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Artykuły w czasopismach na temat "Classic revival"

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Allen, David. "Revival – A Classic Pentecostal View". Journal of the European Pentecostal Theological Association 27, nr 2 (październik 2007): 118–27. http://dx.doi.org/10.1179/jep.2007.27.2.003.

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Willson, Flora. "Classic staging: Pauline Viardot and the 1859 Orphée revival". Cambridge Opera Journal 22, nr 3 (listopad 2010): 301–26. http://dx.doi.org/10.1017/s0954586711000267.

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AbstractThe 1859 revival of Gluck's Orphée, reworked for the occasion by Berlioz, was one of a series of operatic résurrections staged at the Théâtre-Lyrique in Paris during the Second Empire. Starring Pauline Viardot (1821–1910) in the title role, it was the first major revival of Gluck's opera since the 1820s and attracted considerable attention in the press and elsewhere. Critics and others were fascinated by Viardot's dramatic presence on stage, producing images (both in pictures and words) of her Orpheus that are often striking in their awareness of time past. Indeed, ambivalence about the past and its artefacts might be said to haunt the reception of a work – and performer – many designated as the epitome of the classique. Contextualising this Orphée within the changing meanings of the term classique in the mid-nineteenth century, the article focuses on a particularly revealing moment in the transition between an operatic culture based on new works and one ever more reliant on revivals of acknowledged masterpieces.
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Milbrath, Susan, i Carlos Peraza Lope. "Survival and Revival of Terminal Classic Traditions at Postclassic Mayapán". Latin American Antiquity 20, nr 4 (grudzień 2009): 581–606. http://dx.doi.org/10.1017/s1045663500002881.

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AbstractRecent INAH excavations and reanalysis of data from the Carnegie Institution archaeological project document the survival and revival of Classic and Terminal Classic traditions at Postclassic Mayapán, the last Maya capital in Mexico. The survival of some Terminal Classic ceramic types and architectural forms at Mayapán around A.D. 1100–1200 reflects a pattern of continuity. A revival of earlier traditions is notable in the erection of stelae marking the katun endings and in Postclassic architecture that incorporates iconographie elements from Terminal Classic Puuc sites and the city of Chichén Itzá. The rulers and priests of Mayapán displayed their connection with the Terminal Classic Maya heritage to assert political power. The Puuc revival at Mayapán is linked with the Xiu priests, whereas the revival of the Itzá heritage of Chichén Itzá is affiliated with the Cocom rulers. Between A.D. 1250 and 1400, revival-style architecture at Mayapán was inspired by local traditions in the area of Yucatán. After A.D. 1400, trade contact with the East Coast inspired new art forms linked with the international style associated with Mixteca-Puebla art.
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Häberling, Christian, i Lorenz Hurni. "Mountain cartography: revival of a classic domain". ISPRS Journal of Photogrammetry and Remote Sensing 57, nr 1-2 (listopad 2002): 134–58. http://dx.doi.org/10.1016/s0924-2716(02)00113-2.

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De La Cruz-Cabanillas, Isabel, i Cristina Tejedor Martinez. "Revival of classic Affixes in Spanish through English". Moderna Språk 116, nr 1 (30.06.2022): 266–93. http://dx.doi.org/10.58221/mosp.v116i1.6955.

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The increasing impact of English upon Spanish pervades not only its lexicon, but also its morphology. The goal of the article is to see if the revival of several affixes in Spanish is likely due to English influence. These affixes, available in the classic languages, have mainly come down to us through Latin, even though some of them are Greek in origin. This article focuses on the revival of several of these classic affixes that are highly productive in Present-Day Spanish. The data have been retrieved from a corpus containing twenty-first-century written texts in European Spanish and have been compared to information from other corpora and several lexicographic works both in English and Spanish. The resources that are mentioned enable the chronological order of the recording of the items to be traced. This timeline will help to establish the influence of the English lexical units in the coinage of their Spanish counterparts.
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Shim, Chi-yeol. "The Realism of Death and the Loss of Revival in Sugyeongnangja-jeon". Research of the Korean Classic 32 (8.12.2015): 515–39. http://dx.doi.org/10.20516/classic.2015.32.515.

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Gilbert, Andrew Simon. "Crowdfunding Nostalgia: Kickstarter and the Revival of Classic PC Game Genres". Computer Games Journal 6, nr 1-2 (8.02.2017): 17–32. http://dx.doi.org/10.1007/s40869-017-0031-x.

