177/019459989210600212.
Pełny tekst źródłaGürses, İlke Ali. "Op. Dr. İlhami Güneral (1914–2006), author and illustrator of the first original dissection manual in Turkish and his contributions to anatomy". Anatomy 17, nr 2 (31.08.2023): 88–97. http://dx.doi.org/10.2399/ana.23.1392069.
Pełny tekst źródłaRozprawy doktorskie na temat "Contributions in illustration of books"
Huggins, Linda Wreford. "Techniques in contemporary book illustration". Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1008567.
Pełny tekst źródłaCurtis, John Gerard. "Traces of the visual imagination : image and word in Victorian England". Thesis, University of Essex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282460.
Pełny tekst źródłaOsborne, Carol Margot. "Pierre Didot the Elder and French book illustration, 1789-1822". New York : Garland Pub, 1985. http://catalog.hathitrust.org/api/volumes/oclc/12050279.html.
Pełny tekst źródłaBork, Debora J. "History and criticism of photographically illustrated children's books /". Online version of thesis, 1988. http://hdl.handle.net/1850/11490.
Pełny tekst źródłaAssmann, Nicola. "Willi Baumeister : die Illustration : in der Begegnung mit alten aussereuropäischen Kulturen auf de Weg zu einer neuen Formensprache /". Bielefeld : N. Assmann, 2005. http://www.loc.gov/catdir/toc/fy0605/2006364351.html.
Pełny tekst źródłaSheldon, Allan Ellis. "The influence of illustration on fifth graders' responses to the illustrated poem /". The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487267546982801.
Pełny tekst źródłaHalse, Joanne. "Framing the text : an investigation of collage in postmodern narrative illustration". Thesis, Stellenbosch : Stellenbosch University, 2006. http://hdl.handle.net/10019.1/50609.
Pełny tekst źródłaENGLISH ABSTRACT: Collage, as a verbal and visual medium, epitomises the heterogeneity, indeterminacy and fragmentation of the postmodern moment. In this thesis I argue that visual collage - in the context of book illustration - presents an ideal form with which to illustrate the state of contemporary (postmodern) narrative. Postmodernism, as a term or concept, evades any form of absolute or definitive account. Hence, in my discussion of the postmodern condition I move towards an understanding of this complex theoretical and cultural phenomenon. Postmodern cultural artifacts reflect the state of a modernised, Western-orientated, globalised consciousness, which resists arborescent structures in past and contemporary texts. In both postmodern narratives and in literary fictional narratives the condition of artifice is amplified. Thus, this thesis explores various characteristics evident in postmodern fiction in order to understand and demonstrate the changes manifest in contemporary narratives in general. Many of the stylistic and figurative devices employed in the postmodern novel foreground the excessive appropriation and self-reflexive textualism of contemporary texts - these literary devices often reflect particular collage-like tendencies or characteristics. Contemporary literary theory, in addition, provides many useful terms and concepts with which to describe visual texts and, for the purposes of this discussion, narrative illustration. This thesis is centred primarily on an analysis of the practical component completed as part of the Master of Arts degree in Fine Arts. The discussion of the practical work is embedded in the wider fields of book art - particularly the postmodern artist's book (livre detourne) - and in contentious debates around the role of visual narrative illustration. In both the thesis and the illustrated book objects, I challenge the secondary and supplementary position traditionally held by illustration in the context of the book. I argue for a form of visual narrative that is not required to function as a mere translation of the primary verbal text. Instead - working within the context of the artist's book and through the utilisation of collage as a visual (and verbal) medium - I demonstrate that illustration may complement, supplement or subvert the written text. Furthermore, I show that illustration may assume the role of the primary text in the context of the codex. Finally, this study creates a space for a creative and participatory reader who, through the intertextual processes made evident in the book objects, becomes an active 'reader-writer' of the visual and verbal narratives under discussion.
