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Spencer, Nigel. "Asty and chora in early Lesbos". Thesis, King's College London (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682731.
Pełny tekst źródłaMaybury, Terrence Shaun, i t. maybury@uq edu au. "CHORA-LOGIC: ELECTRACY AS REGIONAL EPISTEMOLOGY". Central Queensland University, 2007. http://library-resources.cqu.edu.au./thesis/adt-QCQU/public/adt-QCQU20081022.150147.
Pełny tekst źródłaWardrop, Alex. "Feminist criticism and Plato's Timaeus-Critias : rethinking chora". Thesis, University of Bristol, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.574593.
Pełny tekst źródłaCarvalho, Fabiana Aparecida de. "Homem não chora: o abuso sexual contra meninos". Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/17716.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The present study has the title: "Men don't cry: the sexual abuse against boys". In Brazil, in 2012, it was registered 10425 cases of sexual abuse against children and youngsters, where 8677 were against girls. In the majority of cases the perpretator of the abuse is a male and from the trust circle of the child. The diference between male victims and female victims is very obvious and the perpetrators - in their majority - are men. Why do we study boys as victims? The invisibility of boys in the context of sexual victimisation called our attention and became the focus of this research. Some cultural factors corroborate for the boys' sexual victimisation concealing, such as: the understanding of the fact with naturality comprehending the event as "man's thing"; the heritage of resistance and male virility, by mean of which hide what happened, by fear of social reprisal and of futures questioning about the victim's masculinity. The study's objective consisted in investigate the consequences of the sexual abuse for the boy and analise the repercussion of the sexual violence against the man/boy in the familiar convivence and communitarian. Of qualitative nature, we performed profound interviews with three boys and a man that experienced sexual abuse, two mothers and one victimised boy's carer. The research's results revealed different meanings atributed to the suffered sexual abuse, according to trajectory and the experiences of each subject. The homossexuality fear developed from sexual abuse was present in some interviewed's speech, as well as the reproduction of the abuse. Several historical advances through the action of different social movements have gained a solid agenda about the topic in general agenda of public policy. However, the cultural transformation that can alter the rigidity of genres is still a challenge to be pursued, as well as advance our understanding of sexuality in its human dimension and authorization to talk about it, without configurating other violence for this
O presente estudo tem por título: Homem não chora: o abuso sexual contra meninos . No Brasil, em 2012, foram registrados 10425 casos de abuso sexual contra crianças e jovens, sendo 8677 deles contra meninas. Na maioria dos casos o autor do abuso é do sexo masculino e do círculo de confiança da criança. A diferença entre as vítimas femininas e masculinas é gritante e os autores - em sua maioria - são homens. Por que estudar os meninos como vítimas? A invisibilidade do menino no contexto de vitimização sexual chamou nossa atenção e se tornou foco desta pesquisa. Alguns fatores culturais corroboram para o ocultamento da vitimização sexual do menino, tais como: a compreensão do fato com naturalidade entendendo o evento como coisa de homem ; a herança da resistência e da virilidade masculina, por meio da qual se esconde o ocorrido, por medo de represálias sociais e de questionamentos futuros sobre a masculinidade da vítima. O objetivo do estudo consistiu em perquirir as consequências do abuso sexual para o menino e em analisar a repercussão da violência sexual contra o homem/menino na convivência familiar e comunitária. De natureza qualitativa, realizamos entrevistas aprofundadas com três meninos e um homem que vivenciaram o abuso sexual, duas mães e uma cuidadora de meninos vitimizados sexualmente. Os resultados da pesquisa revelaram diferentes sentidos atribuídos ao abuso sexual sofrido, conforme a trajetória e as vivências de cada sujeito. O medo da homossexualidade desenvolvida a partir do abuso sexual se fez presente em alguns discursos dos entrevistados, bem como o da reprodução do abuso. Diversos avanços históricos por meio da ação de diferentes movimentos sociais conquistaram uma pauta contínua sobre a temática na agenda geral da política pública. Contudo, a transformação cultural capaz de alterar a fixidez dos gêneros ainda é um desafio a ser perseguido, assim como o avanço na compreensão da sexualidade em sua dimensão humana e a autorização para falar sobre ela, sem que para isso tenha que configurar-se outra violência
Kordi, Sotiria. "The Chora parekklesion as a space of becoming". Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/7171/.
