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Artykuły w czasopismach na temat "Chinese philosophy and aesthetics"
Dai, Chuang. "Philosophical-aesthetic reflection in China in the century: Wang Guowei and Zong Baihua". Философская мысль, nr 12 (grudzień 2020): 15–29. http://dx.doi.org/10.25136/2409-8728.2020.12.34614.
Pełny tekst źródłaKa-Pok-Tam, Andrew. "On the Limitations of Lao Sze Kwang’s “Trichotomy of the Self” in His Interpretation of Kierkegaard". Kierkegaard Studies Yearbook 26, nr 1 (11.08.2021): 523–45. http://dx.doi.org/10.1515/kierke-2021-0022.
Pełny tekst źródłaCheng, Chung-Ying. "Beauty and Aesthetics in Chinese Philosophy". Journal of Chinese Philosophy 47, nr 1-2 (3.03.2020): 3–5. http://dx.doi.org/10.1163/15406253-0470102003.
Pełny tekst źródłaCHENG, CHUNG‐YING. "PREFACE: BEAUTY AND AESTHETICS IN CHINESE PHILOSOPHY". Journal of Chinese Philosophy 47, nr 1-2 (marzec 2020): 3–5. http://dx.doi.org/10.1111/1540-6253.12398.
Pełny tekst źródłaPark, So‐Jeong. "Musical Metaphors in Chinese Aesthetics". Journal of Chinese Philosophy 47, nr 1-2 (18.06.2019): 31–48. http://dx.doi.org/10.1111/1540-6253.12350.
Pełny tekst źródłaPark, So-Jeong. "Musical Metaphors in Chinese Aesthetics". Journal of Chinese Philosophy 47, nr 1-2 (3.03.2020): 31–48. http://dx.doi.org/10.1163/15406253-0470102006.
Pełny tekst źródłaPoškaitė, Loreta. "Everyday Aesthetics in the Dialogue of Chinese and Western Aesthetic Sensibilities". Dialogue and Universalism 30, nr 3 (2020): 225–44. http://dx.doi.org/10.5840/du202030344.
Pełny tekst źródłaSernelj, Téa. "Different Approaches to Chinese Aesthetics". Asian Studies 8, nr 3 (22.09.2020): 161–82. http://dx.doi.org/10.4312/as.2020.8.3.161-182.
Pełny tekst źródłaSernelj, Téa. "Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan". Asian Studies 8, nr 1 (10.01.2020): 77–98. http://dx.doi.org/10.4312/as.2020.8.1.77-98.
Pełny tekst źródłaArnheim, R. "ANCIENT CHINESE AESTHETICS AND ITS MODERNITY". British Journal of Aesthetics 37, nr 2 (1.04.1997): 155–57. http://dx.doi.org/10.1093/bjaesthetics/37.2.155.
Pełny tekst źródłaRozprawy doktorskie na temat "Chinese philosophy and aesthetics"
Wong, Ching-ping. "The manifestation of Chinese philosophy and aesthetics in the performance of the pipa music". Thesis, Kingston University, 1989. http://eprints.kingston.ac.uk/20532/.
Pełny tekst źródłaLI, HAO. "A COMPARATIVE STUDY OF EIGHTEENTH CENTURY ENGLISH AND ANCIENT CHINESE GARDEN DESIGN". University of Cincinnati / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=ucin975339478.
Pełny tekst źródłaHo, King Tong. "The poetics of making a new cross-cultural aesthetics of art making in digital art through the creative integration of Western digital ink jet printmaking technology with Chinese traditional art substrates : this exegesis is submitted to AUT University in partial fulfillment of the degree of Doctor of Philosophy". Click here to access this resource online, 2007. http://hdl.handle.net/10292/333.
Pełny tekst źródłaChiu, Chun-Chao. "A cross cultural study of Chinese yi jing aesthetic theory and Ch'an philosophy applied to contemporary art : bright moon tender wind". Thesis, University of Newcastle Upon Tyne, 2005. http://hdl.handle.net/10443/516.
Pełny tekst źródłaShi, Wen. "Les valeurs éducatives des arts attribuées par de grandes approches de la culture occidentale et chinoise, par rapport à une configuration « bipolaire » ou « tripolaire »". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2020/document.
