Gotowa bibliografia na temat „Collection art”
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Artykuły w czasopismach na temat "Collection art"
Rademeyer, Alta. "Telkom art collection". de arte 33, nr 58 (wrzesień 1998): 44–47. http://dx.doi.org/10.1080/00043389.1998.11761277.
Pełny tekst źródłaKlyukanova, Larisa G. "Private Art Collecting as a PresentDay Culture Phenomenon". Observatory of Culture, nr 2 (28.04.2015): 73–77. http://dx.doi.org/10.25281/2072-3156-2015-0-2-73-77.
Pełny tekst źródłaDi Benedetto, Claudio. "The Uffizi Library: a collection that documents collections". Art Libraries Journal 35, nr 2 (2010): 4–7. http://dx.doi.org/10.1017/s0307472200016321.
Pełny tekst źródłaRomero, Martha. "The JAPS Library: A collection about art". Art Libraries Journal 48, nr 1 (styczeń 2023): 2–9. http://dx.doi.org/10.1017/alj.2022.22.
Pełny tekst źródłaDanowitz, Erica Swenson. "Art Magazine Collection Archive". Charleston Advisor 23, nr 3 (1.01.2022): 5–9. http://dx.doi.org/10.5260/chara.23.3.5.
Pełny tekst źródłaRebora, Carrie. "Robert Fulton's Art Collection". American Art Journal 22, nr 3 (1990): 40. http://dx.doi.org/10.2307/1594565.
Pełny tekst źródłaRoyo Naranjo, Lourdes. "Art Collection Neue Börse". Boletín de Arte, nr 25 (2.04.2018): 851–55. http://dx.doi.org/10.24310/bolarte.2004.v0i25.4647.
Pełny tekst źródłaHundt, Stefan. "The Sanlam Art Collection". de arte 40, nr 72 (styczeń 2005): 67–75. http://dx.doi.org/10.1080/00043389.2005.11877047.
Pełny tekst źródłaBarata, Ana. "Resources for Latin American art in the Gulbenkian Art Library". Art Libraries Journal 37, nr 4 (2012): 21–23. http://dx.doi.org/10.1017/s0307472200017697.
Pełny tekst źródłaCrampton, Sharon. "The art collection of Oliewenhuis Art Museum, Bloemfontein". de arte 37, nr 65 (styczeń 2002): 98–101. http://dx.doi.org/10.1080/00043389.2002.11876993.
Pełny tekst źródłaRozprawy doktorskie na temat "Collection art"
Haight, Sarah M. "American Art Lending, 1895-1975". Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.
Pełny tekst źródłaBrogan, Devin. "Art in Wichita instruction, collection and innovation /". Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t024.pdf.
Pełny tekst źródłaSummerfield, Angela. "Interventions : twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth-century British art in Britain". Thesis, City, University of London, 2007. http://openaccess.city.ac.uk/17420/.
Pełny tekst źródłaSalmons, John Andrew. "Adopting an Orphaned Collection". Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64789.
Pełny tekst źródłaMaster of Architecture
Walker, Jessica E. "Unexpected Reflection Collection". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253634229.
Pełny tekst źródłaQuito, Anne. "Art at work potential contributions of an art collection to non-profit organizations /". Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/456296265/viewonline.
Pełny tekst źródłaBaker, Laura. "The New Orleans Museum of Art: Managing the Collection". ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/aa_rpts/173.
Pełny tekst źródłaWilson, Janelle. "Accessioning and Managing the Petersburg Area Art League Collection". VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2296.
Pełny tekst źródłaLucas, Jean-Jacques. "Les territoires imaginés de la collection, récits individuels et collectifs : les collections et les collectionneurs d'oeuvres d'art, d'archéologie, d'arts décoratifs et appliqués dans le Centre-Ouest Atlantique entre 1870 et 1983". Poitiers, 2010. http://www.theses.fr/2010POIT5007.
Pełny tekst źródłaArt collecting since the mid-nineteenth century, understandable throughout this period through regional exhibitions, donations and legacies to local museums, recorded landmark values. These situations involve the embedding of several imaginary, temporal and spatial fields. The object aspiring a duration which the body will not reach, will be presented to lasting admiration in a collection. It is a monument marking the ownership of its collector, by a ligamentary function, with its real or reconstructed genealogical territory. The transfer to the public collection guarantees everlasting self surpassing and the perpetuation of a founding and edifying social. The nature of the collections of works of art, also from archaeology, decorative arts, or ethnography questions about the reference systems of the world from Poitou. Their time and geographical space come from mythogène territories for visitors to see in the space of the museum. These constructions define imagined or experienced contours in time and space. The study of these collections, their movement and sphere of influence refers to the identity values of their authors and to those ensuring the coherence of a group. The geographical area of study corresponds to three existing departments : Vienne, Deux-Sevres, and Vendee, for the most part historically associated with the Bas Poitou. The chronological frame is set between the entrance of the Charbonnel legacy to the Poitiers museum in 1870 and the arrival of a new institutional actor commissioned to collect the art of its time, le Fonds Régional d’Art Contemporain
Donkor, Kimathi. "Africana unmasked : fugitive signs of Africa in Tate's British Collection". Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12019/.
