Gotowe bibliografie tematyczne / Contemporary poetry

Gotowa bibliografia na temat „Contemporary poetry”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "Contemporary poetry"

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Ōoka, Makoto, i James O'Brien. "Contemporary Japanese Poetry". World Literature Today 62, nr 3 (1988): 414. http://dx.doi.org/10.2307/40144290.

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Krātiņš, Ojārs, i Inara Cedrins. "Contemporary Latvian Poetry". World Literature Today 60, nr 1 (1986): 153. http://dx.doi.org/10.2307/40141358.

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Daviau, Donald G., i Beth Bjorklund. "Contemporary Austrian Poetry". World Literature Today 61, nr 2 (1987): 282. http://dx.doi.org/10.2307/40143122.

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Milivojević, Dragan, i Ewald Osers. "Contemporary Macedonian Poetry". World Literature Today 67, nr 1 (1993): 209. http://dx.doi.org/10.2307/40148994.

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Binham, Philip, i Herbert Lomas. "Contemporary Finnish Poetry". World Literature Today 67, nr 1 (1993): 212. http://dx.doi.org/10.2307/40148998.

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Knight, C. J. "Contemporary American Poetry". American Literary History 14, nr 1 (1.03.2002): 181–93. http://dx.doi.org/10.1093/alh/14.1.181.

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Gandlevsky, Sergey, Marina Boroditskaya i Maria Falikman. "Contemporary Russian Poetry". Wasafiri 26, nr 1 (marzec 2011): 28–32. http://dx.doi.org/10.1080/02690055.2011.534262.

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Knowlton, Edgar C., i Kim Jaihuin. "Contemporary Korean Poetry". World Literature Today 70, nr 1 (1996): 243. http://dx.doi.org/10.2307/40152030.

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Kronick, Joseph G., i Robert von Hallberg. "Contemporary American Poetry". Contemporary Literature 27, nr 2 (1986): 265. http://dx.doi.org/10.2307/1208661.

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Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani i Ali Sar Yaghoubi. "Tajikistan Contemporary Poetry Themes". Journal of Language and Literature 19, nr 2 (2.10.2019): 55. http://dx.doi.org/10.24071/joll.v19i2.2130.

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<p>Tajik poetry deviated from its mainstream with the victory of the communist revolution. The imposition of Russian language and the new communist literature made Tajik poetry to take influence from the works of Russian romantic poets and to have new themes. Meanwhile, it benefited from the ancient Persian poets and one can see the rhetorical figures such as metaphor, simile, conflict, pun, Īhām, proverb, husn-i ta'lil (good reason), imagery and paradox in the works of Tajik poets. Additionally, Bīdel's poem has also had a clear influence on the poetry of some contemporary poets. Tajik poetry is very close to the informal language of the people, and in these poems, we encounter words that are specific to the Tajik dialect. The first Persian she'r-e now (new poetry) in Central Asia was written by Sadriddin Ayni.</p><p>In Tajik poetry, we occasionally encounter with recurrences, the nostalgia of the missed glory, the oppression of the nation, and the unwanted fate of their ancestors. In these poems, the rely on emotion and content, and the epic and passionate tone prevail other poetic performances. The present study gives a general overview of the poetry of some Tajik poets.</p><p><em><strong>Keywords:</strong> Poetry, Tajikistan, Tajik, Persian language</em></p><p>_________________________________________</p><p>DOI &gt; <a href="https://search.crossref.org/?q=10.24071%2Fjoll.2019.190206">https://doi.org/10.24071/joll.2019.190206</a></p><p><em><br /></em></p>
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Rozprawy doktorskie na temat "Contemporary poetry"

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Bruno, Cosima. "Contemporary Chinese poetry in translation". Thesis, SOAS, University of London, 2003. http://eprints.soas.ac.uk/4399/.

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Maylor, Micheline. "A little sketch: motherhood in poetry and contemporary Canadian poetry". Thesis, University of Newcastle Upon Tyne, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489280.

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This thesis explores definitions of: Good Mother, Good Poetry, and Creative Writing in the Contemporary Canadian context. The first section explores what it means to be a 'good' mother and what it means to write a 'good' poem. The section outlines the predictable phases ofmotherhood poetry in five parts. These phases are defined and explored by citing examples of both established authors and my own creative writing. The section then details the process ofreawakening sexuality following motherhood, which links directly to a section ofpoetry found in the third chapter. The second section (Contemporary Canadian Poetry: The Vineyard) surveys poetry in Canada while addressing nuances in its literary landscape such as regionalism and settlement. The section explains the current and local poetry scene in terms offashion and theory as it has evolved from early modernism. The chapter touches on how Canadian poetry is seen outside of Canada and explores the tensions ofthe present day poetry scene while considering the roots ofthese tensions. The Third section (Little Thoughts) contains Creative Writing. These poems are a result of synthesizing ideas found in previous sections and are presented in six parts. The first section titled Artefacts, considers objects as mnemonics and delves into family history. The second section titled One Bird, conforms to the theme of motherhood. The third section is titled Far Tonight. This poetry explores the reawakening ofthe sexual self after parenthood. The fourth section is called Velleities and is a catch all poetry section. The next section called The Gully, addresses corning of age in a particular landscape. The Body Dream stands as an appendix to the final selection ofcreative work and this section holds the poems that are weak in their attempt to be 'good' poetry and represent a leap in learning.
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McCurry, Sara Kathleen. "The places of contemporary American poetry /". view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181111.

