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Fouquet, Monique. "Contemporary art/contemporary pedagogy : interrupting mastery as paradigm for art school education". Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31304.
Pełny tekst źródłaEducation, Faculty of
Curriculum and Pedagogy (EDCP), Department of
Graduate
Mokhtabad-Amrei, Seyed Abdolhossein. "Iranian contemporary art music". Thesis, Goldsmiths College (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500084.
Pełny tekst źródłaChalker, Melissa Grace. "Contemporary Non-objective Art". Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18614.
Pełny tekst źródłaMeneses, Romero Mariana. "Women cooking art : hospitality and contemporary art practices". Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20638/.
Pełny tekst źródłaLagana, Louis. "Prehistoric Malta and contemporary art". Thesis, Loughborough University, 2005. https://dspace.lboro.ac.uk/2134/7718.
Pełny tekst źródłaHill, Katie. "On relocating contemporary Chinese art". Thesis, University of Sussex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401481.
Pełny tekst źródłaOwen, Evelyn. "Geographies of contemporary African art". Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/18143.
Pełny tekst źródłaWithey, Andrew. "Contemporary, emigrant, Middle Eastern art". Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/44734/.
Pełny tekst źródłaTanchio, Paul Albert. "Transcultural aesthetics and contemporary art". Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10225.
Pełny tekst źródłaReginio, Robert, David Houston Jones i Katherine Weiss. "Samuel Beckett and Contemporary Art". Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/3838210794/.
Pełny tekst źródłahttps://dc.etsu.edu/etsu_books/1182/thumbnail.jpg
Weiss, Katherine. "Samuel Beckett and Contemporary Art". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5597.
Pełny tekst źródłaMcMillan, Kate. "Contemporary art & un–forgetting". Thesis, Curtin University, 2015. http://hdl.handle.net/20.500.11937/285.
Pełny tekst źródłaSmurthwaite, Kathryn C. "Using Contemporary Art to Guide Curriculum Design:A Contemporary Jewelry Workshop". BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3903.
Pełny tekst źródłaVerschooren, Karen A. (Karen Annemie). ".art : situating Internet art in the traditional institution for contemporary art". Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39149.
Pełny tekst źródłaIncludes bibliographical references (p. 187-202).
This thesis provides a critical analysis of the relation between Internet art and the traditional institution for contemporary art in the North American and West-European regions. Thirteen years after its inception as an art form, the Internet art world finds itself in a developmental stage and its relation to the traditional institution for contemporary art is accordingly. Through an elaborate discussion of the key players, institutions and discourses on aesthetics, economics and exhibition methodologies, this sociological analysis of the past and current situation hopes to offer a solid ground for extrapolation and predictions for Internet art's future as an art world in its relation to the traditional art institutions.
by Karen A. Verschooren.
S.M.
Mulenga, Andrew Mukuka. "Contemporary Zambian art, conceptualism and the ‘global’ art world". Thesis, Rhodes University, 2017. http://hdl.handle.net/10962/5187.
Pełny tekst źródłaNedkova, Iliyana. "Curating contemporary art : an investigation into the relationships between new media art and contemporary art through curatorial theory and practice". Thesis, Liverpool John Moores University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555800.
Pełny tekst źródłaWillis, Gary C. "Contemporary art: the key issues: art, philosophy and politics in the context of contemporary cultural production". Connect to thesis, 2007. http://repository.unimelb.edu.au/10187/2245.
Pełny tekst źródłaRanyard, Marie Phyllis. "Transcontextual mechanisms in contemporary art music". Thesis, City University London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264241.
Pełny tekst źródłaSRITONGSUK, PONGCHAI. "A STUDY OF CONTEMPORARY ART MUSEUMS". The University of Arizona, 1997. http://hdl.handle.net/10150/555225.
Pełny tekst źródłaSimoniti, Vid. "The epistemic value of contemporary art". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:82a1ee71-98a3-44ac-93ac-2a91eebe8100.
