Rozprawy doktorskie na temat „Contemporary women”
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Gonullu, Ayse. "Contemporary Women&". Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/2/12606618/index.pdf.
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s activism which are used in transforming the gender equality agenda in Turkey in terms of legislative reform. To illustrate and study of the tools of women&
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s activism descriptively, a case study on the women&
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s activism for legislative reform in Turkey is conducted. The findings of the research verified the research thesis that women&
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s activism that occurred after 1980s and institutionalized during 1990s was incredibly influential in transforming the Turkey&
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s political agenda. The inner organization manner of women&
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s movement, its use of the media, lobbying activities such as finding allies in the commission and parliament, engagement with international women&
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s rights mechanisms, conducting effective communication through list-serve, arranging street demonstrations and actions can be enumerated as important tools.
Mohammed, Elattag Mona I. "Women in contemporary Islamic societies". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ47781.pdf.
Pełny tekst źródłaGibney, Delmarie. "Biblical images for contemporary women". Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
Pełny tekst źródłaKuhlman, Olivia. "Inequities of Contemporary French Women". Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/60.
Pełny tekst źródłaSalem, Lema Malek. "Women in contemporary Palestinian cinema". Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/women-in-contemporary-palestinian-cinema(20e6c0d2-f5e8-4b75-bdd7-6933c8ab7432).html.
Pełny tekst źródłaBolzt, Kerstin. "Women as artists in contemporary Zimbabwe /". Eckersdorf, Germany : Breitinger, 2007. http://www.loc.gov/catdir/toc/fy0804/2008400471.html.
Pełny tekst źródłaBrennan, Zoe. "Representations of older women in contemporary literature". Thesis, University of the West of England, Bristol, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271040.
Pełny tekst źródłaPetty, Sue. "Working-class women and contemporary British literature". Thesis, Loughborough University, 2009. https://dspace.lboro.ac.uk/2134/5441.
Pełny tekst źródłaDe, Leeuw Patricia, Francine Cardman, M. Shawn Copeland i Megan McCabe. "Women for a contemporary Church: A conversation". The Church in the 21st Century Center at Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104057.
Pełny tekst źródłaHenderson, Gwen Deborah. "Evangelical women negotiating faith in contemporary Scotland". Thesis, Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/323/.
Pełny tekst źródłaPh.D. thesis submitted to the Department of Theology and Religious Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
Cohen, Stephanie B. "Four contemporary Jewish women writers from Argentina". Thesis, Boston University, 2000. https://hdl.handle.net/2144/38020.
Pełny tekst źródłaPLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
Until recently little attention has been paid to Latin American women writers and even less to those of them who are Jewish. This dissertation is an attempt to remedy that situation through the study of four contemporary Argentine Jewish women writers. My introduction explores theoretical issues relating to the specificity of both Jewish and women's writing. Chapter One considers the work of Alejandra Pizarnik (1936-1972). Although a Jew by birth, she shows very little overt Jewish influence in her work because she did not acknowledge her heritage. However, her background appears obliquely throughout her writing, for example, in many biblical references. Pizarnik's perspective on women is equally elusive, but nonetheless can be traced in her treatment of love and loss. Ana Maria Shua (1951- ), whose writing is the subject of the second chapter, is openly Jewish and unavowedly feminist. I study those aspects of her work that can be considered Jewish, such as her interest in the immigrant experience and her recounting of traditional Jewish folk tales. Although Shua does not admit to being a feminist, her books portray female dominance over men, particularly in El marido argentino promedio. Chapter Three centers on the writings of Manuela Fingueret (1945- ). Traditional customs, the Yiddish language and biblical references appear in her fiction and poetry. She depicts her female characters as strong and independent. Her poetry contains an element of eroticism, which she presents from a distinctively feminine perspective. The final chapter studies the work of Alicia Steimberg (1933- ). Steimberg's characters indicate contradictory feelings about being Jewish. Steimberg, like Shua, deals with the Jewish immigrant experience; she focuses on women, many of whom work outside the home. Steimberg's treatment of eroticism is idiosyncratically straightforward in its emphases. The dissertation's epilogue summarizes its conclusions and points the way for additional work to be done on Latin-American Jewish women writers.
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Vogt-William, Christine Florence. "Women and transculturality in contemporary fiction by South Asian diasporic women writers". Thesis, University of York, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489210.
Pełny tekst źródłaFord, Anna Jane. "Endangered bodies : woman and nature in the contemporary British novel by women writers". Thesis, Brunel University, 2004. http://bura.brunel.ac.uk/handle/2438/5793.
Pełny tekst źródłaHepp, Arlene. "Women of the Old Testament contemporary role models /". Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
Pełny tekst źródłaHanna, Heather. "Women framing hair : serial strategies in contemporary art". Thesis, Open University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551616.
Pełny tekst źródłaEskandari, Maryam S. M. Massachusetts Institute of Technology. "Women places and spaces in contemporary American mosque". Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/65546.
Pełny tekst źródłaCataloged from PDF version of thesis.
Includes bibliographical references (p. 104).
