Gotowa bibliografia na temat „Cinematography – Special effects – History”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Cinematography – Special effects – History”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Cinematography – Special effects – History"
Sputnitskaya, Nina Yu. "Screening Zurbagan: On Use of Animation in Russian Feature Cinema". Journal of Flm Arts and Film Studies 7, nr 4 (15.12.2015): 73–83. http://dx.doi.org/10.17816/vgik7473-83.
Pełny tekst źródłaTaylor-Terlecka, Nina. "Darwinism and Surrealism: The Case of Juliusz Słowacki’s "Samuel Zborowski"". Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, nr 2 (10.07.2020): 361–75. http://dx.doi.org/10.36770/bp.488.
Pełny tekst źródłaBedenko, Vladimir Nikolaevich. "Comedy film as a modern embodiment of the culture of laughter". Философия и культура, nr 8 (sierpień 2020): 1–10. http://dx.doi.org/10.7256/2454-0757.2020.8.33452.
Pełny tekst źródłaGusev, Alexey O. "Dramatic Methods in G. N. Chukhray’s «Ballad of a Soldier»". Vestnik of Saint Petersburg State University of Culture, nr 1 (58) (2024): 118–22. http://dx.doi.org/10.30725/2619-0303-2024-1-118-122.
Pełny tekst źródłaMishchenko, Igor' Evgenyevich. "Representation of the images of army and military man in the U.S. mass cinematography of the 2010s". Философская мысль, nr 12 (grudzień 2020): 61–75. http://dx.doi.org/10.25136/2409-8728.2020.12.34522.
Pełny tekst źródłaMartynenko, T. S. "Cinema as a subject of sociological analysis: features of modern cinematography". Moscow State University Bulletin. Series 18. Sociology and Political Science 29, nr 2 (6.05.2023): 120–39. http://dx.doi.org/10.24290/1029-3736-2023-29-2-120-139.
Pełny tekst źródłaKosachova, Olga. "Vietnamese lives matter… Image of democracy in US cinematography (on the example of Vietnam war’s theme)". OOO "Zhurnal "Voprosy Istorii" 2020, nr 10-3 (1.10.2020): 4–10. http://dx.doi.org/10.31166/voprosyistorii202010statyi70.
Pełny tekst źródłaOrtiz, Maria J. "Embodied Cinematography in Mr. Robot". Baltic Screen Media Review 11, nr 1 (1.12.2023): 84–105. http://dx.doi.org/10.2478/bsmr-2023-0006.
Pełny tekst źródłaZelenin, Sergey V. "The Conception of the Image of Peter I in Soviet Time". Almanac “Essays on Conservatism” 3 (30.07.2022): 307–22. http://dx.doi.org/10.24030/24092517-2022-0-3-307-322.
Pełny tekst źródłaKirillova, Natalia B., i Valeria Yu Lebedeva. "Transformation of the teacher’s image in Soviet and Russian Cinematography: Intracultural Dialogue". Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, nr 2 (2023): 165–72. http://dx.doi.org/10.15826/izv1.2023.29.2.035.
Pełny tekst źródłaRozprawy doktorskie na temat "Cinematography – Special effects – History"
Ryu, Jae Hyung. "Reality & effect a cultural history of visual effects /". unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03292007-172937/.
Pełny tekst źródłaTitle from file title page. Ted Friedman, committee chair; Kathy Fuller-Seeley, Angelo Restivo, Jung-Bong Choi, Alisa Perren, committee members. Electronic text (249 p.) : digital, PDF file. Description based on contents viewed Oct. 29, 2007. Includes bibliographical references (p. 236-249).
Antonsen, Torben. "Sublime pixels : exploring the audience experience in digital special effects cinema : [a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in Film] /". ResearchArchive@Victoria, 2009. http://hdl.handle.net/10063/1075.
Pełny tekst źródłaFlagg, Matthew. "Capture, analysis and synthesis of photorealistic crowds". Diss., Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/37310.
Pełny tekst źródłaRosenblatt, Jacob A. "Cinematic Style: The Effects of Technology". Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1277815461.
Pełny tekst źródłaRyu, Jae Hyung. "Reality & Effect: A Cultural History of Visual Effects". Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/communication_diss/13.
