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Artykuły w czasopismach na temat "Companhia dos Cimentos de Angola"
Varanda, Jorge. "Cuidados biomédicos de saúde em Angola e na Companhia de Diamantes de Angola, c. 1910-1970". História, Ciências, Saúde-Manguinhos 21, nr 2 (czerwiec 2014): 587–608. http://dx.doi.org/10.1590/s0104-59702014000200008.
Pełny tekst źródłaMenz, Maximiliano M. "A Companhia de Pernambuco e Paraíba e o funcionamento do tráfico de escravos em Angola (1759-1775/80)". Afro-Ásia, nr 48 (grudzień 2013): 45–76. http://dx.doi.org/10.1590/s0002-05912013000200002.
Pełny tekst źródłaGuerra-Marques, Ana Clara Rodrigues. "Dança cénica em Angola". Revista Brasileira de Estudos em Dança 1, nr 1 (1.12.2023): 230–45. http://dx.doi.org/10.58786/rbed.2022.v1.n1.52839.
Pełny tekst źródłaMatos, Patrícia Ferraz de. "Projectos coloniais e seus efeitos: o caso do trabalho de José Redinha desenvolvido no Museu do Dundo". Poiésis - Revista do Programa de Pós-Graduação em Educação 2, nr 4 (30.12.2009): 42. http://dx.doi.org/10.19177/prppge.v2e4200942-61.
Pełny tekst źródłaVaranda, Jorge. "A saúde e a Companhia de Diamantes de Angola". História, Ciências, Saúde-Manguinhos 11, suppl 1 (2004): 261–68. http://dx.doi.org/10.1590/s0104-59702004000400013.
Pełny tekst źródłaVaranda, Jorge, i Todd Cleveland. "(Un)healthy Relationships: African Labourers, Profits and Health Services in Angola’s Colonial-Era Diamond Mines, 1917–75". Medical History 58, nr 1 (16.12.2013): 87–105. http://dx.doi.org/10.1017/mdh.2013.73.
Pełny tekst źródłaCarvalho, Flávia Maria De. "O Reino do Ndongo no Contexto da Restauração: Mbundus, Portugueses e Holandeses na África Centro Ocidental". Sankofa (São Paulo) 4, nr 7 (6.07.2011): 7. http://dx.doi.org/10.11606/issn.1983-6023.sank.2011.88793.
Pełny tekst źródłaSantos, Valmir Jesus dos. "A esquiva ante o apagamento solar". Conceição/Conception 12, nr 00 (20.12.2023): e023010. http://dx.doi.org/10.20396/conce.v12i00.8674942.
Pełny tekst źródłaVaranda, Jorge. "Filhos, enteados e apadrinhados: discursos, políticas e práticas dos serviços de saúde da Diamang, Angola". Antropologia Portuguesa, nr 29 (6.06.2012): 141–65. http://dx.doi.org/10.14195/2182-7982_29_10.
Pełny tekst źródłaSantos da Silva, Edgleice. "A disputa pelas almas: jesuítas e capuchinhos na África Centro-Ocidental no século XVII". Revista de História, nr 181 (18.07.2022): 1–30. http://dx.doi.org/10.11606/issn.2316-9141.rh.2022.189539.
Pełny tekst źródłaRozprawy doktorskie na temat "Companhia dos Cimentos de Angola"
Fonseca, André. "Emprego Tático de uma Companhia de Infantaria na Guerra Subversiva em Angola". Master's thesis, Academia Militar. Direção de Ensino, 2012. http://hdl.handle.net/10400.26/6889.
Pełny tekst źródłaAbstract This final scientific report of this master’s thesis bearing as main theme "Tactical employment of an infantry company at subversive war in Angola" as consequence author’s interest in the theme of the Colonial War, and also, for Military History in general. The central question addressed in this paper seeks to demonstrate how a infantry company, specially the Caçadores, worked in the overseas province of Angola fighting subversive actions and also how these act with the populations were exerting a psychosocial action, providing economic, education, religious and health support, so as to improve their living conditions and to gain their trust. Regarding the methodology applied in this essay, this was a framed case study in historical research, completed by a bibliographical research on thematic publications and, because the echelon chosen is the company level, research was issue on reports and memoirs of the units. It is possible to argue that the infantry company played a very important role in the fight against subversive actions through offensive actions, such as ambushes and hand blows, and as a way to act on the people in the form of psychosocial action.
Bevilacqua, Juliana Ribeiro da Silva. "De caçadores a caça: sobas, Diamang e o Museu do Dundo". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-25082016-132727/.
Pełny tekst źródłaThe objective of this thesis is to understand the relations established between the sobas, the Companhia de Diamantes de Angola (Diamang) and the Museu do Dundo (Dundo Museum) from 1936, when the Museum was founded, to 1961 when the anti-colonial struggles started in Angola. The discovery of diamonds in 1912 and the subsequent creation of Diamang within the Lunda area a few years later were marked by revolts led by the sobas in this region. However, the process which brought the local chiefs to become collaborators of this Company involved a series of direct negotiations without resorting to the use of military force. With time the Companhia de Diamantes de Angola became aware that maintaining a good relationship with the sobas was vital for their business and it created a reward system to favour the chiefs both symbolically and materially. The Museu do Dundo played a central role for the distribution of these gifts and it became fundamental with regards to the relationship between the sobas and Diamang. The analysis of the Museums objectives and activities, along with the collections process, allowed this research to reveal and comprehend the strategies and meanings behind the complex network that marked the negotiations between the local population (represented by the sobas) and the interests of the company. The Museum was regarded as a symbol of Portuguese colonial presence in Africa with the official purpose of preserving the culture of Lundas people. However, the full understanding of the Museums role will show that its real objectives are directly connected with interests and demands from Diamang and the colonial Portuguese administration.
