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Autor: Grafiati
Data publikacji: 26 lipca 2024

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1

Russia) Ri︠a︡zanovskie chtenii︠a︡ (4th 2018 Moscow. Na poroge peremen: Knizhnye, arkhivnye i muzeĭnye kollekt︠s︡ii : materialy nauchnoĭ konferent︠s︡ii "Chetvertye Ri︠a︡zanovskie chtenii︠a︡" (15-16 marta 2018 g.). Moskva: Gosudarstvennai︠a︡ publichnai︠a︡ istoricheskai︠a︡ biblioteka Rossii, 2020.

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2

Penchev, Gencho. Nelegalnite pechatnit͡s︡i na partii͡a︡ta. Wyd. 2. Sofii͡a︡: Partizdat, 1985.

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3

Bouju, Marie-Cécile. Lire en communiste: Les maisons d'édition du Parti communiste français, 1920-1968. Rennes: Presses universitaires de Rennes, 2010.

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4

Demchenko, Evgenii︠a︡ Petrovna. Izdanie marksistskoĭ knigi na Ukraine do Velikogo Okti︠a︡bri︠a︡. Kiev: Naukova dumka, 1987.

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5

Kapitaniuk, Bill. God's printer for Poland: Sharing God's love in Communist Eastern Europe, a modern miracle from one man's dream : Bill Kapitaniuk's story. Grand Rapids, Mich: Baker Book House, 1987.

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6

Fic, Andrzej. Drukarnia podziemna w Trójmieście w latach wojny jaruzelsko-polskiej 1981-89. Gdynia: Archeus, 2005.

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7

Sosnovskai͡a, L. P. Nelegalʹnai͡a pechatʹ sibirskikh organizat͡siĭ RSDRP: 1907-fevralʹ 1917 goda. Irkutsk: Izd-vo Irkutskogo universiteta, 1993.

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8

Mathieu, Paula. Circulating communities: The tactics and strategies of community publishing. Lanham: Lexington Books, 2011.

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9

Kanematsu, Makiko. Saga och verklighet: Barnboksproduktion i det postsovjetiska Lettland. Stockholm: Stockholms universitet, 2009.

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10

1969-, Barnhisel Greg, i Turner Catherine 1968-, red. Pressing the fight: Print, propaganda, and the Cold War. Amherst: University of Massachusetts Press, 2009.

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11

Barnhisel, Greg. Pressing the fight: Print, propaganda, and the Cold War. Amherst: University of Massachusetts Press, 2010.

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12

Andreev, G. L. Zhiznʹ s bogom: Bri︠u︡sselʹ-Moskva. Moskva: "Dukhovnai︠a︡ biblioteka", 2013.

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13

Marschall, Judith. Aufrechter Gang im DDR-Sozialismus: Walter Janka und der Aufbau-Verlag. Münster: Westfälisches Dampfboot, 1994.

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14

Franklin, Cynthia G. Writing women's communities: The politics and poetics of contemporary multi-genre anthologies. Madison: University of Wisconsin Press, 1997.

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15

(2005), Anmin Chŏngchʻaek Pʻorŏm. Hanʼguk hyŏndaesa: Chinsil kwa haesŏk. Kyŏnggi-do Pʻaju-si: Nanam Chʻulpʻan, 2005.

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16

Pathfinder was born with the October revolution. New York: Pathfinder, 2000.

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17

Anti-Book: On the Art and Politics of Radical Publishing. University of Minnesota Press, 2017.

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18

Parks, Steven J., Tiffany Rousculp i Paula Mathieu. Circulating Communities: Tactics and Strategies of Community Publishing. Lexington Books/Fortress Academic, 2011.

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19

Rousculp, Tiffany, Paula Mathieu i Steve Parks. Circulating Communities: The Tactics and Strategies of Community Publishing. Lexington Books/Fortress Academic, 2012.

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20

Woodin, Tom. Working-Class Writing and Publishing in the Late Twentieth Century: Literature, Culture and Community. Manchester University Press, 2018.

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21

Woodin, Tom. Working-class writing and publishing in the late twentieth century: Literature, culture and community. Manchester University Press, 2018.

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22

Circulating Communities The Tactics And Strategies Of Community Publishing. Lexington Books, 2011.

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23

Blodgett, Jan. Protestant Evangelical Literary Culture and Contemporary Society. Praeger, 1997. http://dx.doi.org/10.5040/9798216002345.