Pełny tekst źródłaSUTO, Yoshiyuki. "AKORIS: An Archaeology of the Chora in Ptolemaic Egypt". School of Letters, Nagoya University, 2012. http://hdl.handle.net/2237/16795.
Pełny tekst źródłaMaria, Lago Falcão Tânia. "Homem não chora: um estudo sobre viuvez masculina em camadas médias urbanas". Universidade Federal de Pernambuco, 2009. https://repositorio.ufpe.br/handle/123456789/519.
Pełny tekst źródłaViuvez. Palavra que traz embutida uma ausência. Fenômeno que chega na vida de alguém sem fazer parte, previamente, do seu projeto de vida, e que por isso tende a trazer modificações inesperadas e provavelmente jamais imaginadas. Dentre todos os eventos que ocorrem com as pessoas durante seu ciclo de vida, aquele relacionado com a morte de alguém muito próximo afetivamente é talvez o mais traumático, deixando as marcas mais profundas. Em grande parte das investigações onde a viuvez é assinalada, isto é feito de forma incidental, dentro de trabalhos cujo foco central é a velhice e as mulheres, além de serem oriundas predominantemente da área biomédica e/ou saúde mental. No Brasil, a pesquisa em viuvez tem contemplado majoritariamente o gênero feminino, havendo núcleos de estudos em algumas universidades brasileiras, cujas linhas de pesquisa se referem a idosas. Estudos e publicações sobre viuvez, como problema enfrentado também por homens, são bastante escassos em todos os campos do conhecimento científico. É aqui que se insere esta tese: um estudo sobre viuvez masculina em camadas médias urbanas. Para tentar dar conta da proposta, centro a investigação nos procedimentos de reorganização de vida de homens residentes na grande Recife, no Nordeste do Brasil, após a morte da esposa/companheira. Os objetivos da pesquisa buscavam descobrir as reações imediatas, mediatas e tardias desses homens, as eventuais mudanças nos modos de vida e relações sociais, os meios de suporte econômico, de serviços, pessoal-social e pessoal-emocional utilizados, a existência (ou não) de prescrições sociais ligadas à viuvez masculina e as representações que regem esse universo, em nosso meio. O instrumento utilizado para a coleta de dados foi a entrevista narrativa, aplicada em encontro que se realizou, em geral, na residência ou no local de trabalho do enviuvado. O número total de 20 homens compôs a amostra da pesquisa, com idades variando de 36 a 82 anos, e com tempo de viuvez de seis meses a 34 anos. A vivência da doença e/ou morte da esposa foi quase sempre acompanhada integralmente pelo marido. Alguns dos enviuvados recasaram; outros optaram por não fazê-lo; alguns tinham passado por transformações pessoais; a maioria assumiu a administração total da casa. A criação dos filhos, o trabalho e a religiosidade são os recursos de maior impacto para uma adequada adaptação à nova situação. Os principais suportes utilizados vêm das redes sociais, sendo que empregada doméstica e amigo íntimo ocupam uma posição importante entre os apoios recebidos. Todas as histórias narradas mostram um teor de emoção que geralmente os estereótipos culturais e o senso comum negam aos homens. Faz-se a constatação que homens choram, sim: nas entrevistas, a maioria fica com a voz embargada, outros choram livremente, a ponto de não conseguir falar. As emoções, do vivido ontem e da saudade hoje, estão bem presentes. Enfim, esta tese fala de dor, sofrimento e morte, mas também de vida, felicidade e amor. Mas, fundamentalmente, busca contribuir, a partir de experiência local, para a ampliação e legitimação do campo da Antropologia das Emoções, no país
au, Vicvang@yahoo com, i Robert Daniel Victorin-Vangerud. "Facing Nature: The Infinite in the Flesh". Murdoch University, 2006. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20061019.130930.
Pełny tekst źródłaVictorin-Vangerud, Robert Daniel. "Facing nature : the infinite in the flesh /". Access via Murdoch University Digital Theses Project, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20061019.130930.
Pełny tekst źródłaCooper, Cheryl Anne. "Virtually unnameable subjectivity and the (re)inscription of the chora in the visual arts". Thesis, Bath Spa University, 2002. http://researchspace.bathspa.ac.uk/1446/.