Pełny tekst źródłaAnders, Carollynn. "The Effects of a Metacognitive Strategy on the Reading Comprehension of High School History Students". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/487.
Pełny tekst źródłaHaberlin, Alayna T. "An Examination of Behavioral History Effects on Preference for Choice in Elementary Students". The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282061359.
Pełny tekst źródłaWagener, Thomas Dane. "Visual Effects and the Test of Time". Ohio University Honors Tutorial College / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1244204910.
Pełny tekst źródłaWhite, Lee J. T. "Vegetation history and logging disturbance : effects on rain forest in the Lope Reserve, Gabon (with special emphasis on elephants and apes)". Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/653.
Pełny tekst źródłaBarber, Cody. "The Virtual Steamroller: How CGI Paved the Way for 3D's Comeback". Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1323194803.
Pełny tekst źródłaKsiążki na temat "Cinematography – Special effects – History"
(Foreword), Ray Harryhausen, red. Special Effects: The History and Technique. New York: Billboard Books, 2007.
Znajdź pełny tekst źródłaCheap tricks and class acts: Special effects, makeup, and stunts from the films of the fantastic fifties. Jefferson, N.C: McFarland & Co., 1996.
Znajdź pełny tekst źródłaToro, Giovanni. Storia degli effetti speciali: Dai fratelli Lumière ad Avatar. Eboli (SA): NPE, 2018.
Znajdź pełny tekst źródłaD'haeyere, Hilde. Dislexicon of slapstick humor, funny cinematography, and very special effects. Ghent: MER. Paper, 2011.
Znajdź pełny tekst źródłaPettigrew, Neil. The stop-motion filmography: A critical guide to 297 features using puppet animation. Jefferson, N.C: McFarland & Co., 2008.
Znajdź pełny tekst źródłaPettigrew, Neil. The stop-motion filmography: A critical guide to 297 features using puppet animation. Jefferson, N.C: McFarland, 1999.
Znajdź pełny tekst źródłaJapan) "Tokusatsu no DNA" Ten (4th 2019-2020 Tokyo. Tokusatsu no DNA: Heisei Gamera no shōgeki to kisō no Daiei tokusatsu. Tōkyō: Kabushiki Kaisha Arufabēta Bukkusu, 2020.
Znajdź pełny tekst źródłaHayes, R. M. 3-D movies: A history and filmography of stereoscopic cinema. Jefferson, N.C: McFarland, 1989.
Znajdź pełny tekst źródłaHayes, R. M. 3-D movies: A history and filmography of stereoscopic cinema. Chicago: St James, 1989.
Znajdź pełny tekst źródłaFleischer, Uwe. Wie haben Sie's gemacht?: Babelsberger Kameramänner öffnen ihre Trickkiste. Marburg: Schüren, 2005.
Znajdź pełny tekst źródłaCzęści książek na temat "Cinematography – Special effects – History"
Gowanlock, Jordan. "Conclusion: Engineering Movies". W Palgrave Animation, 171–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74227-0_7.
Pełny tekst źródłaCrafton, Donald. "Black Magic: The “Space Between the Frames” in Cinematic Special Effects". W Special Effects on the Screen. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730_ch07.
Pełny tekst źródłaAndrew, Dudley. "The Effect of Miracles and the Miracle of Effects: Bazin’s Faith in Evolution". W Special Effects on the Screen. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730_ch16.
Pełny tekst źródłaTurquety, Benoît. "Photography and the Composite Image, or A Portrait of Méliès as Bergsonian Filmmaker". W Special Effects on the Screen. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730_ch08.
Pełny tekst źródłaAmbrose, Stephen E. "The Longest Day (U.S., 1962): “Blockbuster” History". W World War II, Film, and History, 97–122. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195099669.003.0007.
Pełny tekst źródłaChopine, Ami. "A History of Computer Graphics and Special Effects". W 3D Art Essentials, 1–12. Elsevier, 2011. http://dx.doi.org/10.1016/b978-0-240-81471-1.10001-3.
Pełny tekst źródła"- A Brief History of Classical Animated Special Effects". W Elemental Magic, 23–36. Routledge, 2012. http://dx.doi.org/10.4324/9780080912288-7.