Pełny tekst źródłaThis thesis is situated in the perspective of the philosophies of education and of art. It proposes to broach, through the principal texts stemming from philosophy and aesthetics, the question of the educational value of the arts. This question is considered in a comparative and historical perspective between Chinese and Western cultures. The object of the comparison, especially inferred from the figures of Chinese and/or ancient Greek mythology, is that of the “binary” approach, based on two poles that we also describe as “bipolar”, or of the “ternary”/“tripolar” approach, with the role of a Third, or a “middle”. The issue retained is as follows: What are the educational values of the arts attributed by the approaches of Western and Chinese cultures, in relation to a “bipolar” or “tripolar” configuration?At a historical level, for each culture, two periods judged “significant” within the context of the philosophy of education/aesthetic/art were retained. The first period corresponds to antiquity. For China, it is the Spring and Autumn period (771 to 476 BC), during which the Confucianism, and Taoist movements were born. For the West, it is Greek thought asemphasized by Plato and Aristotle. The second period does not correspond to synchrony between China and the West. However, it manifests in both cases a profound reformation of the educational value of the arts. For the West, this reform corresponds to the Luminaries, especially German, for example with the 18th century birth of aesthetics in the writings ofBaumgarten. If China stayed within the tradition of Spring and Autumn, it wasn’t until the republic period, from 1919 onward, that this reform happened, precisely under the influence of the Chinese intellectuals, who introduced new conceptions which were highly influenced by the European Luminaries.This is the historical course that this thesis proposes, in order to return to the question of its comparative approach on the basis of the “bipolar” or the “tripolar” configuration. The entire corpus that we present oscillates on this basis, in China as well as in the West. This double configuration, found at the center of the axes presented here, is well suited, beyond the educational value of the arts, to articulate a “transcultural” comparative operator. This proposition constitutes the originality of this thesis with respect to Chinese-Western approaches
Browne, Paul Leduc. "Lukacs's aesthetics and ontology, 1908-23". Thesis, University of Sussex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339014.
Pełny tekst źródła朱翹瑋 i Kiu-wai Chu. "Constructing ruins: new urban aesthetics in Chinese art and cinema". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43209609.
Pełny tekst źródłaChu, Kiu-wai. "Constructing ruins new urban aesthetics in Chinese art and cinema /". Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209609.
Pełny tekst źródłaRowe, M. W. "Philosophy, psychology, criticism : A defence of traditional aesthetics". Thesis, University of York, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377287.
Pełny tekst źródłaRazumovskaya, Maria. "Heinrich Neuhaus : aesthetics and philosophy of an interpretation". Thesis, Royal College of Music, 2014. http://researchonline.rcm.ac.uk/355/.
Pełny tekst źródłaKsiążki na temat "Chinese philosophy and aesthetics"
Liu, Kang. Aesthetics and Marxism: Chinese aesthetic Marxists and their Western contemporaries. Durham, N.C: Duke University Press, 2000.
Znajdź pełny tekst źródłaWu, Haiqing. Chuanshan mei xue si xiang yan jiu. Wyd. 8. Zhengzhou Shi: Henan ren min chu ban she, 2004.
Znajdź pełny tekst źródłaLi, Changshu. Yi jing de zhe xue ji chu: Cong Wang Bi dao Huineng de mei xue kao cha = The philosophic basis of yijing : an aesthetic investigation from Wangbi to Huineng. Wyd. 8. Beijing Shi: She hui ke xue wen xian chu ban she, 2008.
Znajdź pełny tekst źródłaZehou, Li. Zou wo zi ji di lu. Wyd. 8. Taibei Shi: Feng yun shi dai chu ban gong si, 1990.
Znajdź pełny tekst źródłaJullien, François. Dan zhi song: Lun Zhongguo si xiang yu mei xue = Eloge de la fadeur : apartir de la pensée et de l'esthétique de la Chine. Wyd. 8. Taibei Xian Xindian Shi: Gui guan tu shu gu fen you xian gong si, 2006.
Znajdź pełny tekst źródłaHuang, Shuji. Zhongguo yi shu zhe xue shi. Wyd. 8. Taibei Shi: Hong ye wen hua shi ye you xian gong si, 2006.
Znajdź pełny tekst źródłaJullien, François. Eloge de la fadeur: À partir de la pensée et de l'esthétique de la Chine. Arles: P. Picquier, 1991.
Znajdź pełny tekst źródłaWang, Yun. Tang dai mei xue fan chou yan jiu. Wyd. 8. Shanghai Shi: Xue lin chu ban she, 2005.
Znajdź pełny tekst źródłaZehou, Li. Four essays on aesthetics: Toward a global view. Lanham, MD: Lexington Books, 2006.
