Gotowe bibliografie tematyczne / Contemporary women

Gotowa bibliografia na temat „Contemporary women”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Contemporary women"

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Bertram, Vicki. "Contemporary Women Poets". Feminist Review 62, nr 1 (1999): 1–5. http://dx.doi.org/10.1080/014177899339108.

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Moloney, Caitriona, i Patricia Boyle Haberstroh. "Women Creating Women: Contemporary Irish Women Poets". Tulsa Studies in Women's Literature 16, nr 1 (1997): 165. http://dx.doi.org/10.2307/464051.

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Pelan, Rebecca, i Patricia Boyle Haberstroh. "Women Creating Women: Contemporary Irish Women Poets". Canadian Journal of Irish Studies 25, nr 1/2 (1999): 532. http://dx.doi.org/10.2307/25515293.

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Wu, Fatima, i Eva Hung. "City Women: Contemporary Taiwan Women Writers". World Literature Today 76, nr 2 (2002): 135. http://dx.doi.org/10.2307/40157308.

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Cranston, Mechthild, i Michael Bishop. "Contemporary French Women Poets". World Literature Today 70, nr 3 (1996): 661. http://dx.doi.org/10.2307/40042145.

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Roney, Lisa, i Virginia Watson-Jones. "Contemporary American Women Sculptors". Woman's Art Journal 8, nr 1 (1987): 54. http://dx.doi.org/10.2307/1358351.

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Lunati, Montserrat, i Anny Brooksbank Jones. "Women in Contemporary Spain". Modern Language Review 95, nr 4 (październik 2000): 1108. http://dx.doi.org/10.2307/3736674.

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Stokrocki, Mary, i V. Watson-Jones. "Contemporary American Women Sculptors". Studies in Art Education 29, nr 1 (1987): 63. http://dx.doi.org/10.2307/1320458.

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Zarnowski, Myra. "Learning about Contemporary Women". Social Studies 79, nr 2 (marzec 1988): 61–63. http://dx.doi.org/10.1080/00220973.1944.11019890.

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Knapp, Bettina L. "Contemporary Chinese Women Writers". World Literature Today 66, nr 4 (1992): 774. http://dx.doi.org/10.2307/40148801.

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Rozprawy doktorskie na temat "Contemporary women"

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Gonullu, Ayse. "Contemporary Women&amp". Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/2/12606618/index.pdf.

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The main aim of this study is to investigate the tools of the women&
#8217
s activism which are used in transforming the gender equality agenda in Turkey in terms of legislative reform. To illustrate and study of the tools of women&
#8217
s activism descriptively, a case study on the women&
#8217
s activism for legislative reform in Turkey is conducted. The findings of the research verified the research thesis that women&
#8217
s activism that occurred after 1980s and institutionalized during 1990s was incredibly influential in transforming the Turkey&
#8217
s political agenda. The inner organization manner of women&
#8217
s movement, its use of the media, lobbying activities such as finding allies in the commission and parliament, engagement with international women&
#8217
s rights mechanisms, conducting effective communication through list-serve, arranging street demonstrations and actions can be enumerated as important tools.
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Mohammed, Elattag Mona I. "Women in contemporary Islamic societies". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ47781.pdf.

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Gibney, Delmarie. "Biblical images for contemporary women". Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Kuhlman, Olivia. "Inequities of Contemporary French Women". Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/60.

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This thesis is an analysis of the current situation of women in contemporary France. It analyzes the current situation of French women in education, the work force, politics, and French society, with the intent of uncovering the gender inequalities French women encounter in contemporary France.
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Salem, Lema Malek. "Women in contemporary Palestinian cinema". Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/women-in-contemporary-palestinian-cinema(20e6c0d2-f5e8-4b75-bdd7-6933c8ab7432).html.

