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Artykuły w czasopismach na temat "Conservation (Muséologie)"
Desvallées, André, i François Mairesse. "Sur la muséologie". Culture & Musées 6, nr 1 (2005): 131–55. http://dx.doi.org/10.3406/pumus.2005.1377.
Pełny tekst źródłaSelbach, Gérard. "Publics et muséologie amérindienne". Culture & Musées 6, nr 1 (2005): 85–110. http://dx.doi.org/10.3406/pumus.2005.1374.
Pełny tekst źródłaShelton, Anthony. "Muséologie critique : un manifeste1". Culture & musées, nr 39 (5.05.2022): 213–46. http://dx.doi.org/10.4000/culturemusees.8128.
Pełny tekst źródłaVarutti, Marzia. "Vers une muséologie des émotions". Culture & musées, nr 36 (15.12.2020): 171–77. http://dx.doi.org/10.4000/culturemusees.5751.
Pełny tekst źródłaDu Berger, Jean. "Un musée du conte : une muséologie des pratiques orales". Articles 4 (6.04.2010): 7–13. http://dx.doi.org/10.7202/201759ar.
Pełny tekst źródłaCôté, Michel. "Robert-Lionel Séguin et la muséologie. Réflexions et inspirations". Terrains 19 (15.10.2021): 145–51. http://dx.doi.org/10.7202/1082745ar.
Pełny tekst źródłaSilina, Maria. "La muséologie soviétique de l’entre-deux-guerres". Culture & musées, nr 28 (1.12.2016): 231–35. http://dx.doi.org/10.4000/culturemusees.897.
Pełny tekst źródłaMeunier, Anik. "François Mairesse (dir.). 2022. Dictionnaire de muséologie". Culture & musées, nr 41 (1.09.2023): 265–68. http://dx.doi.org/10.4000/culturemusees.10440.
Pełny tekst źródłaLesaffre, Gaëlle, Anne Watremez i Emilie Flon. "Pistes de recherche sur les applications mobiles en muséologie". Culture & Musées 23, nr 1 (2014): 167–73. http://dx.doi.org/10.3406/pumus.2014.1775.
Pełny tekst źródłaCastelas, Anne, René Rivard i Yves Bergeron. "La rencontre de l’ethnologie et de la muséologie, toute une histoire". Ethnologies 40, nr 2 (26.02.2019): 27–49. http://dx.doi.org/10.7202/1056382ar.
Pełny tekst źródłaRozprawy doktorskie na temat "Conservation (Muséologie)"
Taillandier, Catherine. "Conservation et préservation à la Smithsonian Institution : de la muséographie à la muséologie, 1846-1996". Toulouse 2, 1999. http://www.theses.fr/1999TOU20025.
Pełny tekst źródłaSince its creation in 1846 the Smithsonian has followed the evolution of the relations between industrialized and traditional societies, relations that have evolved from domination to respect. By turns showcases, encyclopedias, scientific research centers and places to validate the national ideology, museums had lost the contact with the essence of the object, mostly concerned with its physical appearance, that was often magnified by the techniques of conservation. In the sixties. Cartesian thinking and the elitist education were questioned and, in their practices, curators had to take into account the preservation, as well as the educational role and the ethical dimension of the exhibits. Since then the museal object has no longer been a mere treasure but has enabled visitors to have access to the knowledge of communities in their diversity, it has become a link between rational thinking, beliefs and personal or collective feelings. The 21st century museum should be the memory of the group as well as that of the individual, a dynamic memory stretching between the past, the present and the future. The 140 million objects of the Smithsonian collections can be combined ad infinitum to present the world in different ways. Museography and museology join their competencies so that the multicultural exhibitions may not be a mere juxtaposition of differences but offer an opportunity to share experiences and knowledge
Karamti, Yassine. "Patrimoine, économie et altérité : essai sur la muséologie des mémoires entre deux rives". Paris, Muséum national d'histoire naturelle, 2008. http://www.theses.fr/2008MNHN0032.
Pełny tekst źródłaAlhaji, Said. "Les méthodes d'expositions des collections archéologiques romaines au musée, nature et mise en scène : étude comparative entre les musées en France et les musées en Syrie". Dijon, 2008. http://www.theses.fr/2008DIJOL003.
Pełny tekst źródłaThis research concentrates on the methods of exhibitions of the Roman archaeological collections in museums in French and in Syria. It constructs two parts. The first theoretical part consists of three chapters which approach the development of the archaeological museum, the muséale architecture, the museum of site, the conservation and the restoration, the chain operating archaeological objects, the exhibition, the interpretation, the mediation, and finally the study of public and the valuation of exposition. The second part composes of three chapters. The first chapter is dedicated to the development of archaeological museum in French, it talks about four museums of different disciplines which present collections and Gallo-Roman archaeological sites (Lyon, Dijon, Autun and Bibracte). The second chapter approaches three different museums of Syrians present collections and the Romans archaeological sites (Damascus, Suweida and Bosra). Finally, the third chapter presents a field study which treats the results of the surveys of the public in the museums studied in Syria and in French, and which shows a comparative study between the archeological museums and their public in both countries
Rousseau, David. "Découverte et mise en valeur des villas romaines des provinces occidentales de l'Empire : les sites antiques d'Europe et d'Afrique ouverts au public de la fin du XVIIIe au début du XXIe siècle". Paris 1, 2011. http://www.theses.fr/2011PA010523.