Znajdź pełny tekst źródłaZehou, Li. Four essays on aesthetics: Toward a global view. Lanham, MD: Lexington Books, 2006.
Znajdź pełny tekst źródłaCzęści książek na temat "Chinese philosophy and aesthetics"
Wang, Keping. "The Rise of Modern Chinese Aesthetics". W Beauty and Human Existence in Chinese Philosophy, 251–79. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1714-0_11.
Pełny tekst źródłaZhirong, Zhu. "Aesthetic traits". W Philosophy of Chinese Art, 149–87. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003204688-4.
Pełny tekst źródłaMan, Eva Kit Wah. "Chinese Bodies in Philosophy, Aesthetics, Gender and Politics: Methodologies and Practices". W Chinese Contemporary Art Series, 131–44. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0210-1_11.
Pełny tekst źródłaPark, So Jeong. "The Aesthetics of Musical Emotion in Ji Kang’s “Music has in It Neither Grief nor Joy”". W Dao Companions to Chinese Philosophy, 251–65. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49228-1_13.
Pełny tekst źródłaZhu, Baowei. "Aesthetic Factors in Engineering Technical Activities". W Chinese Philosophy of Technology, 93–111. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1952-9_7.
Pełny tekst źródłaFung, C. Victor. "Aesthetic Education: Classic Chinese Perspectives". W Encyclopedia of Educational Philosophy and Theory, 1–5. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-287-532-7_680-1.
Pełny tekst źródłaLee, Su-san. "In Defense of Chinese Sensibility: Confucian Aesthetics in the 20th Century". W Dao Companion to Contemporary Confucian Philosophy, 513–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56475-9_23.
Pełny tekst źródłaGoldberg, Stephen J. "Chinese Aesthetics". W A Companion to World Philosophies, 225–34. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164566.ch15.
Pełny tekst źródłaZhiyuan, Chen. "Chinese Aesthetics". W Handbook of Phenomenological Aesthetics, 49–52. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_9.
Pełny tekst źródłaRomero, Gustavo E. "Aesthetics". W Scientific Philosophy, 81–88. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97631-0_6.
Pełny tekst źródłaStreszczenia konferencji na temat "Chinese philosophy and aesthetics"
He, Shuqing. "Beauty and Art in the Oriental Philosophy. An Aesthetic Study in the Traditional Chinese Philosophy". W 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.20.
Pełny tekst źródłaPolmeer, Gareth. "Sublating Time: Hegel’s speculative philosophy and digital aesthetics". W Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.49.
Pełny tekst źródłaChudoba, Eva. "JOHN DEWEYS AESTHETICS OF EVERY DAY LIFE". W SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s11.100.
Pełny tekst źródłaYu, Xufeng. "Philosophy Education and the Innovation of Contemporary Chinese Philosophy". W Proceedings of the 2018 2nd International Conference on Economic Development and Education Management (ICEDEM 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icedem-18.2018.14.
Pełny tekst źródłaXu, Wei. "Study of Chinese Teaching Based on Aesthetics". W 3rd International Conference on Management Science, Education Technology, Arts, Social Science and Economics. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/msetasse-15.2015.79.
Pełny tekst źródłaWang, Tong. "Image Aesthetics Characteristics of Chinese Piano Music". W 2014 International Conference on Education, Management and Computing Technology (ICEMCT-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icemct-14.2014.34.
Pełny tekst źródłaLi, Pingfei. "Poetic Aesthetics in Chinese Contemporary Jewellery Design". W 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.098.
Pełny tekst źródłaWan, Wenwen. "The Life Spirit of Traditional Chinese Medicine and Chinese Aesthetics". W Proceedings of the 2nd International Conference on Humanities Education and Social Sciences (ICHESS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ichess-19.2019.51.
Pełny tekst źródłaZhu, Lin, i Donglei Guo. "Vindication of Chinese Traditional Legal Philosophy". W 2015 International Conference on Social Science, Education Management and Sports Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/ssemse-15.2015.462.
Pełny tekst źródłaHE, Shaoyao, Duo LI i Ouyang DUO. "Exploration of Chinese Ecological and Environmental Philosophy". W International Conference on Biological Engineering and Pharmacy 2016 (BEP 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/bep-16.2017.50.
Pełny tekst źródłaRaporty organizacyjne na temat "Chinese philosophy and aesthetics"
Chinese Philosophy: Lessons for Western Leaders. IEDP Ideas for Leaders, styczeń 2013. http://dx.doi.org/10.13007/065.
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