Gotowe bibliografie tematyczne / Collectors and collectings

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek
  5. Streszczenia konferencji
  6. Raporty organizacyjne

Gotowa bibliografia na temat „Collectors and collectings”

Autor: Grafiati
Data publikacji: 28 lipca 2024
Data aktualizacji: 30 lipca 2024

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Artykuły w czasopismach na temat "Collectors and collectings"

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Kelloff, Carol L., Vicki A. Funk i Sara N. Alexander. "Smithsonian Plant Collections, Guiana Shield". Smithsonian Contributions to Botany, nr 110 (24.05.2019): vi—360. http://dx.doi.org/10.5479/si.1938-2812.110.

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Part I provides the collector’s notes on trips in alphabetical order by collector (with maps). Part II lists collection localities with collection number ranges, habitat descriptions, geographic coordinates, and assisting collectors. Part III lists collections in numerical order with identification and authors. Part IV lists collections ordered by determined name.
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Turner, Keaghan. "Collectors of Collections: Sherlock Holmes and Collecting Culture". Victorians Institute Journal 44, nr 1 (1.12.2016): 7–28. http://dx.doi.org/10.5325/victinstj.44.1.0007.

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Grimberg, Phillip. "Introduction to Special Issue on “Collecting, Collections, and Collectors”". Ming Qing Yanjiu 24, nr 1 (15.05.2020): 1–10. http://dx.doi.org/10.1163/24684791-12340040.

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Valentino, Rahmat Alifin, Agus Rusmana i Ninis Agustini Damayani. "Konstruksi Realitas Kolektor Vinyl Musik". Journal of Music Science, Technology, and Industry 4, nr 1 (19.04.2021): 121–33. http://dx.doi.org/10.31091/jomsti.v4i1.1384.

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Purpose: This study aims to determine the meanings, motives and experiences of the collectors in collecting Vinyl. Research methods: This study uses a qualitative method with a phenomenological approach. Data collection technique was done by interviewing. Informants in this study are three Vinyl collectors who have been collecting Vinyl for over 5 years and owning hundreds of Vinyl pieces. Results and discussion: The results in this study are (1) the meaning of collecting Vinyl is a representation of the collector’s love for music, Vinyl is a part of life, collecting Vinyl creates an addiction, Vinyl is a basic need, Vinyl is a daily routine, and Vinyl is a transaction tool. (2) The collector’s motive in collecting Vinyl is to appreciate musical works, want to contribute to the preservation of musical works, Vinyl a source of economy, physical factors and sound quality produced by higher quality Vinyl, Vinyl artwork that has aesthetic valued, history value, and the rarity of Vinyl. (3) Collectors’ experience in collecting Vinyl, namely consistency from the past until now collecting Vinyl, continuing to add to the Vinyl collection which numbered in the hundreds to thousands, making sacrifices in terms of finance, other basic needs, and social life in order to buy Vinyl, doing special and intensive care so that the sound and physical quality of Vinyl is maintained, providing a special room for Vinyl collections, and buying and selling and bartering transactions between Vinyl collectors. Implication: The development of technology made the world community switch to listening to music from Vinyl to digital platforms. However, there are still some people who are still loyal to use Vinyl as a medium for listening to music and collecting it.
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Hrynevich, Yanina. "The History of the Formation of Folklore Collections in Belarus". Folklore: Electronic Journal of Folklore 91 (grudzień 2023): 71–94. http://dx.doi.org/10.7592/fejf2023.91.hrynevich.

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The article focuses on the knowledge of the formation circumstances and development of folklore collections in Belarus in historical perspective. The history of collecting Belarusian folklore is explored, concentrating on the main ideas and the most influential collectors and groups of collectors. The research questions concern the main collection centers, gathering strategies, and their changes in accordance with the dominant state ideology and cultural policy. The study reveals that the growing interest in collecting folklore was closely connected with the process of national revival and the creation of the Belarusian state. Initiated by the passion of individual amateur collectors and local historians, the collection of folklore gradually became an important national task and was concentrated in the main scientific centers. Besides state ideology, the greatest influence on the formation of folklore collections, their form and content, is exerted by the goals and approaches of individuals. The personality, the level of education and age of the collector have a direct impact on the collection processes and, respectively, on the data obtained as a result.
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Prochaska, Alice. "National Collections, Global Collecting: The Responsibilities of Librarians as Collectors". Libraries & the Cultural Record 37, nr 1 (2002): 72–76. http://dx.doi.org/10.1353/lac.2002.0013.

