Gotowe bibliografie tematyczne / Chevalier d’Eon

Gotowa bibliografia na temat „Chevalier d’Eon”

Autor: Grafiati
Data publikacji: 25 lipca 2024
Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Chevalier d’Eon"

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Vicente, Marta V. "Trans Visual Narratives: Representing Gender and Nature in Early Modern Europe". Journal of Women's History 35, nr 4 (grudzień 2023): 57–75. http://dx.doi.org/10.1353/jowh.2023.a913382.

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Abstract: This article studies the portraits of two gender-ambiguous individuals, the seventeenth-century Spanish soldier Antonio (née Catalina) de Erauso and the eighteenth-century French diplomat the Chevalier (Chevalière) d’Eon, as they offer a window into early modern debates on the representation of nature through its wonders. Making sense of the representations of Erauso and d’Eon requires viewing them as depictions of nature that belonged to the genre of the cabinet of curiosities. When seen as part of the cabinet of curiosities, their paintings appear as part of the artistic and scientific explorations that negotiated changing concepts of nature in early modern Europe. While Erauso’s portrait belonged to a tradition that embraced the sitter’s gender ambiguities, d’Eon’s portrait appears instead as a transitional object between two ways of organizing knowledge of nature. D’Eon’s portrait reflected a grown interest in the eighteenth century of representing nature in an objective way with a clear separation between the genders.
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Spagna, Maria Immacolata. "Eon de Beaumont, La Pucelle de Tonnerre: les Vicissitudes du Chevalier et de la Chevalière d’Eon". Studi Francesi, nr 142 (XLVIII | I) (1.07.2004): 201–2. http://dx.doi.org/10.4000/studifrancesi.40812.

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Smirnov, Yuri N. "A new French source about Russia in the eighteenth century in the genre of historical anecdote". Izvestiya of Saratov University. History. International Relations 23, nr 3 (22.08.2023): 408–12. http://dx.doi.org/10.18500/1819-4907-2023-23-3-408-412.

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A review of the book by S. A. Mezin and the publication of an interesting historical source written in 1757 by Chevalier d’Eon, a diplomat and adventurer is presented. The manuscript “Secret Anecdotes about the Court of the All-Russian Empress” is published for the first time both in French and in Russian. In the peer-reviewed book the source characteristic and the analysis of the manuscript, scientific comments, the detailed essay on French studies of Russia in 1725–1762 were qualitatively made.
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Ftacek, Julia. "Reflections". Eighteenth-Century Fiction 33, nr 4 (1.06.2021): 577–80. http://dx.doi.org/10.3138/ecf.33.4.577.

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For the past several decades, scholars have examined the queer identities and sexual practices in eighteenth-century materials. However, queer and non-normative gender has been less frequently researched, even within the body of scholarship devoted to queer eighteenth-century studies. Scholars often take at face value the period’s gender norms, thereby suppressing the fact of a transgender eighteenth century. In this essay, I offer examples, from the Chevalier d’Eon to Lord Byron, that foreground the transgender qualities present in many materials of that time. I call on scholars to recognize the ways our field has inherited the period’s own normative views on queer gender expressions.
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Costa, Véronique. "Éon : le chevalier androgyne. Le plus célèbre travesti de l’histoire de France ou la guerre en dentelle". Caietele Echinox 42 (30.06.2022): 97–117. http://dx.doi.org/10.24193/cechinox.2022.42.07.

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"Charles-Geneviève, the knight Éon de Beaumont, famous transvestite in the history of France, remains an enigma. The rumor will evoke the hermaphroditism of this knight, devoid of attraction to either sex. The eccentric D’Eon shatters genres and forces us to think about the masculine-feminine border and its flexibility. The androgynous knight refers to the tension between imagination and reality, to the emergence in the 18th century of medical and philosophical questioning on gendered indeterminacy."
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LANDER, JAMES. "A TALE OF TWO HOAXES IN BRITAIN AND FRANCE IN 1775". Historical Journal 49, nr 4 (24.11.2006): 995–1024. http://dx.doi.org/10.1017/s0018246x06005711.

