Gotowa bibliografia na temat „Church music composition”
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Artykuły w czasopismach na temat "Church music composition"
Chircev, Elena. "Romanian Music of Byzantine Tradition Between 1918 and 2018". Artes. Journal of Musicology 19, nr 1 (1.03.2019): 124–49. http://dx.doi.org/10.2478/ajm-2019-0007.
Pełny tekst źródłaIrving, John. "John Blitheman's keyboard plainsongs: another ‘kind’ of composition?" Plainsong and Medieval Music 3, nr 2 (październik 1994): 185–93. http://dx.doi.org/10.1017/s0961137100000735.
Pełny tekst źródłaSanga, Imani. "Composition Processes in Popular Church Music in Dar Es Salaam, Tanzania". Ethnomusicology Forum 15, nr 2 (listopad 2006): 247–71. http://dx.doi.org/10.1080/17411910600915406.
Pełny tekst źródłaSchiltz, K. "Church and chamber: the influence of acoustics on musical composition and performance". Early Music 31, nr 1 (1.02.2003): 64–80. http://dx.doi.org/10.1093/em/31.1.64.
Pełny tekst źródłaHillsman, Walter. "Choirboys and Choirgirls in the Victorian Church of England". Studies in Church History 31 (1994): 447–60. http://dx.doi.org/10.1017/s0424208400013048.
Pełny tekst źródłaCollins, John. "Ghanaian Christianity and Popular Entertainment: Full Circle". History in Africa 31 (2004): 407–23. http://dx.doi.org/10.1017/s0361541300003570.
Pełny tekst źródłaPeno, Vesna. "The traditional and modern in church music: A study in canon and creativity". Muzikologija, nr 6 (2006): 233–50. http://dx.doi.org/10.2298/muz0606233p.
Pełny tekst źródłaHUGHES, DAVID G. "The paschal alleluia in medieval France". Plainsong and Medieval Music 14, nr 1 (kwiecień 2005): 11–57. http://dx.doi.org/10.1017/s0961137105000197.
Pełny tekst źródłaDănilă, Irina Zamfira. "Constantin Catrina – a life in the service of the Romanian music". Artes. Journal of Musicology 17, nr 1 (1.01.2018): 102–13. http://dx.doi.org/10.2478/ajm-2018-0005.
Pełny tekst źródłaPalić-Jelavić, Rozina. "Mise Ferde Wiesnera Livadića - O 220. obljetnici rođenja i 140. obljetnici skladateljeve smrti". Nova prisutnost XVII, nr 2 (9.07.2019): 285. http://dx.doi.org/10.31192/np.17.2.3.
Pełny tekst źródłaRozprawy doktorskie na temat "Church music composition"
McKern, Brett M. "The compositions of Brett M. McKern to the greater glory of God /". Access electronically, 2005. http://ro.uow.edu.au/theses/289.
Pełny tekst źródłaDonkin, Emma J. "It is Finished: A Tenebrae Cantata". University of Akron / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=akron1619702762401099.
Pełny tekst źródłaWay, Anthony David, i res cand@acu edu au. "Lift Up Your Hearts:A Musico-liturgical Study of the Eucharistic Prayer of the Roman Rite". Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp59.25092005.
Pełny tekst źródłaGrech, Joseph. "Music in nineteenth-century Malta : traditions of composition and performance at the church in Gozo, with a catalogue of works". Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/51299/.
Pełny tekst źródłaAlford, Lenore Audrey 1968. "Able fairy : the feminine aesthetic in the compositions of Rolande Falcinelli". 2008. http://hdl.handle.net/2152/18011.
Pełny tekst źródłatext
Lin, Chih-Chieh, i 林至潔. "《The Beginning of the Hope》Worship Music in Christian Church as a Creative Source for My Musical Compositions". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/zh7bjm.
Pełny tekst źródłaTung, Chien-Lung, i 佟建隆. "The Trend of Worship Music Composition in Chinese Protestant Churches: A Case Study of “Stream of Praise”". Thesis, 2014. http://ndltd.ncl.edu.tw/handle/w669eq.
