Gotowe bibliografie tematyczne / CJ Entertainment

Gotowa bibliografia na temat „CJ Entertainment”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 10 lutego 2022

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Artykuły w czasopismach na temat "CJ Entertainment"

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Park, Namgyoo K. "CJ Entertainment: The Entry of Korean Dynamic Culture into Global". INTERNATIONAL BUSINESS REVIEW 10, nr 3 (31.12.2006): 189. http://dx.doi.org/10.21739/ibr.2006.12.10.3.189.

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Sharrett, Christopher. "Jack Webb and the Vagaries of Right-Wing TV Entertainment". Cinema Journal 51, nr 4 (2012): 165–71. http://dx.doi.org/10.1353/cj.2012.0087.

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Negra, Diane, i Yvonne Tasker. "Culinary Entertainment, Creative Labor, and the Reterritorialization of White Masculinity". JCMS: Journal of Cinema and Media Studies 59, nr 1 (2019): 112–33. http://dx.doi.org/10.1353/cj.2019.0061.

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Prince, Stephen. "Terrorism TV: Popular Entertainment in Post-9/11 America by Stacy Takacs". Cinema Journal 54, nr 4 (2015): 178–82. http://dx.doi.org/10.1353/cj.2015.0050.

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Guerin, Frances. "Dazzled by the Light: Technological Entertainment and Its Social Impact in Variete". Cinema Journal 42, nr 4 (2003): 98–115. http://dx.doi.org/10.1353/cj.2003.0017.

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Haidee Wasson. "Electric Homes! Automatic Movies! Efficient Entertainment!: 16mm and Cinema's Domestication in the 1920s". Cinema Journal 48, nr 4 (2009): 1–21. http://dx.doi.org/10.1353/cj.0.0133.

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Derek Kompare. "Futures of Entertainment 3: November 21–22, 2008, Massachusetts Institute of Technology, Cambridge, MA". Cinema Journal 49, nr 1 (2009): 116–20. http://dx.doi.org/10.1353/cj.0.0166.

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Labuza, Peter. "When a Handshake Meant Something: The Rise of Entertainment Law in Post-Paramount Hollywood". JCMS: Journal of Cinema and Media Studies 60, nr 4 (2021): 61–84. http://dx.doi.org/10.1353/cj.2021.0045.

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Powell, Liz. "War Isn’t Hell, It’s Entertainment: Essays on Visual Media and the Representation of Conflict ed. by Rikke Schubart et al." Cinema Journal 56, nr 1 (2016): 160–64. http://dx.doi.org/10.1353/cj.2016.0065.

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Afra, Kia. "PG-13, Ratings Creep, and the Legacy of Screen Violence: The MPAA Responds to the FTC’s “Marketing Violent Entertainment to Children” (2000–2009)". Cinema Journal 55, nr 3 (2016): 40–64. http://dx.doi.org/10.1353/cj.2016.0024.

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Rozprawy doktorskie na temat "CJ Entertainment"

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Brown, James, i katsuben@internode on net. "South Korean Film Since 1986: The Domestic and Regional Formulation of East Asia’s Most Recent Commercial Entertainment Cinema". Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.

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Streszczenie:
This thesis investigates the historically composed political and economic contexts that contributed to the late 1990s commercial renaissance of Korean national cinema and that have sustained the popularity of Korean films among local and regional audiences ever since. Unlike existing approaches to the topic, which emphasise the textual characteristics of national film production, this thesis considers relations between film production, distribution, exhibition, and ancillary markets, as well as Korean cinema’s engagement with international cinemas such as Hollywood, Hong Kong, China and Japan. I argue that following the relaxation of restrictive film policy towards the importation and distribution of foreign films between 1986 and 1988, the subsequent failure of the domestic film industry to compete against international competition precipitated a remarkable shift in consensus regarding the industry’s structure and functions. Due to the loss of distribution rights to foreign films and the rapid decline in ticket sales for Korean films, the continued economic viability of local film companies was under enormous threat by the early 1990s. The government reacted by permitting conglomerates to seize control of the industry and pursue vertical and horizontal integration. During the rest of the decade, Korean cinema was transformed from an art cinema to a commercial entertainment cinema. The 1997/98 economic crisis led to the exit of conglomerate finance, but streamlined film companies were able to withstand the monetary meltdown, continue the domestic revitalisation, and, since the late 1990s, build media empires based on the expansion of Korean cinema throughout the Asian region.
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Części książek na temat "CJ Entertainment"

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Khoo, Olivia. "Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films". W Asian Cinema, 35–56. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474461764.003.0003.

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This chapter explores remakes and omnibus films as specific forms of inter-Asian production. Although consideration has been paid to remakes of Asian cinema from Hollywood, there has been less attention paid to remakes from within Asia as a form of inter-Asian referencing. The chapter examines CJ Entertainment’s practice of regional localisation of its hit comedy Miss Granny (2014). The chapter also considers the resurgence of the omnibus film as a production practice targeted towards regional audiences.
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