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Marinis, A. "Diagnosis of Acute Appendicitis: Revival of an Old-Time Classic Fairy Tale?" Hellenic Journal of Surgery 90, nr 3 (maj 2018): 110. http://dx.doi.org/10.1007/s13126-018-0453-3.

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Bebbington, D. W. "Culture and Piety in the Far West: Revival in Penzance, Newlyn, and Mousehole in 1849". Studies in Church History 44 (2008): 225–50. http://dx.doi.org/10.1017/s0424208400003612.

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A brief but classic account of a Cornish revival is to be found in Salome Hocking’s book Some Old Cornish Folk, published in 1903. Writing semi-fictionally but also semi-ethnographically about a number of years before, the author, herself sprung from Cornish Methodism, described the thronging penitents, the exuberant singing and the ‘thrill of excitement’ that went through the village. Crucially she commented on the circumstances. The revival, she explained, had arisen ‘at a time when no one was thinking about it, and no special services were being held. It seemed to have nothing to do with the preacher either…’ The event, she was suggesting, was entirely spontaneous. Although it was triggered by a young girl going forward to kneel as a convert below the pulpit, the subsequent stir was not the result of any earlier contrivance. The awakening was unexpected, not planned. Much of the writing about revivals – periodic episodes of religious enthusiasm attended by mass conversions in evangelical Protestantism – revolves around this distinction. Nineteenth-century advocates of revivals, in America as well as in the British Isles, contrasted the older pattern in which ‘Christians waited for them as men are wont to wait for showers of rain’ with the later way in which the episodes were promoted by ‘systematic efforts’. Subsequently historians have taken up the theme. John Kent, the leading commentator on English revivals of the Victorian era, while recognizing the existence of planning among some early nineteenth-century Methodists, places the dividing line between the prevalence of contagious spontaneity, and the use of devices to achieve conversions, after 1860.
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Sun, Yi, Guoqing Zhao i Xi Yang. "Is the Three Character Classic (《三字经》) still suitable for contemporary literacy and enlightenment education for children? Insights from the perspective of cognitive psychology and child development psychology". Advances in Educational Research and Evaluation 2, nr 1 (2021): 127–37. http://dx.doi.org/10.25082/aere.2021.01.004.

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The Three Character Classic (《三字经》), also translated as San Zi Jing or The Triword Primer, is the traditional Chinese Primer with the most significant influence and the broadest appeal. In the 21st century Chinese traditional cultural revival, traditional texts such as the Three Character Classic are reused as child education primer. Is the Three Character Classic still suitable for contemporary children's literacy and enlightenment? From the perspective of cognitive psychology and child development psychology, this paper used a critical literature review method to investigate the relationship between the Three Character Classic and children's language development, attention, memory, cognition, and moral development. It found that the content, structure, teaching approach of it conform to children's physical and cognitive development during early childhood. The Three Character Classic is not only the primary text for children's Chinese learning but also a valuable tool to understand the spiritual core of traditional Chinese culture. It has a particular value for children's literacy and enlightenment and those who learn Chinese as a second language.
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Rozprawy doktorskie na temat "Classic revival"

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Ueyama, Koji. "Development of biologic coronary artery bypass grafting in a rabbit model : revival of a classic concept with modern biotechnology". Kyoto University, 2005. http://hdl.handle.net/2433/144477.

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Weidinger, Corina. "Imperial desire and classical revival Gustave Boulanger's Rehearsal of "The Flute Player" /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 71 p, 2006. http://proquest.umi.com/pqdweb?did=1163240581&sid=1&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Kimiko, Ohtani. "Rukmini Devi and Bharata Natyam : the revival of classical dance in India". Thesis, Queen's University Belfast, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.241425.

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Dooley, Shane. "Quantum revivals and generation of non-classical states in an N spin system". Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/8305/.