Pełny tekst źródłaLu, Shih-Yun. "Site specific interventions in contemporary art". Thesis, University of Leeds, 2008. http://etheses.whiterose.ac.uk/691/.
Pełny tekst źródłaHughes, Angela. "Considering Cruelty: Animals in Contemporary Art". Thesis, Griffith University, 2015. http://hdl.handle.net/10072/365449.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Full Text
Binder, Lisa M. "Contemporary African art in the London art market : 1995-2005". Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500812.
Pełny tekst źródłaRinaldi, Juan. "Art and geopolitics : politics and autonomy in Argentine contemporary art". Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/26287/.
Pełny tekst źródłaDrinkall, Jacquelene Ashley School of Art History & Theory UNSW. "Telepathy in contemporary, conceptual and performance art". Awarded by:University of New South Wales. School of Art History and Theory, 2005. http://handle.unsw.edu.au/1959.4/31097.
Pełny tekst źródłaGilhooly, Jonathan. "Enchanted Objects : Agency in the Magic Act and Contemporary Art Practice". Thesis, University of Kent, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523528.
Pełny tekst źródłaLu, Dawei. "A sociological exploration of cultural distinction in Chinese contemporary art museums and galleries : contemporary art and its visitors". Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/18187/.
Pełny tekst źródłaElinek, Alana. "Art as democratic act : the interplay of content and context in contemporary art, London 2000-2006". Thesis, Oxford Brookes University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490492.
Pełny tekst źródłaBydler, Charlotte. "The global art world inc. : on the globalization of contemporary art /". Uppsala : Acta Universitatis Upsaliensis : Univ.-bibl. [distributör], 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-4309.
Pełny tekst źródłaNijsse, Jennifer Jean. "Beauty: deepening an understanding of contemporary art, art practice and theory /". Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2100.
Pełny tekst źródłaDavila, Victor. "THE ILLUSION OF ART: MY AMALGAMATION OF ILLUSTRATION AND CONTEMPORARY ART". Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3753.
Pełny tekst źródłaM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Cornell, Christen. "Contemporary Chinese Art and the City: Beijing Art Districts 1989‐2013". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/16364.
Pełny tekst źródłaValente, Liz Fagundes Oliveira. "Space and art – interrelations between architecture and contemporary art at Inhotim". Universidade Federal de Viçosa, 2016. http://www.locus.ufv.br/handle/123456789/8449.
Pełny tekst źródłaMade available in DSpace on 2016-09-02T13:13:13Z (GMT). No. of bitstreams: 1 texto completo.pdf: 3929198 bytes, checksum: 97d1e9f437e559874e88219c5ebee761 (MD5) Previous issue date: 2016-04-18
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
A presente dissertação é o resultado de uma pesquisa fenomenológica, onde o objeto de pesquisa são as inter-relações entre a arquitetura e as expressões artísticas contemporâneas em Inhotim. A teoria da fenomenologia entende que a experiência sensorial do espaço é também uma função singular da arquitetura. Em arquitetura ela é demonstrada pela manipulação de elementos materiais e imateriais do espaço, a fim de produzir um impacto nos sentidos humanos. Desde a consolidação da arte contemporânea, particularmente da arte pós- objeto2 como arte ambiental, site-specific, new media, instalações e outras que promovem experiências sensoriais, tem se fortalecido a necessidade preservação das relações entre a obra e seu lugar. Mudanças no caráter essencial da arte, como a arte é, tem interferido no formato coerente dos espaços para arte. Portanto, por meio do estudo de caso do Inhotim, a questão central que direciona esta dissertação é como as mudanças nos paradigmas nas artes trouxeram novas conformações arquitetônicas que melhor acomodam a arte contemporânea. Este trabalho é organizado em três escalas de análise dessa inter-relação: (1) a escala do “fato” artístico em relação ao espaço; (2) a escala da galeria em relação ao fato artístico; e, (3) a escala de todo espaço físico do museu, analisando Inhotim como um todo, lendo sua forma que é orientada por percursos, suas paisagens construídas e seu conjunto arquitetônico. O termo “pós-objeto” foi extraido do CARRIER, D. The art museum today. Curator: The museum journal. Volume 54, Issue 2, p. 181–189, Abril de 2011.