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Folan, Lucie. "Wisdom of the Goddess: Uncovering the Provenance of a Twelfth-Century Indian Sculpture at the National Gallery of Australia". Collections: A Journal for Museum and Archives Professionals 15, nr 1 (marzec 2019): 5–41. http://dx.doi.org/10.1177/1550190619832383.

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The history of Prajnaparamita, Goddess of Wisdom, a twelfth-century Indian Buddhist sculpture in the National Gallery of Australia collection, has been researched and evaluated through a dedicated Asian Art Provenance Project. This article describes how the sculpture was traced from twelfth-century Odisha, India, to museums in Depression-era Brooklyn and Philadelphia, through dealers and private collectors Earl and Irene Morse, to Canberra, Australia, where it has been since 1990. Frieda Hauswirth Das (1886–1974), previously obscured from art-collecting records, is revealed as the private collector who purchased the sculpture in India in around 1930. Incidental discoveries are then documented, extending the published provenance of objects in museum collections in the United States and Europe. Finally, consideration is given to the sculpture’s changing legal and ethical position, and the collecting rationales of its various collectors. The case study illustrates the contributions provenance research can make to archeological, art-historical, and collections knowledge, and elucidates aspects of the heterodox twentieth-century Asian art trade, as well as concomitant shifts in collecting ethics.
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Grimberg, Phillip. "Introduction to Special Issue on “Collecting, Collections, and Collectors”, Part 2". Ming Qing Yanjiu 24, nr 2 (13.10.2020): 159–60. http://dx.doi.org/10.1163/24684791-12340046.

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GILBERT, PAUL. "Collectives and Collections". Journal of Applied Philosophy 7, nr 2 (październik 1990): 229–30. http://dx.doi.org/10.1111/j.1468-5930.1990.tb00272.x.

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Elsner, Jaś. "The Nature of Classical Collecting. Collectors and Collections, 100 BCE–100 CE". Journal of the History of Collections 18, nr 1 (5.01.2006): 86–87. http://dx.doi.org/10.1093/jhc/fhi040.

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Rozprawy doktorskie na temat "Collectors and collectings"

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Bounia, Alexandra. "The nature of collecting in the Classical world : collections and collectors, c.100 BCE - 100 CE". Thesis, University of Leicester, 1998. http://hdl.handle.net/2381/31160.

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Contrary to general traditional belief, the origins of collecting, as a systematic activity that refers to the satisfaction of symbolic rather than actual needs, was not an invention of the Renaissance. Collecting made its first appearance in European prehistory, was a subject of interest and debate for the ancient Greeks and Romans, and has been present continuously ever since. This thesis aims to address a gap in the history of collecting and to contribute to the discussion of its origins and nature through an analysis of collecting in the classical Graeco-Roman world. As a result, the subject of this thesis is the nature of classical collecting as this is illustrated by the works of four Latin authors, M. Tullius Cicero, Gaius Plinius Secundus, M. Valerius Martialis, and T. Petronius Arbiter. This analysis aims to take a long view of the collecting attitudes in the classical world, and trace the seeds of this practice and mentality in a shared tradition that runs through European thought. Consequently, the views on collections and collecting expressed by the four writers are seen within the longer Graeco-Roman tradition, and are approached through four parameters that have been identified as fundamental for structuring the collecting discourse: the notion of the past and the role of material culture as a mediator between people and their perception of it; gift-exchange as a social tradition with deep social roots, that structures relations between people, people and the Gods, and people and material culture; the notion of identity, at a communal and individual level and the capacity of objects to shape and structure it; and finally, the notions of time and space, our understanding and appreciation of which require the mediation of material culture. The discussion of each of those parameters comes together in the four chapters on the Latin authors. The reading of the ancient texts has been influenced by philosophical concerns about issues of interpretation and appropriation, and in particular by the ideas of Barthes and Ricoeur.
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Wills, David. "Cultural Mulch : an investigation into collectors who create collections of mass produced objects and of the potential significance of those objects in relation to consumer culture". Phd thesis, Canberra, ACT : The Australian National University, 2009. http://hdl.handle.net/1885/8036.