Pełny tekst źródłaDe, Caro Serena. "Dinamiche di occupazione dell'area periurbana e della chora settentrionale e orientale di Poseidonia-Paestum". Doctoral thesis, Universita degli studi di Salerno, 2011. http://hdl.handle.net/10556/1532.
Pełny tekst źródłaThis research carried out under the guidance of Mrs. A. Pontrandolfo, Professor at the Salerno university and Mrs. Rouveret, Professor at the Paris X University. Our main goal is to rebuild the diachronic, dynamical, more articulated and less fragmented picture of types of occupation and transformation of the periurban area and of the northern and eastern chora of Poseidonia-Paestum, between the Sele river, in the north, and the actual town of Roccadaspide, in the east, in the period between the foundation of the Greek polis and the resulting Latin colony. The methodological assumptions at the basis of this study are: the "critical" revision of the known information in bibliography, filed documents, diaries of excavations and reports of the Superintendence officers integrated by study of the paleoenvironmental dynamics, and verifications, formalization and aggragation of data aiming to an historical interpretation. The core of this research is the philological analyses of the materials obtained in different ways: an essential anchorage point and a basis for the interpreting proposals relevant to the dynamics of the occupation of the periurban space and the area in the north and in the east of Poseidonia- Paestum. To the census of the unplublished and the filed information, to their geo-localization - when possible - to the analyses of the materials some further data were added. These data are provided by the methodical surfaces reconnissance which, since 2003, have been involving the territory of Poseidonia-Paestum. The archaeological research has shown that before the monumentalization, the city spaces are clearly defined and their outline is based on their functions and on their usages. The northerly and easterly territory is characterized by meaningful presences which play a fundamental role in relationship with the native elements since the beginning of the IV century BC and which adopt different values and connotations until the Romanization. [edited by Author]
VIII n.s.
Mateev, Matej D. Daskalov Dimităr S. "Nov sbornik za istorijata na selo Konstantin : razkaz za seloto i negovite chora : 1879-2008 /". Veliko Tărnovo : Izdat. "Rovita", 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017143047&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaAndré, José Carlos Mendes. "Quem não chora não mama! Panorama do design gráfico brasileiro através do humor 1837-1931". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-04102010-100708/.
Pełny tekst źródłaThis thesis is an overview of the Brazilian graphic history from 1837 to 1931, seeing by comic graph representations, graphic design and historical mentalities. The main idea was start from a general plan to reach in the 1920s the four hands works of the humorist Aparício Torelly (Barão de Itararé) and the Paraguayan graphic artist Andrés Guevara. Passing by the more relevant artists of this period, the root inspiration is the chronology itself, were the subjects related to humor, design and mentality tremble and unfolding pertinent and interesting connections for the own theme. The work was conceived in three parts: The first one runs upon the knowledge subject, application subject, methodologies and the wellspring of informations; as well as talk briefly about the main authors Barão de Itararé & Guevara , reason of the strategy subject approach. The second part clear up the historical foregoings under the proposed look through an stamp of original wellsprings (images and authors) put against extracts of the more important Brazilian bibliography, sewed with comments that proposes new interpretations and new looks over the same themes and subjects, without judgements, but just showing that was the way the things took place. The third part is focused on 1920 decade, and is where I meet the target authors and apply for more details, making evident the moment of strong creation and experimentation in the Brazilian graphic design face to the complete change of paradigms in order of the introduction of modernist esthetics and the assimilation and great dissemination of burgess values in the social field.
De, Caro Serena. "Dynamiques d’occupation de l’espace périurbain et de la chora septentrionale et orientale de Poseidonia-Paestum". Paris 10, 2011. http://www.theses.fr/2011PA100096.
