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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lutego 2023

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1

Sweetapple, Christopher, red. The Queer Intersectional in Contemporary Germany. Gießen: Psychosozial-Verlag, 2018. http://dx.doi.org/10.30820/9783837974447.

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Anti-racist and queer politics have tentatively converged in the activist agendas, organizing strategies and political discourses of the radical left all over the world. Pejoratively dismissed as »identity politics«, the significance of this cross-pollination of theorizing and political solidarities has yet to be fully countenanced. Even less well understood, coalitions of anti-racist and queer activisms in western Europe have fashioned durable organizations and creative interventions to combat regnant anti-Muslim and anti-migrant racism within mainstream gay and lesbian culture and institutions, just as the latter consolidates and capitalizes on their uneven inclusions into national and international orders. The essays in this volume represent a small snapshot of writers working at this point of convergence between anti-racist and queer politics and scholarship from the context of Germany. Translated for the first time into English, these four writers and texts provide a compelling introduction to what the introductory essay calls »a Berlin chapter of the Queer Intersectional«, that is, an international justice movement conducted in the key of academic analysis and political speech which takes inspiration from and seeks to synthesize the fruitful concoction of anti-racist, queer, feminist and anti-capitalist traditions, movements and theories. With contributions by Judith Butler, Zülfukar Çetin, Sabine Hark, Daniel Hendrickson, Heinz-Jürgen-Voß, Salih Alexander Wolter and Koray Yılmaz-Günay

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1939-, Suleiman Susan Rubin, red. The Female body in western culture: Contemporary perspectives. Cambridge, Mass: Harvard University Press, 1986.

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Ross, Kenneth R. The message of mainstream Christianity in Malawi: An analysis of contemporary preaching. [Zomba, Malawi: Dept. of Theology and Religious Studies, Chancellor College, University of Malawi, 1993.

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Dougherty, Jude P. Briefly considered: From the mainstream : notes and observations on the sources of western culture. South Bend, Indiana: St. Augustine's Press, 2013.

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Stephen, Plant, i Wüstenberg Ralf K. 1965-, red. Religion, religionlessness, and contemporary Western culture: Explorations in Dietrich Bonhoeffer's theology. Frankfurt am Main: P. Lang, 2008.

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Favretto, Ilaria, i Xabier Itcaina, red. Protest, Popular Culture and Tradition in Modern and Contemporary Western Europe. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-50737-2.

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Taylor, Clifford. Musical idea and the design aesthetic in contemporary music: A text for discerning appraisal of musical thought in western culture. Lewiston, NY: Edwin Mellen Press, 1990.

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Without criteria: Kant, Whitehead, Deleuze, and aesthetics. Cambridge, MA: MIT Press, 2009.

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9

Carlton, Smith. Coyote kills John Wayne: Postmodernism and contemporary fictions of the transcultural frontier. Hanover, NH: Dartmouth College, 2000.

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10

Cong xian feng pai dao xian feng wen hua: Mei xue pi pan yu jing zhong de dang dai xi fang xian feng zhu yi jian zhu = From avant-gardes to avant-garde culture : Contemporary western avantgardism architecture in context of aesthetic criticism. Nanjing Shi: Dong nan ta xue chu ban she, 2010.

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Pieralli, Claudia, Claire Delaunay i Eugène Priadko, red. Russia, Oriente slavo e Occidente europeo. Fratture e integrazioni nella storia e nella civiltà letteraria. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-507-4.

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The present book faces a wide range of problems concerning the history of Eastern slavic culture in its interation with cultural models, typical of Western Europe. This collective work is the final result of the french-italian congress “Fractures and Integrations between Russia, East Slavic world and the West. History and literary civilisation from the Middle Age to the Contemporary Era” (University of Florence, 16-17 april 2015): the complexity of cultural relations between Russia, Slavic East and European West is analysed enhancing the variety of points of view and benefiting of different methodological approaches as well as from perspectives, provided from different fields of study. Here we introduce new materials and new analytical methods, which are useful for studying the complex interactions between the western cultural tradition and the east oriental one, from Middle Age up to nowadays. The “fractures” and “integrations” are therefore highlighted throughout the reading or critical re-reading of textes, works and authors, who took part to the construction and the development of cultural interchange among the various european areas.