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This thesis seeks to increase recognition of contemporary Palestinian women’s cinema and locates it firmly within the Palestinian film industry. I argue that Palestinian women’s cinema has created and developed a nuanced cinema whilst sustaining and enhancing the Palestinian film industry. The twenty-first century has undeniably witnessed the vigorous development of a Palestinian women’s cinema and the number of Palestinian women filmmakers and films is still on the rise. Scholars have often focused on increasing worldwide recognition of mainstream Palestinian films directed and produced by well-known Palestinian filmmakers. This has resulted in the marginalisation of Palestinian women’s cinema within an already marginalised Palestinian film industry. I locate Palestinian cinema, in the introduction, as a transnational cinema and I also explain my rationale for placing women’s film under the category of “women’s cinema”. In order to offer a comprehensive analysis and to understand and examine the corpus of films in this thesis, I firstly provide an overview of the historical and contemporary background of Palestinian popular arts and cinema, highlighting Palestinian women’s participation. In chapter 2, I discuss women’s roles in Palestinian politics in order to trace women’s positions and roles in political public life because it is difficult to separate activism from social life and thus from cinema, as these three intersect and mutually influence one another. In chapter 3, 4 and 5 I argue, through detailed discussion and analysis of this body of work that, unlike Palestinian cinema at large, Palestinian women filmmakers embody, interweave and reflect on the complex and often contradictory contemporary and historical issues taking into account ideologies and socio-cultural differences in a complex geopolitical space (e.g. sexual restrictions, power and authority, femininity and masculinity, restriction on movement and hyphenated identities). I also argue that these women filmmakers are interested in developing responses to what they see as heterogeneous and hyphenated Palestinian identities while adapting traditional and modern filmic styles. Here I have studied their works thematically as this provided greater insight into the social and historical contexts of contemporary Palestinian lives. I argue that films by Palestinian filmmakers living inside Palestine focus and revolve around socio-culturally sensitive and underrepresented issues of love and sexuality (chapter 3), violence and power (chapter 4). I also argue that hyphenated Palestinian filmmakers, in this case, Palestinian American filmmakers, explore through their work themes of displacement and the imagined homeland by reflecting on historical events and also through examining the different ‘journeys’ of their hyphenated characters, both internal and geographical. I study the films in this thesis within contemporary discourses on culture, cultural capital, discourses of power, identity, migration and diaspora, exile, feminist debates, gender politics, postcoloniality and borderlands.
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Bolzt, Kerstin. "Women as artists in contemporary Zimbabwe /". Eckersdorf, Germany : Breitinger, 2007. http://www.loc.gov/catdir/toc/fy0804/2008400471.html.

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Brennan, Zoe. "Representations of older women in contemporary literature". Thesis, University of the West of England, Bristol, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271040.

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This study argues that novels by contemporary women writers, such as Doris Lessing, May Sarton, Barbara Pym and Jenny Diski, through their representation of older female protagonists, create alternative discourses of ageing to those that dominate Western society. By placing these figures at the centre of their narratives, the texts counteract the silence and pejorative stereotyping that routinely surrounds the lives of the aged. The technique of studying literary representations of women is not new; in fact, it is a trusted part of feminist methodology. However, one of the assertions of this dissertation is that it is rarely used to investigate texts about the senescent, reflecting feminism's failure to include the older women in their theories. Part one of the dissertation examines such issues in depth, setting out the theoretical orientation of the study. It considers popular representations and paradigms of ageing, as well as considering the power of normalising discourse and dynamics of representation. Part two uses this material to analyse the strategies that British and North American authors have employed, since the 1960's, to challenge common stereotypes of older women. The first three chapters focus on novels that portray protagonists who display emotions, not usually associated with the old, which are revealed in relation to different aspects of ageing: anger and frustration (dependency); passion and desire (sexuality); and contentment (daily life). Chapter 7, 'The Wise and Archetypal Older Woman', shifts its attention away from more realist texts to study characters who emerge from the covers of ratiocinative fiction. It argues that conventional critiques of the genre often negate its more polemical elements, which is a result of their failure to use an age- and gender-aware approach and a problem that generally greets intelligent novels about female senescence. This thesis sees itself as part of a movement that aims to create a space in which older female characters' voices can be heard and recognised. It contends that the authors treated here produce visions of ageing that are not solely concerned with stagnation and decline. They represent a varied and compelling group of protagonists and, in doing so, illustrate that older women are worthy of literary, social and feminist interest.
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Petty, Sue. "Working-class women and contemporary British literature". Thesis, Loughborough University, 2009. https://dspace.lboro.ac.uk/2134/5441.