There is an ever-present demand for Mosques in American cities to accommodate the more than 8 percent of the American population that are Muslims; the majority of which are American-born Muslims or American converts. However, Muslim-American communities have implemented the same architectural vocabulary of mosques seen in the Middle East into their American neighborhoods. Nevertheless, this architectural transplantation from the Middle East to America does not come without problems. The weaving of Middle Eastern architectural culture with an American application of Islam, which is prominent within Modern American society, gives rise to internal tensions felt within the community, in particular to the issue of Muslim women's' place in community mosques. Through the numerous case studies and investigations of the American Mosques that I documented, it is clear that the community does not provide adequate spaces for their women members. My thesis explores the process of modifying and developing a new architectural vocabulary for the American mosques within the confinements and boundaries in Islam, in particular, creating an adequate space for women. A lack of attention to the needs of American Muslim women in the states has caused a gender conflict over the adequacy of spaces for Muslim women within American mosques. For example, in the 2006 controversial documentary titled the "Mosque of Morgantown"1 , located in West Virginia, a significant dilemma was created dividing the Muslim community residing in the United States. The "Mosque of Morgantown" set the social precedent for some Muslim women to question some of the religious rulings regarding prayers and set the tone for numerous other protests, of which the most recent occurred at the Islamic Center of Washington DC. In early part of 2010, the Islamic Center of Washington D.C.2 had an outburst of escalating tensions between genders. Thirty Washington D.C. women united in protest and refused to pray in the basement of the mosque, which was their designated area of worship. Instead they decided to attend prayers under the same roof as the men during worship. This seemingly simple act of protest was frowned upon. The Imam of the mosque declared that the allocated rows were for men only. The presence of women in the rows resulted in the delay of the obligatory Friday prayer that is mandatory for men in Islam. Through these incidences, it is clear that an investigation of a new architectural expression, within the confinement of the religion, for women-driven spaces needs to be conducted.
by Maryam Eskandari.
S.M.
Al-Mannai, Salah. "Women in contemporary Qatar : their rights and welfare". Thesis, University of Leicester, 2006. http://hdl.handle.net/2381/28890.
Pełny tekst źródłaChoi, Mina. "Revision of Euripides' Tragedies by Contemporary Women Playwrights". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386041799.
Pełny tekst źródłaAbdulla, Aqeel. "Representations of Muslim women in contemporary British theatre". Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/24354.
Pełny tekst źródłaBricker, Margaret (Margaret S. ). Carleton University Dissertation Comparative Literature. "Feminism, postmodernism, and contemporary Canadian writing by women". Ottawa, 1996.
Znajdź pełny tekst źródłaAydemir, Cigdem. "Image and Voice: Muslim women in Contemporary Art". Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/15723.
Pełny tekst źródłaMeneses, Romero Mariana. "Women cooking art : hospitality and contemporary art practices". Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20638/.
Pełny tekst źródłaMinunno, Marisa. "Subjectivity in women writers' contemporary Arabic short stories". Thesis, SOAS, University of London, 2009. http://eprints.soas.ac.uk/28770/.
Pełny tekst źródłaBruinsma, Raelene. "Restoring Inanna - an ancient myth for contemporary women?" Thesis, Curtin University, 2014. http://hdl.handle.net/20.500.11937/1523.
Pełny tekst źródłaBretag, Tracey. "Subversive mothers : contemporary women writers challenge motherhood ideology /". Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09ARM/09armb844.pdf.
Pełny tekst źródłaLindner, Katharina. "Spectacular physicalities female athleticism in contemporary cinema /". Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/611/.
Pełny tekst źródłaPh.D. thesis submitted to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
Chivers, Marian. "The warrior woman in contemporary romance fiction". Thesis, Federation University Australia, 2014. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/96448.
Pełny tekst źródłaThe warrior woman is a recurring figure in myth and history. She could be seen as an ambiguous character as she challenges patriarchal assumptions about gender roles with her capability for masculine aggression while being recognisably female and “feminine”. In the new millennium, she has reappeared as the action heroine in films, televisions, comics and video games and she has also infiltrated romance fiction, a genre often considered one of the most conservative genres in terms of gender roles and equality. The Silhouette Bombshell line was created by the multinational publisher Harlequin to capitalise on the popularity of “action heroines” in popular culture. The romance genre, perhaps the most derided of all scorned literature, is often accused, particularly by feminist critics, of reinforcing the patriarchal structure of society. This thesis examines how this character type in romance fiction can provide a means to question and even subvert traditional or patriarchal gender expectations. It will undertake the close examination of the first six books of the Athena Force series, which were published in 2004-2005 as part of the Silhouette Bombshell line. Both the warrior woman and the romance genre are defined and historically reviewed, together with an outline of the workings of the contemporary romance industry with regard to category, genre and publishing guidelines. There follows a detailed analysis of the warrior woman character as she appears in the Athena Force series with regard to agency, violence, sisterhood, professional career, performance of femininity and romantic relationships. This study of the warrior woman in romance fiction challenges many critical and social preconceptions about the romance genre in general, and its treatment of gender roles in particular
Foley, Rebecca C. (Rebecca Claire) 1974. "The challenge of contemporary Muslim women activists in Malaysia". Monash University, School of Political and Social Inquiry, 2001. http://arrow.monash.edu.au/hdl/1959.1/9128.
