Książki: „Classical Realism”

1

Leiter, Brian. Holmes, Nietzsche, and classical realism. [Toronto]: Faculty of Law, University of Toronto, 1999.

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The power of power politics: From classical realism to neotraditionalism. Cambridge, UK: Cambridge University Press, 1998.

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Vine, Billy. Blade runner: Classical realism and the name of the artist. London: LCP, 2001.

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Classical Indian metaphysics: Refutations of realism and the emergence of "new logic". Chicago: Open Court, 1995.

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Pihlström, Sami. Structuring the world: The issue of realism and the nature of ontological problems in classical and contemporary pragmatism. Helsinki: Philosophical Society of Finland, 1996.

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Opera in the age of Rousseau: Music, confrontation, realism. Cambridge: Cambridge University Press, 2012.

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Back to things in themselves: A phenomenological foundation for classical realism : a thematic study into the epistemological-metaphysical foundations of phenomenological realism, a reformulation of the method of phenomenology as noumenology, a critique of subjectivist transcendental philosophy and phenomenology. Boston: Routledge & K. Paul, 1987.

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Nagib, Lúcia. Realist Cinema as World Cinema. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462987517.

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This book presents the bold and original proposal to replace the general appellation of ‘world cinema’ with the more substantive concept of ‘realist cinema’. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: ‘noncinema’, or a cinema that aspires to be life itself; ‘intermedial passages’, or films that incorporate other artforms as a channel to historical and political reality; and ‘total cinema’, or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

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Guégan, Michel. Alain Bertrand: American classic. Grenoble: Critères, 2008.

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White liberal identity, literary pedagogy, and classic American realism. Columbus: Ohio State University Press, 2005.

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L, Luker Nicholas J., red. From Furmanov to Sholokhov: An anthology of the classics of Socialist realism. Ann Arbor: Ardis, 1988.

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Why consciousness is reality: A philosophical alternative to materialism and classical dualism. Lewiston, N.Y: Edwin Mellen Press, 2010.

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Enduring colonialism: Classical presences and modern absences in Indian philosophy. New Delhi: Oxford University Press, 2009.

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Poliziano, Angelo. Coniurationis commentarium / Commentario della congiura dei Pazzi. Redaktor Leandro Perini. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-119-5.

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The Pazzi Consipracy by Angelo Poliziano is the only historical work in the vast production of the famous humanist. He was an eye-witness of the tragic episode that took place in Florence in 1478 in which Giuliano de' Medici was killed and his brother Lorenzo il Magnifico wounded. This was one episode in a conflict between rival banking houses during what Fernand Braudel has defined as "the first crisis of capitalism". Behind the veil of a highly cultured form of appropriation of the classical tradition (Sallust's De Catilinae coniuratione), we can discern a ruthless realism which, in its spare style, anticipates the mood of early cinema. The Pactianae coniurationis commentarium clearly reveals the traces of a time that was neither happy nor brilliant, as in the illusory images of the Renaissance that have come down to us, but rather bubbled with bloodshed and also featured phenomena such as gambling which are typical of times of crisis. Following Alessandro Perosa's by now impossible to get hold of edition, Poliziano's work is presented here in a historic perspective updated with the most recent historical reconstructions, with a series of appendices and a thorough chronology that help to focus the meanings and bring to the fore the features of the period in their potential entirety.

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Po-tuan, Chang. Understanding reality: A Taoist alchemical classic. Honolulu: University of Hawaii Press, 1987.

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Andreev, Anatoliy. Personocentrism in classical Russian literature of the XIX century. Dialectics of Artistic Consciousness. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1095050.