Porto, Nuno Manuel de Azevedo Andrade. "Modos de objectificação da dominação colonial : o caso do Museu do Dundo, 1940-1970". Doctoral thesis, 2002. http://hdl.handle.net/10316/1587.
Pełny tekst źródłaThis text is an ethnographic analysis of the museum owned by the Diamang – The Diamonds Company of Angola, during the last decades of the Third Portuguese Empire. The Dundo Museum – which was developed from 1936 onwards by the Company – is the generative object of the inquiry to the self-reclaimed specificity of the Company’s colonial project, phrased as ‘scientific colonialism’. The notion of ‘knowing in order to colonise’ became a widely practised Company attitude in its concession area in the North East of Angola. It permeated all its diverse fields of operation related to its main activity – the exploitation of diamonds – and was symbolised in the Dundo Museum. The museum is thus seen as an artefact produced by a colonial culture in which science, technology and a project of society are programmatically embedded in the making of Portugal in Africa. The analysis focuses on the material culture and on the practices of scientific work carried out in the museum, providing the context of the steady development of the museum culture of the Dundo Museum within the historical dynamics of the colonial community. An ecological approach to scientific and museological practices is developed. These practices are disclosed in different complexity scales of the colonial situation. By these means the core argument of the text suggests the understanding of such practices as an integral part of the colonial process and pleads for the need of conceptualising the museum as a colonial agent.
Sá, João Rogério Malato de Canha e. "Retábulos da Companhia de Jesus em Luanda e na Ilha de Moçambique". Master's thesis, 2012. http://hdl.handle.net/10400.1/10895.
Pełny tekst źródłaPrieto, Gustavo Henrique Rua. "Colonizando indígenas: a exploração do trabalho feminino no projeto colonial da Companhia de Diamantes de Angola". Master's thesis, 2020. http://hdl.handle.net/1822/71540.
Pełny tekst źródłaPor meio dessa dissertação observa-se como a colonização é capaz de moldar civilizações e recriar sociedades, com o olhar voltado para a construção do III Império colonial português focado no desenvolvimento da Companhia de Diamantes da Angola (Diamang). Os trabalhos desempenhados por mulheres nas atividades designadas pelo Serviço de Propaganda e Assistência e Mão-de-Obra Indígena serão os objetos de estudo, no qual foi necessário descontruir e analisar criticamente as suas fontes, nomeadamente, as provas fotográficas do Arquivo fotográfico Diamang, que se encontram em posse do Museu Nogueira da Silva, e os Relatórios Anuais SPAMOI, disponíveis no acervo diamangdigital.net. Com base no do processo metodológico e regrado nos fundamentos encontrados na bibliografia, foi possível cruzar a historiografia colonial, estudos do colonialismo científico e teorias da fotografia colonial, junto ao rico estudo já construído sobre a Diamang e a população que a envolvia. A partir disso, é investigado e narrado quem e quais atividades exercidas pelas mulheres “indígenas” residentes na Lunda.
Through this dissertation I observe how colonization is able to shape civilizations and recreate societies, taking into account the construction of the III Portuguese Colonial Empire, focused on the development of the Diamond Company of Angola (Diamang). The roles carried out by women in the designated activities by the Propaganda and Assistance Service and Indigenous Labor are the objects of study, in which was necessary to deconstruct and critically analyze their sources, namely, photographic evidences from the Diamang Photographic Archive, which is in the possession of the Nogueira da Silva Museum, and the SPAMOI Annual Reports, available in the digital collection diamangdigital.net. Based on the methodological process and the record of fundamentals found in the bibliography, it was possible to cross colonial historiography, studies of scientific colonialism and theories of colonial photography, together with the study already developed about Diamang and the surrounding population. From this, it was possible to investigate and narrate who and which activities performed by "indigenous" women residing in Lunda.
Książki na temat "Companhia dos Cimentos de Angola"
Rui, Tavares, i Ferreira João 1954-, red. A Companhia de Dança Contemporânea de Angola. [Angola]: Mukixe, 2003.
Znajdź pełny tekst źródłaCompanhia de Dança Contemporânea (Angola) i Instituto Nacional de Formação Artística e Cultural (Angola), red. A Companhia de Dança Contemporânea, apresenta-se. [Luanda] Angola: Instituto Nacional de Formação Artística e Cultural, 1996.
Znajdź pełny tekst źródłaUniversidade de Coimbra. Museu e Laboratório Antropológico., red. Diamang, estudo do património cultural da ex Companhia de Diamantes de Angola. Coimbra: Museu Antropológico, Universidade de Coimbra, 1995.
Znajdź pełny tekst źródłaAntunes, Maria José Lobo. Regressos quase perfeitos: Memórias da guerra em Angola. Lisboa: Tinta-da-China, 2015.
Znajdź pełny tekst źródłaSá, Vasco de. A Lunda, os diamantes, a Endiama. Angola: Endiama, 1996.
Znajdź pełny tekst źródłaUniversidade de Coimbra. Museu Antropológico. Diamang: estudo do património cultural da ex-companhia de diamantes de Angola: 2ª edição. Imprensa da Universidade de Coimbra, 2019. http://dx.doi.org/10.14195/978-989-26-1914-9.
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