Pełny tekst źródłaLau, Lisa. "Women's voices : the presentation of women in the contemporary fiction of south Asian women". Thesis, Durham University, 2002. http://etheses.dur.ac.uk/2021/.
Pełny tekst źródłaThresher, Tanya. "Seductive strategies for female subjects : how contemporary Scandinavian women dramatists represent women on stage /". Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6587.
Pełny tekst źródłaGibbs, Brock Henry. "Women versus the counterrevolution, relating Marcuse to contemporary feminism". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ27580.pdf.
Pełny tekst źródłaCook, Méira. "Speaking in tongues, contemporary Canadian love poetry by women". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0025/NQ31971.pdf.
Pełny tekst źródłaBurrows, Andrea C. "A social study of women in contemporary biological sciences". Diss., This resource online, 1991. http://scholar.lib.vt.edu/theses/available/etd-07282008-135540/.
Pełny tekst źródłaDonner, Fentje Henrike. "Women and gold : gender and urbanisation in contemporary Bengal". Thesis, London School of Economics and Political Science (University of London), 1999. http://etheses.lse.ac.uk/1539/.
Pełny tekst źródłaBASTOS, ROMULO COELHO LISBOA. "IRONY AND CITY STREETS: TWO YOUNG CONTEMPORARY WOMEN POETS". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30155@1.
Pełny tekst źródłaPROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Partindo da discussão sobre o que se entende por poesia contemporânea, passando pelos possíveis recortes geracionais da segunda metade do século passado até a atualidade, esta dissertação analisa a obra de duas jovens poetas contemporâneas, Angélica Freitas e Alice Sant Anna, cujos livros de estreia foram publicados no século XXI.
On the basis of the discussion concerning what is meant by contemporary poetry and what counts as a generation in the period from the mid twentieth century to the present, this thesis examines the work of two contemporary young women poets, Angélica Freitas and Alice Sant Anna, who published their first books in the twenty-first century.
Kim, Natalia N. "Transnational Women Protagonists in Contemporary Cinema: Migration, Servitude, Motherhood". Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429100119.
Pełny tekst źródłaGonzález, María Carmen. "Toward a feminist identity : contemporary Mexican-American women novelists /". The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu148769438939502.
Pełny tekst źródłaKim, Hyun Mee. "Labor, politics and the women subject in contemporary Korea /". Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/6404.
Pełny tekst źródłaAl-Matrafi, Huda. "The representation of women in contemporary Arab-American novels". Thesis, University of Essex, 2012. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570661.
Pełny tekst źródłaAl-Harby, Nesreen Abdullah. "Veiled pearls : women in Saudi Arabia in contemporary fiction". Thesis, University of Leicester, 2018. http://hdl.handle.net/2381/42480.
Pełny tekst źródłaSeminet, Georgia Smith. "Redefining nation : space and desire in contemporary Mexican women's writing /". Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992909.
Pełny tekst źródłaAlbani, Francesca. "Thinness Matters: The Impact of Magazine Advertising on the Contemporary Beauty Ideal". Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1122572653.
Pełny tekst źródłaTitle from first page of PDF document. Document formatted into pages; contains [1], iii, 80 p. Includes bibliographical references (p. 68-80).
Mamelouk, Douja. "Redirecting al-nazar contemporary Tunisian women novelists return the gaze /". Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/649823780/viewonline.
Pełny tekst źródłaLee, Andrea Kathleen Wahlman Maude. "Envisioning the sacred expressions of spirituality by contemporary women artists /". Diss., UMK access, 2006.
Znajdź pełny tekst źródła"A dissertation in art history and religious studies." Advisor: Maude Southwell Wahlman. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Jan. 29, 2007. Includes bibliographical references (leaves 354-398). Online version of the print edition.
Yan, Qigang. "A comparative study of contemporary Canadian and Chinese women writers". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21657.pdf.
Pełny tekst źródłaGraham-Bertolini, Alison. "Home of the Brave: Vigilante Women in Contemporary American Fiction". LSU, 2009. http://etd.lsu.edu/docs/available/etd-04142009-191748/.
Pełny tekst źródłaVorrasi, Natasha Jaclyn. "Black men, white women : interracial relationships in contemporary Hollywood film /". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arv954.pdf.
Pełny tekst źródłaNeuman, Sandra. "The issue of sexual violence against women in contemporary India". Thesis, Linnéuniversitetet, Institutionen för samhällsstudier (SS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27363.
Pełny tekst źródłaYoo, Dong-Ju. "Consuming modernity : women, food and promotional culture in contemporary Korea". Thesis, Loughborough University, 1986. https://dspace.lboro.ac.uk/2134/7156.
Pełny tekst źródłaXiao, ShuQiao. "International human rights law and abused women in contemporary China". Thesis, University of Warwick, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403139.
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