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The monograph is devoted to the study of the brightest phenomenon of the world art culture — Russian literature of the "golden age", which was formed as an aristocratic, personocentric literature. Russian Russian literature began to realize its "cultural code", its purpose, which was close to it in spirit; moreover, it unconsciously formed a program for its development, immediately finding its "gold mine": elitist personocentrism as a highly promising vector of culture, which became a decisive factor in the world recognition of Russian literature. The end-to-end plot of the book was the spiritual biography of the" extra person", a person, a personality. The author suggests that the starting point in the Russian cultural identification of the modern type is "Eugene Onegin" by A. S. Pushkin. This novel in verse, which embodied the type of "superfluous", determined not only the specifics and strategy of the development of Russian literature (which is proved by the analysis of the key classical works of the XIX century-from Griboyedov to Chekhov); in fact, it formed a program for the development of modern world literature. For specialists in literature, teachers and students of philological faculties of universities. It will also be useful for cultural scientists, specialists in literary and artistic creativity.

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17

Steve, Smith, Phil Cerny, Brown Chris, John A. Vasquez i Thomas Biersteker. Power of Power Politics: From Classical Realism to Neotraditionalism. Cambridge University Press, 2005.

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Vasquez, John A. Power of Power Politics: From Classical Realism to Neotraditionalism. Cambridge University Press, 1998.

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Vasquez, John A. Power of Power Politics: From Classical Realism to Neotraditionalism. Cambridge University Press, 2009.

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Vasquez, John A. Power of Power Politics: From Classical Realism to Neotraditionalism. Cambridge University Press, 1999.

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21

Back to 'Things in Themselves': A Phenomenological Foundation for Classical Realism. Taylor & Francis Group, 2013.

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The Rough Guide to Paris (Studies in Classical and Phenomenological Realism). Routledge & Kegan Paul Books Ltd, 1987.

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Seifert, Josef. Back to 'Things in Themselves': A Phenomenological Foundation for Classical Realism. Taylor & Francis Group, 2015.

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Seifert, Josef. Back to 'Things in Themselves': A Phenomenological Foundation for Classical Realism. Taylor & Francis Group, 2013.

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Seifert, Josef. Back to 'Things in Themselves': A Phenomenological Foundation for Classical Realism. Taylor & Francis Group, 2013.

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Boni, Rocco. Quantum Christian Realism: How Quantum Mechanics Underwrites and Realizes Classical Christian Theism. Wipf and Stock, 2019.

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Boni, Rocco. Quantum Christian Realism: How Quantum Mechanics Underwrites and Realizes Classical Christian Theism. Wipf & Stock Publishers, 2019.

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Landscapes in Oil: A Contemporary Guide to Realistic Painting in the Classical Tradition. Monacelli Press, Incorporated, 2019.

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Schuett, Robert. Hans Kelsen's Political Realism. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481687.001.0001.

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What does it mean to be a foreign-policy realist? Why is it important to get Hans Kelsen right? How can open society ideals be reconciled with the tragedies of world politics? It is widely acknowledged that the rules-based international order is under assault by visions of illiberal democracy at home and powerful autocracies abroad. The Schmittians old and new are making a comeback, and neorealists in particular continue to pit realism against liberalism: where there is only power or nothing, all else is scorned as naïve, including Kelsen. The book challenges the neorealist myth of power politics and conventional views of the Austrian-American jurist in international relations theory. Revisiting Kelsen’s life and thought through the prism of classical realism, the supposed Kantian idealist is presented as a calm yet bold, progressive political realist who has continued analytical and normative relevance in the study of politics and world order. The case is made that a synthesis of political realism and progressive policies is possible. No matter what the Schmittians say or do, what is in a liberal democracy’s so-called national interest is not a function of causality, necessity, or any other natural laws of impersonal forces or anarchical structures. Rather, what is willed, or not willed, on any given day in politics and international relations is the product of political imputation, moral choice, and individual and collective human agency.

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Vasquez, John A. The Power of Power Politics: From Classical Realism to Neotraditionalism (Cambridge Studies in International Relations). Cambridge University Press, 1999.

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Vasquez, John A. The Power of Power Politics: From Classical Realism to Neotraditionalism (Cambridge Studies in International Relations). Cambridge University Press, 1999.

