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Cordy, Raven. "Making Christian Art in a Contemporary Setting". Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/601.
Pełny tekst źródłaAguirre, Lina. "ENTRE LA VULNERABILIDAD Y EL GOCE: PRECARIEDAD Y GLOBALIZACION EN EL ARTE JOVEN CHILENO ACTUAL". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1345488169.
Pełny tekst źródłaSánchez-Velandia, Elena. "Réflexions pour une philosophie mineure : autour du conceptualisme latino-américain". Electronic Thesis or Diss., Amiens, 2017. http://www.theses.fr/2017AMIE0042.
Pełny tekst źródłaCan we make philosophy in art ? We do not give a negative or affirmative answer ; rather, we propose three zones of indistinguishability between art and philosophy : the concept, the writing, the praxis.The concept : we study the question of the concept from the conceptualization that Luis Camnitzer does mainly in his book "Conceptualism in Latin American Art. Didactics of liberation". In this text Camnitzer seeks to decentralize the reading of conceptualism based in Latin America. We try to study the philosophical consequences of this decentering which involves reviewing the relationship between terms such as aesthetics, concept, intellect ...Writing : for Camnitzer, a forerunner of artistic conceptualism would be the Venezuelan philosopher Simon Rodríguez (1771-1854) the master of Bolívar. Rodríguez knew that the political liberation of America had to be accompanied by cultural decolonization. Thus Rodríguez proposed to decolonize philosophy through writing. The writing of the Venezuelan philosopher breaks with the linear and homogeneous space of the typographic page that responds to the classical model of discourse : a linear, hierarchical and irreversible discourse on which, according to Rodríguez, colonial thought is based. Praxis : two senses of the relationship between philosophy and praxis interest us here : philosophy as "spiritual exercise" (as Pierre Hadot would say), as "aesthetics of existence" (as Michel Foucault would say) and philosophy as political praxis
Paz, Moscoso Valeria. "Roberto Valcárcel : renaming repression and rehearsing liberation in contemporary Bolivian art". Thesis, University of Essex, 2016. http://repository.essex.ac.uk/17659/.
Pełny tekst źródłaPetrus, John Stephen. "Gender Transgression and Hegemony: the Politics of Gender Expression and Sexuality in Contemporary Managua". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429609857.
Pełny tekst źródłaMedici, Antonella. "Romper el Marco. Memoria y producción artística en la postdictadura uruguaya 1985-2005". Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/669958.
Pełny tekst źródłaThis doctoral thesis titled Breaking the Frame. Memory and artistic production in the Uruguayan post-dictatorship 1985-2005 revolves around the relationship between memory and artistic practices in the context of the Uruguayan post-dictatorship. Located in an interdisciplinary field that includes both Memory Studies, Visual Studies and Art History, as well as theories about testimony, concentration experience and torture, this thesis focuses on studying the aesthetic regimes that operate around the borderline experiences of the civic-military dictatorship (1973-1985) - such as insile, exile, political prison, torture and disappearance - in the artistic practices of the Uruguayan post-dictatorship, a period that we place between 1985 and 2005. This thesis aims to elaborate an analysis of the relationships between memory and trauma from artistic practice in post-dictatorship through a series of paradigmatic artists and creators - Horacio Faedo, Luis Camnitzer, Clemente Padín, Ernesto Vila and Jorge Tiscornia - whose work allows us to investigate on the political dimension of memory in this context. The central hypothesis of this research is based on the consideration of artistic practice as an aesthetic and political exercise, as a form of resistance and memory. Understand artistic production as a place of memory implies the capacity to elaborate various suture processes, both at the level of the subjective and collective, which will, in turn, be a constitutive part of the political dimension of these aesthetic regimes. The post-dictatorial period will be crossed by particular ways of approaching, from artistic production, the disarticulation of the social, the subjective, the affective, the political and the identity. Understanding the coup d'état as a "breakdown of representation" implies assuming the need to build new systems and configurations of the sensitive that, in post-dictatorship time, must also be considered in a radically different scenario, defined by the situation of neoliberalism and the globalization.
Gontovnik, Monica. "Another Way of Being: The Performative Practices of Contemporary Female ColombianArtists". Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420473106.
Pełny tekst źródłaPianowski, Fabiane. "Análisis Histórico del Arte Correo en América Latina". Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/132091.