Pełny tekst źródłaThis research, carried out under the guidance of Mrs. A. Pontrandolfo, Professor at the Salerno University and Mrs. Rouveret, Professor at the Paris X University. Our main goal is to rebuild the diachronic, dynamical, more articulated and less fragmented picture of the types of occupation and transformation of the periurban area and of the northern and eastern chora of Poseidonia-Paestum, between the Sele river, in the north, and the actual town of Roccadaspide, in the east, in the period between the foundation of the Greek polis and the resulting Latin colony. The methodological assumptions at the basis of this study are: the "critical" revision of the known information in bibliography, filed documents, diaries of excavations and reports of the Superintendence officers integrated by the study of the paleoenvironmental dynamics, and verifications, formalization and aggregation of data aiming to an historical interpretation. The core of this research is the philological analyses of the materials obtained in different ways: an essential anchorage point and a basis for the interpreting proposals relevant to the dynamics of the occupation of the periurban space and the area in the north and in the east of Poseidonia- Paestum. To the census of the unpublished and the filed information, to their geo-localization – when possible – to the analyses of the materials some further data were added. These data are provided by the methodical surfaces reconnaissance which, since 2003, have been involving the territory of Poseidonia-Paestum. The archaeological research has shown that before the monumentalization, the city spaces are clearly defined and their outline is based on their functions and on their usages. The northerly and easterly territory is characterized by meaningful presences which play a fundamental role in relationship with the native elements since the beginning of the IV century BC and which adopt different values and connotations until the Romanization
FATI, LORENZO. "La terza guerra di Siria (246- 241 a.C.): il punto di vista della Chora egiziana". Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2012. http://hdl.handle.net/2108/202004.
Pełny tekst źródłaCehak, Meta. "Formen des Autobiographischen bei Andrej Sinjavskij (Abram Terc) : Golos iz chora, Kroska Cores und Spokonjoj noci /". München : O. Sagner, 2004. http://catalogue.bnf.fr/ark:/12148/cb39242074t.
Pełny tekst źródłaAINO, LUISA. "ARCHEOLOGIA DEI PAESAGGI IN ETÀ ANTICA TRA AGRI E SINNI. LE RICOGNIZIONI NELLA CHORA DI HERAKLEIA (2012-2019)". Doctoral thesis, Università degli studi della Basilicata, 2021. http://hdl.handle.net/11563/149163.
Pełny tekst źródłaKAYROOZ, GILLIAN. "The Discarded Image". Thesis, Sydney College of the Arts, 2019. http://hdl.handle.net/2123/20118.
Pełny tekst źródłaVasconcelos, Wagner Robson Manso de. "Quem disse que homem não chora? : comunicação e promoção da saúde do homem em estudo comparado Brasil – Quebec (Canadá)". reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/24081.
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Este é um estudo qualitativo resultante de investigação sobre a correlação de três temas fundamentais para a saúde pública: promoção da saúde, saúde do homem e comunicação em saúde. Partindo-se da premissa de que a saúde do homem é resultante de uma série de questões de ordens socioculturais, considerou-se que a comunicação é elemento central para promover a saúde do referido público. Assim, investigou-se, a partir da literatura, da análise de dados secundários e de entrevistas com agentes estratégicos do Brasil e da província de Quebec, no Canadá, se de fato a comunicação ocupa um lugar de destaque na formulação das estratégias para a saúde do homem. O estudo incorpora elementos metodológicos diversos, como estudos de caso, a Hermenêutica-dialética de Gadamer, entrevistas em profundidade, análise do discurso do sujeito coletivo e revisões de literatura. Todos eles norteados pelos estudos comparados, que conduzem a pesquisa-mãe à qual este trabalho se vincula. Os resultados, dispostos num conjunto de quatro artigos científicos, mostram que os sujeitos entrevistados destacam a comunicação como fundamental para promover a saúde dos homens no Brasil e também em Quebec. Porém, chega-se à conclusão de que a realidade não encontra correspondência entre os discursos e a prática, sendo a comunicação relegada a segundo plano e empreendida sem bases teóricas ou métodos de planejamento em comunicação em saúde.
This is a qualitative study resulting from research on the correlation of three key public health topics: health promotion, men’s health, and health communication. Based on the premise that the men’s health is the result of a series of questions of socio-cultural orders, it was considered that the communication is central element to promote the health of the mentioned public. Thus, from the literature, the analysis of secondary data and interviews with strategic agents from Brazil and the province of Quebec, Canada, it has been analyzed if the communication occupies a prominent place in the formulation of strategies for men’s health. The study incorporates several methodological elements, such as case studies, Gadamer's Hermeneutic-Dialectic, in-depth interviews, collective subject discourse analysis, and literature reviews. All of them were guided by the comparative studies that lead to the mother research to which this work is linked. The results, presented in a set of four scientific articles, show that the agents interviewed highlight communication as fundamental to promote men’s health in Brazil and also in Quebec. However, it is concluded that the reality does not match the discourses and the practice, being the communication relegated to the background and undertaken without theoretical bases or methods of planning in health communication.