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The generation of non-classical states of large quantum systems is an important topic of study. It is of fundamental interest because the generation of larger and larger non-classical states extends quantum theory further and further into the classical domain, and it is also of practical interest because such states are an important resource for quantum technologies. The focus of this thesis is the “spin star model” for the interaction of a single spin-1/2 particle with N other spin-1/2 particles. Although this is a simple model, we show that its dynamics include many interesting quantum phenomena, including fractional revival, and Jaynes- Cummings-like collapse and revival. Starting with a spin coherent state of the N spin system – an easily prepared state, in principle – we show that these dynamics can be used to generate a wide variety of non-classical states of the N spin system, including Schrodinger cat states, GHZ states, multiple-Schrodinger cat states and spin squeezed states.
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Uchrin, Michael Adrian Smith Jay M. "Civic virtue in a Christian mind Charles Rollin and the Jansenist influence on the revival of classical virtue in France /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2539.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.
Title from electronic title page (viewed Oct. 5, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History." Discipline: History; Department/School: History.
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Gilgan, Sandra [Verfasser]. "Imaginaries of a better Chinese society enacted in the revival of Confucian education : An ethnography of living and learning in contemporary classics reading education dujing jiaoyu / Sandra Gilgan". Bonn : Universitäts- und Landesbibliothek Bonn, 2020. http://d-nb.info/1219168963/34.

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Bing, N. "Finding the lost art : methods and use of improvisation on the violin in western classical music and its importance for revival in our current musical environment". Thesis, 2022. https://eprints.utas.edu.au/47518/13/Bing_whole_thesis_ex_pub_mat.pdf.

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This research project consists of a folio of performance recordings and an exegesis. The exegesis examines the practice and pedagogy of classical improvisation on the violin and describes methods for improvised cadenza creation specifically for the first movement of Mozart’s Violin Concerto No. 4 in D Major, K. 218 (1775). The performance folio includes three recordings of improvised cadenzas for this movement and two recital programs of violin works which reflect forms and techniques of the tradition of improvisation in Western art music. Improvisation was an important component in Western art music performance practice prior to the nineteenth century; however, this skill has largely been lost in the modern day. There is an increasing amount of literature and research that advocate for the re-emergence of improvisation in classical music pedagogy. Still, there is a lack of resources specifically targeted at violinists who wish to develop this skill within the context of classical music. This exegesis aims to solve at least part of this problem through the introduction of a framework to develop improvisation practice techniques for the creation of a cadenza in a classical violin context. This research contextualises improvisation on violin in its historical setting. It analyses relevant written cadenzas and identifies some of the main challenges barring classically trained violinists from improvising freely. It presents simple practice techniques, examples, and parameters for overcoming these challenges based on the knowledge of other improvising violinists. Finally, it presents three recorded improvised cadenzas that demonstrate a reintroduction to the art of improvisation. Further examples of improvisation techniques (spanning a range of classical contexts) have been explored through the recital performances of important repertoire for the violin. These pieces include Bach’s Violin Sonata No. 2 in A minor (BWV 1003), Ysaye’s Violin Sonata Op. 27 No. 3 in D minor “Ballade,” Vaughan Williams’s The Lark Ascending, Franck’s Violin Sonata in A Major and Biber’s Sonata No. 16 in G minor, Passacaglia. Studying the skills required for improvisation in a cadenza has the potential to deepen a violinist’s understanding of their instrument and the music being played. This research offers an example of, and pathway to, the continuation of classical improvisation in modern times.
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CHUO, CHUEH, i 卓玨. "Revived from Historical Relics and Contemporary Interpretation: The Han-Tang Chinese Classical Dance “Tongque Platform” and “Spring Excursion”". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/b3t9t9.

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碩士
國立臺灣體育運動大學
舞蹈學系碩士班
105
Ying Sun created the Han-Tang Chinese Classical Dance through his investigations on historical materials, such as masonry painting from Han dynasty and pottery figurines, to reconstruct ancient culture and art. Ying Sun’s most famous dance drama“Tongque Platform” was choreographed in 1986. His dance work“Spring Excursion”, which Ying Sun created in 1993 and formally staged in 1999, was regarded as a classical dance work of Han-Tang Chinese Classical Dance. This research penetrates from viewpoints of historical interpretation and globalization. Conducting in-depth interviews, historical analysis of Sun’s two dance works, this research investigates historical remains and literatures and analyzes the development of dance movements which “Tongque Platform”and“Spring Excursion” use in order to explore how Ying Sun converted historical information and images into body performance in his contemporary creations of Han-Tang Chinese Classical Dance. This research also intends to understand how Sun constructed the distinct dance style and characteristics of Han-Tang Chinese Classical Dance that are different from previous Chinese Classical Dance. In conclusion, Sun’s dance drama“Tongque Platform”and dance work“Spring Excursion”highly relied on his collections and research on the relative historical materials and relics to remodel and construct the dancing bodies, characteristics of characters and scripts in his dance works. Furthermore, through his individual thoughts and choreographic talent, he interpreted and imagined these historical materials to make historical dances and events alive. His choreographic approaches established the unique style of Han-Tang Chinese Classical Dance and promoted it as one of Chinese cultural representatives on global stages.
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Lougheed, Christopher. "Macrobius, the classical paideia, and table etiquette c. 420 CE : a commentary on the Saturnalia 7.1-3". Thèse, 2009. http://hdl.handle.net/1866/4084.