Pełny tekst źródłaBreaking away from the official circuits of art galleries and museums, mail art heralds a new era for the circulation of artistic work, which focuses primarily on the collective. This alternative means of circulation for artistic proposals and ideas brings forward the concept of network that would later, with the birth of the Internet, become a highly significant issue for contemporaneity. The use of mail in the 1960s and 1970s as a tactical instrument in the field of art relates to the appropriation of the means of communication by the period’s artistic manifestations – a period in which establishing networks and communicating were crucial cultural elements. Mail art is a collection of varied aesthetics, whose means of expression is through official mail. Mail art appropriates this means of expression in a subversive manner to configure an alternative cultural channel for the exchange of artistic messages. In the 1970s, some critics and art historians considered mail art as one of the great phenomena of the international avant-garde. In its broadest sense, its actions enabled the new artistic languages to trigger communicational and structural situations, such as for example the anonymity. The goal of the mail art community was to break away from media’s one-way sender-receiver flow, through the spectators’ active participation in the piece itself. That would socialize authorship and dilute the borders that divide the artist and the public. In so doing, mail art democratizes art. Unfortunately, there are few academic studies about mail art, probably because that field of study is obdurately complex, the information is difficult to obtain. It is difficult to accurate facts and datas. The documents and works were frequently intend as ephemera. In spite of that, in this study we analyse in depth mail artists’ publications and interviews to understand their communicational connections and strategies, particularly in the field of Latin America.
Merchant, Paul Rumney. "New constructions of house and home in contemporary Argentine and Chilean cinema (2005-2015)". Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/269407.
Pełny tekst źródłaMontt, Strabucchi Maria. "Imagining China in contemporary Latin American literature". Thesis, University of Manchester, 2017. https://www.research.manchester.ac.uk/portal/en/theses/imagining-china-in-contemporary-latin-american-literature(39f1026f-5a85-4bd5-b9ac-db55a80d2e14).html.
Pełny tekst źródłaVIDAL, PALOMA. "AFTER ALL: PATHS IN LATIN AMERICAN CONTEMPORARY LITERATURE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9407@1.
Pełny tekst źródłaA tese acompanha as trajetórias de Diamela Eltit, João Gilberto Noll e Rodolfo Enrique Fogwill, realizando através do trabalho desses três escritores uma cartografia das questões estéticas e políticas que atravessam as últimas décadas. Seus projetos narrativos, tão diferentes entre si quanto pertinentes para nosso tempo, foram marcados por uma perda de sentido referente às crises da utopia revolucionária e vanguardista, que se torna visível na transição da ditadura à pós-ditadura. A partir dessa perda, surgirão algumas alternativas para uma literatura por vir: uma escrita performática, que coloca em jogo o corpo do próprio escritor para dar sentido aos trânsitos contemporâneos, no caso de Noll; uma escrita agonística, que faz da provocação cínica uma arma contra a apatia contemporânea, no de Fogwill; uma escrita resistente, que deixa ver os efeitos perversos do consenso neoliberal, no de Eltit.
This thesis follows the paths of Diamela Eltit, João Gilberto Noll and Rodolfo Enrique Fogwill, charting, through their works, the territory of aesthetical and political questions of the last decades. The narrative projects of these writers, as distinct from each other as they are pertinent to our time, were marked by a loss of meaning that relates to the crisis of revolutionary and avant-garde utopias, which becomes visible in the transition from dictatorship to post- dictatorship. Taking this loss as a starting point, some alternatives for a literature to come will appear: a performatic writing, that puts in place the body of the writer himself to give sense to contemporary transits, in Noll´s case; an agonistic writing, that uses cynical provocation as a weapon against contemporary apathy, in Fogwill´s; a resistant writing, that allows us to see the perverse effects of the neoliberal consensus, in Eltit´s.
Lagos, Preller Teobaldo. "Entre-espacios: Apropiaciones del espacio público de Berlín en proyectos de artistas desde América Latina tras la Caída del Muro de Berlín hasta el desmontaje del Palast der Republik (1989-2009)". Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/671475.