This thesis is the result of a phenomenological research study, where the object of the research is the interrelations between architecture and contemporary artistic expressions at Inhotim. The theory of phenomenology acknowledges that the sensory experience of space is also unique function of space. In architecture it is demonstrated through the manipulation of material and immaterial elements of space in order to produce an impact on the human senses. Since the consolidation of contemporary art, particularly post-object1 art such as environment, site-specific, new media, installations and others that convey sensorial experiences, the need to preserve the relationship between the work and its place has strengthened. Changes in what/how art is have interfered in how art spaces are. Therefore, through the case of the Inhotim, the central matter that this thesis seeks to address is how the changes of paradigms in the arts brought about new architectural conformations that better accommodate contemporary art. This work is organized in three scales of analysis of this interrelation: (1) the scale of the artistic fact in relation to space; (2) the scale of the gallery in relation to the artistic fact; and, (3) the scale of the whole physical space of the museum, approaching Inhotim as whole, reading into its path- oriented form, its created landscapes and architectural set. The term “post-object” was extracted from CARRIER, D. The art museum today. Curator: The museum journal. Volume 54, Issue 2, pages 181–189, April 2011.
O autor não apresentou título em português.
Roberts, Teresa L. "Collaboration in Contemporary Artmaking: Practice and Pedagogy". Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1248880538.
Pełny tekst źródłaWhitehouse, Denise Mary 1947. "The Contemporary Art Society of NSW and the theory and production of contemporary abstraction in Australia, 1947-1961". Monash University, Dept. of Visual Arts, 1999. http://arrow.monash.edu.au/hdl/1959.1/8387.
Pełny tekst źródłaDuclos, Rebecca Taylor. "The topology of objecthood and contemporary art". Thesis, University of Manchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493687.
Pełny tekst źródłaTait, Stuart. "Becoming multiple : Collaboration in Contemporary Art Practice". Thesis, Birmingham City University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527468.
Pełny tekst źródłaScragg, Rebbecca Elizabeth. "Consuming Contemporary Art : London c.1914-1923". Thesis, University of Nottingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518727.
Pełny tekst źródłaGilson-Ellis, Jools. "The feminine/oral in contemporary art practice". Thesis, University of Surrey, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326477.
Pełny tekst źródłaCorreia, Alice Anne. "Questions of identity in contemporary British art". Thesis, University of Sussex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426230.
Pełny tekst źródłaGilmurray, Jonathan. "Ecology and environmentalism in contemporary sound art". Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13705/.
Pełny tekst źródłaRowe, Lois. "The address of spirituality in contemporary art". Thesis, University of the Arts London, 2011. http://ualresearchonline.arts.ac.uk/4198/.
Pełny tekst źródłaEdamura, Taisuke. "The visibility of glass in contemporary art". Thesis, University of Essex, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617019.
Pełny tekst źródłaNikolic, Bojana. "Light art in Contemporary Architectural Lighting Design". Thesis, KTH, Ljusdesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-208660.
Pełny tekst źródłaAntoniadou, Alexandra. "Realisations of performance in contemporary Greek art". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31283.
Pełny tekst źródłaOvens, Jayne. "Rethinking word/image relationships in contemporary art". Thesis, University of Central Lancashire, 2000. http://clok.uclan.ac.uk/21971/.
Pełny tekst źródłaReddleman, Claire. "Cartographic abstraction : mapping practices in contemporary art". Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/18965/.
Pełny tekst źródłaMason, Jonathan D. "Can contemporary art methods facilitate designers' creativity?" Thesis, Loughborough University, 2007. https://dspace.lboro.ac.uk/2134/33711.
Pełny tekst źródłaWang, Xuan. "Gallery's Role in Contemporary Chinese Art Market". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1258577100.
Pełny tekst źródłaCordy, Raven. "Making Christian Art in a Contemporary Setting". Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/601.
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