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Maffei, Paola, i Gian Maria Varanini, red. Honos alit artes. Studi per il settantesimo compleanno di Mario Ascheri. IV. L’età moderna e contemporanea. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-634-3.

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The studies included in this volume analyze the legal and social history of Europe and North America by the end of the eighteenth century to the contemporary age. The study investigates the relationship between culture and legal status (science, law and government), the administration of justice and the transformation of the legal professions. That lights up the separation, in the whole complex of Western legal tradition, that identifies the countries of the common law.

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13

Rogers, Hiromi T. Anjin - The Life and Times of Samurai William Adams, 1564-1620. GB Folkestone: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9781898823858.

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The year is 1600. It is April and Japan’s iconic cherry trees are in full flower. A battered ship drifts on the tide into Usuki Bay in southern Japan. On board, barely able to stand, are twenty-three Dutchmen and one Englishman, the remnants of a fleet of five ships and 500 men that had set out from Rotterdam in 1598. The Englishman was William Adams, later to be known as Anjin Miura by the Japanese, whose subsequent transformation from wretched prisoner to one of the Shogun’s closest advisers is the centrepiece of this book. As a native of Japan, and a scholar of seventeenth-century Japanese history, the author delves deep into the cultural context facing Adams in what is one of the great examples of assimilation into the highest reaches of a foreign culture. Her access to Japanese sources, including contemporary accounts – some not previously seen by Western scholars researching the subject – offers us a fuller understanding of the life lived by William Adams as a high-ranking samurai and his grandstand view of the collision of cultures that led to Japan’s self-imposed isolation, lasting over two centuries. This is a highly readable account of Adams’ voyage to and twenty years in Japan and that is supported by detailed observations of Japanese culture and society at this time. New light is shed on Adams’ relations with the Dutch and his countrymen, including the disastrous relationship with Captain John Saris, the key role likely to have been played by the munitions, including cannon, removed from Adams’ ship De Liefde in the great battle of Sekigahara (September 1600), the shipbuilding skills that enabled Japan to advance its international maritime ambitions, as well as the scientific and technical support Adams was able to provide in the refining process of Japan’s gold and silver.

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Cinquegrani, Alessandro, Francesca Pangallo i Federico Rigamonti. Romance e Shoah Pratiche di narrazione sulla tragedia indicibile. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-492-9.

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Over the last 70 years, Holocaust representations increased significantly as cultural objects distributed on a large scale: fictional books, museum sites, artworks, documentaries, and films are only a few samples of those echoes the Holocaust produced in contemporary Western culture. There are some specific patterns in the way the Holocaust has been represented that, however, contrast with the survivors’ account of the same event: for example, the dichotomy between bad and good characters so essential within Holocaust-based media – especially on television and film - does not really match with the testimony’s experience. While storytelling strategies may help to involve the public by emotionally engaging with the story, the risks of altering the real meaning of the Holocaust are quite high: what we often label as a “story” is actually been an outrageous, documented mass-genocide. Furthermore, as the age gap between the present and the past generation progresses, also the collective awareness of Nazi crimes as a real fact gets compromised. This volume explores selected Holocaust narrations by contextualizing the historical, literary, and social influences those texts had in their unique points of view. Starting with some recent examples of Holocaust exploitation through social media, the first chapter explores the paradigm shift when the Holocaust became a cultural, fictional trend rather than a historical massacre. In the second chapter, the analysis examines postmodern representations of Holocaust and Nazi semantics through relevant examples taken from both American and European literature. The third chapter analyses Europe Central by William T. Vollman, as all the narratological and cultural issues considered in the previous two chapters are well outlined in this articulated novel, where the relationship between reality and its representation after the postmodernist period is largely investigated. In chapter four, an account is given of the connections and differences between the narratological category romance, as understood by Northrop Frye, and Holocaust narration features. In chapter five, those elements are used to consider the work of Italian Holocaust survivor and Jewish writer Primo Levi, as his narration around Auschwitz adopts some fictional tools and still refuses undemanding storytelling mechanisms. The sixth and final chapter examines the relevant novel Les Benviellants by Jonathan Littell, considering its Nazi genocide account through the antagonist’s perspective.

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The female body in western culture: Contemporary perspectives. Cambridge,(Mass.): Harvard University Press, 1986.