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Collecting is an activity that stems from humankinds roots as hunters and gathers, when necessity rather than want, was key. This dissertation considers the strategies and motivations behind collecting in the 21st Century and what the significance is of collected objects. It considers the many guises, aims and reasons for collections being made, from the attainment of wealth and status, to the filling of personal voids, or the simple pleasures of belonging to a like-minded group of people. The dissertation charts contemporary influences in collecting behaviour, from an increased interest in celebrity, the push by corporations to market mass-produced collectibles, alternative consumer trends, and what effect the internet has had on the availability of a vast array of objects globally and locally. Back grounded by a diminishing of the earth’s resources and the production of objects at a peak, it considers the notion of futility.
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Minkley, Hannah Smith. "Photographing other selves: collecting, collections and collaborative visual identity". Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/12669.

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This study is situated in a social documentary photography context, and is concerned to explore whether the collaborative interaction between photographer, subject (as collector) and material object (as collection) might enable a practice that presents a more mutual and subject-centred visual identity emerge. In particular, photographers Jim Goldberg and Gideon Mendel have focused more on the subject themselves, using collaborative processes such as photo-voice and photo elicitation, as well as the use of peoples’ handwritten captions on photographic prints themselves. Claudia Mitchell’s overview of visual methodologies is drawn on, together with Ken Plummer’s Documents of Life 2 (2001) and Gillian Rose’s Visual Methodologies (2001) to extend on these possibilities of conducting collaborative visual research.The practical component of this study focuses on personal collections and follows a number of theorists, including Susan Pearce, and John Elsner and Roger Cardinal. It follows Pearce’s identification of three major modes of collecting, and suggests that collections are essentially narratives of the self, and reveal experiences and expressions of personal desire. By drawing on these approaches and the various ways the twelve collectors were photographed, as well as implementing collaborative research processes (handwritten text, archival photographs and the re-staging of the collections), the study confirms Pearce’s three primary modes of collecting, and acknowledges that they are often interlinked or overlap one another. The study further found that a more subject voiced visual identity did indeed become apparent through the collaborative methods applied and discussed. The collaborative research equally demonstrated that these narratives of identity are not singular, but rather narratives of multiple, personal identities of the self.
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Ugalde, Francisca B. "A Case for Collections Management Policy for Passive Collecting Institutions". University of Akron / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=akron1353296784.

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Green, Judith Tybil. "Britain's Chinese collections, 1842-1943 : private collecting and the invention of Chinese art". Thesis, University of Sussex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271892.

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Escutia, Sánchez Erika. "Poseer e inventar: los objetos y la interpretación de las prácticas estéticas americanas en las casas reales europeas (1493-1565)". Doctoral thesis, Universitat Pompeu Fabra, 2021. http://hdl.handle.net/10803/673458.

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El presente estudio indaga en las interpretaciones y usos que las familias reinantes de Europa dieron a los artefactos americanos incorporados a sus posesiones entre 1493 y 1565. A través del análisis de documentos, imágenes y objetos, la tesis explora tres dinámicas: a) los procesos de descontextualización y recontextualización de los artefactos; b) las relaciones materiales, afectivas e intelectuales entre los objetos y sus poseedores; y c) las especulaciones europeas sobre los grupos humanos de América a partir de sus producciones estéticas. La tesis demuestra que los objetos americanos fungieron como dispositivos simbólico-epistémicos que monarcas y pontífices utilizaron a partir de sus propias peculiaridades geopolíticas, religiosas, culturales y de género. Asimismo, se presenta un rico y complejo panorama sobre las prácticas de intercambio, obsequio, atesoramiento, ostentación, exhibición y coleccionismo de americana en Europa antes de la proliferación de las cámaras de maravillas a finales del siglo XVI.
This study investigates the interpretations and uses that the ruling families of Europe gave to American artifacts incorporated into their possessions between 1493 and 1565. Through the analysis of documents, images, and objects, the thesis explores three dynamics: a) the processes of decontextualization and recontextualization of the artifacts, b) the material, affective, and intellectual relationships between objects and their owners; and c) the European speculations about human groups of America based on their aesthetic productions. The thesis shows that American objects acted as symbolic-epistemic devices that monarchs and popes used based on their own geopolitical, religious, cultural, and gender peculiarities. It also presents a rich and complex panorama of the practices of exchange, gift, treasuring, display, and collecting of Americana in Europe before the proliferation of the Cabinets of curiosities at the end of the 16th century.
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Lopes, David Granja. "Collections Optimization". Master's thesis, Instituto Superior de Economia e Gestão, 2013. http://hdl.handle.net/10400.5/6505.