AFRIKAANSE OPSOMMING: Collage, as beide 'n verbale en visuele medium, verpersoonlik die onbesliste, gefragmenteerde, heterogene moment van postmodemisme. In hierdie tesis voer ek aan dat visuele collage, binne die konteks van boekillustrasie, 'n ideale vorm van uitbeelding hied om die toestand van kontemporere (postmodeme) narratief te illustreer. Postmodemisme, as 'n term of konsep, ontwyk enige volslae of beslissende betekenis. Gevolglik poog ek in my bespreking van die postmodeme toestand om nader aan 'n begrip van hierdie komplekse teoretiese en kulturele , fenoneem te beweeg. Postmodeme kulturele artefakte reflekteer die toestand van 'n gemodemiseerde, Westers-georienteerde, geglobaliseerde bewustheid wat liniere strukture in tekste uit die verlede en die hede weerstaan. In beide postmodeme narratiewe en fiktiewe literere narratiewe word die gesteldheid van kunsskepping toegelig. Dus ondersoek hierdie tesis verskeie opvallende eienskappe van postmodeme fiksie ten einde die veranderinge wat in die algemeen in kontemporere narratiewe manifesteer te verstaan en te demonstreer. Vele van die stilistiese en figuratiewe tegnieke van die postmodemistiese roman plaas die oormatige toe-eining en selfrefleksiewe tekstualisme van konteporere tekste op die voorgrond; die literere gebruikswyses reflekteer dikwels bepaalde collage-agtige tendense of eienskappe. Hierbenewens, bied kontemporere literereteorie vele nuttige terme en konsepte waarmee visuele tekste sowel as, vir die doe] van hierdie ondersoek, visuele narratiewe, beskryf kan word. Hierdie tesis is hoofsaaklik gevestig op 'n analise van die praktiese werk wat dee) van die Magister Artuim-graad in Beeldende Kunste uitmaak. Die bespreking van die praktiese werk is veranker in die wyer terreine van boekkuns - spesifiek die postmodeme kunstenaarsboek (livre detourne) - en in kontensieuse debatte oor die rol van visuelenarratief-illustrasie. In beide die tesis en die gelllustreerde boekobjekte bevraagteken ek die tradisionele siening dat illustrasie binne boekkontekse 'n sekondere of aanvullende posisie inneem. Ek argumenteer ten gunste van 'n vorm van visuele narratief waarvan daar nie bloot verwagword om as 'n beskrywing van die primere verbale teks te funksioneer nie. In plaas daarvan, deur binne die konteks van die kunstenaarsboek te werk en deur collage as 'n visuele (en verbale) medium te benut, demonstreer ek dat illustrasie die geskrewe teks kan aanvul, daartoe kan toevoeg of dit kan ondergrawe. Verder toon ek dat illustrasie die rol van die primere teks in die konteks van die kodeks kan inneem. Laastens skep hierdie studie die geleentheid vir 'n kreatiewe en bydraende leser - vanwee 'n intertekstuele proses wat in die boekobjekte aan die Jig kom - om as 'n aktiewe 'leser-skrywer' van die visuele en verbale tekste onder bespreking op te tree.
Hugill-Fontanel, Amelia J. "Publication of an Internet-accessible database resource for Arts et métiers graphiques /". Link to online version, 2002. https://ritdml.rit.edu/dspace/handle/1850/61.
Pełny tekst źródłaTypescript. Accompanying CDROM contains the prototype of AMG web-based database and electronic copy of the thesis. Includes bibliographical references.
Morris, Hannah. "Tall enough? : an illustrator’s visual inquiry into the production and consumption of isiXhosa picture books in South Africa". Thesis, Stellenbosch : University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/2151.
Pełny tekst źródłaThis thesis is a visual, sociolinguistic and cultural inquiry into the role of isiXhosa picture books in contemporary South Africa. From the standpoint of an illustrator, I examine several of these works arising out of a history that alienated many isiXhosa readers and writers from their language. I examine factors that influence the design, content and very notions of reading itself through the multiple languages offered by the picture book format. I argue that these books occupy a problematic space where production and consumption are affixed to paradigms of economics, language and literacy incongruent with the lives of many isiXhosa-speaking readers. My overall conclusion is that literacy and visual literacy are essential to developing an authentic 'reading culture'. Fostering a meaningful relationship with printed words and images is critical to both the emerging reader and the emerging illustrator. In producing illustrations for an isiXhosa narrative, I consider the shape of my own visual literacy through mediations with drawing and writing, relating my activities to those of a child learning to distinguish between pictures and words. The cross-over space where image/text distinctions blur potentially invites new narrative expressions. The picture book is a suitable format for expanding notions of vision and literacy, 'subverting' paradigms and revealing the richness of contemporary African tales. I rest my fundamental premise on an insistence for an increase of accessible, quality picture books in African languages that stimulate the artistic and intellectual development of all readers.