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Thesis (Ph. D.)--University of Oregon, 2005.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 260-266). Also available for download via the World Wide Web; free to University of Oregon users.
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Fulford, Sarah. "Gendered spaces in contemporary Irish poetry". Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298598.

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Perril, Simon. "Contemporary British poetry and modernist innovation". Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309700.

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Stone, Alison Jane. "Contemporary British poetry and the Objectivists". Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/30174.

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This thesis examines a neglected transatlantic link between three post-war British poets – Charles Tomlinson, Gael Turnbull and Andrew Crozier – and a group of Depression-era modernists: the Objectivists. This study seeks to answer why it was the Objectivists specifically, rather than other modernists, that were selected by these three British poets as important exemplars. This is achieved through a combination of close readings – both of the Americans’ and Britons’ poetry and prose – and references to previously unpublished correspondence and manuscripts. The analysis proceeds via a consideration of how the Objectivists’ principles presented a challenge to dominant constructs of ‘authority’ and ‘value’ in post-war Britain, and the poetic is figured in this sense as a way-of-being as much as a discernible formal mode. The research concentrates on key Objectivist ideas (“Perception,” “Conviction,” “Objectification”), revealing the deep ethical concerns underpinning this collaboration, as well as hitherto unacknowledged political resonances in the context of its application to British poetries. Discussions of language-use build on recent critical perspectives that have made a case for the ‘re-forming’ potential of certain modernist poetries, particularly arguments about ‘paratactic’ versus ‘fragmentary’ modernisms, and as such the three British poets’ interest in the Objectivists is interpreted as a response to a need for restitution following the trauma of World War II. Ultimately, it is argued that this interaction (which this thesis figures in explicitly transatlantic terms) was a challenge to the emphasis placed on collective and normative viewpoints in much post-war British poetry, many of which were located in an organic conception of ‘nation.’ This study claims that the Objectivists’ example posited a contrasting poetic, foregrounding individual agency and capacity for thought as the only viable means for the poet to re-connect with and make meaningful statements about society and the world.
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Jenkins, Sarah E. "Facing God : contemporary American devotional poetry /". Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2392.pdf.

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Inwood, Heather. "On the scene of contemporary Chinese poetry". Thesis, SOAS, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494221.

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Broom, Sarah. "Inhabitable mythologies : myth in contemporary Irish poetry". Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302587.

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Corrigan, Paul T. "Wrestling with Angels: Postsecular Contemporary American Poetry". Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5671.

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In the current “secular age,” more and more people find beliefs and behaviors associated with traditional religion intellectually and ethically untenable. At the same time, many “postsecular” writers, both believers and nonbelievers, continue to write with religious or religiously-inflected forms, themes, and purposes. In the United States, postsecular poets “wrestle with angels” by engaging constructively and deconstructively with matters traditionally considered the domain of religion and spirituality. While the recent work of Jürgen Habermas, Charles Taylor, John McClure and others puts the concept of the postsecular at the cutting edge of various fields of study, including religion, sociology, and literature, this dissertation presents the first study of contemporary postsecular poetry. The central question is, how should we define and describe contemporary postsecular poetry in the United States and how should we understand its religious and literary significance? To answer this question, this dissertation presents a broad survey of postsecular contemporary American poetry, offers extended analyses of the work of two preeminent postsecular poets—Li-Young Lee and Scott Cairns—and probes the implications for readers of the poetic forms found in such texts.
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Książki na temat "Contemporary poetry"

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1959-, Crawford Robert, red. Contemporary poetry and contemporary science. Oxford: Oxford University Press, 2006.

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Andrews, Elmer, red. Contemporary Irish Poetry. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-80425-2.

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Mark, Alison, i Deryn Rees-Jones, red. Contemporary Women’s Poetry. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-137-15406-4.

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Wheatley, David. Contemporary British Poetry. Redaktor Nicolas Tredell. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-31663-9.

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Paul, Muldoon, red. Contemporary Irish poetry. London: Faber and Faber, 2006.

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1934-, Kim Jaihiun, red. Contemporary Korean poetry. Oakville, Ont: Mosaic Press, 1994.

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A, Poulin, red. Contemporary American poetry. Wyd. 5. Boston: Houghton Mifflin, 1991.