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Mestrado em Decisão Económica e Empresarial
Este trabalho debruça-se sobre a otimização do transporte de componentes automóveis. Começa-se por fazer uma revisão bibliográfica e de seguida um enquadramento da situação a estudar, bem como da empresa onde será aplicado (Volkswagen Autoeuropa). É desenvolvido um modelo matemático que permite identificar as rotas ótimas. O objetivo principal deste trabalho é a identificação de rotas otimizadas que permitam o aumento da eficiência, económica e operacional, da cadeia de abastecimento da Volkswagen Autoeuropa. Os resultados foram bastantes promissores, pois foi possível obter uma poupança média de 37% nas rotas identificadas.
This work focuses on optimizing the transport of automotive components. Starts by a literature review and then a framework of the situation being studied, as well as the company where it will be applied (Volkswagen Autoeuropa). A mathematical model that identifies the optimal routes is developed. The main objective of this work is the identification of optimal routes which can increase efficiency, economic and operational, of the supply chain of Wolkswagen Autoeuropa. The results were very promising as it was achieved an average saving of 37% on the identified routes.
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Williams, Nathan Thomas. "Evolving Collections". BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/8799.

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My art practice begins with the collecting, processing, and organizing of materials. Through experimentation, I have developed processes centered around a commitment of time and devotion to the plainest beauty of these found materials, their inherent properties, and related systems, making the resulting objects of order possible. Through my application of these personal ordering systems, I strive to bring intrigue and focus to the common and discarded. The process of finding and organizing common surplus materials has given me an understanding of myself, seeing things that may never have occurred were it not for these experiences. This practice has taken what might have been an unhealthy obsession and converted this energy into what I consider a positive outcome and an avenue to living a good productive life.
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Conocimiento, Dirección de Gestión del. "Bloomsbury Collections". Bloomsbury Publishing, 2004. http://hdl.handle.net/10757/655295.

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Eudenbach, Peter Timothy Jr. "Experimental collections". The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1318520478.

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Książki na temat "Collectors and collectings"

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Huang, Zhenbing. Wei yan hua ying: Huo hua ji yi zhong de bai nian Shanghai. Shanghai: Shanghai shu dian chu ban she, 2018.

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Grafton, Anthony. Collectors, collections, and scholarly culture. New York: American Council of Learned Societies, 2000.

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Grafton, Anthony. Collectors, collections, and scholarly culture. [New York: American Council of Learned Societies, 2000.

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Grafton, Anthony. Collectors, collections, and scholarly culture. New York: American Council of Learned Societies, 2000.

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Folklife, Dublin Seminar for New England. New England collectors and collections. Boston, Mass: Boston University, 2006.

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Dublin Seminar for New England Folklife. New England collectors and collections. Boston, MA: Boston University, 2007.

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D, Schreyer Alice, Reese William S i Jackson Robert H. 1936-, red. Collectors & special collections: Three talks. Washington: Library of Congress, 2002.

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Peter, Benes, i Benes Jane Montague, red. New England collectors and collections. Boston, Mass: Boston University, 2006.

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1948-, Dittemore Margaret, i Hay Frederick J. 1953-, red. Documenting cultural diversity in the resurgent American South: Collectors, collecting, and collections. Chicago: Association of College and Research Libraries, 1997.

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Campbell, Thomas P. (Thomas Patrick), 1962-, Paetz gen Schieck Annette, Samuel Aurélie, Ruffino Maria Paola, Siegelaub Seth 1941-, Völker Angela, Guarini Filippo i in., red. Collecting textiles: Patrons, collections, museums. Como, Italy: Fondazione Antonio Ratti, 2013.