Pełny tekst źródłaThis doctoral thesis is an approach from a perspective from the cultural, postcolonial studies and art history, reviewing and analyzing historical milestones and projects of Latin American artists in the Berlin post-Fall of the Wall until the dismantling of the Palast der Republik. It considers both historical moments as crucial in a stage of transformation of the city after the end of the Cold War. The approach is framed in the spatial turn – considering both epistemological and practical dimensions of it - and understanding art practices as social, and therefore generating and transforming spaces and life experiences in the city. This is achieved from strategies from identity and difference, arriving at the contemporaneity as an axis. The projects analyzed produce liminal spaces and contact zones for the negotiation of conflicts, narratives, and discourses of the past and present, as well as of different time-spaces in the global context.
Rocha, Eva. "Antithetical Commentaries on X, Y and the Disruption of Being". VCU Scholars Compass, 2016. https://scholarscompass.vcu.edu/etd/4278.
Pełny tekst źródłaMussi, Joana Zatz. "O espaço como obra : ações, coletivos artísticos e cidade". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-161737/.
Pełny tekst źródłaThe Space as theWork:Actions, Art Collectives and City is a reflection on creation processes and social impact of actions carried out by art collectives Contrafilé, Frente 3 de Fevereiro and Política do Impossível dfrom São Pauloe, as well as GAC Buenos Aires. These collectives have began work in the 1990\'s. The dissertation stems from multiple voices, which cross over and complement each other: a narrative voice that unravel discoveries made in my work as an artist in the urban space, emerging from a local and also intimate dimension, arriving at a \"more reflexive and academic\" voice; voices of the mainstream media; voices of the works studied; voices of the collectives, when they are mobilised as theoretical refeb rences and, lastly, voices of the thinkers who somehow influenced my thinking and voices of the cultural movement of which the urban practices under scrutiny are part of. The aim is to understand how the urban interventions at once result from and generate a network of affects and meanings, as they render evident the emergence of a contemporary political subjectivity. This subjectivity necessarily involves discussing and carrying out a politics of representation, relation, subjectivation and modes of life alternative to those imposed by neoliberalism. Under this light, the dissertation seeks to think how the critical potency situated in this kind of resistance can be embodied and takes place at all, configuring current forms of political making, in the specific and complex context of the city as scale and as referential space. This study developed as an active and participating investigation of several works carried out by the collectives. I seek to observe the actions/interventions in their disruptive power, i.e., in their capacity to render present events that somehow destabilise social representations and previous sensations. And which, as they evidence the possibility of being carried out, they bring to the surface a circulatory knowledge that diffuses the image produced in situation direct representation and the experience of the \"public\" as work.
L'Clerc, Lee. "Painting and visual imagery in literature, three contemporary Latin American novels". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/NQ41201.pdf.
Pełny tekst źródłaJoffroy, Michelle. "Engendering a revolution: Crisis, feminine subjects, and the fictionalization of 1968 in three contemporary Mexican novels by women". Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/283983.
Pełny tekst źródłaAvendano, Nadia D. "The contemporary feminist Bildungsromanin Angeles Mastretta, Isabel Allende, and Lucha Corpi". Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/289861.
Pełny tekst źródłaLavilla, Cañedo Ángela. "Creative encounters with menstruation in contemporary Latin American and Spanish women's writing". Thesis, University of Sheffield, 2016. http://etheses.whiterose.ac.uk/16505/.
Pełny tekst źródłaCruz, Samuel. "São Paulo and Buenos Aires: Urban Cinematic Representation in Contemporary Latin America". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1439933733.
Pełny tekst źródłaKuizon, Jaclyn. "Fine Art and Clandestine Identity: American Indian Artists in the Contemporary Art Market". W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626648.
Pełny tekst źródłaXue, Grace H. "Space Between: Asian-American Women Identity, Culture and Contemporary Art". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/765.
Pełny tekst źródłaBell, Nicholas Robin. "Small consolations miniature architecture of memory in contemporary American art /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 78 p, 2008. http://proquest.umi.com/pqdweb?did=1654488991&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Pełny tekst źródłaStair, Jessica J. "Indigenous Literacies in the Techialoyan Manuscripts of New Spain". Thesis, University of California, Berkeley, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13423818.