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Suleiman, Susan Rubin. The Female Body in Western Culture: Contemporary Perspectives. Harvard University Press, 1986.

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17

Frith, Hannah. Orgasmic Bodies: The Orgasm in Contemporary Western Culture. Palgrave Macmillan Limited, 2015.

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Frith, Hannah. Orgasmic Bodies: The Orgasm in Contemporary Western Culture. Palgrave Macmillan, 2015.

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19

Suleiman, Susan Rubin. The Female Body in Western Culture: Contemporary Perspectives. Harvard University Press, 1986.

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Orgasmic Bodies: The Orgasm in Contemporary Western Culture. Palgrave Macmillan, 2015.

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21

Unger, Matthew Peter. Contingency and the Symbolic Experience of Christian Extreme Metal. Redaktorzy Jonathan Dueck i Suzel Ana Reily. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.22.

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This chapter explores Christian extreme metal as a window on the way religion is expressed in contemporary Western culture, drawing on continental theorists of the post-secular. Christian extreme metal lyrics, sonic and structural musical features, and visual features are remarkably continuous with “secular” extreme metal, which positions itself in explicit opposition to Christianity and the “mainstream” world. But Christian extreme metal fans see Christian metal as qualitatively different from “secular” extreme metal. This apparent contradiction shows powerfully how religious symbols circulate in Western late modernity: religious symbols (e.g., biblical texts, stories, languages, and characters—and their symbolic inversions and opposites, drawn on in “secular” extreme metal) have been divested of their truth value and instead circulate as symbols, as meanings with experiential consequences. This allows for a surprising flow of symbols and meanings between secular and Christian extreme metal, and at the same time for qualitatively unique experiences.

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22

Thomas, Mandy. Consuming Urban Culture in Contemporary Vietnam. RoutledgeCurzon, 2003.

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23

Williams, Peter. The Organ in Western Culture, 7501250. Cambridge University Press, 2005.

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Mead, Margaret. Russian Culture: The Study of Contemporary Western Cultures (Margaret Mead--the Study of Contemporary Western Cultures, V. 3). Berghahn Books, 2001.

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Brooks, David, Catherine A. Runcie i Catherine A. Runcie. Reclaiming Education: Renewing Schools and Universities in Contemporary Western Culture. Edwin H. Lowe Publishing, 2018.

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W, Drummond Lisa B., i Thomas Mandy 1959-, red. Consuming urban culture in contemporary Vietnam. London: Routledge Curzon, 2003.

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27

Itcaina, Xabier, i Ilaria Favretto. Protest, Popular Culture and Tradition in Modern and Contemporary Western Europe. Palgrave Macmillan, 2017.

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Bottomley, J. D. Feminist consideration of the question: How mainstream are pornographic representations of sexuality in contemporary popular culture? Worcester Coll. of H. E., Social Sci. Divn., 1992.

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Mead, Margaret. Study of Visual Culture (Margaret Mead: the Study of Contemporary Western Cultures). Berghahn Books, 2008.

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Keating, AnaLouise. From Self-Help to Womanist Self-Recovery. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037849.003.0005.

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This chapter reads mainstream “New Age” self-help literature in dialogue with women-of-colors narratives and proposes a new genre called “womanist self-recovery.” Womanist self-recovery represents a contemporary transcultural project with several characteristics: the transgression of conventional literary genres, the visionary belief in language's performative power, and the use of non-western cultural traditions to develop inclusionary multicultural communities. The chapter develops this genre by retracing a troubled engagement with Paula Gunn Allen's Grandmothers of the Light: A Medicine Woman's Sourcebook, and then redefining it as womanist self-recovery. It argues that womanist self-recovery creates communally based, multicultural transformation narratives—stories of self-empowerment that begin with the personal but move outward to encourage and facilitate collective change, stories that synthesize self-love and self-reflection with the quest for social justice.

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Zhao, Jing Jamie. Queering the Post-L Word Shane in the “Garden of Eden”. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390809.003.0005.

