Gotowa bibliografia na temat „Computer and violin music”
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Artykuły w czasopismach na temat "Computer and violin music"
Flašar, Martin. "MIDI housle v umění – od hudebního zvuku k multimediálnímu ovladači". Musicologica Brunensia, nr 2 (2022): 177–86. http://dx.doi.org/10.5817/mb2022-2-9.
Pełny tekst źródłaZhang, Xuanhe. "Violin Etude Composing based on LSTM Model". Highlights in Science, Engineering and Technology 39 (1.04.2023): 54–60. http://dx.doi.org/10.54097/hset.v39i.6493.
Pełny tekst źródłaRickards, Guy. "Music by women composers". Tempo 59, nr 234 (21.09.2005): 66–72. http://dx.doi.org/10.1017/s0040298205300325.
Pełny tekst źródłaHall, Cordelia, i John T. O'Donnell. "Regular Expressions as Violin Bowing Patterns". Computer Music Journal 36, nr 2 (czerwiec 2012): 74–84. http://dx.doi.org/10.1162/comj_a_00120.
Pełny tekst źródłaKendall, Roger A. "The Role of Acoustic Signal Partitions in Listener Categorization of Musical Phrases". Music Perception 4, nr 2 (1986): 185–213. http://dx.doi.org/10.2307/40285360.
Pełny tekst źródłaKIMURA, MARI. "Creative process and performance practice of interactive computer music: a performer's tale". Organised Sound 8, nr 3 (grudzień 2003): 289–96. http://dx.doi.org/10.1017/s1355771803000268.
Pełny tekst źródłaHayden, Sam, i Mieko Kanno. "Towards Musical Interaction: Sam Hayden's Compositions for E-Violin and Computer". Contemporary Music Review 32, nr 5 (październik 2013): 485–98. http://dx.doi.org/10.1080/07494467.2013.849876.
Pełny tekst źródłaLyon, Eric, R. Benjamin Knapp i Gascia Ouzounian. "Compositional and Performance Mapping in Computer Chamber Music: A Case Study". Computer Music Journal 38, nr 3 (wrzesień 2014): 64–75. http://dx.doi.org/10.1162/comj_a_00257.
Pełny tekst źródłaSchenker, Boris, Wesley Fuller i Thomas DeLio. "20th Century American Music for Piano, Violin, Flute, Percussion, and Computer". Computer Music Journal 21, nr 3 (1997): 104. http://dx.doi.org/10.2307/3681024.
Pełny tekst źródłaHopkins, Michael T. "Eighth-Grade Violinists’ Instrument Tuning Ability". Journal of Research in Music Education 63, nr 3 (1.09.2015): 349–68. http://dx.doi.org/10.1177/0022429415597884.
Pełny tekst źródłaRozprawy doktorskie na temat "Computer and violin music"
Lee, Terry Alan. "Grancloud, a real-time granular synthesis application and its implementation in the interactive composition Creo". Thesis, connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12151.
Pełny tekst źródłaBell, Jeffrey C. "Present Absence: A work for string quintet and live electronics". Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2822/.
Pełny tekst źródłaWallace, Frank James. "Graduation recital compositions". Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/42046.
Pełny tekst źródłaGalvan-Herrera, Rafael. "Graduate violin recital". FIU Digital Commons, 2008. http://digitalcommons.fiu.edu/etd/3443.
Pełny tekst źródłaChernova, Elena. "Graduate Violin Recital". FIU Digital Commons, 2006. http://digitalcommons.fiu.edu/etd/2168.
Pełny tekst źródłaKim, Seong Ae. "Sonata for Violin and Piano". Thesis, State University of New York at Stony Brook, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3589708.
Pełny tekst źródłaMy dissertation piece is a three-movement work of 20 minute duration for violin and piano that draws significantly from elements of traditional Korean culture, especially folk dance and folk music, and secondarily from Korean folk theater and visual arts using rhythmic patterns and gestures from folk dance and melodies from folk music and extended instrumental techniques that mimic the sounds of Korean traditional music and the music that typically accompanies Korean traditional dances.