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This thesis involves a class-based literary criticism of working-class women s writing. I particularly focus on a selection of novels by three working-class women writers - Livi Michael, Caeia March and Joan Riley. Their work emerged in the 1980s, the era of Thatcherism, which is a definitive period in British history that spawned a renaissance of working-class literature. In my readings of the novels I look at three specific aspects of identity: gender, sexuality and race with the intersection of social class, to examine how issues of economic positioning impinge further on the experience of respectively being a woman, a lesbian and a black woman in contemporary British society. I also appropriate various feminist theories to argue for the continued relevance of social class in structuring women s lives in late capitalism. Working-class writing in general, and working-class women s writing in particular, has historically been under-represented in academic study, so that by highlighting the work of these three lesser known writers, and by indicating that they are worthy of study, this thesis is also complicit in an act of feminist historiography.
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De, Leeuw Patricia, Francine Cardman, M. Shawn Copeland i Megan McCabe. "Women for a contemporary Church: A conversation". The Church in the 21st Century Center at Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104057.

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Listen to a conversation about the prophetic witness of Catholic women, who through their passion, talents, scholarship, and personal sense of vocation, remain committed in hope to a Catholic Church at its best
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Henderson, Gwen Deborah. "Evangelical women negotiating faith in contemporary Scotland". Thesis, Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/323/.

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Thesis (Ph.D.) - University of Glasgow, 2008.
Ph.D. thesis submitted to the Department of Theology and Religious Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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Książki na temat "Contemporary women"

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Atagok, Tomur. Contemporary women artists. Istanbul: Ministry of Culture, 1993.

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Farfan, Penny, i Lesley Ferris, red. Contemporary Women Playwrights. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-27080-1.

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Beckett, Wendy. Contemporary women artists. New York: Universe Books, 1988.

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1960-, Berney K. A., i Templeton N. G, red. Contemporary women dramatists. London: St. James Press, 1994.

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1965-, Hillstrom Laurie Collier, i Hillstrom Kevin 1963-, red. Contemporary women artists. Detroit: St. James Press, 1999.

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Beckett, Wendy. Contemporary women artists. Oxford [England]: Phaidon, 1988.

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1922-, Walden Daniel, i Glazer Miriyam, red. Contemporary women writers. Kent, Ohio: Kent State University Press, 1992.

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Alexander, Flora. Contemporary women novelists. London: E. Arnold, 1989.

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1957-, Shelton Pamela L., red. Contemporary women poets. Detroit: St. James Press, 1998.

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Beckett, Wendy. Contemporary women artists. New York: Universe Books, 1988.

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Części książek na temat "Contemporary women"

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Meena, Sharify-Funk, Rory Dickson William i Shobhana Xavier Merin. "“Women of Light”". W Contemporary Sufism, 213–44. New York : Routledge, 2018. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315542379-ch7.

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Brockington, I. F., i M. Lanczik. "Psychiatric Illnesses in Women". W Contemporary Psychiatry, 927–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-59519-6_55.

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Dunleavy, Janet Egleson, i Rachael Lynch. "Contemporary Irish Women Novelists". W The British and Irish Novel Since 1960, 93–108. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21522-5_7.

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Mahbuba, Farjana, i Sonja van Wichelen. "Muslim Women: Contemporary Debates". W Handbook of Contemporary Islam and Muslim Lives, 1–13. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73653-2_76-2.

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Baskin, Judith R. "Women in Contemporary Judaism". W The Blackwell Companion to Judaism, 393–414. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470758014.ch22.

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Mahbuba, Farjana, i Sonja van Wichelen. "Muslim Women: Contemporary Debates". W Handbook of Contemporary Islam and Muslim Lives, 933–45. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-32626-5_76.

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Cobb, Shelley. "Postfeminist Austen: By Women, for Women, about Women". W Adaptation, Authorship, and Contemporary Women Filmmakers, 113–38. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137315878_5.

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Saeed, Anum, i Martha Gulati. "Cardiovascular Disease Prevention in Women". W Contemporary Cardiology, 441–61. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56279-3_19.

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Jacobs, Alice K. "Women and Acute Coronary Syndromes". W Contemporary Cardiology, 499–520. Totowa, NJ: Humana Press, 1999. http://dx.doi.org/10.1007/978-1-59259-731-4_20.

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Selaiha, Nehad, i Sarah Enany. "Women Playwrights in Egypt". W Contemporary Women Playwrights, 66–81. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-27080-1_5.