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This chapter presents a critical analysis of Chinese fans’ queer gossip discourse surrounding the American actress Katherine Moennig, most famous still for her breakthrough role as a butch lesbian character in the television series The L Word (Showtime, 2004–2009). Through a deconstructive reading of the gossip that imagines Moennig’s real-life lesbian gender identities and homoerotic relationships in one of the largest cross-cultural fandoms in Chinese cyberspace, The Garden of Eden (Yidianyuan), the author reveals that, rather than simply assimilating or rejecting the normative understandings of the West as a civilized, queer-friendly haven and China as a backward, heterocentric nation, the fans’ intricate fantasies about the Western queer world reflect their subjective, hybridized reappropriation and reinscription of the Chinese queer Occidentalist imaginations. Ultimately, she argues that the queer Occidentalism exemplified in this cross-cultural gossip functions as a survival strategy for queer fans to interrogate the depressing, heteropatriarchal realities in contemporary mainstream Chinese society.

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Culture and Education: The Social Consequences of Western Schooling in Contemporary Swaziland. University Press of America, 2004.

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Idea of Sport in Western Culture from Antiquity to the Contemporary Era. Vernon Art and Science Inc., 2020.

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(Editor), Margaret Mead, i Rhoda Metraux (Editor), red. The Study of Culture at a Distance (Margaret Mead: the Study of Contemporary Western Cultures). Berghahn Books, 2000.

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Krämer, Lucia. Adaptation in Bollywood. Redaktor Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.14.

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Chapter 14 examines the role of adaptation as both genre and practice in contemporary Hindi mainstream cinema, with reference to Indian film history and adaptation in Hollywood. In Bollywood today, despite the relative scarcity of literary adaptations, the multiplex boom has led to new ways of marketing adaptations and to a greater number of best-seller adaptations in recent years. Intramedial adaptations of both local and foreign films, by contrast, are a fully established practice of risk management, whose policies of copyright and self-positioning in relation to foreign films, for example the switch from “Indianization” strategies toward attempts at global accessibility, have reflected Bollywood’s changing role within world cinema. Based on its investigation of adaptation in Bollywood, the essay proposes several corrective implications for adaptation studies that arise from testing analytical categories developed on the basis of Western adaptations against adaptation in a different cultural sphere.

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The World Ahead: An Anthropologist Anticipates the Future (Margaret Mead: the Study of Contemporary Western Culture). Berghahn Books, 2005.

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Moffitt, Benjamin. Populism in Australia and New Zealand. Redaktorzy Cristóbal Rovira Kaltwasser, Paul Taggart, Paulina Ochoa Espejo i Pierre Ostiguy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198803560.013.5.

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This chapter provides an overview of populism in Australia and New Zealand, and argues that “antipodean populism” should be understood as a distinct regional subtype of populism. Contending that populism in Australia and New Zealand is best conceptualized as a cultural-relational style, it traces the historical precedents of populism in each country and summarizes their key contemporary cases, including those of Pauline Hanson, Bob Katter, Clive Palmer, Jacqui Lambie, and Winston Peters. It then explains the institutional and political factors that have both helped and hindered populism in the region. Finally, it shows that antipodean populism mixes the general ethno-exclusivism and nativism of Western European populism with the more producerist and protectionist aspects of North American populism, although demonstrating that it is additionally informed by the important context of both Australia and New Zealand’s status as isolated settler colonial states and the fact that populism is relatively “mainstream” in the region.

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Battente, Saverio. The Idea of Sport in Western Culture from Antiquity to the Contemporary Era. Vernon Press, 2020.

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Foxen, Anya P. Inhaling Spirit. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190082734.001.0001.

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This book follows up on recent findings that modern postural yoga is the outcome of a complex process of transcultural exchange and syncretism and digs even deeper, looking to uncover the disparate but entangled roots of contemporary yoga practice. In doing so, it proposes that some of what we call yoga, especially when it comes to North America and Europe, is only slightly genealogically related to premodern Indian yoga traditions. Rather, they are equally if not more grounded in Hellenistic theories of the subtle body, Western esotericism and magic, premodern European medicine, and late nineteenth-century women’s wellness programs. Marshalling these under the umbrella category of “harmonialism,” the book argues that they constitute a history of analogous practices that were gradually subsumed into the language of yoga. This allows us to fundamentally recontextualize the peculiarities of Western and especially certain mainstream American forms of yoga—their focus on aesthetic representation, their privileging of bodily posture and unsystematic incorporation of breathwork, and above all their overwhelmingly privileged female demographics. The initial chapters lay out the basic shape and history of these concepts and practices, and the later chapters explore their development into a spiritualized form of women’s physical culture over the course of the late nineteenth and early twentieth centuries, including the ways in which they became increasingly associated with yoga.