Pełny tekst źródłaThough alphabetic script had become a prevailing communicative form for keeping records and recounting histories in New Spain by the turn of the seventeenth century, pre-Columbian and early colonial artistic and scribal traditions, including pictorial, oral, and performative discourses still held great currency for indigenous communities during the later colonial period. The pages of a corpus of indigenous documents created during the late-seventeenth and early-eighteenth centuries known as the Techialoyan manuscripts abound with vibrantly painted watercolor depictions, alphabetic inscriptions, and vivid invocations of community elders’ speeches and embodied experiences. Designed in response to challenging viceregal policies that threatened land and autonomy, the Techialoyans sought to protect and preserve indigenous ways of life by fashioning community members as the noble descendants of illustrious rulers from the pre-Columbian past. The documents register significant events in the histories of communities, often creating a sense of continuity between the colonial present and that of antiquity. What is more, they provide the limits of the territory within a depicted landscape using a reflexive, ambulatory model. Representations of place evoke ritual practices of walking the boundaries from the perspective of the ground, enabling readers to acquire different forms of knowledge as they move through the pages of the book and the envisioned landscape to which it points. The different communicative forms evident in the Techialoyans, including pictorial, alphabetic, oral, and performative modes contribute to understandings of indigenous literacies of the later colonial period by demonstrating the diverse resources and methods upon which indigenous leaders drew to preserve community histories and territories.
The Techialoyans present an innovative artistic and scribal tradition that drew upon pre-Columbian, early colonial, and European conventions, as well as the contemporary late-colonial pictorial climate. The artists consciously juxtaposed traditional indigenous materials and conventions with those of the contemporary colonial moment to simultaneously create a sense of both old and new. Not only did the documents recount indigenous communities’ histories and affirm their noble heritages, they also proclaimed possession of an artistic and scribal tradition that was on par with that of their revered ancestors, thereby strengthening corporate identity and demonstrating their legitimacy and autonomy within the colonial regime.
Weingarten, Laura Suzanne. "Homelands in exile : three contemporary Latin American Jewish women writers create a literary homeland /". College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2316.
Pełny tekst źródłaTipton, Keny Elizabeth Garcia-Corales Guillermo. "El nuevo historicismo y la otredad en la narrativa contemporánea nicaragúense : el caso de Sergio Ramírez = New Historicism and Otherness in contemporary Nicaraguan narrative: the case of Sergio Ramírez. /". Waco, Tex. : Baylor University, 2006. http://hdl.handle.net/2104/4192.
Pełny tekst źródłaKimberley, Emma. "Ekphrasis and the role of visual art in contemporary American poetry". Thesis, University of Leicester, 2007. http://hdl.handle.net/2381/9042.
Pełny tekst źródłaKim, Dong-Kun. "The significance of the historical Jesus in contemporary Christologies : European, Latin American and Asian". Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/30352.
Pełny tekst źródłaCooper, Sarah Elizabeth. "Alternative family systems in Latin American contemporary narrative by women : re-defining family discourse /". Digital version, 1999. http://wwwlib.umi.com/cr/utexas/fullcit?p9956820.
Pełny tekst źródłaFerrell, Susanna S. "Black and White: The Exhibiting of Chinese Contemporary Ink Art in European and North American Museums". Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/688.
Pełny tekst źródłaMcKinney, Jane Dillon. "Anguilla and the art of resistance". W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539623402.
Pełny tekst źródłaHey-Colon, Rebeca L. "Sea-ing Words: An Exploration of the Maritime in Contemporary Caribbean and Latino/a Literature". Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11408.
Pełny tekst źródłaRomance Languages and Literatures
White, Duncan. "In the territory : place and representation in contemporary American literature and art". Thesis, Kingston University, 2006. http://eprints.kingston.ac.uk/20743/.
Pełny tekst źródłaMcElroy, Ruth Ann. "Spirits at the border : migration and identity in contemporary African - and Latin - American women's fiction". Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246130.
Pełny tekst źródłaHole, Yukiko. "The Art of David Lamelas| Constructions of Time". Thesis, California State University, Long Beach, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10977417.
Pełny tekst źródłaDavid Lamelas’s life-long research projects have included examinations of social phenomena. The artist takes interest in the dynamics of mass communication and media, urban mundane activities, and documentary films. He employs the element of time often in the structure of his art as an innovative approach by which to study his subjects.
I argue that in pairing the element of time with social phenomena, Lamelas exposes how people’s perceptions, both the visual experience and the thought processes impacted by these experiences, tend to work, therefore leading viewers to consider systems of knowledge and their own accumulation of knowledge. His artwork provokes viewers to open their minds to new ways of seeing and thinking, stimulates self-awareness, and challenges their concepts of knowledge.
