Gotowa bibliografia na temat „Contemporary popular music”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Contemporary popular music”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Contemporary popular music"
Homan, Shane. "A contemporary cultural policy for contemporary music?" Media International Australia 158, nr 1 (luty 2016): 37–47. http://dx.doi.org/10.1177/1329878x15622077.
Pełny tekst źródłaPark, Juyong. "Networks of Contemporary Popular Musicians". Leonardo 45, nr 1 (luty 2012): 78–79. http://dx.doi.org/10.1162/leon_a_00341.
Pełny tekst źródłaChakravarty, Devpriya. "Popular Musics of India: An Ethnomusicological Review". Journal of Ethnic and Cultural Studies 6, nr 3 (18.12.2019): 111. http://dx.doi.org/10.29333/ejecs/267.
Pełny tekst źródłaZosim, Olga. "Popular Music in Contemporary Church Chants". Journal of History Culture and Art Research 9, nr 2 (25.06.2020): 227. http://dx.doi.org/10.7596/taksad.v9i2.2508.
Pełny tekst źródłaHo, Wai-Chung. "Secondary school students’ preferences for popular music and perceptions of popular music learned in school music education in Mainland China". Research Studies in Music Education 39, nr 1 (5.04.2017): 19–37. http://dx.doi.org/10.1177/1321103x17700688.
Pełny tekst źródłaAdjoteye, Eugene Agbasi. "The Cultural Environment of Popular Music Discourses in Contemporary Ghana: A Media and Communication Approach". Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 4, nr 1 (16.01.2021): 330–35. http://dx.doi.org/10.33258/birci.v4i1.1597.
Pełny tekst źródłaPARK, JUYONG, OSCAR CELMA, MARKUS KOPPENBERGER, PEDRO CANO i JAVIER M. BULDÚ. "THE SOCIAL NETWORK OF CONTEMPORARY POPULAR MUSICIANS". International Journal of Bifurcation and Chaos 17, nr 07 (lipiec 2007): 2281–88. http://dx.doi.org/10.1142/s0218127407018385.
Pełny tekst źródłaKim, Gooyong. "Neoliberal feminism in contemporary South Korean popular music". Politics of Sound 18, nr 4 (12.06.2019): 560–78. http://dx.doi.org/10.1075/jlp.18058.kim.
Pełny tekst źródłaКондратенко, М. В. "Oscillation of Opposites in Contemporary Icelandic Popular Music". Музыкальная академия, nr 1(785) (25.03.2024): 36–45. http://dx.doi.org/10.34690/362.
Pełny tekst źródłaPerrone, Charles A. "Brazil". Popular Music 6, nr 2 (maj 1987): 219–26. http://dx.doi.org/10.1017/s0261143000006000.
Pełny tekst źródłaRozprawy doktorskie na temat "Contemporary popular music"
Viol, Claus-Ulrich. "Jukebooks: contemporary British fiction, popular music, and cultural value". Heidelberg Winter, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2772862&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaBochanty-Aguero, Erica Jean. "Music that moves television music, industrial travel, and consumer agency in contemporary media culture /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1851096631&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaYuan, Xiaorong. "Chinese Minority Popular Music: A Case Study of Shanren, a Contemporary Popular Band". Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461073565.
Pełny tekst źródłaLord, Cristina Danielle. "The influence of popular music in the contemporary classical aesthetic". Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118887.
Pełny tekst źródłaNewsfeed is a composition for eight performers and electronics, written in 2016. It incorporates elements from popular music, namely in the form of borrowed instrumentation and influx of styles, in its aesthetic. A discussion of the ideologies behind the crossover of popular music within contemporary classical composition prefaces specific examples from recent composers that have also sought to bridge the gap between these two realms of music. The observations of musicologists, as well as artist statements from the composers themselves, justify the philosophical and cultural ramifications of the cross-pollination between popular and art music. The composers discussed in this report use a variety of methods to crossover the two realms, which range from instrumentation, incorporation of popular styles, and references to popular music and contemporary media within their works. Following this is a discussion of popular artists who have made a similar crossover into the art world.
Nicholls, Matthew. "Interactions between contemporary American independent cinema and popular music culture". Thesis, University of Southampton, 2011. https://eprints.soton.ac.uk/367385/.
Pełny tekst źródłaFu, Lok-yi Alice. "Contemporary Cantopop reception of crossover music in Hong Kong /". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39634334.
Pełny tekst źródłaIncludes Chinese version of questionnaire (leave 132-133), transcript of interviewees in Chinese (leave 134-141) and Chinese texts of translated songs (leave 142-154). Also available in print.
Luckman, Susan Heather. "Party people : mapping contemporary dance music cultures in Australia /". [St. Lucia, Qld.], 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16686.pdf.
Pełny tekst źródłaTorres, Nora Gamez. "Living in transition : popular music and social change in contemporary Cuba". Thesis, City University London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544452.
Pełny tekst źródłaAnderson, Lauren. "Investigating audience responses to popular music in contemporary romantic comedy films". Thesis, Aberystwyth University, 2009. http://hdl.handle.net/2160/cc4ece5f-c1df-4198-be56-c7afb3067dcb.
Pełny tekst źródłaJones, Craig Owen. "Y cantorion newydd : a study of contemporary Welsh-language popular music". Thesis, Bangor University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534645.
Pełny tekst źródłaKsiążki na temat "Contemporary popular music"
Council, Scottish Arts. Contemporary popular music. Edinburgh: Scottish Arts Council, 2001.
Znajdź pełny tekst źródłaDumnić Vilotijević, Marija, i Ivana Medić, red. Contemporary Popular Music Studies. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3.