Pełny tekst źródła"The Korean War and Special Procurements". W A History of Japanese Trade and Industry Policy, redaktor Mikio Sumiya, 227–34. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198292517.003.0012.
Pełny tekst źródłaLoew, Katharina. "Introduction: Special Effects and the Techno-Romantic Paradigm". W Special Effects and German Silent Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725231_intro.
Pełny tekst źródłaLoew, Katharina. "The Uncanny Mirror: Der Student von Prag (1913)". W Special Effects and German Silent Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725231_ch03.
Pełny tekst źródłaStreszczenia konferencji na temat "Cinematography – Special effects – History"
Hawryszkow, P., K. Galik i M. Bocian. "Synergy of Culture and Civil Engineering – Project "Bridge Builders" Organised by Wroclaw European Capital of Culture". W IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0364.
Pełny tekst źródłaErnst, Hugo A., Richard E. Bravo, Federico Daguerre i Alfonso Izquierdo. "Strain History Effects on Fracture Mechanics Parameters: Application to Reeling". W ASME 2005 24th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2005. http://dx.doi.org/10.1115/omae2005-67007.
Pełny tekst źródłaChu, Tang-Yuan, Na-Yi Yuan Wu i Jing Wang. "Abstract B26: The natural history of ovarian high-grade serous carcinoma from time effects of ovulation inhibition and progesterone clearance of p53-defective lesions". W Abstracts: AACR Special Conference on Advances in Ovarian Cancer Research; September 13-16, 2019; Atlanta, GA. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1557-3265.ovca19-b26.
Pełny tekst źródłaCousins, William T. "History, Philosophy, Physics, and Future Directions of Aircraft Propulsion System/Inlet Integration". W ASME Turbo Expo 2004: Power for Land, Sea, and Air. ASMEDC, 2004. http://dx.doi.org/10.1115/gt2004-54210.
Pełny tekst źródłaNezamian, Abe, i Patrick M. Morgan. "Modelling Issues for Nonlinear Time History Analysis of Offshore Platforms Subjected to Strong Ground Motions". W ASME 2014 33rd International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/omae2014-23785.
Pełny tekst źródłaSchmid, Andreas, i Naoki Yamada. "Spray Combustion Chamber: History and Future of a Unique Test Facility". W ILASS2017 - 28th European Conference on Liquid Atomization and Spray Systems. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/ilass2017.2017.4734.
Pełny tekst źródłaDANI, Abdelilah. "THE CONCEPT OF THE CURRICULUM BETWEEN THE NATURAL SCIENCES AND THE HUMAN SCIENCES". W III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-8.
Pełny tekst źródłaKelkar, Ajit D. "Behavior of Thin, Moderately Thick and Thick Woven Composites Subjected to Low Velocity Impact Loads". W ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-32306.
Pełny tekst źródłaPettinger, Alfred M., i Robert Montgomery. "Project Management Considerations of Pipelines Crossing the Andes". W 2010 8th International Pipeline Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ipc2010-31303.
Pełny tekst źródłaMahajerin, Enayat, i Gary Burgess. "Numerical Analysis of Temperature Due to Material Damping in Pultruded Composites". W ASME 2003 Heat Transfer Summer Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/ht2003-47331.
Pełny tekst źródłaRaporty organizacyjne na temat "Cinematography – Special effects – History"
Hammad, Ali, i Mohamed Moustafa. Seismic Behavior of Special Concentric Braced Frames under Short- and Long-Duration Ground Motions. Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, grudzień 2019. http://dx.doi.org/10.55461/zont9308.
Pełny tekst źródłaOcampo-Gaviria, José Antonio, Roberto Steiner Sampedro, Mauricio Villamizar Villegas, Bibiana Taboada Arango, Jaime Jaramillo Vallejo, Olga Lucia Acosta-Navarro i Leonardo Villar Gómez. Report of the Board of Directors to the Congress of Colombia - March 2023. Banco de la República de Colombia, czerwiec 2023. http://dx.doi.org/10.32468/inf-jun-dir-con-rep-eng.03-2023.
Pełny tekst źródła