Morris, Traci L. "Indian Art As Dialogue: The Tricky Transgressions of Bob Haozous". Diss., Access to the online version of the thesis, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1090%5F1%5Fm.pdf&type=application/pdf.
Pełny tekst źródłaKovach, Jodi. "Remotely Mexican| Recent Work by Gabriel Orozco, Carlos Amorales, and Pedro Reyes". Thesis, Washington University in St. Louis, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3595232.
Pełny tekst źródłaThis dissertation contributes to an understanding of contemporary art practices from Mexico City, as they are received in Mexico and abroad, by interpreting the meaning of local and global sources in recent work shown in Mexico, the U.S., and Europe by three internationally established, contemporary artists from Mexico City: Gabriel Orozco, Carlos Amorales, and Pedro Reyes. These three artists established their careers in the 1990s, when, for the first time, Mexican artists shifted from a national plane to a global realm of operation. Through three case studies of recent bodies of work produced by these artists, I show how each of them engages with both Mexico's artistic lineages and global art currents in ways that bring to light the problem of identity for Mexican artists working internationally. This study explores the specific ways in which each artist deals with Mexican content, in order to discuss how contemporary notions of `Mexican' are framed, misconstrued, and contested in the artworks themselves, and in the critical discourse on these artists, in Mexico and internationally.
Pulido, Rull Ana. "Land Grant Painted Maps: Native Artists and the Power of Visual Persuasion in Colonial New Spain". Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10394.
Pełny tekst źródłaHistory of Art and Architecture
Scott, Gabriella Boschi. "Dismantling cultural hierarchies| A prefiguration of Mexican postmodernism in Enrique Guzman's paintings". Thesis, The University of Texas at San Antonio, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1556588.
Pełny tekst źródłaThis thesis argues that Mexican painter Enrique Guzmán is a central figure in the transition between the Ruptura movement and postmodernism. Construed by many as a surrealist artist, Guzmán employs idiosyncratic imagery not to probe inner realities, but to explore themes such as abjection and the fragmentation of self into commodity images. Inhabiting the chasm between an oppressive ultra-conservative provincial culture and the turbulent revolutionary ideology of Mexico City of the sixties and seventies, Guzmán articulates, by fusing aesthetic categories such as, among others, the grotesque, the campy and the advertising cliché and exploring language, paradox and gaze, a deconstruction of cultural and political codes by satirizing their interlocking systems of signs and simulacra, initiating a critique of national and personal identity that will later be developed by the Neo-Mexicanists (Neomexicanistas) into a bold denouncement of sexual, socioeconomic and national marginalization.
Winfield, Shannen M. "Containers of power| The Tlaloc vessels of the Templo Mayor as embodiments of the Aztec rain god". Thesis, Tulane University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1566580.
Pełny tekst źródłaArana, Emilia. "Eighteenth century caste paintings: The implications of Miguel Cabrera's series". Thesis, The University of Arizona, 1996. http://hdl.handle.net/10150/278537.
Pełny tekst źródłaArango, Velasquez Maria Isabel. "Acts of endurance : a creative transformation in times of struggle in contemporary Colombian memory". Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/8754/.
Pełny tekst źródłaKluck, Marielos C. "You are What You Read| Participation and Emancipation Problematized in Habacuc's Exposicion #1". Thesis, California State University, Long Beach, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10604666.
Pełny tekst źródłaConceptualized by Costa Rican artist Guillermo Vargas Jiménez (known as Habacuc), Exposición #1 [Exposition #1](or its more infamous moniker “starving dog art”)(2007) operates as a multifarious transgressive work of art. A main point of contention within the artwork is the rumored starvation of a dog during the course of artwork’s exhibition. This thesis analyzes Habacuc’s proposition within contemporaneous debates around participatory practices and Internet art. This examination is provided in order to present an alternative interpretation of the work relative to the divisive practices of the artist. Similar to other artists working with the period known as postinternet, Habacuc engages in a form of art that is counter-cultural, utilizing misinformation as a catalyst for his viral proposition. While Habacuc employs a strategy of critique throughout his varied oeuvre, Exposición #1, arguably his most complex work to date, wholly demonstrates his approach to the Internet as an intrinsically hybridized, political, and oppositional medium. Within the following chapters I focus on the types of participatory relations being produced within Exposición #1 and Habacuc’s authorial intent to challenge the principles of emancipation promised in the discourses around participation in art and the Internet as “global village.”