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Ce mémoire traite des Saturnales de Macrobe, haut fonctionnaire du 5ième siècle après J.C. et encyclopédiste latin. Malgré l’opinion reçue, selon laquelle les Saturnales dépendraient presque exclusivement d’un nombre très restreint de sources, souvent copiées mot à mot, on a reconnu depuis longtemps que Macrobe remanie de son propre chef l’une de ces sources, les Propos de Table de Plutarque, dans son septième livre. Ce mémoire démontre que ce modèle, tout comme les sources mineures, latines et grecques, avec lesquelles Macrobe le complète, lui était assez familier pour servir à l’articulation d’une vision propre; les Saturnales ne peuvent donc être cités comme preuve de la décadence de leur époque. Ce mémoire fournit une traduction et un commentaire des chapitres 7.1-3 des Saturnales, avec une explication de leurs rapports avec les Propos de Table 1.1 et 2.1 de Plutarque ainsi que des éléments propre à Macrobe, afin de reconstruire sa méthode de composition et de déterminer ses attentes par rapport à son lecteur de l’empire tardif. Le commentaire est précédé d’une introduction de l’auteur, de l’œuvre, et du septième livre.
This thesis deals with the Saturnalia of Macrobius, the 5th century senior civil servant and Latin encyclopedist. Despite the scholarly consensus that the Saturnalia is virtually exclusively dependent on a small number of sources, usually copied verbatim, it has long been recognized that Macrobius independently alters at least one of these sources, the Quaestiones Convivales of Plutarch, in his seventh Book. This thesis demonstrates that Macrobius was familiar enough with the text of Plutarch, as with the texts of several other minor Latin and Greek sources with which he supplements him, in order to use him to articulate original concepts important to the Saturnalia as a whole; the work cannot, therefore be cited as evidence for the cultural decadence of the later Roman Empire. This thesis provides a translation and commentary of chapters 7.1-3 of the Saturnalia, explaining their relation to Quaest. conv. 1.1 and 2.1 of Plutarch and the original readings and structure of Macrobius, in order to determine his method of composition and his expectations of his Late Antique reader. The commentary is preceded by an introduction of the author, the work, and the seventh Book.
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"An understanding of classical pentecostal mission: Azusa Street mission as transcendence of race and class, inculturation and detraditionalization". 2001. http://library.cuhk.edu.hk/record=b5890819.

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Chan Chiu-yuen Lawrence.
Thesis (M.Div.)--Chinese University of Hong Kong, 2001.
Includes bibliographical references (leaves 60-65).
Abstracts in English and Chinese.
Introduction
Chapter Chapter One
Chapter A. --- Root of Pentecostalism: the Black Heritage
Chapter B. --- Transcending Race & Class
Chapter a. --- History of the Marginalized Black Slave in America
Chapter i. --- Social Context in America: Slavery & Racism
Chapter ii. --- Formation of Black church
Chapter b. --- The Outpouring of the Spirit: Transcending Race and Class
Chapter Chapter Two --- Transforming Christianity: Inculturation
Chapter a. --- The Concept of Inculturation
Chapter b. --- Worship in the Azusa Street Revival
Chapter c. --- African Heritage
Chapter d. --- Worship
Chapter e. --- Spirit Possession
Chapter Chapter Three --- Yielding Detraditionalization
Chapter a. --- Marginalization of Women in Mission
Chapter i. --- Masculine Domination of Missionary Societies
Chapter ii. --- Traditional Roles of Women
Chapter iii. --- Opposition of a Single Woman as a Missionary
Chapter iv. --- Resistance of Setting-up of Women's Board
Chapter v. --- Unjust Criticisms from Masculine Organizations
Chapter vii. --- Widow Case
Chapter b. --- Patriarchal Christian Tradition
Chapter c. --- Pentecostal Women in Mission
Chapter d. --- The Power of Holy Spirit: Detraditionalization
Conclusion
Bibliography
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Książki na temat "Classic revival"

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Wilkins, Ivor. Classic: The revival of classic boating in New Zealand. Auckland, N.Z: Godwit, 2010.