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Robinson, Mario Andres. Lessons in realistic watercolor: A contemporary approach to painting people and places in the classical tradition. 2016.

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1950-, Büchsel Martin, red. Realität und Projektion: Wirklichkeitsnahe Darstellung in Antike und Mittelalter. Berlin: Mann, 2005.

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Kelly, Phil. Defending Classical Geopolitics. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190228637.013.279.

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Three successive parts are presented within this article, all intended to raise the visibility and show the utility of classical geopolitics as a deserving and separate international-relations model: (a) a common traditional definition, (b) relevant theories that correspond to that definition, and (c) applications of certain theories that will delve at some depth into three case studies (the Ukrainian shatterbelt, contemporary Turkish geopolitics, and a North American heartland).The placement of states, regions, and resources, as affecting international relations and foreign policies, defines classical geopolitics. This definition emphasizes the application of spatially composed unbiased theories that should bring insight into foreign-affairs events and policies. Specifically, a “model” contains theories that correspond to its description. A “theory” is a simple sentence of probability, with “A” happening to likely affect “B.” Importantly, models are passive; they merely hold theories. In contrast, theories possess their own titles and perform actively when taken from such models.Various methodological challenges are presented: (a) combining concepts with theories, (b) estimating probability for testing theories, (c) claiming the “scientific,” (d) accounting for determinism, (e) revealing a dynamic environment for geopolitics, (f) separating realism from geopolitics, and (g) drawing classical geopolitics away from the critical. Certain theories that are placed within the geopolitical model are examined next: (a) heartlands and rimlands, (b) land and sea power, (c) choke points and maritime lines of communication, (d) offshore balancing, (e) the Monroe doctrine, (f) balances of power, (g) checkerboards, (h) shatterbelts, (i) pan-regions, (j) influence spheres, (k) dependency, (l) buffer states, (m) organic borders, (n) imperial thesis, (o) borders/wars, (p) contagion, (q) irredentism, (r) demography, (s) fluvial laws, (t) petro-politics, and (u) catastrophic events in nature. Additional theories apply elsewhere in the article as well.Of the three case studies, the Ukrainian shatterbelt represents the sole contemporary geopolitical configuration of this type, a regional conflict coupling with a strategic rivalry. Here, partisans of the civil war between the eastern and the western sectors of the country have joined with the Russians against the Europeans and Americans, respectively. Next, Turkey’s pivotal location has afforded it both advantages and disadvantages, a topic discussed at some length earlier in the article. Its “zero-problems” strategy of seeking positive relations with neighbors has now been forced to change tactics, reflective of new forces within and beyond the country. Finally, a North American heartland compares nicely to Halford Mackinder’s earlier Eurasia heartland thesis, with the American perhaps proving more stable, wealthy, and enduring, based in large part on its stronger geopolitical features.

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Lehmann, Courtney. Ontological Shivers. Redaktorzy Michael Neill i David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.34.

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This essay explores major movements in film history through the lens of Romeo and Juliet adaptations, including films by Irving Thalberg and George Cukor, Renato Castellani, Franco Zeffirelli, Baz Luhrmann, and Deepa Mehta. More specifically, the essay offers a critical examination of theoretical developments in the notion of realism—including classical realism, neorealism, realismo rosa, and post-realism.

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Illetterati, Luca, i Francesca Menegoni, red. Wirklichkeit. Beiträge zu einem Schlüsselbegriff der Hegelschen Philosophie. Klostermann, 2018. http://dx.doi.org/10.5771/9783465106647.

