Gotowa bibliografia na temat „Comets – Fiction”
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Artykuły w czasopismach na temat "Comets – Fiction"
Wimalasena, Yashvi, Jeremy Windsor i Mark Edsell. "Using Ultrasound Lung Comets in the Diagnosis of High Altitude Pulmonary Edema: Fact or Fiction?" Wilderness & Environmental Medicine 24, nr 2 (czerwiec 2013): 159–64. http://dx.doi.org/10.1016/j.wem.2012.10.005.
Pełny tekst źródłaZolyan, Suren. "What Is Unreliable in Fiction and Where It Comes From". Epistemology & Philosophy of Science 59, nr 2 (2022): 76–80. http://dx.doi.org/10.5840/eps202259224.
Pełny tekst źródłaАnchishina, E. A. "THE ROLE OF LEGAL FICTIONS IN MODERN LAW ENFORCEMENT PRACTICE". Bulletin of Udmurt University. Series Economics and Law 30, nr 5 (12.11.2020): 697–705. http://dx.doi.org/10.35634/2412-9593-2020-30-5-697-705.
Pełny tekst źródłaWeinert, Friedel. "Hypothetical, not Fictional Worlds". Kairos. Journal of Philosophy & Science 17, nr 1 (1.12.2016): 110–36. http://dx.doi.org/10.1515/kjps-2016-0019.
Pełny tekst źródłaCastelli, Alberto, i Jiang Huiyu 蒋惠聿. "THE VOICE OF FRENCH REALISM IN YU HUA’S AND SU TONG’S FICTION". Folia linguistica et litteraria XII, nr 36 (wrzesień 2021): 103–20. http://dx.doi.org/10.31902/fll.36.2021.7.
Pełny tekst źródłaBrauneis, Adrian. "Fiktive Tatsachen, ihre Relativität und deren Angabe". Scientia Poetica 24, nr 1 (1.11.2020): 133–72. http://dx.doi.org/10.1515/scipo-2020-005.
Pełny tekst źródłaDe Roest, Karla. "Maak een vuist als je geen hand hebt. Inclusiviteit in (pre)historische jeugdromans". Paleo-aktueel, nr 33 (16.07.2024): 39–48. http://dx.doi.org/10.21827/pa.33.39-48.
Pełny tekst źródłaHaley, Madigan. "On Gathering: Or, The Birth of Global Fiction from the Spirit of Tragedy". Novel 53, nr 1 (1.05.2020): 76–95. http://dx.doi.org/10.1215/00295132-8139339.
Pełny tekst źródłaYALÇIN, Çağrı, i Elif ÖZDOĞLAR. "ARCHITECTURAL ANALYSIS OF THE DUNE MOVIES". SOCIAL SCIENCE DEVELOPMENT JOURNAL 8, nr 36 (15.03.2023): 221–36. http://dx.doi.org/10.31567/ssd.870.
Pełny tekst źródłaSvoboda, Manuela, i Petra Zagar-Sostaric. "How much Artistic Freedom is permitted when it comes to Language? - Analysis of a Crime Novel". European Journal of Social Science Education and Research 5, nr 2 (1.08.2018): 50–60. http://dx.doi.org/10.2478/ejser-2018-0033.
Pełny tekst źródłaRozprawy doktorskie na temat "Comets – Fiction"
Podeschi, Mario. "What comes next /". View online, 2008. http://repository.eiu.edu/theses/docs/32211131428176.pdf.
Pełny tekst źródłaCabrera, Remberto. "Love comes in at the eye". FIU Digital Commons, 1998. http://digitalcommons.fiu.edu/etd/1958.
Pełny tekst źródłaGrimm, Gunter E. "Kometenforschung zwischen Aberglauben und Science-fiction - Comet research between superstition and science fiction". Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-08162002-150835/.
Pełny tekst źródłaCho, Victoria. "Trouble Comes From the Mouth". ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2237.
Pełny tekst źródłaBond, John A. "Reconcilable differences, a dark comedy". FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/1731.
Pełny tekst źródłaVincent-Comte, Sandra Varinard André. "Le principe de la responsabilité pénale personnelle réalité ou fiction? /". Lyon : Université Lyon3, 2005. http://thesesbrain.univ-lyon3.fr/sdx/theses/lyon3/2005/comte_s.
Pełny tekst źródłaKurtz, Matthew B. "What Comes After the Blues". Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619717430532435.
Pełny tekst źródłaGilder, John M. "The First Rule of Improv". ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2607.
Pełny tekst źródłaSEGATO, GIULIO. "THE AMERICAN COMEDY. TEMI, INNOVAZIONI E TEOLOGIA NELL'OPERA DI ELMORE LEONARD". Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/45734.