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W, Wiersbe Warren, red. Classic sermons on revival and spiritual renewal. Grand Rapids, MI: Kregel Publications, 1995.

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Ross, Ramon Royal. Storyteller: The classic that heralded America's storytelling revival. Wyd. 3. Little Rock: August House Publishers, 1996.

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Baker, Virginia. String quilt revival: A fresh approach for 13 classic designs. Cincinnati, OH: Krause Publications, 2011.

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Wiesenfarth, Joseph. Gothic manners and the classic English novel. Madison, Wis: University of Wisconsin Press, 1988.

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Pagan, Hugh. Architecture: Classical times to the classical revival. London: B. Weinreb Architectural Books, 1985.

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Miami University (Oxford, Ohio). Art Museum. Revivals of ancient art. Oxford, Ohio: Miami University Art Museum, 1996.

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Battista, Andrew. The revival of labor liberalism. Urbana: University of Illinois Press, 2008.

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Great Classic Yacht Revival. Rizzoli International Publications, 2004.

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Overton, John Henry. The Anglican Revival (Classic Reprint). Forgotten Books, 2018.

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Części książek na temat "Classic revival"

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Qi, Zhou, i Ji Qiu. "Chinese Classical Revival". W Routledge Handbook of Chinese Architecture, 288–99. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315851112-25.

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Impens, Florence. "A Classical ‘Revival’?" W Classical Presences in Irish Poetry after 1960, 169–203. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-68231-0_6.

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Karlson, Nils. "A Classical Liberal Revival". W Reviving Classical Liberalism Against Populism, 121–25. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49074-3_11.

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AbstractThe last chapter summarizes my conclusions by asking for a revival of liberalism itself. While populism for several reasons may be self-defeating in the longer run, the costs may be exceedingly high. Classical liberalism is a much richer tradition than the strawman of neoliberalism that many left-wing populists and social scientists have constructed. It is not only able to offer prosperity and security, but also a sense of belonging and community that is superior to what the right-wing populists and nationalists are asking for. It is a tradition that needs to be developed and revitalized.
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Morton, Clive. "Economic Revival and Regional Development". W Beyond World Class, 225–45. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230371347_8.

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Unger, Richard W. "The Classical Revival, Printing and Maps". W Ships on Maps, 62–70. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282162_5.

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Grassigli, Gian Luca. "Classical Revivals and ‘Pagan’ Art". W The Strange Death of Pagan Rome, 165–69. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.gifbib-eb.1.102176.

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Bitros, George C., i Anastasios D. Karayiannis. "Revival of the Ideas of Classical Democracy". W Creative Crisis in Democracy and Economy, 101–26. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33421-4_5.

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Wiseman-Trowse, Nathan. "Folk Revival and Folk Rock". W Performing Class in British Popular Music, 106–24. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230594975_6.

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Karlson, Nils. "Classical Liberalism Against Populism". W Reviving Classical Liberalism Against Populism, 1–5. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49074-3_1.

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AbstractThis chapter introduces and summarizes the major themes, arguments, and contributions of this book. How can liberals and classical liberals fight back against the populist threat to liberty, free markets, and the open society? I explore the defining characteristics of populism, to make populism intelligible, recognizable, and contestable. I explain the ideational background of the populist ideas and strategies and show how populists promote their non-liberal institutional changes through the deliberate polarization of society and a collectivistic identity politics. Based on this analysis several counterstrategies are developed that require a revival of classical liberalism.
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Cesaratto, Sergio. "The modern revival of the Classical surplus approach". W Economic Crisis and Economic Thought, 111–34. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315619958-6.

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Streszczenia konferencji na temat "Classic revival"

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Ignatenko, Alexander. "INTERMEDIALITY IN PU SONGLING’S PROSE ON THE EXAMPLE OF THE SHORT STORY PAINTED WALL". W 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.01.