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This volume contains the contributions to a workshop held in conjunction with the International Hegel Society's Hegel Days from 3 to 5 June 2015 at the University of Padua. On this occasion, a pivotal as well as currently much debated concept was under discussion. The concept of "reality" combines the current confrontations with realism and anti-realism and the juxtaposition of realism and idealism within classical German philosophy. Above all, however, the term embraces the challenge of Hegelian philosophy, which finds its seminal expression in the famous double phrase, "Was vernünftig ist, das ist wirklich; und was wirklich ist, das ist vernünftig". The contributions in this volume discuss the question of reality both on a theoretical level and in terms of the practical dimension. In both cases, the focus is on Hegel's line of argumentation itself as well as on its re-examination in the context of contemporary philosophy.

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Diego, Lanza, i Longo Oddone, red. Il meraviglioso e il verosimile: Tra antichità e Medioevo. Firenze: L.S. Olschki, 1989.

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Guest, Barbara. Fair Realism (Sun and Moon Classics). Sun and Moon Press, 1996.

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North, Jill. Physics, Structure, and Reality. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894106.001.0001.

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How do we figure out the nature of the world from a mathematically formulated physical theory? What do we infer about the world when a physical theory can be mathematically formulated in different ways? Physics, Structure, and Reality addresses these questions, questions that get to the heart of the project of interpreting physics—of figuring out what physics is telling us about the world. North argues that there is a certain notion of structure, implicit in physics and mathematics, that we should pay careful attention to, and that doing so sheds light on these questions concerning what physics is telling us about the nature of reality. Along the way, lessons are drawn for related topics such as the use of coordinate systems in physics, the differences among various formulations of classical mechanics, the nature of spacetime structure, the equivalence of physical theories, and the importance of scientific explanation. Although the book does not explicitly defend scientific realism, instead taking this to be a background assumption, the account provides an indirect case for realism toward our best theories of physics.

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The Fourth Way: Reprint Philosophy, Modern Classic in Analytical Philosophy, Vol. 5 (Reprint Philosophy. Modern Classics in Analytical Philosophy). Ontos Verlag, 2006.

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Hawthorne, James. A Logic of Comparative Support: Qualitative Conditional Probability Relations Representable by Popper Functions. Redaktorzy Alan Hájek i Christopher Hitchcock. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199607617.013.13.

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Revising classical logic—to deal with the paradoxes of self-reference, or vague propositions, for the purposes of scientific theory or of metaphysical anti-realism—requires the revision of probability theory. This chapter reviews the connection between classical logic and classical probability, clarifies nonclassical logic, giving simple examples, explores modifications of probability theory, using formal analogies to the classical setting, and provides two foundational justifications for these ‘nonclassical probabilities’. There follows an examination of extensions of the nonclassical framework: to conditionalization and decision theory in particular, before a final review of open questions and alternative approaches, and an evaluation of current progress.

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Ney, Alyssa. The World in the Wave Function. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190097714.001.0001.

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What are the ontological implications of quantum theories, that is, what do they tell us about the fundamental objects that make up our world? How should quantum theories make us reevaluate our classical conceptions of the basic constitution of material objects and ourselves? Is there fundamental quantum nonlocality? This book articulates several rival approaches to answering these questions, ultimately defending the wave function realist approach. Wave function realism is a way of interpreting quantum theories so that the central object they describe is the quantum wave function, interpreted as a field in an extremely high-dimensional space. According to this approach, the nonseparability and nonlocality we seem to find in quantum mechanics are ultimately manifestations of a more intuitive, separable, and local picture in higher dimensions.

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Epstein, Hugh. Hardy, Conrad and the Senses. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474449861.001.0001.