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(Editor), Margaret Mead, i Rhoda Metraux (Editor), red. The Study of Culture at a Distance (Margaret Mead--Researching Western Contemporary Cultures, V. 1). Berghahn Books, 2000.

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Nette, Andrew. Rollerball. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325666.001.0001.

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Rollerball, the Canadian-born director and producer Norman Jewison's 1975 vision of a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked. What little has been written deals mainly with its place within the renaissance of Anglo-American science-fiction cinema in the 1970s, or focuses on the elaborately shot, still visceral to watch, game sequences, so realistic they briefly gave rise to speculation Rollerball may become an actual sport. Drawing on numerous sources, including little examined documents in the archive of the film's screenwriter William Harrison, this book examines the many dimensions of Rollerball's making and reception: the way it simultaneously exhibits the aesthetics and narrative tropes of mainstream action and art-house cinema; the elaborate and painstaking process of world creation undertaken by Jewison and Harrison; and the cultural forces and debates that influenced them, including the increasing corporate power and growing violence in Western society in late 1960s and early 1970s. The book shows how a film that was derided by many critics for its violence works as a sophisticated and disturbing portrayal of a dystopian future that anticipates numerous contemporary concerns, including ‘fake news’ and declining literary and historical memory. The book includes an interview with Jewison on Rollerball's influences, making, and reception.

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Conan, Eric, i Henry Rousso. Vichy: An Ever-Present Past (Contemporary French Culture and Society). Dartmouth College Press, 1998.

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Liu, Kang. Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries (Post-Contemporary Interventions). Duke University Press, 2000.

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Liu, Kang. Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries (Post-Contemporary Interventions). Duke University Press, 2000.

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Mead, Margaret, i Rhoda Metraux. Themes in French Culture: A Preface to a Study of French Community (Margaret Mead: the Study of Contemporary Western Cultures). Berghahn Books, 2001.

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Cusack, Carole M. Invention in “New New” Religions. Redaktorzy James R. Lewis i Inga Tøllefsen. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190466176.013.17.

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This chapter discusses the concept of invention and applies it to the study of New Religious Movements (NRMs). Invention plays a part in all religions and is linked to other conceptual lenses including syncretism and legitimation. Yet invention is more readily detected in contemporary phenomena (so-called “invented,” “hyper-real,” or “fiction-based” religions), which either eschew, or significantly modify, the appeals to authority, antiquity, and divine revelation that traditionally accompany the establishment of a new faith. The religions referred to in this chapter (including Discordianism, the Church of All Worlds, and Jediism) are distinctively “new new” religions, appearing from the mid-twentieth century, and gaining momentum in the deregulated spiritual market of the twenty-first century West. Overt religious invention has mainstreamed in the Western society, as popular culture, individualism and consumerism combine to facilitate the cultivation of personal spiritualities, and the investment of ephemeral entertainments with ultimate significance and meaning.

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Mead, Margaret, i Rhoda Metraux. Themes in French Culture: A Preface to a Study of French Community (Margaret Mead: the Study of Contemporary Western Cultures (Paper)). Berghahn Books, 2001.

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Kohm, Steven. The paedophile in popular culture. Redaktor Teela Sanders. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190213633.013.27.

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This essay examines fictional representations of sex crime, focusing on the construction of the paedophile in contemporary popular culture. Representations of sex crime and criminals in film and television have tended to mirror broader societal and social scientific assumptions about the nature of the crime, the consequences for victims, and appropriate reactions to offending behavior. Moreover, cinematic explorations of child sexual abuse can offer metaphorical sites to critique contemporary understandings of the causes, consequence, and reactions to the behavior. This essay situates the representation of sex crime and criminals within broader historical, cinematic, and criminological developments over the past century. The author argues that fictional representations of the paedophile constitute a type of popular criminology that can enrich and extend the boundaries of mainstream academic discourse and provide a complex understanding of the philosophical, moral, and cultural meanings of sexual offending at particular moments and places in history.

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49

Shaviro, Steven. Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics. MIT Press, 2012.

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Shaviro, Steven, i Brian Massumi. Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics. MIT Press, 2012.

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