The formal shape and material intentions of the piece— the fast-slow-fast tempo profile of the three movements, typical of so much Western music, is anchored conceptually in Korean ideas of "Heung" (communal joy-exploding energy) and "Han" (suffering-repressed energy). Each movement will make reference to a different folk music genre, the first movement alluding to "Sanjo," the second to "Gut," and the third from "Pungmul" (see chart). In addition, each movement will contain gestures from the Korean folk dances "Taepyongmu," "Sal puri," and "Sangmo Dolighi," all of which have different ceremonial functions in traditional Korean society. Each movement will also have its own characteristic folk rhythm pattern. The first movement will be based on an explicit Korean folk tune, while the overarching emphasis thematically in the three movements respectively will be "Garak" (melody), "Puri" (loosening), and "Nori" (fun).
Billing, Sally. "Bacewicz : the violin concertos". Thesis, City University London, 2006. http://openaccess.city.ac.uk/8473/.
Pełny tekst źródłaFoale, Maria. "Efficiency of movement in violin bowing". Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8137.
Pełny tekst źródłaIncludes bibliographical references (leaves 72-75).
This dissertation presents a study and critical analysis of violin bowing technique. The works of some of the great twentieth century violin pedagogues were studied and their ideas on efficiency of movement, posture and balance in violin playing are highlighted. Motion analyses comparing linear and non-linear bowing styles were conducted using digital motion-tracking techniques.
Ya, ng Semi C. Miss. "Violin Etudes: A Pedagogical Guide". University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1146083212.
Pełny tekst źródłaHo, Frank Kwantat. "The violin music of Karol Szymanowski (Poland)". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59725.pdf.
Pełny tekst źródłaKsiążki na temat "Computer and violin music"
Judah L. Magnes Memorial Museum, red. Through music: A composition and a sound installation by Shahrokh Yadegari. Berkeley, Ca: Judah L. Magnes Museum, 2008.
Znajdź pełny tekst źródłaViolin. PO Box 10003 Van Nuys, CA 91410: Alfred Publishing Co., Inc., 1994.
Znajdź pełny tekst źródłaHarbar, Mary Ann. Cabaret violin treasures: Solo violin edition. Pacific, MO: Mel Bay Publications, 2008.
Znajdź pełny tekst źródłaMuhly, Nico. Drones & violin: For piano & violin, 2011. New York: St. Rose Music, 2011.
Znajdź pełny tekst źródłaKirchner, Leon. For violin solo. New York, NY: Associated Music Publishers, 1986.
Znajdź pełny tekst źródłaRiley, Dennis. Bagatelles, violin solo. New York: C.F. Peters, 1990.
Znajdź pełny tekst źródłaTenney, James. Excerpts from “An Experimental Investigation of Timbre—the Violin”. Redaktorzy Larry Polansky, Lauren Pratt, Robert Wannamaker i Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0005.
Pełny tekst źródłaMetaCage: Essays on and Around Freeman Etudes, Fontana Mix, Aria. Cornell University Press, 2009.
Znajdź pełny tekst źródłaStaff, Hal Leonard Corp. Violin. Leonard Corporation, Hal, 2018.
Znajdź pełny tekst źródłaMary Ann Mary Ann Harbar. Violin Breaks Recording Book: Violin Music. Independently Published, 2021.
Znajdź pełny tekst źródłaCzęści książek na temat "Computer and violin music"
Colwell, Richard J., Michael P. Hewitt i Mark Fonder. "The Violin". W The Teaching of Instrumental Music, 406–14. Fifth edition. | New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315619033-28.
Pełny tekst źródłaReich, Steve. "Violin Phase (1967)". W Anthology of Post-Tonal Music, 174–81. Wyd. 2. Second edition. | New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429340147-35.
Pełny tekst źródłaVisi, Federico, Esther Coorevits, Rodrigo Schramm i Eduardo R. Miranda. "Analysis of Mimed Violin Performance Movements of Neophytes". W Music, Mind, and Embodiment, 88–108. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46282-0_6.
Pełny tekst źródłaMcIntyre, Joanne. "Music Therapy". W Longer-Term Psychiatric Inpatient Care for Adolescents, 107–14. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1950-3_12.
Pełny tekst źródłaWrzeciono, Piotr, i Krzysztof Marasek. "Violin Sound Quality: Expert Judgements and Objective Measurements". W Advances in Music Information Retrieval, 237–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11674-2_11.
Pełny tekst źródłaRasamimanana, Nicolas H., Emmanuel Fléty i Frédéric Bevilacqua. "Gesture Analysis of Violin Bow Strokes". W Lecture Notes in Computer Science, 145–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11678816_17.