Swanepoel, Liani Colette. "Aeneas se onderwêreldse reis in illustrasie : 'n resepsie-historiese studie van tonele in Aeneïs VI /". Link to the online version, 2006. http://hdl.handle.net/10019.1/1690.
Pełny tekst źródłaKsiążki na temat "Contributions in illustration of books"
Duportal, Jeanne. Etude sur les livres à figures édités en France de 1601 à 1660: Contribution au catalogue général des livres à figures du XVIIe siècle, 1601-1633. Genève: Slatkine Reprints, 1992.
Znajdź pełny tekst źródłaFleishman, Michael. Exploring illustration. Clifton Park, NY: Thomson-Delmar Learning, 2003.
Znajdź pełny tekst źródłaSaint-Guilhem-le-Désert, Amis de, red. Saint-Guilhem-le-Désert au Moyen Age: Nouvelles contributions à la connaissance de l'abbaye de Gellone. [Saint-Guilhem-le-Désert]: Amis de Saint-Guilhem-le-Désert, 1996.
Znajdź pełny tekst źródłaIllustration. Mulgrave, Vic: Images Pub., 2004.
Znajdź pełny tekst źródłaParis, Christie's. Bande dessinée & illustration. Paris: Christie's, 2015.
Znajdź pełny tekst źródłaBrazell, Derek. Understanding illustration. London: Bloomsbury Visual Arts, 2014.
Znajdź pełny tekst źródłaPraun, Sandra, Anci Carlsson i Caroline Andram. Swedish illustration. Stockholm: Arvinius, 2008.
Znajdź pełny tekst źródłaVictorian illustrated books. London: Portman Books, 1989.
Znajdź pełny tekst źródłaStupples, Peter. Art and book: Illustration and innovation. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016.
Znajdź pełny tekst źródłaCentre, Children's Book, red. Treasures: Canadian children's book illustration. Toronto, Ont., Canada: Children's Book Centre, 1986.
Znajdź pełny tekst źródłaCzęści książek na temat "Contributions in illustration of books"
Albert, Marie-Theres, Roland Bernecker, Claire Cave, Anca Claudia Prodan i Matthias Ripp. "Introduction into the Overall Message of the Book: Destruction of Heritage Is Destroying Identity – Shared Responsibility Is Therefore Our Common Task for the Future". W 50 Years World Heritage Convention: Shared Responsibility – Conflict & Reconciliation, 3–20. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05660-4_1.
Pełny tekst źródłaHunnisett, Basil. "The books". W Steel-Engraved Book Illustration in England, 135–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003090861-8.
Pełny tekst źródłaMoggridge, Donald. "B. Contributions to Books". W The Collected Writings of John Maynard Keynes, 39–40. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-03982-1_2.
Pełny tekst źródłaPhilippe, Françoise, i Loïc Sauvée. "Coordination Efficiency: Proposals for a Framework. An Illustration with the Fresh Tomato Sector in France". W Contributions to Economics, 579–96. Heidelberg: Physica-Verlag HD, 1999. http://dx.doi.org/10.1007/978-3-642-48765-1_34.
Pełny tekst źródłaKontou, Tatiana, Victoria Mills i Kate Nichols. "Walter Crane, ‘The Decoration and Illustration of Books’". W Victorian Material Culture, 300. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-93.
Pełny tekst źródłaParola, Giulia, i Margherita Paola Poto. "Legal Design and Visual Law: The Roadmap". W Building Bridges for Effective Environmental Participation: The Path of Law Co-Creation, 11–21. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-52791-3_2.
Pełny tekst źródłaOto-Peralías, Daniel, i Diego Romero-Ávila. "The Effectiveness of Legal Reforms and the Gap Between Law on the Books and the Reality on the Ground". W Contributions to Economics, 137–61. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-67041-6_8.