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In October 1775 two hoaxes, perpetrated for separate reasons by John Wilkes and his friend, the Chevalier d’Eon, briefly collided. Wilkes’s hoax, the ‘Sayre plot’, was probably intended to provoke a test of the constitutionality of the recent ‘King’s Proclamation’, which encroached upon the statutory definition of treason. The hoax involved creating the impression that a conspiracy existed to resolve the deepening American crisis by overthrowing George III. D’Eon’s hoax involved spreading the rumour that he himself was a woman in order to embarrass the French king into recalling him from exile on d’Eon’s terms, including a generous financial package. For Wilkes, although neither George III’s overthrow nor the modification of his colonial policy were likely expectations, either result would have been a bonus. And although d’Eon was unquestionably a man, he did actually (if inexplicably) desire to be perceived as a woman living the life of an heroic man. When d’Eon’s hoax suddenly progressed too far – trapping him into agreeing to dress as a woman, which, at first, he seemed unwilling to do – he delayed signing the deal for a month, until he saw that the ‘Sayre plot’ (whose success could have strengthened d’Eon’s negotiating position) had utterly failed.
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D’Auria, Matthew. "Simon Burrows, Jonathan Conlin, Russell Goulbourne and Valerie Mainz, eds, The Chevalier d’Eon and His Worlds: Gender, Espionage and Politics in the Eighteenth Century". European History Quarterly 43, nr 2 (kwiecień 2013): 345–46. http://dx.doi.org/10.1177/0265691413478542g.

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Éon, Aurélie, Laurent Martinez i Coralie Mennessier. "Et si le chevalier d’Éon avait été militaire ? Troubles dans les genres et aptitude à servir". Inflexions N° 38, nr 2 (2018): 145. http://dx.doi.org/10.3917/infle.038.0145.

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Bancroft, Alison. "When the Chevalier d’Éon met Alexander McQueen: History, gender and subjectivity in the costumes in Eonnagata". Studies in Costume & Performance 3, nr 1 (1.06.2018): 11–22. http://dx.doi.org/10.1386/scp.3.1.11_1.

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Dumasy-Queffélec, Lise. "L’entrée dans l’histoire du roman dumasien : de l’avènement révolutionnaire à l’aventure napoléonienne". Elseneur 39 (2024): 111–20. http://dx.doi.org/10.4000/11z0u.

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Dans une trilogie entamée en 1846 et terminée en 1853, les Mémoires d’un médecin (Joseph Balsamo, Le Collier de la reine, Ange Pitou / La Comtesse de Charny), Dumas fait le roman de la Révolution, qui est en même temps celui de l’émergence du sujet contemporain de l’Histoire, porté par les personnages fictifs dans leur rapport avec les personnages et les événements historiques. Pourtant cette histoire s’arrête avant Thermidor. Qu’advient-il donc du sujet contemporain et de l’Histoire sous le Directoire, le Consulat et l’Empire ? C’est l’objet d’une seconde trilogie, que Dumas ne publiera qu’en 1857 (Les Compagnons de Jéhu) et 1867-1869 (Les Blancs et les Bleus, Le Chevalier de Sainte-Hermine), de manière discontinue, et sous une forme bien différente. L’objet de cet article est d’analyser les différences entre ces deux trilogies et d’en dégager les raisons et les effets.
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Książki na temat "Chevalier d’Eon"

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Charles Geneviève Louis Auguste André Timothée d' Eon de Beaumont. Mémoires du Chevalier D'Eon. General Books LLC, 2012.

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Charles Geneviève Louis Auguste André Timothée d' Eon de Beaumont. Mémoires du Chevalier D'Eon. General Books LLC, 2012.

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Beaumon, Charles-Geneviève-Louis Éon de. Memoiren des Chevalier Von Eon. Creative Media Partners, LLC, 2023.

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Charles Geneviève Louis Auguste André Timothée d' Eon de Beaumont. Mémoires du Chevalier d'eon, Volume 3... Creative Media Partners, LLC, 2023.

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Charles Geneviève Louis Auguste André Timothée d' Eon de Beaumont. Mémoires du Chevalier d'eon, Volume 3... Creative Media Partners, LLC, 2023.

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Beaumon, Charles-Geneviève-Louis Éon de. Memoiren des Chevalier von Eon: Aus dessen Familienpapieren und nach authentischen Quellen, welche in den Archiven des Ministeriums der auswärtigen Angelegenheiten niedergelegt sind. Creative Media Partners, LLC, 2023.

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Mémoires du Chevalier D'éon: Pub. Pour la Première Fois Sur les Papiers Fournis Par Sa Famille, et d'après les Matériaux Authentiques déposés Aux Archives des Affaires Étrangères; Volume 1. Creative Media Partners, LLC, 2018.

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Mémoires du Chevalier D'éon: Pub. Pour la Première Fois Sur les Papiers Fournis Par Sa Famille, et d'après les Matériaux Authentiques déposés Aux Archives des Affaires Étrangères; Volume 1. Creative Media Partners, LLC, 2018.

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Mémoires du Chevalier D'éon: Pub. Pour la Première Fois Sur les Papiers Fournis Par Sa Famille, et d'après les Matériaux Authentiques déposés Aux Archives des Affaires Étrangères; Volume 1. Creative Media Partners, LLC, 2022.

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