Pełny tekst źródłaCritics and biographers have summarized Elmore Leonard’s work too easily: he was one of the best crime novels writers in America because of his “cinematic” prose and his unerring ear for the voices of the characters. I think there are much more issues in Leonard’s narratives, so my thesis is focused on investigating other distinctive traits of his novels. Leonard actually wrote westerns for many years before first trying his hand at crime fiction (in The Big Bounce 1969), the genre that gave him great fame. My thesis basically examines three distinguishing features. First, in Leonard’s books there is almost never any process of detection. Readers generally know from the very beginning who the murderer is, and in many cases the detective finds out soon after, but he is always prevented from arresting or killing him at once. What prolongs his pursuit is generally not a process of investigation but rather a frustrating combination of legal procedural constraints that are often portrayed as arbitrary, and the killer’s own animal willingness and absurd good luck. Secondly, Leonard, in his narrative, develops a very distinctive point of view. The writer always tells his stories from the omniscient point of view in the third person, only apparently neutral. In Leonard’s novels any chapter can be narrated from the perspective of any character (even a murder victim as in Glitz). This issue is not only a technical problem, it is a moral one, who makes Leonard’s novels disturbing to the reader. Finally Leonard, who had a catholic education and a deep knowledge of the Bible, hides theological issues in his grotesque crime stories. For example, in his novels violence is never the right solution, never necessary, as his heroes prefer talking with the villain or leaving, instead of shooting him.
SEGATO, GIULIO. "THE AMERICAN COMEDY. TEMI, INNOVAZIONI E TEOLOGIA NELL'OPERA DI ELMORE LEONARD". Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/45734.
Pełny tekst źródłaCritics and biographers have summarized Elmore Leonard’s work too easily: he was one of the best crime novels writers in America because of his “cinematic” prose and his unerring ear for the voices of the characters. I think there are much more issues in Leonard’s narratives, so my thesis is focused on investigating other distinctive traits of his novels. Leonard actually wrote westerns for many years before first trying his hand at crime fiction (in The Big Bounce 1969), the genre that gave him great fame. My thesis basically examines three distinguishing features. First, in Leonard’s books there is almost never any process of detection. Readers generally know from the very beginning who the murderer is, and in many cases the detective finds out soon after, but he is always prevented from arresting or killing him at once. What prolongs his pursuit is generally not a process of investigation but rather a frustrating combination of legal procedural constraints that are often portrayed as arbitrary, and the killer’s own animal willingness and absurd good luck. Secondly, Leonard, in his narrative, develops a very distinctive point of view. The writer always tells his stories from the omniscient point of view in the third person, only apparently neutral. In Leonard’s novels any chapter can be narrated from the perspective of any character (even a murder victim as in Glitz). This issue is not only a technical problem, it is a moral one, who makes Leonard’s novels disturbing to the reader. Finally Leonard, who had a catholic education and a deep knowledge of the Bible, hides theological issues in his grotesque crime stories. For example, in his novels violence is never the right solution, never necessary, as his heroes prefer talking with the villain or leaving, instead of shooting him.
Książki na temat "Comets – Fiction"
Tamar, Erika. Venus and the Comets. Plain City, OH: Darby Creek Pub., 2003.
Znajdź pełny tekst źródłaill, Lanino Deborah, red. Maria's comet. New York: Atheneum Books for Young Readers, 1999.
Znajdź pełny tekst źródłaSomtow, S. P. Do Comets Dream?: Star Trek: The Next Generation. New York: Pocket Books, 2003.
Znajdź pełny tekst źródłaBaillie, M. G. L. Exodus to Arthur: Catastrophic encounters with comets. London: B.T. Batsford, 1999.
Znajdź pełny tekst źródłaPerritano, John. The comet of doom. Minneapolis, Minnesota: Calico, an imprint of Magic Wagon, 2015.
Znajdź pełny tekst źródłaForest, John. The piper of the stars: A story for children. London: NdA Press, 1986.
Znajdź pełny tekst źródłaVega, L. Eduardo. Comet dis'aster: (Latin, "dis," evil; Greek, "astron," star) : a novel. Oakland, CA: Regent Press, 2000.
Znajdź pełny tekst źródłaJansson, Tove. Comet in Moominland. London: Black, 1986.
Znajdź pełny tekst źródłaJansson, Tove. Comet in Moominland. New York: Farrar Straus Giroux, 1990.
Znajdź pełny tekst źródłaWallace, Karen. The comet of doom: A thrilling tale from the time of Montezuma. London: A. & C. Black, 2009.
Znajdź pełny tekst źródłaCzęści książek na temat "Comets – Fiction"
Morin, Olivier, Alberto Acerbi i Oleg Sobchuk. "Perché si muore nei romanzi: l’ipotesi della simulazione dell’ordalia". W La narrazione come incontro, 59–80. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-215-0045-5.06.