Pełny tekst źródłaKsiążki na temat "Collection art"
1974-, Ilham Khoiri R., i Gautama Candra, red. Art and collecting art: A collection of writings. Jakarta: Kepustakaan Populer Gramedia in cooperation with OHD Museum and Djarum Foundation, 2012.
Znajdź pełny tekst źródłaSykes, Marie. Sugar art collection. Frenchs Forest,NSW: Child & Associates, 1989.
Znajdź pełny tekst źródłaUniversity of Lethbridge. Art Gallery. The art collection. Lethbridge, Alta: University of Lethbridge Art Gallery, 2003.
Znajdź pełny tekst źródłaGallery, Art Circle. [Art Circle Gallery art book collection]. Mandaluyong City]: Art Circle Gallery, 2010.
Znajdź pełny tekst źródłaBarzel, Amnon. Light art: Targetti Light Art Collection. Milano: Skira, 2006.
Znajdź pełny tekst źródłaCollection remixed. Bronx, N.Y: Bronx Museum of the Arts, 2005.
Znajdź pełny tekst źródłaMethodist Ladies' College (Kew, Vic.). Contemporary art collection 2009: Methodist Ladies' College Contemporary Art Collection. Melbourne: Bounce Books, 2009.
Znajdź pełny tekst źródłaRonte, Dieter. Hess Collection. Bern: P. Haupt, 1989.
Znajdź pełny tekst źródłaRonte, Dieter. Hess collection. New York, N.Y: H.N. Abrams, 1989.
Znajdź pełny tekst źródłaAyesha, Taslim, red. National Art Gallery collection. Islamabad: Pakistan National Council of the Arts, 2008.
Znajdź pełny tekst źródłaCzęści książek na temat "Collection art"
Barrow, John D. "Art is Critical". W The Frontiers Collection, 875–76. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92192-7_45.
Pełny tekst źródłaGomes, Noémia Herdade, Elisa Noronha, Filipe Silva, Alexandre Matos i Mário Vairinhos. "The Drawing Collection". W Art and Technology, 123–42. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-863-1_7.
Pełny tekst źródłaRobson, Jonathan. "Popular Art, Bad Art, and the Data of Philosophical Aesthetics". W The Frontiers Collection, 267–77. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_17.
Pełny tekst źródłaSkrubbe, Jessica Sjöholm. "The Walden Art Collection". W Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art, 42–84. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003098935-3.
Pełny tekst źródłaMcAllister, James W. "Art and Science: A Tangled Relation". W The Frontiers Collection, 1–10. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_1.
Pełny tekst źródłaAiken, Nancy E. "Figurines and the Origin of Art". W The Frontiers Collection, 279–90. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_18.
Pełny tekst źródłaKappraff, Jay. "Complexity and Chaos Theory in Art". W The Frontiers Collection, 117–38. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_9.
Pełny tekst źródłaRaghunath, Ghosh. "Art as an Aid to Resolve Tension". W The Frontiers Collection, 335–48. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_21.
Pełny tekst źródłaEl-Bizri, Nader. "Art and Science: Historical Confluences and Modern Dialectics". W The Frontiers Collection, 11–30. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_2.
Pełny tekst źródłaCohen, Mark Daniel. "Art, Science, and the Nature of the Meritorious". W The Frontiers Collection, 31–52. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_3.
Pełny tekst źródłaStreszczenia konferencji na temat "Collection art"
Coulter, Daniel R., Steven A. Macenka, Mark T. Stier i Roger A. Paquin. "ITTT: a state-of-the-art ultralightweight all-Be telescope". W Critical Review Collection. SPIE, 1997. http://dx.doi.org/10.1117/12.279810.
Pełny tekst źródła"[Cover art]". W 2008 WOMBAT Workshop on Information Security Threats Data Collection and Sharing (WISTDCS). IEEE, 2008. http://dx.doi.org/10.1109/wistdcs.2008.17.
Pełny tekst źródłaGraham, Beryl S. "Museums, New Media Art, Documentation and Collection". W Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.37.