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Kaiser, Haq, red. Contemporary Indian poetry. Columbus: Ohio State University Press, 1990.

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A, Poulin, red. Contemporary American poetry. Wyd. 6. Boston: Houghton Mifflin, 1996.

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Clark, Barbara Randall. Impressions: Contemporary poetry. Orangeburg, S.C: C.J. Williams, 1988.

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Części książek na temat "Contemporary poetry"

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Brown, Sarah Annes. "Contemporary Poetry". W A Handbook to the Reception of Ovid, 436–53. Chichester, UK: John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118876169.ch29.

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Spurr, Barry. "Contemporary poetry". W Studying Poetry, 340–57. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1057/978-0-230-80275-9_13.

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Gilbert, Roger. "Contemporary American Poetry". W A Companion to Twentieth-Century Poetry, 557–70. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch46.

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O'Brien, Sean. "Contemporary British Poetry". W A Companion to Twentieth-Century Poetry, 571–84. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch47.

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Collins, Lucy. "Contemporary Irish Poetry". W A Companion to Twentieth-Century Poetry, 585–95. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch48.

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Ramazani, Jahan. "Contemporary Postcolonial Poetry". W A Companion to Twentieth-Century Poetry, 596–609. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch49.

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Barry, Peter. "Poetry". W Issues in Contemporary Critical Theory, 168–77. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-89244-0_13.

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Azad, Abdul Kalam, i Gorky Chakraborty. "Miya Poetry". W Citizenship in Contemporary Times, 71–87. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003345152-7.

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Barry, Peter. "Contemporary British Modernisms". W Teaching Modernist Poetry, 94–115. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230289536_7.

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Emig, Rainer. "Making War Poetry Contemporary". W A Companion to Poetic Genre, 543–54. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444344318.ch38.

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Streszczenia konferencji na temat "Contemporary poetry"

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MEHMETALI, Bekir. "THE RULE OF POETIC NECESSITY IN CONTEMPORARY POETRY". W III. International Research Congress ofContemporary Studiesin Social Sciences. Rimar Academy, 2021. http://dx.doi.org/10.47832/rimarcongress3-10.

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Poetry flowed from the tongue of the Arab poets in a natural flow in the early days of his era, and it preceded its cradle in the pre-Islamic era, and accordingly the saliqa and innate nature took place. Classical Arabic in which he produced his poetry, in rules and linguistic laws, and by analogy with them, his poetry will be studied in meaning and structure, and that he will be mistaken in saying this, and the linguist will seek to find linguistic ways to penetrate the poet into the Arab rule that was made by the grammatical extrapolation. Hence the term poetic necessity, which is to find a nice linguistic way out because the poet's statement is not inconsistent with the made linguistic rule. There was a lot of disagreement between the grammarians on this subject. The problem of the research is manifested in the permissibility of using the poetic necessities of the contemporary poet who lives in our time, or the impermissibility of that, and he wonders: Is it permissible for the contemporary poet to use the poetic necessities that the ancients used? And how much is permissible to use it? Does he use it consciously and intentionally, compared to the ancients, or are they linguistic errors that he falls into without being aware of them? The research is theoretical and applied on two collections of poetry by two contemporary Arab poets who live in a nonArab spatial and linguistic environment (Turkey), namely Ayman al-Jabali and Khaled alMuhaimid. The study relied on the descriptive approach, which describes some of the poetic necessities used by the ancients, and which were mentioned by specialized sources and references. The importance of the research lies in its problem and topic, and the conclusions drawn from the research are presented at the end
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Mehmetali, Doç Dr Bekir. "THE USE OF ARABIC WORDS IN CONTEMPORARY TURKISH POETRY.THE POEM (WORDS OF KILIS) BY THE POET MUSTAFA ALPAYDIN IS AN EXAMPLE". W I. International Dubai Social Sciences and Humanities Congress. Rimar Academy, 2024. http://dx.doi.org/10.47832/dubaicongress1-1.

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The languages with which God has honored His servants, believers and non-believers, are all one of His signs and one of His effects. It is natural for human languages to borrow words from each other due to several factors, including religion, juxtaposition, mixing, and so on. The Turkish language borrowed many words from the Arabic language, and the Islamic religion was the main factor in this borrowing. Through this research, I wanted to show a small amount of contemporary Turkish poetry’s borrowing of Arabic words that the poet used in his poetic experience. The choice fell on the poet Mustafa Alp Aydin. Because he is one of the most prominent contemporary poets in the Turkish state of Kilis, adjacent to the Syrian border, and the president of the Kilis Poets and Writers Association. I chose his poem (The Words of Kels) to be the subject of study in this research. Because it contains quite a few Arabic words that distinguish the dialect of Kilis from others, I wanted this study to be one of the research lamps that illuminate the way for researchers in this type of studies. The importance of the research is evident in its treatment of a poet who has not been studied before, in the fact that this poet belongs to a state adjacent to Arab geography, and in his treatment of this topic in Turkish poetry and not in other types of speech. The research adopts the methods of description, analysis, induction, and deduction. It describes the Arabic words contained in this poem, analyzes them linguistically, and extrapolates the law of their use in the studied poem as a model of contemporary Turkish poetry that used Arabic words, and reaches conclusions based on this extrapolation
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عبد الرزاق أيوب, ضياء. "Kurdish-Arab coexistence in Iraqi contemporary poetry". W Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/56.