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Streszczenia konferencji na temat "Contemporary women"

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Svirina, L. P. "Belarusian Women in Contemporary Physics". W WOMEN IN PHYSICS: 2nd IUPAP International Conference on Women in Physics. AIP, 2005. http://dx.doi.org/10.1063/1.2128279.

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Qamar, Anisa, i Muhammad Ayub Jan. "Contemporary challenges to women’s education in Pakistan". W WOMEN IN PHYSICS: 7th IUPAP International Conference on Women in Physics. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0175932.

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Singh, Poonam. "WOMEN’S MOVEMENT IN INDIA FROM ITS EARLIEST NOTICEABLE BEGINNING TO CONTEMPORARY TIMES". W International Conference on Future of Women. The International Institute of Knowledge Management-TIIKM, 2018. http://dx.doi.org/10.17501/icfow.2018.1105.

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Watson, Terri. "Black Women as Instructional Leaders: Historical and Contemporary Perspectives". W 2024 AERA Annual Meeting. Washington DC: AERA, 2024. http://dx.doi.org/10.3102/2101034.

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Ali, Imran, Bahrmand Shah, Sobia Rana i Ramzan Shahid. "THE LITERARY PROGENITORS OF AMERICAN FEMINISM: IMPLICATIONS FOR THE CONTEMPORARY PASHTUN WOMEN IN PAKISTAN". W International Conference on Future of Women. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icfow.2018.1202.

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Angelova-Igova, Boryana, i Ivan Slavchev. "SOME GENDER ISSUES AROUND SPORTS OFFICIALS IN THE CONTEMPORARY BULGARIAN SOCIETY". W INTERNATIONAL SCIENTIFIC CONGRESS “APPLIED SPORTS SCIENCES”. Scientific Publishing House NSA Press, 2022. http://dx.doi.org/10.37393/icass2022/73.

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ABSTRACT Sport is a mirror of the culture in which it develops, therefore analyzing the problems and trends in sport we have the opportunity to see a simplified model of society itself. The subject of our study is to understand how much our society is a subject of a gender stereotypes and to which extent contemporary women and men are free to express themselves in any public sphere of their choice. The case with sports officials sheds light on this problem. In the period May 2021 - January 2022, we conducted a study, within the international project Raising the growth and participation of female sports officials in Europe (WINS Project), supported by the Erasmus + Sport program, on the state and attitudes of Bulgarian sports officials, in all sports. We noticed several facts, typical for the modern Bulgarian society: Bulgarian women do not suffer from strong gender stereotypes regarding what is a “male” or a “female” occupation. However, we notice a low level of involvement of women as officials in “men’s sports”, such as football, boxing and taekwondo and very high in “women’s sports”: almost 99% in rhythmic gymnastics. Yet there is a positive trend in terms of women’s involvement in “men’s” sports. There has been an increase in recent years of women officials in sports such as taekwondo, boxing, football, weightlifting, but we are still very far from the desired equality. Bulgarian women occupy a large part of the low-level sport officials’ positions in athletics, but there are few women occupying higher positions and women also have lower salaries. In sports refereeing there are no legal differences that give privileges to one or the other sex, but this “equality” in some cases harms women who, due to motherhood or various ailments, have specific needs and requirements for working hours and work environment.
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Abesadze, Nino, Nino Paresashvili i Rusudan Kinkladze. "Violence against women: stereotyped or new challenge of society". W Contemporary Issues in Business, Management and Economics Engineering. Vilnius Gediminas Technical University, 2019. http://dx.doi.org/10.3846/cibmee.2019.065.

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Purpose – the aim of the work is Statistical analysis of violence against women in Georgia, according to the causes, forms, revealed forms and results of violence. Research methodology – the methods of statistical observation, grouping, and analysis were used in the research process. The graphical expression method is widely used. Findings – violence against women is a taboo topic for Georgian society and rarely becomes disclosed. Violence against women and girls in Georgia includes sexual abuse, rape, sexual harassment, early marriages, or forced marriage. The cases of violence against women are much more common in residents of Tbilisi, Samtskhe-Javakheti, and Mtskheta-Mtianeti. It is relatively low in Adjara, Guria, Samegrelo and Imereti regions. Besides physical violence, there is frequent psychological violence, such as constant control of the wife, threatening, intimidation, etc. Violence indicators are different for age groups and nationalities Research limitations – the survey is intended for a wide segment. In the future, it is possible to further expand the area by considering sources of financing. Practical implications – the results of this research will help increase public awareness and the need for womenʼs rights. Originality/Value – since 2009, research about womenʼs violence in Georgia has not been conducted. Therefore, the statistical data presented here is completely the most recent.
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Robu, Mariana. "Empowering women through reducing unpaid work". W The 8th International Conference "Management Strategies and Policies in the Contemporary Economy". Academy of Economic Studies of Moldova, 2023. http://dx.doi.org/10.53486/icspm2023.59.