Cho, Eun Young. "To Touch the Trace of the Text". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523540210736084.
Pełny tekst źródłaAtkin, Rhian Elisabeth. "Masculinities and social change in the literary Lisbon(s) of Livro do Desassossego, Um Homem Chora and historia do Cerco de Lisboa". Thesis, University of Leeds, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531643.
Pełny tekst źródłaQueiroz, Vitor 1983. "Olha só, ô meu tambú, como chora o candongueiro = as estrelas e os toques da tradição no jongo de Guaratinguetá e Campinas (SP)". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279299.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Através de entrevistas, da análise de parte da bibliografia disponível sobre o jongo e da escuta de sua própria música nos últimos anos, este trabalho pretende discutir os conceitos de mudança e permanência históricas ao enfocar algumas das questões identitárias e políticas envolvidas nos cantos e toques dos jongueiros de Campinas e de Guaratinguetá - SP
Abstract: Through interviews, a bibliographical analysis and a careful hearing of jongo music in the last six or seven years this study intends to discuss historical change and perdurance. Songs and drum beats from Campinas and Guaratinguetá, São Paulo counties, will be used, as well, as a source for studying the politics of identity among their practicioners and their respective communities
Mestrado
Historia Social
Mestre em História
Schneider, Steffen Hermann Friedrich [Verfasser]. "Geoarchaeological Case Studies in the Bakırçay Valley : Paleogeography and Human-environmental Interactions in the Chora of Pergamon in Western Turkey / Steffen Hermann Friedrich Schneider". Berlin : Freie Universität Berlin, 2014. http://d-nb.info/1064307019/34.
Pełny tekst źródłaSelister, Michelle Raupp. ""A viúva rica com hum olho chora e com outro repica" : viúvas no Rio Grande de São Pedro na segunda metade do século XVIII". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/102625.
Pełny tekst źródłaThis work seeks to understand the strategies used by widows to survive in an Ancien Régime society in the South of Portuguese America. To this end, through the lives of four residents of the parishes of Nossa Senhora da Conceição de Viamão and Nossa Senhora dos Anjos in the second half of the eighteenth century, we aim to understand the strategies used to achieve a second marriage and the factors that influenced in it as the number of dependent children, widow´s age and the property owned by her when she becomes a widow. Furthermore, we investigated the involvement of these women in the economy and circulation of wealth within their parishes. Finally, we analyze the relations established by these widows through compadrazgo.
Karahan, Anne. "Byzantine holy images and the issue of transcendence and immanence : the theological background of the Late Byzantine Palaiologan iconography and aesthetics of the Chora church, Istanbul". Stockholm : Department of Art History, Stockholm University, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-639.
Pełny tekst źródłaJansdotter, Annika. ""In the Beginning Was the Word." The road towards a Speaking Subject in Jane Hamilton's The Book of Ruth". Thesis, Högskolan Dalarna, Engelska, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:du-495.
Pełny tekst źródłaSmith, Philip. "Mythogeographic performance and performative interventions in spaces of heritage-tourism". Thesis, University of Plymouth, 2013. http://hdl.handle.net/10026.1/1548.
Pełny tekst źródłaStål, Ann-Jeanett. "Aspects of Liminality in Eilis Ni Dhuibhne's The Dancers Dancing". Thesis, Högskolan Dalarna, Engelska, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2131.
Pełny tekst źródłaDESSÌ, ALESSANDRO. "Scritture d'attore: rifrazioni artudiane nel teatro italiano (Carmelo Bene, Rino Sudano, Societas Raffaello Sanzio)". Doctoral thesis, Università degli Studi di Cagliari, 2012. http://hdl.handle.net/11584/266359.
Pełny tekst źródłaMarquis, Jean-François. "La délégation du récit et la violence symbolique en architecture : en marge de Jacques Derrida et de Chora L Works : une contribution (mineure) à un balisage historique pour la déconstruction architecturale". Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28163/28163.pdf.
Pełny tekst źródłaCachao, Rita. "An ontology of space : methodological recursiveness and the diagram". Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/3411.
Pełny tekst źródłaWing, Jennifer Mary. "Resisting the Vortex: Abjection in the Early Works of Herman Melville". unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-04192008-191516/.
Pełny tekst źródłaTitle from file title page. Robert Sattelmeyer, committee chair; Janet Gabler-Hover, Calvin Thomas, committee members. Electronic text (215 p.) : digital, PDF file. Description based on contents viewed June 10, 2008. Includes bibliographical references (p. 207-215).
