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Artykuły w czasopismach na temat "Cinema Service"
Wan, Xing, Nianxin Wang i Ben Shaw-Ching Liu. "Impact of O2O platform multihoming and vertical integration on performance of local service firms – a quantile regression approach". Internet Research 30, nr 5 (7.05.2020): 1583–610. http://dx.doi.org/10.1108/intr-03-2019-0087.
Pełny tekst źródłaDominiczak, Marek H. "Cinema: Its Surreptitious Service to Science". Clinical Chemistry 62, nr 7 (1.07.2016): 1045–46. http://dx.doi.org/10.1373/clinchem.2015.253104.
Pełny tekst źródłaRekabtalaei, Golbarg. "CINEMATIC GOVERNMENTALITY: CINEMA AND EDUCATION IN MODERN IRAN, 1900S–1930S". International Journal of Middle East Studies 50, nr 2 (maj 2018): 247–69. http://dx.doi.org/10.1017/s0020743818000053.
Pełny tekst źródłaAsbjørnsen, Dag, i Ove Solum. "Public service cinema? On strategies of legitimacy in policies for Norwegian cinema". International Journal of Cultural Policy 5, nr 2 (kwiecień 1999): 269–91. http://dx.doi.org/10.1080/10286639909358103.
Pełny tekst źródłaKozlovsky-Golan, Yvonne. "Engaged Cinema for Peace? Israeli Cinema in the Service of Political Ideologies". Journal of Contemporary Antisemitism 1, nr 2 (1.03.2018): 73–90. http://dx.doi.org/10.26613/jca/1.2.14.
Pełny tekst źródłaDixon, Wheeler Winston. "“Service Providers”: Genre Cinema in the 21st Century". Quarterly Review of Film and Video 34, nr 3 (15.02.2017): 201–11. http://dx.doi.org/10.1080/10509208.2017.1281073.
Pełny tekst źródłaStjernholm, Emil. "GDR Cinema on Swedish Television". VIEW Journal of European Television History and Culture 10, nr 19 (24.06.2021): 41. http://dx.doi.org/10.18146/view.259.
Pełny tekst źródłaNguyen, Thi Hanh Dung, Jinseo Park i Myung-su Chae. "The Effects of Service Factors on Customer`s Consumption Value and Revisit Intention in Multiplex Cinema Service: Focusing on Multiplex Cinema Service in Korea and Vietnam". International Area Studies Review 21, nr 2 (30.06.2017): 197–218. http://dx.doi.org/10.21212/iasr.21.2.9.
Pełny tekst źródłaZhabskiy, Mikhail I. "On The Matter of Market in Cinema". Journal of Flm Arts and Film Studies 8, nr 3 (15.09.2016): 128–40. http://dx.doi.org/10.17816/vgik83128-140.
Pełny tekst źródłaXu, Hai Hua, Li Ping Liu i Bai Chuan Liu. "Analysis and Design of the Cloud System of Inner Mongolia National Cinema Line". Advanced Materials Research 1014 (lipiec 2014): 379–82. http://dx.doi.org/10.4028/www.scientific.net/amr.1014.379.
Pełny tekst źródłaRozprawy doktorskie na temat "Cinema Service"
Andrews, Hannah. "Public service broadcasters and British cinema, 1990–2010". Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/44037/.
Pełny tekst źródłaHsieh, Ming Chih. "Service provisioning in two open-source SIP implementation, cinema and vocal". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1008195.
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Dutra, Diego Normandi Maciel. "Design para acessibilidade: inclusão de pessoas com deficiência visual ao serviço de cinema". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-16022017-124050/.
Pełny tekst źródłaThe census presented by IBGE in 2010 showed about 45 million people with disabilities living in Brazil, of which 35 million are visually impaired. Despite this fact, persons with disabilities face obvious barriers to cultural and leisure services due to the limitation or lack of attitudinal and environmental inclusion initiatives. From a Design perspective, and based on Service Design methods, this paper presents a research on accessibility in cinemas, considering the complexity that surrounds this experience, the production of films, and the experience itself in projection rooms.
Launey, Stéphane. "Pellicules en uniformes : le cinéma au service des forces armées françaises, septembre 1919 - juin 1940". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H041.