Pełny tekst źródłaChen, Zhiqian. "Chinese Art Appreciation and Collection Under Aesthetical Perspective". W proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.423.
Pełny tekst źródłaCarletti, Laura, Dominic Price, Gabriella Giannachi, Rebecca Sinker, Derek McAuley i John M. Stack. "Art Maps - Putting the Tate Collection on the Map". W Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.17.
Pełny tekst źródłaQiao, Xiuqiang. "Art Appreciation and Collection from the Perspective of Aesthetics". W Proceedings of the 2018 8th International Conference on Management, Education and Information (MEICI 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/meici-18.2018.124.
Pełny tekst źródłaMarr, Stefan, i Benoit Daloze. "Few versatile vs. many specialized collections: how to design a collection library for exploratory programming?" W
Moldovanu, Anastasia. "The Scientific Value of the Collection of “Tudor Arghezi” art Library. Heritage Documents". W Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.01.
Pełny tekst źródłaUdodik, A. I. "VISUAL ART IMAGES OF K. D. BALMONT’S POEM COLLECTION «IN BOUNDLESSNESS»". W ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-36.
Pełny tekst źródłaDe las Heras Molina, Javier, Juan Gómez Sánchez i José Manuel Vassallo Magro. "Electronic Toll Collection Systems and their Interoperability: The State of Art". W CIT2016. Congreso de Ingeniería del Transporte. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/cit2016.2016.3186.
Pełny tekst źródłaRaporty organizacyjne na temat "Collection art"
Healey, Patrick. The Social Sculpture in Practice: Joseph Beuys, Waldo Bien and the Free International University World Art Collection, A Report. Redaktor Gerhard Bruyns. FIUWAC, październik 2020. http://dx.doi.org/10.31182/001.
Pełny tekst źródłaZhang, Ling, Chunhui Xiang i Eulanda A. Sanders. Testing Chinese Ink as a Natural Dyestuff on Silk and Cotton Fabrics: The Foundation for a Collection of Wearable Art. Ames: Iowa State University, Digital Repository, listopad 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-131.
Pełny tekst źródłaTrachunthong, Deondara, Suchintana Chumseng, Worrayot Darasawang i Mathuros Tipayamongkholgul. Risk Factors and National Burden of Selected Noncommunicable Diseases in People Living with HIV: Systematic Review, Meta-Analysis and, Disability-Adjusted Life Years protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, wrzesień 2022. http://dx.doi.org/10.37766/inplasy2022.9.0018.
Pełny tekst źródłaBates, C. Richards, Melanie Chocholek, Clive Fox, John Howe i Neil Jones. Scottish Inshore Fisheries Integrated Data System (SIFIDS): Work package (3) final report development of a novel, automated mechanism for the collection of scallop stock data. Redaktorzy Mark James i Hannah Ladd-Jones. Marine Alliance for Science and Technology for Scotland (MASTS), 2019. http://dx.doi.org/10.15664/10023.23449.
Pełny tekst źródłaPanchenko, Liubov F., Andrii O. Khomiak i Andrey V. Pikilnyak. Using Twitter in Ukrainian sociology majors training. [б. в.], lipiec 2020. http://dx.doi.org/10.31812/123456789/3863.
Pełny tekst źródłaSimas, Molly. The Skins We Have Shed and Where They Are Buried: A Collection. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6371.
Pełny tekst źródłaStrachan, Anna Louise. The Impact of Covid-19 on Research Methods and Approaches. Institute of Development Studies (IDS), styczeń 2021. http://dx.doi.org/10.19088/cc.2021.002.
Pełny tekst źródłaKennedy, Marie, Aisha Conner-Gaten, Jamie Hazlitt, Javier Garibay i Marisa Ramirez. Assessing the Diversity of the E-collection of the William H. Hannon Library; a Phased Project. William H. Hannon Library, 2018. http://dx.doi.org/10.15365/whhl.librarian.2018.1022.
Pełny tekst źródłaHamudi, Simbarashe. Perception of Taxpayers and Tax Administrators Towards Value Added Withholding Tax in Zimbabwe. Institute of Development Studies (IDS), lipiec 2021. http://dx.doi.org/10.19088/ictd.2021.013.
Pełny tekst źródłaEngel, Chandler, Rachel Hastings, Jeremy Giovando, Eric Gabel, Caroline Duncan i Travis Dahl. Summary of ground-based snow measurements for the Northeastern United States. Engineer Research and Development Center (U.S.), kwiecień 2022. http://dx.doi.org/10.21079/11681/44122.
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