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Autor: Grafiati

Data publikacji: 25 maja 2024

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1

North American Rock Mechanics Symposium (5th 2002 Toronto, Ontario, Canada. NARMS-TAC 2002: Mining and tunnelling innovation and oppurtunity : proceedings of the 5th North American Rock Mechanics Symposium and the 17th Tunnelling Association of Canada Conference, NARMS-TAC 2002 Toronto, Ontario, Canada, 7-10 July, 2002. Toronto, Ontario, Canada: University of Toronto Press, 2002.

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2

1943-, Coleman Roger, red. Design for inclusivity: A practical guide to accessible, innovative and user-centred design. Burlington, VT: Ashgate Pub., 2007.

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1943-, Coleman Roger, red. Design for inclusivity: A practical guide to accessible, innovative and user-centred design. Aldershot: Gower, 2007.

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1943-, Coleman Roger, red. Design for inclusivity: A practical guide to accessible, innovative and user-centred design. Aldershot: Gower, 2007.

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5

Recent advances in medically assisted conception. Geneva: World Health Organization, 1992.

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6

Mohd, Lokman Anitawati, red. Innovations of kansei engineering. Boca Raton: CRC Press, 2011.

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7

Beyond expectation: Lesbian/bi/queer women and assisted conception. Toronto: University of Toronto Press, 2010.

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8

National Research Council (U.S.). Board on Manufacturing and Engineering Design. Committee on Visionary Manufacturing Challenges., red. Visionary manufacturing challenges for 2020. Washington, D.C: National Academy Press, 1998.

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9

Innovative Technologies in Engineering : From Design to Competitive Product : IX International Conference on Engineering - Innovation Technologies in Engineering: From Design to Production of Competitive Products, September 2017, Volgograd Russia. Trans Tech Publications, Limited, 2019.

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10

(Editor), Reginald Hammah, Will Bawden (Editor), John Curran (Editor) i Mark Telesnicki (Editor), red. Narms-Tac 2002: "Mining and Tunnelling Innovation and Opportunity". Lassonde Institute, 2002.

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11

Ogrodnik, Peter J. Medical Device Design: Innovation from Concept to Market. Elsevier Science & Technology, 2019.

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12

Medical Device Design: Innovation from Concept to Market. Elsevier Science & Technology Books, 2019.

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13

Fleming, Steven D., i Robert S. King. Micromanipulation in Assisted Conception. Cambridge University Press, 2004.

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Fleming, Steven D., i Robert S. King. Micromanipulation in Assisted Conception. Cambridge University Press, 2009.

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15

Fleming, Steven D., i Robert S. King. Micromanipulation in Assisted Conception. University of Cambridge ESOL Examinations, 2012.

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Fleming, Steven D., i Robert S. King. Micromanipulation in Assisted Conception. Cambridge University Press, 2003.

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17

Innovative Conceptual Design: Theory and Application of Parameter Analysis. Cambridge University Press, 2001.

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18

Design for Inclusivity: A Practical Guide to Accessible, Innovative and User-centred Design (Design for Social Responsibility). Gower Pub Co, 2008.

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Design for Inclusivity: A Practical Guide to Accessible, Innovative and User-Centred Design. Taylor & Francis Group, 2016.

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20

The Gecko’s Foot: How Scientists are Taking a Leaf from Nature's Book. Harper Perennial, 2006.

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21

Sinha, Saurabh, Wynand Lambrechts, Jassem Ahmed Abdallah i Jaco Prinsloo. Extending Moore's Law Through Advanced Semiconductor Design and Processing Techniques. Taylor & Francis Group, 2018.

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22

Sinha, Saurabh, Wynand Lambrechts, Jassem Ahmed Abdallah i Jaco Prinsloo. Extending Moore's Law Through Advanced Semiconductor Design and Processing Techniques. Taylor & Francis Group, 2018.

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23

Sinha, Saurabh, Wynand Lambrechts, Jassem Ahmed Abdallah i Jaco Prinsloo. Extending Moore's Law Through Advanced Semiconductor Design and Processing Techniques. Taylor & Francis Group, 2018.

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24

Sinha, Saurabh, Wynand Lambrechts, Jassem Ahmed Abdallah i Jaco Prinsloo. Extending Moore's Law Through Advanced Semiconductor Design and Processing Techniques. Taylor & Francis Group, 2018.