Pełny tekst źródłaThis thesis aims to fill a historiographic vacuum. Namely, it studies the plurality of the use of cinema by the French Armed Forces between the time war cinema was put on hold in September 1919 and the Armistice of June 1940. This work is based on unpublished archives, which were repatriated from Russia. They shed a new light on the link between cinema and the Ministry of War (including the Army), especially for educational purposes. Our study is structured around a double movement, which is at the heart of our research problem: the use of the medium within the military institution, and its inscription in the state landscape of a cinema simultaneously used for education and propaganda ; this plurality attained a certain golden age at that point. The first movement deals with a structural analysis of the Army Cinema Section (ACS), which reemerged in summer 1920, and it includes an overview of its stakes and progress during the interwar period. At the same time, the question of the use of cinema in the French Navy and Air Force reveals a political use, which was focused on meeting structural challenges. In the second part, we study the production of the ACS, including the instructional films at the heart of this filmography, other educational films (such as moral, patriotic, or prophylactic), and propaganda films (particularly colonial). Finally, we explore the mutation of military cinema and its entry into a fully developed age: from the "Phoney War" to June 1940
Castro, Jennifer de. "Le Festival de Cannes et la promotion du cinéma (1946-1972) : le 7ème art, un objet culturel protéiforme au service du prestige national". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA015.
Pełny tekst źródłaThis thesis offers a cultural and historical approach about the Cannes Film Festival by emphasizing the accent on its contrasted role in promoting cinema in France from 1946 till 1972. What images intended the organizers to give about cinema and what images contributed to build the exposure and coverage of Cannes Film Festival in the various media of that time such as television, cinema newsreels and specialised press?It is therefore about to know how Cinema was perceived after the Second World War by the prism of the Festival, to evaluate how it tried to modify in France or modified effectively (which is not necessarily the same point) image, status and functions of Cinema and the relationship with native and international cinema then finally to see how medias approached the film industry current events. The research, essentially engaged from Archives Collections - such as those of Cannes Film Festival Association, television and specialist publications -, allowed to understand the various aspects of the Festival and to perceive the links which maintained the various institutions in charge of the event with Cinema.The first edition of the Festival in 1946 is the starting point of this research. It ends in 1972, twenty-five years later, when the Steering committee has become the only decision-maker of the selected movies. During these twenty-five editions the participants themselves used to select the movies to sent to the « Croisette ». Twenty-five years during which the world social and political context invited itself in Cannes to put to the test the artistic ambitions and the economic and diplomatic interests of the organizers of the Cannes Film Festival. Twenty-five years during which the medias were partially and/or variously the privileged reflections
Brown, James, i katsuben@internode on net. "South Korean Film Since 1986: The Domestic and Regional Formulation of East Asias Most Recent Commercial Entertainment Cinema". Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.
Pełny tekst źródłaBareišis, Audrius. "Dramaturgijos raiška TV laidoje „Nacionalinė paieškų tarnyba"". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20110709_152437-73944.
Pełny tekst źródłaThe television applied dramaturgy expression methods that were nurtured by theater at the beginning and later by cinema and created original drama world whose spectators are people sitting in front of the television. The television dramaturgy takes barely its first steps, compared with theater and cinema which have the experience of decades or even centuries; therefore there are no wider TV drama study. An object of the master thesis is an analysis of Lithuanian radio and television project National search service and research of dramaturgy expression. The show National search service was chosen because of its uniqueness in Lithuanian television channels. The show which helps to find one‘s own flesh and blood dissipated in the world is the broadcast that has no analogues in the programmes of Lithuanian television channels. The goal was to examine how dramaturgy was conveyd in a particular television broadcast, what theatrical and cinematic dramaturgy elements were adopted in TV projects and what impact the dramaturgy elements make on an audience in the television. The objectives of the master thesis were coherent with the analysis of dramaturgy elements applied in television, the description of trends of dramaturgy expression in Lithuanian TV and the evaluation of prospects. The main focus was to determine the significance of drama pieces in television programmes and to summarize TV audience needs and expectations related to dramaturgy. The methods of the study involve... [to full text]
Tabeau, Tiffanie. "Le droit administratif et l'exploitation des oeuvres cinématographiques". Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM1067.
Pełny tekst źródłaThe study of the exploitation of films through the prism of administrative law reveals a little-known side of cinema law. Indeed, far from the preconceptions, research shows how administrative law was first an instrument to preserve and promote movie theaters and how it remains today a powerful means of promoting and distributing cinematographic works.Moreover, at a time when digital cinema distribution methods will totally disrupt the film industry, the thesis confirms that there is no doubt that the legal framework for its development will necessarily be weakened. New challenges will have to be officially recorded by the law, because the cinema hall (movie theater), as the principal medium of the work, is now faced with scanning equipment or planned obsolescence of the current media timeline. All this therefore implies an adaptation or mutation of administrative law if its duty is to retain a central role in regulating the exploitation of cinematographic works. The main intention of this thesis is to reveal and to understand the continued need for a framework formed by the administrative law of cinematographic works. To do this, before showing how administrative law is still a legitimate way to organize and support the distribution-projection of works, it will first be shown that "special" law, although binding, was very quickly essential to the very existence of movie performances and generally speaking, to the maintenance of the French film industry
Graham, Mark A. "Afghanistan and the cinema the politics of representation in Kandahar and Osama /". Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2006. http://www.kutztown.edu/library/services/remote_access.asp.