Pełny tekst źródłaFyk, Janina. "Intonational protention in the performance of melodic octaves on the violin". W Music, Gestalt, and Computing, 421–30. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/bfb0034130.
Pełny tekst źródłaYu, Lauren Jane, i Andrea Pohoreckyj Danyluk. "Predicting Expressive Bow Controls for Violin and Viola". W Computational Intelligence in Music, Sound, Art and Design, 354–70. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55750-2_24.
Pełny tekst źródłaCook, Perry R. "Computer Music". W Springer Handbook of Acoustics, 747–78. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-0755-7_17.
Pełny tekst źródłaCook, Perry. "Computer Music". W Springer Handbook of Acoustics, 713–42. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30425-0_17.
Pełny tekst źródłaStreszczenia konferencji na temat "Computer and violin music"
Zhao, Guoming. "The Study on the Performance Characteristics of the Violin Tone in the Computer Music". W 2015 International Conference on Education Technology, Management and Humanities Science (ETMHS 2015). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/etmhs-15.2015.11.
Pełny tekst źródłaSilva, Eduardo Santos, Giordano Ribeiro Eulalio Cabral i Rodrigo Mendes de Carvalho Pereira. "A preliminary study of Augmented Musical Instruments for Study (AMIS) using research through design". W Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19438.
Pełny tekst źródłaJie, Wei, Jonathan Boo, Ye Wang i Alex Loscos. "A Violin Music Transcriber for Personalized Learning". W 2006 IEEE International Conference on Multimedia and Expo. IEEE, 2006. http://dx.doi.org/10.1109/icme.2006.262644.
Pełny tekst źródłaBarbancho, Isabel, Cristina de la Bandera, Ana M. Barbancho i Lorenzo J. Tardon. "Transcription and expressiveness detection system for violin music". W ICASSP 2009 - 2009 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2009. http://dx.doi.org/10.1109/icassp.2009.4959552.
Pełny tekst źródłaYokoyama, Masao, i Yuya Ishigaki. "Identification of violin timbre by neural network using acoustic features". W Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001659.
Pełny tekst źródłaLowery, Seth, i Andrew Piacsek. "A tool for quantifying the uncertainty measurements of violin impact response". W Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001675.
Pełny tekst źródła"Emotion Recognition of Violin Music based on Strings Music Theory for Mascot Robot System". W 9th International Conference on Informatics in Control, Automation and Robotics. SciTePress - Science and and Technology Publications, 2012. http://dx.doi.org/10.5220/0003991500050014.
Pełny tekst źródłaVolta, Erica, i Gualtiero Volpe. "Automated Analysis of Postural and Movement Qualities of Violin Players". W 2019 International Workshop on Multilayer Music Representation and Processing (MMRP). IEEE, 2019. http://dx.doi.org/10.1109/mmrp.2019.00018.
Pełny tekst źródłaVolta, Erica, i Gualtiero Volpe. "Automated Analysis of Postural and Movement Qualities of Violin Players". W 2019 International Workshop on Multilayer Music Representation and Processing (MMRP). IEEE, 2019. http://dx.doi.org/10.1109/mmrp.2019.8665374.
Pełny tekst źródła"Chinese Reform and Practice of Violin Playing Teaching in Music Colleges". W 2018 1st International Conference on Education, Art, Management and Social Sciences. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/eamss.2018.025.
Pełny tekst źródłaRaporty organizacyjne na temat "Computer and violin music"
Möllenkamp, Andreas. Paradigms of Music Software Development. Staatliches Institut für Musikforschung, grudzień 2014. http://dx.doi.org/10.25366/2022.99.
Pełny tekst źródłaKiv, Arnold E., Vladyslav V. Bilous, Dmytro M. Bodnenko, Dmytro V. Horbatovskyi, Oksana S. Lytvyn i Volodymyr V. Proshkin. The development and use of mobile app AR Physics in physics teaching at the university. [б. в.], lipiec 2021. http://dx.doi.org/10.31812/123456789/4629.
Pełny tekst źródłaRaychev, Nikolay. Can human thoughts be encoded, decoded and manipulated to achieve symbiosis of the brain and the machine. Web of Open Science, październik 2020. http://dx.doi.org/10.37686/nsrl.v1i2.76.
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