Pełny tekst źródłaRego, Enylton José de Sá. MPB, contemporary Brazilian popular music. Abq. [ i.e. Albuquerque], N.M: Latin American Institute, University of New Mexico, 1985.
Znajdź pełny tekst źródłaSarrazin, Natalie. Focus: Popular Music in Contemporary India. New York : Routledge, 2020. | Series: Focus on world music: Routledge, 2019. http://dx.doi.org/10.4324/9780429505249.
Pełny tekst źródłaMark, Harrison. Contemporary music theory. Milwaukee: Hal Leonard, 2001.
Znajdź pełny tekst źródła1952-, Swiss Thomas, Sloop John M. 1963- i Herman Andrew 1957-, red. Mapping the beat: Popular music and contemporary theory. Malden, MA: Blackwell Publishers, 1998.
Znajdź pełny tekst źródłaZamora, Mercy Díaz. El Guayabero: A contemporary minstrel. Holguín: Publicigraf, 1995.
Znajdź pełny tekst źródłaStern's guide to contemporary African music. London: Zwan, 1988.
Znajdź pełny tekst źródłaContemporary art culture. Wyd. 2. Dubuque: Kendall Hunt Pub Co, 2009.
Znajdź pełny tekst źródłaCentre, Stern's African Record, red. Stern's guide to contemporary African music. London: Pluto Press, 1989.
Znajdź pełny tekst źródłaCzęści książek na temat "Contemporary popular music"
LeVine, Mark, i Jonas Otterbeck. "Muslim Popular Music". W Handbook of Contemporary Islam and Muslim Lives, 1–25. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-73653-2_107-1.
Pełny tekst źródłaLeVine, Mark, i Jonas Otterbeck. "Muslim Popular Music". W Handbook of Contemporary Islam and Muslim Lives, 797–821. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-32626-5_107.
Pełny tekst źródłaLevine, Mark, i Jonas Otterbeck. "Muslim Popular Music". W Handbook of Contemporary Islam and Muslim Lives, 1–15. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-73653-2_42-2.
Pełny tekst źródłaSzarecki, Artur. "Towards posthegemonic popular music studies". W Contemporary Popular Music Studies, 279–87. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_26.
Pełny tekst źródłaMarx, Tobias. "Collaboration in semi-professional music groups". W Contemporary Popular Music Studies, 173–81. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_16.
Pełny tekst źródłaLudewig, Bianca. "Researching popular music through transmedia festivals". W Contemporary Popular Music Studies, 251–57. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_23.
Pełny tekst źródłaVilotijević, Marija Dumnić, i Ivana Medić. "Introduction". W Contemporary Popular Music Studies, 9–14. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_1.
Pełny tekst źródłaFredriksson, Daniel. "Pathways of pop: Arts and education policy, studieförbund and genre hierarchies". W Contemporary Popular Music Studies, 101–8. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_10.
Pełny tekst źródłaGuerra, Paula, i Carles Feixa. "Golfos, punkis, alternativos, indignados: Subterranean traditions of youth in Spain, 1960 ̶ 2015". W Contemporary Popular Music Studies, 111–26. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_11.
Pełny tekst źródłaGuerra, Paula, i Ana Oliveira. "Heart of glass: Gender and domination in the early days of punk in Portugal". W Contemporary Popular Music Studies, 127–36. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_12.
Pełny tekst źródłaStreszczenia konferencji na temat "Contemporary popular music"
Cai, Huaming. "Influence of Popular Music on Mass Culture in Contemporary China". W International Conference on Education, Management and Computing Technology (ICEMCT-15). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icemct-15.2015.144.
Pełny tekst źródłaOrange, Chris. "Reconceptualising Tertiary Contemporary Music Performance Assessment". W Rangahau Horonuku Hou – New Research Landscapes, Unitec/MIT Research Symposium 2021. Unitec ePress, 2022. http://dx.doi.org/10.34074/proc.2206006.
Pełny tekst źródłaShang, Jinghan. "Research on Popular Music Communication Under the New Media Revolution". W Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.213.
Pełny tekst źródłaBagul, Mitali, Divya Soni i K. Saravanakumar. "Recognition of similar patterns in popular Hindi Jazz songs by music data mining". W 2014 International Conference on Contemporary Computing and Informatics (IC3I). IEEE, 2014. http://dx.doi.org/10.1109/ic3i.2014.7019799.
Pełny tekst źródłaJucu, Ioan Sebastian. "REPRESENTING CITIES, PLACES AND CULTURES THROUGH MUSIC TOURISM AND ICONIC MUSIC LEGENDS: A SHORT GEOGRAPHICAL ANALYSIS OF CELINE DION�S MUSIC AND TRAVEL". W 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s14.122.
Pełny tekst źródłaMeng, Dongqi. "Study on the Influence of Popular Singing on Vocal Music Teaching in Colleges and Universities". W Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.134.
Pełny tekst źródłaSzymanska-Stulka, Katarzyna. "TRAJECTORY OF GREEN BY ANDRZEJ KARALOW AND JERZY PRZEZDZIECKI: TOWARDS THE LANDSCAPE MUSIC". W 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.11.
Pełny tekst źródłaApostol, Snejana. "The appearance and development of classical stage dance: premises and particularities". W International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.27.
Pełny tekst źródłaLink, Martin. "Signum et gens – Zur Gendersemiotik in Clara und Robert Schumanns Liederzyklus Liebesfrühling". W Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.62.
Pełny tekst źródłaFukasawa, Masaya, i Masashi Yamada. "Impressions of Musical Pieces in the Pokémon Series". W 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004995.
Pełny tekst źródła