Pełny tekst źródłaSource: Masters Abstracts International, Volume: 45-06, page: 2696. Typescript. Abstract precedes thesis as 1 leaf (iii). Includes bibliographical references (leaves 137-145).
Gonzales, Antonio. "Images et imaginaires cinéma et histoire au service d'une "néo-mythologie"". Besançon, 1990. http://www.theses.fr/1990BESA1022.
Pełny tekst źródłaKsiążki na temat "Cinema Service"
In the service of the state: The cinema of Alexander Dovzhenko. Madison, Wis: University of Wisconsin Press, 1986.
Znajdź pełny tekst źródłaKepley, Vance. In the service of the state: The cinema of Alexander Dovzhenko. Madison, Wis: University of Wisconsin Press, 1986.
Znajdź pełny tekst źródłaSoixante-dix ans au service du cinéma et de l'audiovisuel: Organisation catholique internationale du cinéma, OCCIC. [Saint-Laurent, Québec]: Fides, 1998.
Znajdź pełny tekst źródłaYŏnghwa, sahoe pokchi rŭl mannada: Social welfare in cinema. Kyŏnggi-do P'aju-si: Hanul, 2011.
Znajdź pełny tekst źródłaCinema in service of the state: Perspectives on East German and Czech film culture, 1945-1960. New York: Berghahn Books, 2015.
Znajdź pełny tekst źródłaMcGuinness, Dean A. An assessment of three Dublin cinemas in terms of relative customer-perceived service quality: A comparative of multiplexes with a city-centre cinema. Dublin: University College Dublin, 1994.
Znajdź pełny tekst źródłaLambotte, Bernard. Le cinéma au service de l'archéologie. Liège: Préhistoire liégeoise asbl, 1990.
Znajdź pełny tekst źródłaCommission, Monopolies and Mergers. The supply of cinema advertising services: A report on the supply in the United Kingdom of cinema advertising services. London [England]: HMSO, 1990.
Znajdź pełny tekst źródłaFESPACO (Festival) (10th 1987 Ouagadougou, Burkina Faso). 10e FESPACO: 18 ans au service du cinéma africain. [Ouagadougou, Burkina Faso: FESPACO, 1987.
Znajdź pełny tekst źródłaMcGuinness, Dean. A comparative study of service quality in Irish cinemas. Dublin: University College Dublin (Centre for Quality & Services Management), 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Cinema Service"
Dixon, Wheeler Winston. "Service Providers: Form Over Content". W Synthetic Cinema, 25–40. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12571-4_2.
Pełny tekst źródłaBarth, Ingo, Gabriel Dermler i Walter Fiederer. "Levels of Quality of Service in CINEMA". W Informatik aktuell, 157–64. Berlin, Heidelberg: Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-79958-7_20.
Pełny tekst źródłaYuan, Xiaofang, i Qiujie Jiang. "Behavioral Research and Service Innovation of Cinema Viewers in China". W Communications in Computer and Information Science, 730–37. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50732-9_93.
Pełny tekst źródłaJackson, Andrew David. "South Korean film: commercial success, full service cinema and the crisis-consciousness 1". W Routledge Handbook of Contemporary South Korea, 209–22. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003026150-13.
Pełny tekst źródłaRossi, María Julia. "Restoring Names, Stories, and Voices for Cinematographic Maids: Toward a New Poetics of Domestic Service in Recent Argentine Films". W Domestic Labor in Twenty-First Century Latin American Cinema, 23–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33296-9_2.
Pełny tekst źródłaPeabody, Rebecca. "Jason Graduate Work in German Studies and Cinema Studies Financial Services". W The Unruly PhD, 139–52. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137319463_8.
Pełny tekst źródłaKunakhovich, Kyrill, i Pavel Skopal. "Cinema Cultures of Integration:". W Cinema in Service of the State, 275–314. Berghahn Books, 2015. http://dx.doi.org/10.2307/j.ctt1btbw1j.19.