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The article presents a new approach to the analysis of the novel Painted Wall by Pu Songling (蒲松齡, 1640–1715) based on the method of intermedial analysis. The novel considered in the article, which is far from the last place in the work of the classic, has not been considered before in the aspect of intermedia. In this regard, the main purpose of the article is to analyze the presence of a non-verbal pictorial “language” in a story, to form an idea of an intermedial-ekphrastic representation as a specific artistic technique used by Pu Songling. On the basis of the material of the story, a particular case of the writer using an ecphrastic description of a painted wall, which is based on the principle of highlighting the motive of mystical “revival”, is considered. In the course of the study, it was possible to find out that the manner of the ecphrastic description of the painting presented in the novel is built precisely in the aspect of intermedia, that is, from the point of view of the representation of the non-verbal artistic “language” in verbal discourse.
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Gaeta, Z. Dacic, i C. R. Stroud. "Classical and quantum-mechanical dynamics of the quasiclassical state of the hydrogen atom". W OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.tue2.

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We study the dynamics of a circular-orbit wave packet1 and find that it has both classical and quantum features. A circular-orbit wave packet consists of aligned, standard hydrogenic eigenstates of maximum angular momentum (l = in = n − 1), superimposed with a Gaussian weighting function. We calculate the uncertainty products in all three degrees of freedom and find that, as the quantum numbers of the constituent eigenstates increase, the uncertainty products tend toward h/2. The classical aspect of the dynamics displays itself during revivals, when a well-localized wave packet travels along a Kepler orbit, obeying the classical equations of motion. Spreading and revivals (including fractional revivals2) of the wave packet, which are manifestations of its quantum nature, are related to the nonlinearity of the hydrogen atom Hamiltonian. We study fractional revivals of the wavepacket in detail.
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Eckhoff, Mike. "Contents under Pressure: Using Architecture and Forestry with Fire-Retardant-Treated Wood to Construct Better Connections between the Built and the Natural Environments". W 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.8.

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The United States is undergoing a national wood revival. This wood revival’s nascent emergence suggests that architects are (again) becoming more familiar and comfortable with the advantages associated with wood-based construction, albeit slowly and in a piecemeal fashion. What appears to be missing from the wood revival, however, is not the sense of aesthetics or utility but rather the sense of urgency. After years spent teaching seminars to practicing architects, engineers, building/fire inspectors and officials (including in the wildland-urban interface or WUI) and teaching forest policy and wood products classes to university students, including about fire-retardant-treated wood (FRTW), class participants seemingly lack awareness of the connections between wood utilization and forest health based on questions they ask of the instructor during class. This paper will strengthen the case for building (stronger) connections between architecture university programs and forestry/wood products academic programs in the United States. First, this paper will review recent data concerning both the current housing crisis as well as the current forest health/wildfire crisis in the United States, suggesting that addressing the forest health/wildfire crisis sustainably could help address the housing crisis simultaneously. Next, this paper will briefly qualitatively review professional architectural and forestry/wood product-focused organization accreditation schemes. Finally, the paper will suggest ways to adopt simple and inexpensive changes in pedagogy to help build those stronger connections in the absence of support from accreditation guidelines, with an emphasis on building with wood in the WUI.
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MALLALIEU, MARK, i C. R. STROUD. "RYDBERG WAVE PACKETS: FRACTIONAL REVIVALS AND CLASSICAL ORBITS". W Proceedings of the International Symposium. WORLD SCIENTIFIC, 1994. http://dx.doi.org/10.1142/9789814503839_0022.

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Lawal, A. S. "Revival of the van der Waals Classical Theory via Silberberg Constant". W SPE Annual Technical Conference and Exhibition. Society of Petroleum Engineers, 1991. http://dx.doi.org/10.2118/22712-ms.

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Yeazell, John A., i C. R. Stroud. "Observation of quantum features in the evolution of a Rydberg wave packet". W OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.tue1.

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Quantum mechanical wave packet states can approach the classical ideal of a spatially localized particle traveling along a well-defined trajectory. These states offer a system in which the classical limit of quantum atomic theory can be studied. In this work, a wave packet that is radially localized and whose radial motion occurs at the classical orbital period is studied. Despite these strong classical features, the long-term evolution displays the quantum nature of the state. As the wave packet evolves, it becomes dispersed, and the radial motion becomes irregular. However, the wave packet does not remain dispersed, and classical motion returns with the return of the spatial localization. Both the collapse and revival of the wave packet occur because of the quantized nature of the atom. In this experiment, the wave packet was excited to the Rydberg slates by a short, ultraviolet pulse from the ground state of potassium. The probe pulse delay was scanned, and the resulting photo-ionization signal displayed the evolution of the wave packet. The collapse and revival of the radial wave packet were observed.1
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Dianfan, Ding, i Wuzhong Zhou. "The autonomy of cultural inheritance and innovation from the process of Venus' Ideological Development". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001859.