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Części książek na temat "Collectors and collectings"

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Bell, David N. "Collectors and Collections". W A Companion to British Literature, 355–68. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch23.

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Törmä, Minna. "Collections and Collecting". W Nordic Private Collections of Chinese Objects, 1–18. New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429435041-1.

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Heinisch, Cornelia, Frank Müller i Joachim Goll. "Collections". W Java als erste Programmiersprache, 603–60. Wiesbaden: Vieweg+Teubner Verlag, 2005. http://dx.doi.org/10.1007/978-3-322-94078-0_17.

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Goll, Joachim, Cornelia Weiß i Frank Müller. "Collections". W Java als erste Programmiersprache, 473–96. Wiesbaden: Vieweg+Teubner Verlag, 2001. http://dx.doi.org/10.1007/978-3-322-94124-4_16.

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Heinisch, Cornelia, Frank Müller-Hofmann i Joachim Goll. "Collections". W Java als erste Programmiersprache, 684–739. Wiesbaden: Vieweg+Teubner, 2011. http://dx.doi.org/10.1007/978-3-8348-9854-8_18.

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Jenkins, Tony, i Graham Hardman. "Collections". W How to Program Using Java, 236–60. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80243-8_18.

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Leonard, Anghel. "Collections". W Spring Boot Persistence Best Practices, 357–81. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5626-8_5.

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Sharan, Kishori. "Collections". W Java Language Features, 587–674. Berkeley, CA: Apress, 2018. http://dx.doi.org/10.1007/978-1-4842-3348-1_12.

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Rogers, T. Michael. "Collections". W Swift Recipes, 51–77. Berkeley, CA: Apress, 2015. http://dx.doi.org/10.1007/978-1-4842-0418-4_3.

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Sharan, Kishori. "Collections". W Scripting in Java, 211–61. Berkeley, CA: Apress, 2014. http://dx.doi.org/10.1007/978-1-4842-0713-0_7.

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Streszczenia konferencji na temat "Collectors and collectings"

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Watkins, Rebecca D., Abigail Sellen i Siân E. Lindley. "Digital Collections and Digital Collecting Practices". W CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702123.2702380.

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Gureyeva, I. I., i N. V. Kurbatskaya. "Collectors of P.N. Krylov Herbarium: to the 135 anniversary of the Herbarium foundation". W Problems of studying the vegetation cover of Siberia. TSU Press, 2020. http://dx.doi.org/10.17223/978-5-94621-927-3-2020-1.

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A brief overview of expeditionary studies, the collections of which form the collection fund of four sectors of P.N. Krylov Herbarium. The main collectors, places and years of collection are named. More than 1600 botanists, who worked in Tomsk State University and other institutions took part in the formation of the herbarium fund of the flora of Siberia; TSU students made a great contribution to the gathering of collections.
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Tkachev, V. V. "FROM THE HISTORY OF THE CREATION OF HOME MUSEUMS OF COLLECTORS OF BAIKAL SIBERIA IN THE SECOND HALF OF THE XIX - EARLY XX CENTURIES". W Культура, наука, образование: проблемы и перспективы. Нижневартовский государственный университет, 2021. http://dx.doi.org/10.36906/ksp-2021/28.

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The work presents the history of the creation of home museums of collectors of Baikal Siberia in the second half of the XIX - early XX centuries. It is noted that the collections formed during this period by the Siberian merchants served as the basis for the opening of city galleries and museums in the Irkutsk province and the Trans-Baikal region. Acquaintance with art collections contributed to the development of public opinion about art, the work of famous masters.
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Polieftova, Anna P., Egor V. Otrubyannikov, Aleksandr A. Kostrov i Oleg I. Sedlyarov. "Numerical simulation of the internal aerodynamics of multistage inertial and centrifugal dust collecting devices using free software". W INTERNATIONAL SCIENTIFIC-TECHNICAL SYMPOSIUM (ISTS) «IMPROVING ENERGY AND RESOURCE-EFFICIENT AND ENVIRONMENTAL SAFETY OF PROCESSES AND DEVICES IN CHEMICAL AND RELATED INDUSTRIES». The Kosygin State University of Russia, 2021. http://dx.doi.org/10.37816/eeste-2021-2-106-109.