Bodart, Céline. "Architecture et déconstruction, remises en jeu d'une rencontre : raconter, traduire, hériter". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080112.
Pełny tekst źródłaThis thesis addresses a field of research named "architecture and philosophy". The specificity of this field is related to the question of a possible coordination between these two disciplines. In order to better understand what this "and" holds, we propose to return to a singular episode in its history: the encounter between the Derridean deconstruction and the Anglo-American architectural culture of the second half of the 20th century. The restitution of this research is composed of three parts. First, we study how this encounter is recounted trough different institutional and intellectual contexts (Anglo-American and French speaking contexts), in order to highlight how various cultural receptions and appropriations condition specific theoretical pursuits. From one context to another, between versions of a same story, there is a gap. The main purpose of the thesis is to invest such a gap between these versions by putting in translation some traces of its history (Wigley 1993, Kipnis 1997). The second part proposes to experiment how to translate today into French what the Derridean years of architecture produced. Finally, it is a question of reconsidering the inheritance of this encounter as a problem to build, in order to put into play the long and oscillating history of the hospitality of architectural discourses. This thesis is a focal point built on an episode of recent history. By proposing to experiment with new modes of recounting, we support the hypothesis that these specific modes make it possible to transform
Rian, Kirsten. "Chord". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/1366.
Pełny tekst źródłaWyvill, Janet. "Australian Choral Conductors and Current Choral Practice: A Longitudinal Study of Australian Choral Experts". Thesis, Griffith University, 2012. http://hdl.handle.net/10072/367961.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland Conservatorium
Arts, Education and Law
Full Text
Kasler, Ariel. "Giant Steps: Chord Substitutions and Chord-Scales for Improvisation". Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395256969.
Pełny tekst źródłaKang, Hyojin. "Choral music of Kirke Mechem : an analytical approach to his choral cycles and representative choral works /". Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11432.
Pełny tekst źródłaRolf, Ares. "Bach's choral ideal /". Dortmund : Klangfarben-Musikverlag, 2002. http://catalogue.bnf.fr/ark:/12148/cb41134010p.
Pełny tekst źródłaEarnhart, Cari L. "Cross-culture Choral Music Education: Issues for Western Choral Conductors Related to the Performance of Arabic Choral Music". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804962/.
Pełny tekst źródłaYoho, Joshua G. "Selecting high quality and effective choral literature for a choral ensemble". Kansas State University, 2012. http://hdl.handle.net/2097/14199.
Pełny tekst źródłaSchool of Music, Theater, and Dance
Julie Yu-Oppenheim
This report is for the beginning choral music educator or music education student who seeks guidance when selecting repertoire for their advanced elementary or beginning middle school choir. I attended the 2011 Kansas Choral Directors Association conference. Conferences such as these are great resources for the novice choral educator and even the veteran teacher. Choral reading sessions are excellent ways to find new and quality repertoire, because the directors that select the music spend a good amount of time researching and selecting songs. In determining what factors directors use to choose repertoire for their choirs, a survey was developed and administered to forty Kansas music educators at one of the reading sessions which asked the following three questions: 1) What is the likelihood that you would use this song in a concert or program? The next two are questions in which I asked (these two were based on a ‘disagree or agree’ scale): ‘This song has good educational value for the students’ and ‘I can teach many elements of music within this song.’ Evidence is shown from other master educators of various levels that choosing appropriate, worthy, and challenging repertoire is crucial to the success of the choral program.
Haygood, James L. "A study of the continuum of choral singing from secondary choral programs to selected higher education choral programs in Indiana". Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/897485.
Pełny tekst źródłaSchool of Music
Arias, José Luis Gallo. "Aspectos interpretativos no choro Nosso Choro de Garoto : uma ánálise de gravações". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/102627.
Pełny tekst źródłaThe present research analyzed different recordings of Nosso Choro by Garoto, with the aim of bringing up common interpretive aspects between performers. The methodology includes the choice of the recordings, of the topics of analysis and of the tools to accomplish the same. The recordings were performed by guitarists who belong to the tradition of Choro, who in most cases met the composer. The topics analyzed in the recordings are: location and use of rubato, articulation and accentuation of the rhythmic sixteenth note – eight note – sixteenth note, articulation of the bass line, and the use of arpeggios. A formal analyses of the piece was made with the aim of better organizing the data collected. The analysis of this recording was made through use of specialized software for such purposes. The analyzes reveal similar interpretive aspects between performers, which we consider as belonging to an interpretative style of a musical genre.