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Unpaid work is recognized as a critical barrier to gender equality and women’s economic and social empowerment. Formally categorized as non-market work, unpaid work is not included in gross domestic product (GDP) calculations and remains invisible to decision- and policymakers. Social and cultural gendered norms related to unpaid care work remain stubbornly entrenched. While the ‘men as breadwinners’ and ‘women as caregivers’ model may not be universal, it is still the normative construct for gender relations in the Republic of Moldova. Similar to other countries across the world, women in the Republic of Moldova undertake the majority of unpaid work; in the country the unpaid work is not equally shared by women and men. Moreover, while men work longer hours in paid employment, women continue to work longer total hours than men do overall, bearing a ‘double burden’ or ‘second shift’. The actuality of the subject does exist, for example, when women have access to paid work, they may be able to earn their own income, which can give them a greater degree of independence and autonomy. Additionally, they may be able to gain a greater level of social and economic empowerment, which can help them to improve their lives and the lives of their families. The purpose of the research it is focused on rethinking the care economy and empowering women. An in-depth desk review of the available studies in the Republic of Moldova and worldwide was conducted in order to analyze the empowering women through reducing unpaid work.
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Ghodake, Asha Pandit, Hanamant Bhagwan Sale, Swati Patil, Rupali Patil, Savita Patil i Amina Kotwal. "IoT-Based Theft Detection For Women Handbags". W 2023 6th International Conference on Contemporary Computing and Informatics (IC3I). IEEE, 2023. http://dx.doi.org/10.1109/ic3i59117.2023.10397878.

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Shashila, S., i S. Vennila Fathima Rani. "Emotional intelligence, social and negative effect on physical health of working women". W CONTEMPORARY INNOVATIONS IN ENGINEERING AND MANAGEMENT. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0151837.

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Raporty organizacyjne na temat "Contemporary women"

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Roselló Soberón, Estela. Working paper PUEAA No. 18. Women in resistance: avatars of Afghan and Mexican women in their daily fights against contemporary violence. Universidad Nacional Autónoma de México, Programa Universitario de Estudios sobre Asia y África, 2023. http://dx.doi.org/10.22201/pueaa.003r.2023.

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The next reflection has the purpose of analyzing the resilience strategies of Afghan women and girls throughout the 21st century to compare them with those other strategies that many Mexican women and girls from rural and urban communities have to use on a daily life to survive in the midst of different types of conditions of marginalization, discrimination and violence. The communication compares the representation and construction of negative female stereotypes originated in the most traditional visions of islam and catholicism to analyze the response that contemporary, resilient, and combative women have offered to fight against these cultural assumptions in search of greater freedoms, rights, and opportunities to live with dignity. This cultural comparison has the purpose of looking at women as active subjects, capable of responding and acting in situations of oppression, discrimination, and daily mistreatment in patriarchal societies where violence against women is one of the social, political, economic and cultures of most urgent attention.
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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, marzec 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations also show the position of women in Panamanian society, and their views of themselves through their own and others¿ eyes. Among the artists are: Susana Arias, Beatrix (Trixie) Briceño, Fabiola Buritica, Coqui Calderón, María Raquel Cochez, Donna Conlon, Isabel De Obaldía, Sandra Eleta, Ana Elena Garuz, Teresa Icaza, Iraida Icaza, Amelia Lyons de Alfaro, Lezlie Milson, Rachelle Mozman, Roser Muntañola de Oduber, Amalia Rossi de Jeanine, Olga Sánchez, Olga Sinclair, Victoria Suescum, Amalia Tapia, Alicia Viteri, and Emily Zhukov.
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Hessini, Leila. Living on a Fault Line: Political Violence Against Women in Algeria. Population Council, 1996. http://dx.doi.org/10.31899/pgy1996.1005.