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Venus’ ideology has gone through various stages, including the primitive reproduction worship in the Paleolithic Age, the classical goddess of love and beauty in ancient Greece and Rome, the humanism of decline and revival in the Middle Ages and the early Renaissance, the secular humanity of vigorous development in the late Renaissance and the deconstructive cultural symbols after the twentieth century. The “Venus” is currently the convention of public aesthetics, the reconstruction of love and beauty, and the desire to impress people forever. It breaks the boundaries between classical art and public life, and stimulates the autonomy of cultural inheritance and innovation. This paper will specifically analyze the development of Venus’ ideology, and analyze the connotation and practical path of the autonomy of cultural inheritance and innovation through this example.
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CIOBOTARI, Călin. "The Conflict with the Other. Premises of the Rebirth of Tragedy". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0014.

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Written under the impact of the war in Ukraine, the present text aims to verify a series of effects in a theatrical plan. The main effect: the conditions for the revival of tragedy as a theatrical genre. Such a hypothesis, of course, presupposes the reevaluation of some classical components of tragedy: the hero, the feeling of absolute injustice, the feeling of absolute loneliness, the new deities and the types of relationships that contemporary man develops in relation to them, the new dimensions of suffering, and so on. An important component of the study concerns the relationship with the Other. On the one hand, the Other as a stranger, and on the other, the other as a hidden self, with which we frequently come into conflict.
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Xu, Xingwu. "BAI JUYI AND MID-TANG CONFUCIAN REFORMATION". W 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.08.

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It is widely believed in the academic circles that the the cardinal drive behind Confucianism’s revival during Mid-Tang’s cultural transformation was the “Ancient-Style Prose Movement” led by Han Yu. Meanwhile, the “New Yuefu Movement” advocated by Bai Juyi is also and expansion of this very “Ancient-Style Prose Movement”. If we re-examine Bai Juyi’s propositions concerning poetry and his own verses, we can find that he highly praised the radition of Confucian poetical education and imitated this canon in his works. Combining studies over Confucian Classics and literature, Bai Juyi reinvented the Confucian theory of human nature and emotion. His emphasis on “Yi Lei” (rhetoric rules and types of poetry) and “Shi Shi” (current affairs) as well as expressions of social and cultural sentiments in poetry, enriched the connotation of “Liu Yi” (Six Formations) in studies over The Book of Songs. And his thoughts do bear the characteristics of Mid- Tang Confucianism Reform.
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Poppelreiter, Michael C., Michele Claps i Eugene Rankey. "Quantitative Stratigraphy of the Early Jurassic Middle Marrat Formation in Kuwait: A Revival of the Epeiric Island Model". W ADIPEC. SPE, 2023. http://dx.doi.org/10.2118/216014-ms.

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Abstract Kuwait has some hydrocarbon producing intervals in dolomite and limestone reservoirs. Several of these formations were deposited in a dolomitized carbonate ramp environment. The Jurassic Middle Marrat Formation in Kuwait is one example of many found in the Middle East. A sweetspot study was initiated by KOC to increase gas production. Sweet spots are dolomite beds and lime-grainstone in places. Dolomite mineralisation in this formation is only present within bioturbated and microbial beds deposited that occur in backshoal and shelf depositional sub-environments and form stratigraphically in short transgressive pulses during overall regression. The 3D geometry of these dolomite layers is poorly understood, as individual beds are well below the resolution of the seismic data and commonly less than 1-2 m thick and thus at the limit of standard openhole logs. A world-class digital core data set provided a means to delineate dolomite bodies as part of an exercise to map out environments of deposition (EoD) for the first time within a high-resolution sequence stratigraphic framework. Results reveal that the geometry of EoD's, as well as the dolomite layers mimic the shape of subtle structural highs and lows of the basement. These patterns of deposition and early diagenesis are interpreted to reflect ‘epeiric islands’. The architecture may be a common type of reservoir architecture in epeiric sequences in the Middle East. Structurally constrained EoD mapping is suggested to be an effective way of predicting the geometry of these potential reservoir layers.
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