York, Perrin. "Comparing the Emotional Impact of a Vadd11 Chord versus a V Chord". Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1314.
Pełny tekst źródłaHansen, Chris Robert. "Contemporary choral arrangements product /". Theological Research Exchange Network (TREN), 1987. http://www.tren.com.
Pełny tekst źródłaBound with accompanying tape of the arrangements recorded, by the mixed choral ensemble from Milwaukie First Baptist Church, Milwaukie, Oregon and the men's chorus from Western Seminary in Portland.
Eriksson, Jens. "Chord and modality analysis". Thesis, KTH, Tal-kommunikation, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-189437.
Pełny tekst źródłaComputational Modelling of Perceptual Music Features
Root, Rachel Lorraine. "Choral rehearsal memory techniques /". Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11251.
Pełny tekst źródłaPost, Doris Juliane Elisabeth. "Choral authoritativeness in Sophocles". Thesis, Open University, 2018. http://oro.open.ac.uk/54915/.
Pełny tekst źródłaHansen, Christopher M. "An Analysis of Influences on Choral Performance Adjudicators' Rating Decisions of Choral Performance". Thesis, The University of North Carolina at Greensboro, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10260567.
Pełny tekst źródłaThe purpose of this study was to (a) examine influences on choral music adjudicators’ rating decisions of choral performance quality and (b) to see if differences existed among those influences by participants’ years of adjudication experience and academic training (degree focus). Part One of the study included eight randomly selected participants (N = 8), comprised of choral adjudication experts, to aid in the construction of the data collection instrument. Part Two of the study included a convenience sample (N = 71) comprised of choral music performance adjudicators within the southeastern United States.
For the primary purpose, the Choral Adjudicator Preference Scale (CAPS), a researcher-constructed data-gathering instrument, was developed to determine influences on choral adjudicators’ rating decisions of choral performance. A Cronbach’s Coefficient Alpha measure of internal consistency was calculated to establish reliability of the CAPS data collection instrument. A coefficient of .934 was found for the CAPS, which indicated a high level of internal consistency. Validity for the data-gathering instrument was established through three sources, (a) an open-ended questionnaire sent to the eight choral adjudicators, (b) a thorough review of the related literature and (c) verification by choral activities chairpersons among the southeastern states. For research question one (What factors influence adjudicators’ decisions when adjudicating choirs?) a principal component analysis revealed 23 items that coalesced among four factors of influence: (a) the ensemble’s performance, (b) visual aspects, (c) extra-musical aspects, and (d) the conductor’s contributions. These four factors accounted for 61.49 percent of the total variance in participants’ responses.
For the secondary purpose, a two-way repeated measures analysis of variance was calculated to determine if differences existed among factors of influence by participants’ years of adjudication experience and academic training (degree focus). For research question two (Do differences exist among adjudicators’ influences on rating decisions by years of adjudication experience?) a significant main effect was found for the factors, F (3, 189) = 216.581, p = .000, η2 = .775; however, there was no main effect for years of adjudication experience, nor an interaction effect among the factors and years of adjudication experience. For research question three (Do differences exist among adjudicators’ influences on rating decisions by academic training?) a significant main effect was found for the factors, F (3, 201) = 195.326, p = .000, η2 = .745; however, there was no main effect for academic training, nor an interaction effect among the factors and academic training.
A discussion of the influences on choral adjudicators’ rating decisions was presented. Recommendations for future research were suggested regarding music performance adjudication, influences on rating decisions, and characteristics of evaluators.
Fuller, Gregory. "Effects of metric conducting patterns, subdivided patterns, managed preparatory gestures, and no conducting on choral singers' precision and expressiveness at phrase punctuation points less than the unit pulse /". free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974630.
Pełny tekst źródłaJacobsen, Lesa Lynn. "Verbal imagery used in rehearsals by experienced high school choral directors : an investigation into types and intent of use /". view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3136422.
Pełny tekst źródłaTypescript. Includes vita and abstract. Includes bibliographical references (leaves 102-105). Also available for download via the World Wide Web; free to University of Oregon users.