Pełny tekst źródłaKnapík, Jiří. "Czechoslovak Culture and Cinema, 1945–1960". W Cinema in Service of the State, 39–68. Berghahn Books, 2015. http://dx.doi.org/10.2307/j.ctt1btbw1j.8.
Pełny tekst źródłaÖzalpman, Deniz, i Sibel Kaba. "Digitalization in Cinema in Turkey". W Handbook of Research on Examining Cultural Policies Through Digital Communication, 226–47. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-6998-5.ch011.
Pełny tekst źródła"Front Matter". W Cinema in Service of the State, i—iv. Berghahn Books, 2015. http://dx.doi.org/10.2307/j.ctt1btbw1j.1.
Pełny tekst źródłaStreszczenia konferencji na temat "Cinema Service"
Tao Wen. "Customer experiential influencing factors and their model construction of the cinema". W 2009 6th International Conference on Service Systems and Service Management. IEEE, 2009. http://dx.doi.org/10.1109/icsssm.2009.5174847.
Pełny tekst źródłaGonzález Cubero, Josefina. "Mirada objetiva y dimensión subjetiva del cine en Le Corbusier". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.803.
Pełny tekst źródłaTakuya Nakaizumi. "Reward-based Peer-to-Peer Digital Cinema Distribution Model". W 2006 IEEE International Conference on Service Operations and Logistics, and Informatics. IEEE, 2006. http://dx.doi.org/10.1109/soli.2006.236146.
Pełny tekst źródłaNakaizumi, Takuya, i Noboru Sonehara. "Reward-based Peer-to-Peer Digital Cinema Distribution Model". W 2006 IEEE International Conference on Service Operations and Logistics, and Informatics. IEEE, 2006. http://dx.doi.org/10.1109/soli.2006.328877.
Pełny tekst źródłaWang, Qing, Ke Xu, Ryan Izard, Benton Kribbs, Joseph Porter, Kuang-Ching Wang, Aditya Prakash i Parmesh Ramanathan. "GENI Cinema: An SDN-Assisted Scalable Live Video Streaming Service". W 2014 IEEE 22nd International Conference on Network Protocols (ICNP). IEEE, 2014. http://dx.doi.org/10.1109/icnp.2014.84.
Pełny tekst źródłaShi, Qianfei, i Yutao Wang. "Current Construction Situation Analysis of Urban Cinema and Discussion of the Future Development of the Model". W 2010 International Conference on E-Product E-Service and E-Entertainment (ICEEE 2010). IEEE, 2010. http://dx.doi.org/10.1109/iceee.2010.5660529.
Pełny tekst źródłaGalati, Adriano, Theodoros Bourchas, Maria Olivares i Stefan Mangold. "DTN-enabled Infostation and Cinema-in-a-Backpack". W MobiSys'15: The 13th Annual International Conference on Mobile Systems, Applications, and Services. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2753488.2753493.
Pełny tekst źródłaNormandi, Diego, i Cibele Taralli Haddad. "VAMOS AO CINEMA: PROCEDIMENTOS DE PESQUISA EM DESIGN PARA ACESSIBILIDADE DE PESSOAS CEGAS AO SERVIÇO DE CINEMA". W 12º Congresso Brasileiro de Pesquisa e Desenvolvimento em Design. São Paulo: Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-ped2016-0091.
Pełny tekst źródłaFleureau, Julien, Quentin Galvane, Francois-Louis Tariolle i Philippe Guillotel. "Generic Drone Control Platform for Autonomous Capture of Cinema Scenes". W MobiSys'16: The 14th Annual International Conference on Mobile Systems, Applications, and Services. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2935620.2935622.
Pełny tekst źródłaBojkovic, Zoran, i Andreja Samcovic. "Film archives as a future enhancement of digital cinema technology". W TELSIKS 2009 - 2009 9th International Conference on Telecommunications in Modern Satellite, Cable, and Broadcasting Services. IEEE, 2009. http://dx.doi.org/10.1109/telsks.2009.5339537.
Pełny tekst źródłaRaporty organizacyjne na temat "Cinema Service"
Vargas-Herrera, Hernando, Juan Jose Ospina-Tejeiro, Carlos Alfonso Huertas-Campos, Adolfo León Cobo-Serna, Edgar Caicedo-García, Juan Pablo Cote-Barón, Nicolás Martínez-Cortés i in. Monetary Policy Report - April de 2021. Banco de la República de Colombia, lipiec 2021. http://dx.doi.org/10.32468/inf-pol-mont-eng.tr2-2021.
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