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The first book-length study of connections between these two major authors, this book reads the highly descriptive impressionist fiction of Hardy and Conrad together in the light of a shared attention to sight and sound. By proposing ‘scenic realism’ as a term to describe their affinities of epistemology and literary art, this study seeks to establish that the two novelists’ treatment of the senses in relation to the physically encompassing world creates a distinctive outward-looking pairing within the broader ‘inward turn’ of the realist novel. This ‘borderland of the senses’ was intensively investigated by a variety of nineteenth-century empiricists, and mid- and late-Victorian discussions in physics and physiology are seen to be the illuminating texts by which to gauge the acute qualities of attention shared by Hardy’s and Conrad’s fiction. In an argument that re-frames the ‘Victorian’ and ‘Modernist’ containers by which the writers have been conventionally separated, thirteen major works are analysed without flattening their differences and individuality, but within a broad ‘field-view’ of reality introduced by late-classical physics. With its focus on nature and the environment, Hardy, Conrad and the Senses displays the vivid delineations of humankind’s place in nature that are at the heart of both authors’ works.

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Shihadeh, Ayman. Theories of Ethical Value in. Redaktor Sabine Schmidtke. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199696703.013.007.

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This article offers a new interpretation of the debate on the nature of ethical value in the developed kalām tradition. After situating the problem in the broad context of theodicy, it proposes to revise the reading, conventional since George Hourani’s studies published in the early seventies, of the ethical realism propounded in Baṣran and Baghdādī Muʿtazilism and of the rival views of classical Ashʿarism. It argues that the latter school did not subscribe to a simple divine command theory of ethics, but in fact grounded this theory in a fairly developed anti-realism, which became the basis for the more sophisticated consequentialist ethics advanced in neo-Ashʿarite sources.

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A Realist Theory of Science (Verso Classics, 9). Verso, 1997.

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Harris, Eirik Lang, i Henrique Schneider. Adventures in Chinese Realism: Classic Philosophy Applied to Contemporary Issues. State University of New York Press, 2022.

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Moore, Gregory J. Niebuhrian International Relations. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197500446.001.0001.

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Reinhold Niebuhr (1892–1971) may have been the most influential and insightful American thinker of the twentieth century. In dealing with the intricacies of human nature, society, politics, ethics, theology, racism, and international relations, Niebuhr the teacher, preacher, philosopher, social critic, and ethicist was highly influential and difficult to ignore during the World War II and Cold War eras because of his intellectual heft and the novel manner in which he addressed the economic, spiritual, social, and political problems of his time. This book distills Niebuhr’s disparate and now difficult-to-access work on international relations into one volume, making it more easily accessible than ever before, at the same time bringing his work into the twenty-first century. It argues that if he were alive today Niebuhr would be a champion of the United Nations, a supporter of globalization, a fierce opponent of America’s 2003 Iraq War (for all the reasons he opposed the Vietnam War), an advocate of responsibility to protect, and a pragmatic hawk on China as it rises today. This book also highlights his many contributions to international relations (IR) theory, from Realism to Liberalism to existentialism to the English School to constructivism. This is the first book that focuses exclusively on the IR thought of Reinhold Niebuhr, one of America’s most important public intellectuals and classical Realism’s most important figures, dubbed “the father of us all” by American diplomat and Realist George Kennan.

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Miklitsch, Robert. The Glass Web. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040689.003.0010.

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Since 3-D was originally developed, like CinemaScope, in response to the catastrophic decline of the movie audience, studios were eager to exploit three-dimension and apply it to genres such as the “meller” or “thriller.” Set in the “exotic” world of live TV, featuring a three-dimensional femme fatale, and revolving around the production of a true-crime television show called “Crime of the Week,” The GlassWeb appeared in 1953, the annus mirabilis of 3-D movies. However, despite certain spectacular 3-D passages, the visual style of The Glass Web tends toward the “zero degree,” reflecting the dominant postwar trend toward television and neo-realism. In just this sense, The Glass Web represents an uncommon mixture of classical Hollywood cinema and TV, a witch’s brew of the “silver” and “small screen,” classic expressionist noir and Dragnet, that reads, in retrospect, as both “retro” and prescient.

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Sullivan, Daniel J. An Introduction to Philosophy: The Perennial Principles of the Classical Realist Tradition. Tan Books & Pub, 1992.

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The Stone Book Quartet (Flamingo Modern Classics). Flamingo, 1999.

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