Pełny tekst źródła國立臺北藝術大學
音樂學研究所
102
The Christian worship music in Psalm showed how the gentile musical instrument and secular tone which impurity, were sanctified for worship God’s purpose. For the function of worship liturgy made the music sanctify. Since from the Old Testament to the early church, from the Middle Ages of Gregory time, through the Renaissance, the Reformation, until the Religion Revival movements in Twentieth century. For the cross-fertilization of secular and ecclesiastical styles is continuing acculturation. Since the half of twentieth century, the acoustic instrument such as piano and organ in church was replaced by using the electric guitar and synthesizer, the plug-in instrument which is plug in the popular musical culture. The worship music in European and Americans’ protestant churches by absorbing the style of rock and roll, jazz, hip-hop and techno music, in developing the popular music style, worship and praise. The culture meaning of popular music styles was transformed from negative to positive, from entertained secular music to worship service. The phenomenon of the cross-fertilization of cultures is more frequently by the mass media and the net. The Christian worship music in Taiwan’s church also been effected by the wave of the culture. This article will be the case of ‘Stream of Praise’, which found since in 1995, composed the worship songs for Chinese protestant church. By studying twenty-two albums, to analysis how the element of popular music adopted in the song arrangement, and how the composer to express ones experience in faith so that make the songs easy to learn and sing for the congregation in the worship service. The study is aim to find out how the American popular music culture, where developed from African culture affected and acculturated the trend of the composition.
Książki na temat "Church music composition"
Yin yue chuang zuo zai Aomen. Aomen: Aomen ri bao chu ban she, 2007.
Znajdź pełny tekst źródłaKügle, Karl. The manuscript Ivrea, Biblioteca capitolare 115: Studies in the transmission and composition of Ars Nova polyphony. Ottawa, Canada: Institute of Mediaeval Music, 1997.
Znajdź pełny tekst źródłaPlanyavsky, Peter. Moritz Reger und andere Schrägheiten. Sankt Augustin: Dr. J. Butz, 2005.
Znajdź pełny tekst źródłaKonet︠s︡ vremeni kompozitorov. Moskva: Russkiĭ putʹ, 2002.
Znajdź pełny tekst źródłaFann al-tasbīḥ. [Cairo?]: al-Farīq, 1998.
Znajdź pełny tekst źródłaThe German choral church compositions of Johann David Heinichen, 1683-1729. New York: P. Lang, 1990.
Znajdź pełny tekst źródłaCooper, Timothy G. Church music in nineteenth-century Canada as represented by the choral compositions of John Medley. Ann Arbor, Mich: University Microfilms International, 1989.
Znajdź pełny tekst źródłaFelipe Gorriti, compositor, maestro de capilla y organista. Pamplona: Gobierno de Navarra, 2011.
Znajdź pełny tekst źródłaShaw, Martin. Principles of Church Music Composition. Library Reprints, 2001.
Znajdź pełny tekst źródłaMessiah: The composition and afterlife of Handel's masterpiece. New York, NY: Basic Books, 2017.
Znajdź pełny tekst źródłaCzęści książek na temat "Church music composition"
Schulenberg, David. "Bach the Music Director". W Bach, 214–58. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0011.
Pełny tekst źródłaTownsend, Peter. "Musical Development Assisted by Technology". W The Evolution of Music through Culture and Science, 17–30. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198848400.003.0002.
Pełny tekst źródłaAndemicael, Awet. "The Theology of Richard Allen’s Musical Worship". W Theology, Music, and Modernity, 260–92. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846550.003.0013.
Pełny tekst źródłaPreston, Katherine K. "Sacred Music". W George Frederick Bristow, 66–76. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043420.003.0006.
Pełny tekst źródłaGraham, Sandra Jean. "The Folk Spiritual". W Spirituals and the Birth of a Black Entertainment Industry. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041631.003.0001.
Pełny tekst źródłaJacquemin, Christian, Rami Ajaj, Sylvain Le Beux, Christophe d’Alessandro, Markus Noisternig, Brian F. G. Katz i Bertrand Planes. "Organ Augmented Reality". W Innovative Design and Creation of Visual Interfaces, 131–47. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-4666-0285-4.ch010.
Pełny tekst źródłaStokes, Laura K. T. "Mendelssohn’s Deutsche Liturgie in the Context of the Prussian Agende of 1829". W Rethinking Mendelssohn, 346–75. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190611781.003.0016.
Pełny tekst źródłaTodd, R. Larry. "From the Church to the Concert Hall". W Theology, Music, and Modernity, 109–28. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198846550.003.0006.
Pełny tekst źródłaSchulenberg, David. "Bach the Organist". W Bach, 43–72. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0005.
Pełny tekst źródłaSchulenberg, David. "Bach the Concertmaster". W Bach, 92–129. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190936303.003.0007.
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