Pełny tekst źródłaBeck Pristed, Birgitte. "Russian Illustration in German Children's Books of the 1980s–1990s". W Ost-westlicher Kulturtransfer in der deutschsprachigen Kinder- und Jugendliteratur, 277–94. Göttingen: V&R unipress, 2023. http://dx.doi.org/10.14220/9783737014687.277.
Pełny tekst źródłaBachleitner, Norbert. "Illustration and the Book as Cultural Object: Arthur Schnitzler’s Works in German and English Editions". W Reading Books and Prints as Cultural Objects, 209–29. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53832-7_9.
Pełny tekst źródłaWue, Roberta. "Shanghai Illustrations". W Art Worlds. Hong Kong University Press, 2014. http://dx.doi.org/10.5790/hongkong/9789888208463.003.0004.
Pełny tekst źródłaStreszczenia konferencji na temat "Contributions in illustration of books"
"On the Illustration Design of Children's Books". W 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.033.
Pełny tekst źródłaRatri, Cintantya Sotya, i Riama Maslan Sihombing. "Gender Perspective in Design and Illustration of Children’s Books". W ICON ARCCADE 2021: The 2nd International Conference on Art, Craft, Culture and Design (ICON-ARCCADE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211228.057.
Pełny tekst źródłaStrode, Aina, i Līga Munda. "Illustrations of Expressions of Emotions in Children’s Books". W 81th International Scientific Conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/htqe.2023.47.
Pełny tekst źródłaCaetano, João Manuel, i Rosa Maria Oliveira. "Illustration and childhood imagination: narrative paths through the image in books for children". W 2nd International Conference of Art, Illustration and Visual Culture in Infant and Primary Education. São Paulo: Editora Edgard Blücher, 2012. http://dx.doi.org/10.5151/edupro-aivcipe-21.
Pełny tekst źródłaМакарова, В. В., i К. Р. Соловьева. "ANIMATION IN BOOKS AS A MARKETING TOOL ON THE EXAMPLE OF BOOKS WITH AUGMENTED REALITY AND COMICS AS ANIMATION STORYBOARDS". W Мультимедиа: современные тенденции IX Международная научно-практическая конференция. Crossref, 2024. http://dx.doi.org/10.54874/9785605054290_179.
Pełny tekst źródłaXie, Haiyan. "Research on Creation Method of Illustration and Picture Books and Its Psychological Effect on Particular Groups". W 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.140.
Pełny tekst źródłaLacey, Jonathan. "REFLECTING ON THE GÜLEN MOVEMENT’S INTERFAITH DIALOGUE WORK THROUGH THE ACTIVITIES OF NITECA, A GÜLEN-INSPIRED SOCIETY BASED IN NORTHERN IRELAND". W Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/tnji8887.
Pełny tekst źródłaKorolevski, Svetlana. "The dynasty of writers Hâjdău/ Hasdeu, in Pavel Balmus’ books". W Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.22.
Pełny tekst źródłaCHIRCEV, Elena. "Reflection of the Other in the Byzantinologist Gheorghe C. Ionescu’s Lexicographic Pursuits". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0002.
Pełny tekst źródłaPan, Yingying, i Yanjun Wang. "Research on Innovative Application of Illustration Elements of Chinese Ancient Books in Modern Book Design: Taking “Catalog of Marine Creatures” as an Example". W 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022). Amsterdam: Athena International Publishing B.V., 2022. http://dx.doi.org/10.55060/s.atssh.221107.045.
Pełny tekst źródłaRaporty organizacyjne na temat "Contributions in illustration of books"
Klammler, Harald. Introduction to the Mechanics of Flow and Transport for Groundwater Scientists. The Groundwater Project, 2023. http://dx.doi.org/10.21083/gxat7083.
Pełny tekst źródłaHowden, Sarah, i Caroline S. Fawcett. Gender Issues in Technical Training and Vocational Education. Inter-American Development Bank, październik 1998. http://dx.doi.org/10.18235/0008895.
Pełny tekst źródłaMalek, Mohammad Abdul, Aiko Kikkawa, Yasuyuki Sawada i Abdul Kalam Azad. Rural Development in Bangladesh Over Four Decades: Findings from Mahabub Hossain Panel Data and the Way Forward. Asian Development Bank Institute, grudzień 2022. http://dx.doi.org/10.56506/ppxg8315.
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