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" One of the best manifestations of the ego is in its relation to the other as an identifiable equivalent. This relation is basically and culturally determined by the nature of the observant ego, both dialectically and dialogically. The other serves as an inspiring stimulus that produces a desirable effect on an expressive ego which is aiming at self-expression and actively shaped by that equivalent other. This article investigates the poetic ego in its constant, variable interaction with the Kurds as reflected in the poems of contemporary Iraqi poets who showed sympathy with and support to the Kurdish cause. Exemplary poems will be chosen to depict this reciprocal relationship, shedding light on its unified representation. The article is divided into an introduction and five sections. The concept of the other and its origin, diversity of meanings, and its interdisciplinary suggestiveness are all discussed in the introduction. The five sections, on the other hand, are a study of the various depictions of the Kurds in contemporary Iraqi poetry. These depictions are shown in the Kurdish brotherhood, the commemoration of famous Kurdish figures, the celebration of the Kurdish place and festivities and their role in identity formation, and remembering its setbacks and inculcating it in the collective memory"
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"Symbolism In Contemporary Persian Poetry". W International Conference on Humanities, Literature and Economics. International Centre of Economics, Humanities and Management, 2014. http://dx.doi.org/10.15242/icehm.ed0114011.

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Pikalova, A. О. "Multimodality in contemporary poetry for children". W PHILOLOGICAL SCIENCES AND TRANSLATION STUDIES: EUROPEAN POTENTIAL. Baltija Publishing, 2022. http://dx.doi.org/10.30525/978-9934-26-261-6-37.

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Zeng, Haijin. "INFLUENCE OF CHRISTIANITY ON THE CREATIVITY OF THE GUANGDONG POET HUANG LIHAI". W 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.25.

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Huang Lihai is one of the most active contemporary Chinese poets in the past two decades. His poems are a return to poetry, language and life. In the era of change and grand discourse dominating the aesthetic interpretation of literature, Huang Lihai’s poetry and spiritual exploration have obvious implications. His vitality in poetry creation and poetry activities has an important connection with his Christian faith and his thought resources. Huang Lihai pays close attention to individual life with heavy religious feelings, and tries to restore the relationship between man and god, the relationship between man and man, and the relationship between man and nature in the post-modern era. Backed by belief, he maintained human dignity and integrity with poetry, and opened up the divine dimension of poetry writing, which opened up a new aesthetic dimension for the Chinese contemporary poetry.
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Petres Csizmadia, Gabriella. "THE CONTEMPORARY ISSUES OF TEACHING CHILDREN'S POETRY". W 15th International Technology, Education and Development Conference. IATED, 2021. http://dx.doi.org/10.21125/inted.2021.0494.

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Chystiak, D. O. "Reception of Ukrainian Poetry in Contemporary French-speaking Press". W THE INTERACTION OF JOURNALISM, ADVERTISING AND PR IN THE MODERN MEDIA SPACE. Baltija Publishing, 2022. http://dx.doi.org/10.30525/978-9934-26-250-0-11.

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Yu, Qiaoling. "A Brief Remark on Interpreting Poetry". W 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.22.

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Gherman, Oxana. "Sacred and profane perspectives on eros in contemporary Bessarabian poetry". W Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.15.

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The article studies the artistic representations of eros in contemporary Bessarabian poetry (Emilian Galaicu-Păun, Dumitru Crudu, Leo Bordeianu, Irina Nechit, Moni Stănilă, Silvia Goteanschii, Virgil Botnaru, Dan Negară, Hose Pablo, Artur Cojocaru). The author finds that the vision of love is determined either by sacred thinking, through which the erotic experience carries various spiritual meanings, restoring the primordial unity, awareness and harmonizing oppositions etc., or by profane thinking. Attributed exclusively to the physical and oriented towards sensuality, carnal voluptuousness, eros decays from the sphere of ontological mysteries, is lowered to the level of survival and perpetuation instincts, becoming the source of an irremediable existential tragedy.
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Raporty organizacyjne na temat "Contemporary poetry"

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Ferrer de Arréllaga, Renée. Contemporary Paraguayan Narrative: Two Currents. Inter-American Development Bank, marzec 1994. http://dx.doi.org/10.18235/0007909.

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