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This study raises three questions to better comprehend the crisis women face in Algeria today: how are the state and the opposition groups addressing and defining women’s contemporary status, what is the link between women’s status and violence against them, and what are the tactics both of resistance and accommodation that Algerian women are using to survive in such a context? Throughout this study, the term “Islamic Fundamentalists” refers to movements and people in Algeria who use the “recovery” of early principles of the Ideal Muslim Community to develop their idea of a future Islamic “social order,” with the ultimate desire of achieving political power, often using violent means. This study discusses the general characteristic of these movements and the surge of political Islam in post-independence Algeria. This study investigates how violence—or the threat thereof—has become acceptable as a legitimate instrument to control women and force them to conform to a vision of an “Ideal Islamic Society.” As this report states, this type of violence, unlike state violence, is exclusively perpetuated by members of militant Islamist movements.
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Elias, Christopher J., i Lori L. Heise. The development of microbicides: A new method of HIV prevention for women. Population Council, 1993. http://dx.doi.org/10.31899/hiv1993.1001.

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A critical review of current epidemiological trends and social science research demonstrates that there is an urgent need for expanding the range of female-controlled HIV prevention methods. Existing efforts to control the spread of HIV infection primarily through the encouragement of a reduction in the number of sexual partners, widespread condom promotion, and the control of other sexually transmitted infections are inadequate for many of the world's women. Underlying gender power inequities severely limit the ability of many women to protect themselves from HIV infection, especially in the absence of a prevention technology they can use, when necessary, without their partner's consent. Current understanding of biology suggests that developing such methods is a feasible and potentially cost-effective endeavor. This paper describes the growing risk of HIV infection faced by women throughout the world, examines the limitation of contemporary AIDS prevention strategy in meeting the needs of women, reviews the existing data on female-controlled HIV prevention methods, and outlines the challenges for future microbicide development.
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Connor, Helene. Thesis Review: Dis/identifications and Dis/articulations: Young Women and Feminism in Aotearoa/New Zealand. Unitec ePress, luty 2015. http://dx.doi.org/10.34074/thes.revw12015.

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In this thoroughly researched, skillfully written thesis, the author explores young women’s dis/identifications with feminism, and dis/articulations of feminism, within contemporary Aotearoa/New Zealand. The premise of the research is that whilst many young women value the work of the early feminists in terms of gender equality and individual freedom for themselves, only a small number position themselves as feminist. Indeed, the author identified research with young women in the United Kingdom, the United States, Germany and Canada which supported this premise. Comparative research on young women’s identifications with feminism in Aotearoa/New Zealand, was, however, absent within the literature and this thesis set out to address this gap. Overall, the thesis addresses the New Zealand context with considerable scholarly integrity and depth, demonstrating originality and a well-considered analytical response to the data.
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Connor, Helene. Thesis Review: Dis/identifications and Dis/articulations: Young Women and Feminism in Aotearoa/New Zealand. Unitec ePress, luty 2015. http://dx.doi.org/10.34074/thes.revw2400.

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In this thoroughly researched, skillfully written thesis, the author explores young women’s dis/identifications with feminism, and dis/articulations of feminism, within contemporary Aotearoa/New Zealand. The premise of the research is that whilst many young women value the work of the early feminists in terms of gender equality and individual freedom for themselves, only a small number position themselves as feminist. Indeed, the author identified research with young women in the United Kingdom, the United States, Germany and Canada which supported this premise. Comparative research on young women’s identifications with feminism in Aotearoa/New Zealand, was, however, absent within the literature and this thesis set out to address this gap. Overall, the thesis addresses the New Zealand context with considerable scholarly integrity and depth, demonstrating originality and a well-considered analytical response to the data.
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Avis, William. Incorporating Gender Perspective in Peace Operations since 2018. Institute of Development Studies (IDS), listopad 2021. http://dx.doi.org/10.19088/k4d.2021.143.