Pełny tekst źródłaRibke, Nahuel. "Bilingual Comedy Series". W Multilingual Fiction Series, 58–85. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003378112-4.
Pełny tekst źródłaDavies, Dominic. "Intolerable fictions". W Comics and Migration, 257–70. London: Routledge India, 2023. http://dx.doi.org/10.4324/9781003254621-18.
Pełny tekst źródłaMarsh, Huw. "Comedy". W The Routledge Companion to Twenty-First Century Literary Fiction, 67–79. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge companions to literature series: Routledge, 2019. http://dx.doi.org/10.4324/9781315880235-7.
Pełny tekst źródłaTrommer, Ralph. "Phantastische Comics — Science-Fiction, Fantasy, Horror". W Comics und Graphic Novels, 212–32. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05443-2_12.
Pełny tekst źródłaTredell, Nicolas. "That Comes at Night: The Information (1995)". W The Fiction of Martin Amis, 154–72. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_10.
Pełny tekst źródłaRoman, Christopher Michael. "Queering Wolverine in Fan Fiction". W Queering Wolverine in Comics and Fanfiction, 58–79. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003222644-4.
Pełny tekst źródłaHart, Jonathan. "Realism and Comedy". W Fictional and Historical Worlds, 133–48. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012647_9.
Pełny tekst źródłaGuignery, Vanessa. "When Horror Meets Comedy: Before She Met Me (1982)". W The Fiction of Julian Barnes, 17–27. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-80221-6_3.
Pełny tekst źródłaAnderson, David S. "‘The Aliens from 2,000 B.C.!’: Truth, Fiction and Pseudoarchaeology in American Comic Books". W Comics and Archaeology, 21–48. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98919-4_2.
Pełny tekst źródłaStreszczenia konferencji na temat "Comets – Fiction"
ЦВИК, Ирина. "Forms of realization of the dialogue of cultures in a work of art". W Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p76-80.
Pełny tekst źródłaPopovic, Tanja. "Milorad Pavic’s Khazar Dictionaryas a Postmodern Comment on theHagiography of Saints Cyril and Methodius". W Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.24.
Pełny tekst źródłaGrimova, O. "BIOGRAPHICAL DISCOURSE IN THE STRUCTURE OF E.G. VODOLAZKIN’S NOVEL “CHAGIN”". W VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3720.rus_lit_20-21/175-178.
Pełny tekst źródłaHölzle, Université Grenoble 3, Dominique. "Le pouvoir des fictions dans les Lettres de la Marquise de M*** au Comte de R*** de Crébillon". W Crébillon, Lettres de la marquise de M*** au comte de R***. Fabula, 2011. http://dx.doi.org/10.58282/colloques.1399.
Pełny tekst źródłaSantos, Raiden, Paula Alexandra Silva, Waleed Zuberi i Philipp Jordan. "A Survey of Beliefs and Attitudes toward Artificial Intelligence — Practical Implications and Fictional Depictions". W AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004177.
Pełny tekst źródłaKergoat, Marie. "Palimpseste de la fiction de fantasy : créer, interpréter et incarner les combats d’un univers de papier. Réflexions autour des Rois du monde (Jean-Philippe Jaworski)". W Variantes. La déclinaison des possibles comme objet de la recherche. Fabula, 2024. http://dx.doi.org/10.58282/colloques.12090.
Pełny tekst źródłaKizhakkethil, Priya. "Information experience in a diaspora small world". W ISIC: the Information Behaviour Conference. University of Borås, Borås, Sweden, 2020. http://dx.doi.org/10.47989/irisic2022.
Pełny tekst źródłaSun, Liping, Zhiqiang Wan, Shangmao Ai i Jiaji Li. "Numerical Analysis of Gas Leakage Problem Based on Improved Gas Storage Vessel Leakage Model". W ASME 2016 35th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/omae2016-54142.
Pełny tekst źródłaSüyük Makakli, Elif, i Ebru Yücesan. "Spatial Experience Of Physical And Virtual Space". W SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.jrvm8060.
Pełny tekst źródłaRaporty organizacyjne na temat "Comets – Fiction"
Poussart, Denis. Le métavers : autopsie d’un fantasme Réflexion sur les limites techniques d’une réalité synthétisée, virtualisée et socialisée. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, luty 2024. http://dx.doi.org/10.61737/sgkp7833.
Pełny tekst źródłaEstrada, Jorge. Ruthless Desires of Living Together in Roberto Bolaño’s 2666: Conviviality between Potestas and Potentia. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, marzec 2022. http://dx.doi.org/10.46877/estrada.2022.42.
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