Asplan, Michael Jay. "PAINTING THE DRAMA OF HIS COUNTRY: RACIAL ISSUES IN THE WORK OF WIFREDO LAM IN CUBA, 1941-1952". University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin973709584.
Pełny tekst źródłaStorey, Ann Elizabeth. "The identical synthronos Trinity : representation, ritual and power in the Spanish Americas /". Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6228.
Pełny tekst źródłaLimami, Abdellatif. "L'espace urbain dans le roman latino-americain contemporain (le cas argentin) : leopoldo marechal, roberto arlt et ernesto sebato)". Toulouse 2, 1990. http://www.theses.fr/1990TOU20018.
Pełny tekst źródłaThis research deals with the urban space in the contempory latinoamerican novel. More exactly, we have analyzed the argentinian case (buenos aires) through three literary works which cover an essential period of argentina's history: adan buenosayres by leopoldo marechal, los siete locos and los lanzallamas by roberto arlt and sobre heroes y tumabs by ernesto sebato. The corpus is dealt with in terms of thre axes which constitute the fundamental basis of every creative work; namely, time, space and characters. Parallel to these axes, we have developped some aspects relative to the narrative function. Concerning our approach, we have focused on the works themselves: for a literary text is considered a fundamental literary sign that is complex, autonomous and is conceived of as act of communication the work, in this sense, is considered to be a whole which possesses its own structures and original characteristics: the description of different textual unities which compose the narrative: the analysis of space in so far as it constitues a referential frame of the narrated actions; the analysis of characters in terms of the principal components of the semiological status of character; the analysis of different temporal dilensions which structure. .
Critchley, Zachary R. "The Art of the Spearthrower| Understanding the Andean Estolica through Iconography". Thesis, State University of New York at Binghamton, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10808392.
Pełny tekst źródłaSpearthrower devices held a role around the world as a primary weapon and tool before slowly falling out of favor in certain areas for other projectile weapons. While it is widely accepted that spearthrowers were used by the people of the ancient central Andes, comparatively little research has gone into the role that they had as weapons of war, hunting tools, and objects of ceremonial reverence. In addition, the Andes developed a unique style of spearthrower and have produced many examples of spearthrowers with exceptional craftsmanship, leading me to believe that these tools were given special reverence.
This thesis compiles evidence of who in the Andes was using spearthrowers, and in what contexts, by comparing iconography to existing artifacts. It was determined that they saw the heaviest use among the coastal societies through the Early Intermediate Period and were primarily seen as a symbol in the following years.
Polgovsky, Ezcurra Mara. "Touched bodies : corporeal ethics in Latin American art at the onset of the media age". Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709431.
Pełny tekst źródłaFriedman, Sara A. "The Legacy of Lynd Ward in Contemporary Artists' Books". Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10113266.
Pełny tekst źródłaLynd Ward, an American Expressionist artist, and “father of the graphic novel,” helped shape the conventions of contemporary artists’ books. His legacy has influenced the direction beyond the graphic novel in areas such as the use of Expressionism and printmaking in the artists’ book, breaking graphic conventions, and using the artists’ book to convey a socio-political commentary. This paper will explain his influence and legacy by comparing his work to four contemporary artists’ books. Ward’s work, however, has only recently been recognized as a significant influence on graphic novels and has yet to be fully acknowledged as an influence on American artists’ books.
Knight, Christina Anne. "Performing Passage: Contemporary Artists Stage the Slave Trade". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11178.
Pełny tekst źródłaAfrican and African American Studies
Kennedy, Lea Graner. "Teaching appreciation of Spanish-American culture and history through contemporary Latino literature : a multicultural approach to integrating diversity appreciation into high school curriculum /". View abstract, 1999. http://library.ctstateu.edu/ccsu%5Ftheses/1529.html.
Pełny tekst źródłaThesis advisor: Antonio García-Lozada, Ph. D. "...in partial fulfillment of the requirements for the degree of Master of Arts in Spanish." Includes bibliographical references (leaves 163-168).