Pełny tekst źródłaSavoy, Bénédicte. "Les spoliations de biens culturels opérées par la France en Allemagne autour de 1800". Paris 8, 2000. http://www.theses.fr/2000PA081924.
Pełny tekst źródłaLouis, Stéphanie-Emmanuelle. "Le musée au pluriel (1944-1968) : faire voir le patrimoine cinématographique en France à l’heure de l’expansion cinéphile". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0156.
Pełny tekst źródłaHow cinema has become a heritage in France? If the process began in the late nineteenth century, it experienced a significant acceleration after the Second World War and then benefit from the expansion of cinephilia. The institutionalization of film culture coincides with the development of dedicated museums. The Cinematheque française is one of the most representative. Its art of display is directly inherited from the interwar years cinephilia. And soon several groups decline it across the country to legitimate their passion for film. Besides a phenomenon musealization, decentralization and local appropriation of heritage related practices are observed. This create a new world of film art, in which occurs l'Affaire Langlois in 1968 and the following State decision to create a Department of Film Archives within the CNC. State thus became a full agent of safeguarding film heritage. But, by giving priority film preservation, it also broke with the previous model developed as museum is indeed organized around spectacular practices
Książki na temat "Conservation (Muséologie)"
Muséum national d'histoire naturelle (France), red. Patrimoine, économie et altérité: Essai sur la muséologie des mémoires entre deux rives. [Tunis?]: Regroupement Latrach du livre spécialisé, 2009.
Znajdź pełny tekst źródłaRisk assessment for object conservation. Oxford: Butterworth-Heinemann, 1999.
Znajdź pełny tekst źródłaSchnell, Dieter, (1962- ...)., Auteur i Bissegger, Paul, (1945- )., Traduction Préface, red. Conserver ou démolir?: Le patrimoine bâti à l'aune de l'éthique. Gollion: Infolio, 2014.
Znajdź pełny tekst źródłaGreat Britain. Museums and Galleries Commission. Conservation Unit., red. Cleaning. London: Conservation Unit of the Museums & Galleries Commission in conjunction with Routledge, 1992.
Znajdź pełny tekst źródłaeditor, Muthuswami Renuka, Abhyankar Onkar photographer, Premchand Roychand Gallery (Mumbai, India), Chhatrapati Shivaji Maharaj Vastu Sangrahalaya i Citi India (Mumbai India), red. Conserving the collection: The caring path for 5000 years of our art : a ConservArte Citi-CSMVS Art Conservation Project exhibition, September 2-November 1, 2016, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai. Mumbai: Citi India and Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, 2016.
Znajdź pełny tekst źródła1952-, Alsford Stephen, red. Housing the reserve collections of the Canadian Museum of Civilization: A report. Hull, Quebec: The Museum, 1989.
Znajdź pełny tekst źródłaGreat Britain. Museums and Galleries Commission., red. Environmental management: Guidelines for museums and galleries. London: Routledge, 1995.
Znajdź pełny tekst źródłaInternational Institute for Conservation of Historic and Artistic Works., red. The museum environment. Wyd. 2. Oxford: Butterworth Heinemann in association with The International Institute for Conservation of Historic and Artistic Works, 1994.
Znajdź pełny tekst źródłaPreserving, Aboriginal Heritage Technical and Traditional Approaches (2007 Ottawa Ont ). Preserving Aboriginal Heritage, Technical and Traditional Approaches: Proceedings of a conference symposium 2007 : Preserving Aboriginal Heritage, Technical and Traditional Approaches, Ottawa, Canada, September 24-28, 2007. Ottawa: Canadian Conservation Institute = Institut canadien de conservation, 2008.
Znajdź pełny tekst źródłaCarole, Dignard, i Canadian Conservation Institute, red. Preserving Aboriginal Heritage, Technical and Traditional Approaches: Proceedings of a conference symposium 2007 : Preserving Aboriginal Heritage, Technical and Traditional Approaches, Ottawa, Canada, September 24-28, 2007. Ottawa: Canadian Conservation Institute = Institut canadien de conservation, 2008.
Znajdź pełny tekst źródłaCzęści książek na temat "Conservation (Muséologie)"
Gob, André, i Noémie Drouguet. "Chapitre 7. Perspective patrimoniale : la fonction de conservation". W La muséologie, 219–65. Armand Colin, 2021. http://dx.doi.org/10.3917/arco.gob.2021.01.0219.
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