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While studies have been done on the politics, personalities, and television empires of Protestant evangelicals, little has been said about the power of evangelical publishing and the recent upsurge in evangelical fiction. In the last 20 years, evangelical publishing has grown into a multimillion dollar business, and evangelical fiction offers valuable information about the Protestant evangelical experience. This book argues that the authors and publishers of evangelical fiction are purposeful gatekeepers who create specific images of an evangelical universe. Characters and plots of evangelical literature not only embody a religious perspective but also advocate appropriate behaviors and solutions to problems. This study brings together research in the history of Protestant evangelicalism, the sociology of religion, and literary studies to explore how evangelical novels can serve as cultural artifacts of the evangelical community in contemporary American society. The volume consists of two distinct but interrelated parts. The first part of the book overviews the history of evangelical religion and the publishing of fiction. The chapters in this section trace the ways in which religious publishing has influenced the publishing industry in general and the importance of publishing to evangelicalism. The second part in based on the review and analysis of 60 inspirational novels published between 1972 and 1994 by 13 evangelical publishers. Two chapters examine the development of specific genre and plot adaptations. To identify the range of attitudes and images expressed in this fiction, each of the 60 novels is examined for its handling of theology, practical religion, and social issues. Appendices list the novels within particular genres and trace the chronological development of evangelical publishing, and a bibliography concludes the volume.
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24

Woodin, Tom. Working-Class Writing and Publishing in the Late Twentieth Century. Manchester University Press, 2020.

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25

Gruesser, John Cullen. A Literary Life of Sutton E. Griggs. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192856319.001.0001.

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Writing, publishing, and marketing five politically engaged novels that appeared between 1899 and 1908, Sutton E. Griggs (1872‒1933) was among the most prolific African American authors at the turn of the twentieth century. In contrast to his Northern contemporaries Paul Laurence Dunbar and Charles Chesnutt, Griggs, as W. E. B. Du Bois, remarked, “spoke primarily to the Negro race,” using his own Nashville-based publishing company to issue four of his novels. Griggs pastored Baptist churches in three Southern states, and played a leading role in the influential but understudied National Baptist Convention. Until recently little was known about the personal and professional life of this religious and community leader: critics could only contextualize his literary texts to a limited degree and were forced to speculate about how he published them. This literary biography, the first written about the author, draws extensively on primary sources and late-nineteenth- and early-twentieth-century periodicals, local and national, African American and white. A very different Sutton Griggs emerges from these materials—a dynamic figure who devoted himself to literature for a longer period and to a more profound extent than ever previously imagined, but who also frequently found himself embroiled in controversy because of what he said in his writings and the means he used to publish them. The book challenges currently held notions about the audience for, and the content, production, and dissemination of politically engaged US black fiction, thereby altering the perception of the African American literature and print culture of the period.
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26

God's Missiles Over Cuba - The Tom White Story. Living Sacrifice Book Company, 1999.

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27

Whitehouse, Tessa. Dissenting Print Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198702245.003.0021.

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Print culture was expanding rapidly in the eighteenth century. Yet religious literature remained the largest category of printed book and Dissenters were significant contributors to this genre. From 1695 pre-publication censorship disappeared within England so print was an important mechanism through which Dissenting identity was created and sustained. Religious works could be doctrinal, controversial, or practical and it was the latter category that had the largest lay readership. Material related to Scripture, either translated or paraphrased, accounted for much of the printed religious output but life writing and poetry were also influential. Many of the authors were ministerial and male, although the audiences for which they were writing were more varied. While it is easier to trace the uses to which material designed to educate ministers was put, there were also significant examples of Dissenters using print to fashion a wider sense of community, often through the use of non-commercial publishing models.
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28

Franklin, Cynthia G. Writing Women's Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies. University of Wisconsin Press, 1997.

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29

Pepe, Teresa. Blogging from Egypt. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474433990.001.0001.

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Six years before the Egyptian revolution of January 2011, many young Egyptians had resorted to blogging as a means of self-expression and literary creativity. Some of these bloggers have not only received big popularity within the online community, but have also attracted the interest of independent and mainstream publishing houses, and have made their way into the Arab cultural field. Previous research on the impact of the Internet in the Middle East has been dominated by a focus on politics and the public sphere, while its influence on cultural domains remains very little explored. Blogging From Egypt aims at filling this gap by exploring young Egyptians’ blogs as forms of digital literature. It studies a corpus of 40 personal blogs written and distributed online between 2005 and 2016, combining literary analysis with interviews with the authors. The study reveals that the experimentation with blogging resulted in the emergence of a new literary genre: the autofictional blog. The book explores the aesthetic features of this genre, as well as its relation to the events of the “Arab Spring”. Finally, it discusses how blogs have evolved in the last years after 2011 and what is left of the blog in Arabic literary production. The book includes original extracts and translation from blogs, made available for the first time to an English-speaking audience.
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30

Peremyshchyna--Peremysʹkyĭ kurinʹ UPA. Toronto: Vyd-vo Litopys UPA, 1986.

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31

Mikota, Jana. Alice Ruhle-Gerstel: Ihre Kinderliterarischen Arbeiten im Kontext der Kinder- und Jugendliteratur der Weimarer Republik, des Nationalsozialismus und des Exils. Lang AG International Academic Publishers, Peter, 2004.

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