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The modeling of the internal aerodynamics of multistage inertial and centrifugal dust collectors is carried out. On the example of a two-stage apparatus consisting of an inertial dust collector at the first stage and a centrifugal one at the second, a full simulation cycle was carried out using free software.
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Karger, David R., i Dennis Quan. "Collections". W Extended abstracts of the 2004 conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/985921.986013.

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Ji, Zujiang, i Yuanling Chen. "When and How Does Collections of Creatives Lead to Creative Collectives". W 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.119.

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Smith, Dena. "SUPPORTING THE FUTURE OF PALEONTOLOGICAL COLLECTIONS, COLLECTIONS-BASED RESEARCH, AND OUR COLLECTIONS WORKFORCE". W GSA Connects 2022 meeting in Denver, Colorado. Geological Society of America, 2022. http://dx.doi.org/10.1130/abs/2022am-382412.

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Bertrand, Denis. "Le cachalot, en meute et en famille, de Verne à Sarano : mutation des collectifs". W Existences collectives. Fabula, 2023. http://dx.doi.org/10.58282/colloques.10015.

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Young, Allan. "Collecting Thumbnail Minerals". W 35th Annual New Mexico Mineral Symposium and 5th Annual Mining Artifact Collectors Association Symposium. Socorro, NM: New Mexico Bureau of Geology and Mineral Resources, 2013. http://dx.doi.org/10.58799/nmms-2013.481.

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Manalo, Kevin, Levi Baber, Ryan Bradley, Zhi-Qiang You i Nuyun Zhang. "Community Collections". W PEARC '19: Practice and Experience in Advanced Research Computing. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3332186.3332199.

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Raporty organizacyjne na temat "Collectors and collectings"

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Hawkins, James W., i Annika Sanfilippo. Curating Geological Collections. Fort Belvoir, VA: Defense Technical Information Center, marzec 2004. http://dx.doi.org/10.21236/ada421339.

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Grant, Peter J. Third Party Collections. Fort Belvoir, VA: Defense Technical Information Center, czerwiec 2008. http://dx.doi.org/10.21236/ada483179.

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Berger, Wolf H., i Annika Sanfilippo. Curating SIO Geological Collections. Fort Belvoir, VA: Defense Technical Information Center, wrzesień 1998. http://dx.doi.org/10.21236/ada353282.

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Lebedev, V., i /Fermilab. Production and Collections of Antiprotons. Office of Scientific and Technical Information (OSTI), styczeń 2001. http://dx.doi.org/10.2172/984567.

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Tsekitsidis, Marios. VisZot: Visualize your Zotero collections. Ames (Iowa): Iowa State University, maj 2023. http://dx.doi.org/10.31274/cc-20240624-1590.

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Shephard, Arlesa, i Sanjukta Pookulangara. University Collections Online: The Student Perspective. Ames: Iowa State University, Digital Repository, listopad 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1433.

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Mayfield, Nanette. WRS NSRC Digital Collections (DC) Overview. Office of Scientific and Technical Information (OSTI), październik 2022. http://dx.doi.org/10.2172/1896390.

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SECRETARY OF THE AIR FORCE WASHINGTON DC. The Information Collections and Reports Management Program: Controlling Internal, Public, and Interagency Air Force Information Collections. Fort Belvoir, VA: Defense Technical Information Center, czerwiec 2000. http://dx.doi.org/10.21236/ada404993.

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Drew, Natalie M., Teresa M. Militello, Michael K. Trimblek i Christopher B. Pulliam. An Archaeological Collections Inventory for Naval Air Weapons Station, China Lake, California. Collections Inventory Report No. 1. Fort Belvoir, VA: Defense Technical Information Center, styczeń 1999. http://dx.doi.org/10.21236/ada379114.

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Kist, Cassandra, Maria Economou, Chante St Clair Inglis, Pam Babes, Angus Kneale i Hannah Norfolk. Surfacing the National Collections: adapting image cataloguing standards to transform access to National Museums Scotland's online collections. University of Glasgow and National Museums Scotland, lipiec 2023. http://dx.doi.org/10.36399/gla.pubs.302242.

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