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Artykuły w czasopismach na temat "Contemporary Bengali Theatre"
Bhuyan, Abul Basher MD Ziaul Haque. "The synthesis of tradition in contemporary theatre of Bangladesh: “The theatre of roots”". ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, nr 4 (2022): 84–104. http://dx.doi.org/10.35852/2588-0144-2022-4-84-104.
Pełny tekst źródłaSilva, Neluka. "Women, culture and nation-building: Contemporary Sinhalese and Bengali theatre". Contemporary South Asia 9, nr 3 (listopad 2000): 339–53. http://dx.doi.org/10.1080/713658751.
Pełny tekst źródłaDutta Gupta, Aabrita. "Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth". Multicultural Shakespeare: Translation, Appropriation and Performance 23, nr 38 (30.06.2021): 91–108. http://dx.doi.org/10.18778/2083-8530.23.06.
Pełny tekst źródłaGooptu, Sarvani. "Memory and the written testimony: the actresses of the public theatre in Calcutta in the 19th & 20th century". Letrônica 11, nr 3 (19.10.2018): 113. http://dx.doi.org/10.15448/1984-4301.2018.s.30663.
Pełny tekst źródłaGupta, Tanika. "As Long as the Punters Enjoy It". New Theatre Quarterly 24, nr 3 (sierpień 2008): 260–69. http://dx.doi.org/10.1017/s0266464x08000316.
Pełny tekst źródłaSINHA ROY, MALLARIKA. "The Forgotten History of Our Times: Revisiting Utpal Dutt's Titu Mir in Contemporary India". Theatre Research International 48, nr 3 (październik 2023): 264–83. http://dx.doi.org/10.1017/s0307883323000172.
Pełny tekst źródłaGhoshal, Shubhra, i Nirban Manna. "Theatre for Sustainable Development: Jana Sanskriti’s Participatory Ideologue and Practice". Problemy Ekorozwoju 15, nr 1 (1.01.2020): 221–27. http://dx.doi.org/10.35784/pe.2020.1.23.
Pełny tekst źródłaAra, Arzuman, i Sib Sankar Majumder. "Theatre as Social Critique in Select Nineteenth-Century Indian Plays". SCHOLARS: Journal of Arts & Humanities 5, nr 1 (15.02.2023): 71–79. http://dx.doi.org/10.3126/sjah.v5i1.52480.
Pełny tekst źródłaMukherjee, Madhuja. "Little cinema culture: Networks of digital files and festival on the fringes". Studies in South Asian Film & Media 10, nr 1 (1.10.2019): 23–40. http://dx.doi.org/10.1386/safm_00003_1.
Pełny tekst źródłaAhmad, Aasif, i Mrinal Srivastava. "Portrayal of Society and Hardships in Badal Sircar’s Plays". International Journal of Reviews and Research in Social Sciences, 31.03.2023, 48–52. http://dx.doi.org/10.52711/2454-2687.2023.00008.
Pełny tekst źródłaRozprawy doktorskie na temat "Contemporary Bengali Theatre"
Kanjilal, Amitava. "Politics of gender in performance: study of group theatre reductions during left front rule in West Bengal". Thesis, University of North Bengal, 2018. http://hdl.handle.net/123456789/2796.
Pełny tekst źródłaGIRARD, DAVID M. "DIRECTING BENGAL TIGER AT THE BAGHDAD ZOO: CONTEMPORARY MYTH ON A POST-MODERN STAGE". Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/315506.
Pełny tekst źródłaM.F.A.
As a director and theatre artist, I want my creative work as a storyteller to illuminate myth. The beauty of myth transcends all cultural boundaries by revealing, through the art of storytelling, the universal within the particular, thus illuminating the foundation of our common experience. Playwright Rajiv Joseph is a consummate contemporary mythmaker. Whether rooted in the troubled desires of adolescence (Gruesome Playground Injuries,) or in our fascination with classical antiquity and our own contemporary nightmares, (Monsters at the Door), or Bengal Tiger at the Baghdad Zoo - a fantastic war-torn tale of a broken world adrift and lost in translation, his vision is muscularly metatheatrical. Stylistically, Bengal Tiger at the Baghdad Zoo delves into what Joseph himself describes as magical realism, and in my thesis production, I was wanted to explore how magical realism could be deployed as a theatrical convention, particularly in relation to space. The Tiger is a character that is written in the spirit of the epic, and I used similar conventions in style and clarified actions with my cast. By using video projection mapping as a design concept, I attempted to juxtapose Joseph's hyperrealism with his vision of the fantastic. By fracturing the contemporary imagery of the day - the remnants of our myths driven the media and technology impress false needs that can only be fulfilled through consumerism and - and reconstruct them, I wanted to engender a objective reaction from the audience. In Bengal Tiger at the Baghdad Zoo, Rajiv Joseph has artfully conjured a caustic and cautionary tale that provocatively questions the very end of faith. This is a story of our time and all time; a postmodern theatrical myth that powerfully transcends the broken landscape of its exotic cultural boundaries. It is difficult to view Iraq today, and fail to view Joseph's play as frighteningly prescient. As a nation, we have fractured ourselves; as a species, we have forgotten our prayers; as a planet, we are all lost in translation. Those ideas are at the heart of my interpretation of the play.
Temple University--Theses
Książki na temat "Contemporary Bengali Theatre"
Regional Centre for Strategic Studies (Colombo, Sri Lanka), red. Politics and theatre: A comparative study of the construction of nation and gender in the contemporary Sinhalese and Bengali theatres. Colombo: Regional Centre for Strategic Studies, 1999.
Znajdź pełny tekst źródłaRichman, Paula, i Rustom Bharucha, red. Performing the Ramayana Tradition. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197552506.001.0001.
Pełny tekst źródłaCzęści książek na temat "Contemporary Bengali Theatre"
Banerji, Arnab. "The evolution of Bengali group theatre". W Contemporary Group Theatre in Kolkata, India, 21–38. London; New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429261954-4.
Pełny tekst źródłaBanerji, Arnab. "The materialist semiotics of Bengali group theatre". W Contemporary Group Theatre in Kolkata, India, 157–59. London; New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429261954-14.
Pełny tekst źródłaBanerjee, Sumanta. "Feminine Experiences in the Bengali Stage". W Women Performers in Bengal and Bangladesh, 101–15. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871510.003.0004.
Pełny tekst źródłaMukhopadhyay, Arijita. "Labour, Infrastructure, Division of Labour, and the Position of the New Generation Women Performers in Kolkata". W Women Performers in Bengal and Bangladesh, 169–79. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871510.003.0008.
Pełny tekst źródłaDe, Madhubanti. "Survival, Agency, and the Politics of Compromise". W Women Performers in Bengal and Bangladesh, 180–95. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192871510.003.0009.
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