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This rapid literature review collates evidence from academic, policy focussed and grey literature on progress on incorporating gender perspectives in peace operations since 2018, including the deployment of female peacekeepers, and the emerging issues in this field. Key messages that emerge from this review include: The focus on women’s participation in peace processes has led to several initiatives and efforts to promote increased representation, the multidimensional nature of the UN’s women, peace, and security (WPS) agenda is illustrative of the complexity of contemporary peace operations. The new and emergent issues in National Action Plans (NAP) on Women, Peace and Security. Critiques of Resolution 1325 suggest that while the resolution provides some examples of what a gender perspective means in the context of a peace agreement, it does not define what it means to apply a gender perspective to peace processes. Gender perspectives are largely absent from peace negotiations. Despite the evolution of this agenda, most contemporary peace processes are still top-down, elite-driven exercises that contribute to marginalisation and exclusion. Whilst there is high-level commitment towards the strategy and what it aims to achieve, institutional barriers, assumptions, and politics undermine its implementation. Key challenges identified in the literature, related to incorporating Gender Perspectives in Peace Operations include. Buy-in from leadership, Mandate and context, Gender and expertise, Terminology, Under-representation of women in peacekeeping. Meaningful participation, Gap between norms and provisions, and Practical/logistical/training issues in implementing the WPS agenda.
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Woolson Neville, Diane, i Helen Gremillion. Experiencing Women’s Advocacy: Connections with and Departures from a Feminist Socio-Political Movement to end Violence Against Women. Unitec ePress, sierpień 2015. http://dx.doi.org/10.34074/rsrp.032.

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This article examines how contemporary women’s advocates working in New Zealand with women experiencing intimate partner violence regard their work and how these experiences both connect with and depart from a feminist movement to end violence against women. Ten women’s advocates from ten different organisations were interviewed two times. The first interviews involved participants commenting on vignettes about hypothetical cases of intimate partner violence. The second interviews weresemi-structured and involved discussions about participants’ work and wider thoughts on the phenomenon of intimate partner violence. Interviews were analysed using Interpretative Phenomenological Analysis to identify key themes within participants’ interviews. Analysis indicated an alignment with international research illustrating an erosion of feminist perspectives in advocacy work. At the same time, it revealed areas of enduring feminist influence. Findings, therefore, suggest that the relationship between advocacy and the feminist movement to end violence against women is complicated and contradictory. Implications for further research directions are considered.
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Woolson Neville, Diane, i Helen Gremillion. Experiencing Women’s Advocacy: Connections with and Departures from a Feminist Socio-Political Movement to end Violence Against Women. Unitec ePress, sierpień 2015. http://dx.doi.org/10.34074/rsrp.032.

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This article examines how contemporary women’s advocates working in New Zealand with women experiencing intimate partner violence regard their work and how these experiences both connect with and depart from a feminist movement to end violence against women. Ten women’s advocates from ten different organisations were interviewed two times. The first interviews involved participants commenting on vignettes about hypothetical cases of intimate partner violence. The second interviews weresemi-structured and involved discussions about participants’ work and wider thoughts on the phenomenon of intimate partner violence. Interviews were analysed using Interpretative Phenomenological Analysis to identify key themes within participants’ interviews. Analysis indicated an alignment with international research illustrating an erosion of feminist perspectives in advocacy work. At the same time, it revealed areas of enduring feminist influence. Findings, therefore, suggest that the relationship between advocacy and the feminist movement to end violence against women is complicated and contradictory. Implications for further research directions are considered.
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Woolson Neville, Diane, i Helen Gremillion. Experiencing Women’s Advocacy: Connections with and Departures from a Feminist Socio-Political Movement to end Violence Against Women. Unitec ePress, sierpień 2015. http://dx.doi.org/10.34074/rsrp.032.

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This article examines how contemporary women’s advocates working in New Zealand with women experiencing intimate partner violence regard their work and how these experiences both connect with and depart from a feminist movement to end violence against women. Ten women’s advocates from ten different organisations were interviewed two times. The first interviews involved participants commenting on vignettes about hypothetical cases of intimate partner violence. The second interviews weresemi-structured and involved discussions about participants’ work and wider thoughts on the phenomenon of intimate partner violence. Interviews were analysed using Interpretative Phenomenological Analysis to identify key themes within participants’ interviews. Analysis indicated an alignment with international research illustrating an erosion of feminist perspectives in advocacy work. At the same time, it revealed areas of enduring feminist influence. Findings, therefore, suggest that the relationship between advocacy and the feminist movement to end violence against women is complicated and contradictory. Implications for further research directions are considered.
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