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25

Extending Moore's Law Through Advanced Semiconductor Design and Processing Techniques. Taylor & Francis Group, 2018.

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26

Micromanipulation in Assisted Conception: A Handbook and Troubleshooting Guide. Cambridge University Press, 2001.

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27

Fleming, Steven D., i Robert S. King. Micromanipulation in Assisted Conception: A User's Manual and Troubleshooting Guide. Cambridge University Press, 2003.

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28

Le consommateur au coeur de l'innovation. Paris: CNRS éditions, 2004.

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29

The Car and its Future (Reference Shelf). H. W. Wilson, 2004.

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30

Sustainable Manufacturing for Industry 4. 0: An Augmented Approach. Taylor & Francis Group, 2020.

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31

Jayakrishna, K., Vimal K. E. K, S. Aravind Raj, M. T. H. Sultan i Asela K. Kulatunga. Sustainable Manufacturing for Industry 4. 0: An Augmented Approach. Taylor & Francis Group, 2020.

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32

Jayakrishna, K., Vimal K. E. K, S. Aravind Raj, M. T. H. Sultan i Asela K. Kulatunga. Sustainable Manufacturing for Industry 4. 0: An Augmented Approach. Taylor & Francis Group, 2020.

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33

Sustainable Manufacturing for Industry 4. 0: An Augmented Approach. Taylor & Francis Group, 2020.

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34

Jayakrishna, K., Vimal K. E. K, S. Aravind Raj, M. T. H. Sultan i Asela K. Kulatunga. Sustainable Manufacturing for Industry 4. 0: An Augmented Approach. Taylor & Francis Group, 2020.

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35

Walden, Joshua S. Musical Portraits. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653507.001.0001.

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This book explores the wide-ranging but underexamined genre of musical portraiture. It focuses in particular on contemporary and experimental music created between 1945 and the present day, an era in which conceptions of identity have changed alongside increasing innovation in musical composition as well as in the uses of abstraction, mixed media, and other novel techniques in the field of visual portraiture. In the absence of physical likeness, an element typical of portraiture that cannot be depicted in sound, composers have experimented with methods of constructing other attributes of identity in music, such as character, biography, and profession. By studying musical portraits of painters, authors, and modern celebrities, in addition to composers’ self-portraits, the book considers how representational and interpretive processes overlap and differ between music and other art forms, as well as how music is used in the depiction of human identities. With focus on a range of musical portraits by composers including Peter Ablinger, Pierre Boulez, Morton Feldman, Philip Glass, György Ligeti, and Virgil Thomson, and through studies of director Robert Wilson’s ongoing series of video portraits of modern-day celebrities and his “portrait opera” Einstein on the Beach, Musical Portraits offers to contribute to the study of music since 1945 through a detailed examination of contemporary understandings of music’s capacity to depict identity, and of the intersections between music, literature, theater, film, and the visual arts.

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36

Kottler, Jeffrey, i Richard S. Balkin. Myths, Misconceptions, and Invalid Assumptions About Counseling and Psychotherapy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190090692.001.0001.

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In Myths, Misconceptions, and Invalid Assumptions about Counseling the authors examine the science, art, and certainties and uncertainties of psychotherapy. In this book we have selected several dozen issues in our field, many of which are considered generally accepted principles or operating assumptions. We put them under close scrutiny to examine them more carefully. We’ve considered a wide variety of subjects, ranging from those that relate to our espoused beliefs, theoretical models, favored techniques and interventions, to accreditation and licensing requirements. We have also addressed some of the sanctioned statements about the nature and meaning of empirically supported and evidence based treatments. We even question what we can truly “know” for sure and how we can be certain these things are true. When considering the efficacy of psychotherapy, there is overwhelming evidence that the vast majority of clients are significantly improved as a result of our treatments. Advances in the models, methods, and strategies during the last few decades have allowed us to work more swiftly and efficiently, to reach a much more economically and culturally diverse population. But do we really know and understand as much as we pretend to? Is the foundation upon which we stand actually as stable and certain as we think, or at least claim to believe? Are the major assumptions and “truths” that we take for granted and accept as foundational principles really supported by solid data? And how might these assumptions, beliefs, and constructs we hold so sacred perhaps compromise and limit increased creativity and innovation? These are some of the uncomfortable and provocative questions that we wish to raise, and perhaps challenge, so that we might consider alternative conceptions that might further increase our effectiveness and improve our knowledge base grounded with solid evidence.

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