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Artykuły w czasopismach na temat "Céramique à figures rouges"
Villanueva-Puig, Marie-Christine. "Les représentations de ménades dans la céramique attique à figures rouges de la fin de l'archaïsme". Revue des Études Anciennes 94, nr 1 (1992): 125–54. http://dx.doi.org/10.3406/rea.1992.4488.
Pełny tekst źródłaSiebert, Gérard. "Des vases apuliens à figures rouges aux céramiques à décor polychrome et plastique". Ktèma : civilisations de l'Orient, de la Grèce et de Rome antiques 10, nr 1 (1985): 19–26. http://dx.doi.org/10.3406/ktema.1985.1943.
Pełny tekst źródłaBurn, Lucilla. "C. Campenon: La céramique attique á figures rouges autour de 400 avant J.-C. (De l'Archéologie à l'Histoire.) Pp. 162; 17 plates. Paris: De Boccard, 1994. Paper." Classical Review 45, nr 2 (październik 1995): 475. http://dx.doi.org/10.1017/s0009840x00295164.
Pełny tekst źródłaDimo, Vangjel. "Qeramika korintike, atike me figura të zeza dhe ajo me figura të kuqe të gjetura në nekropolin e Apolonise. (Gërmime të tumave 6, 7) /Les céramiques corinthique, attique à figures noires et celle à figures rouges découvertes à la nécropole d'Apollonia". Iliria 21, nr 1 (1991): 65–90. http://dx.doi.org/10.3406/iliri.1991.1582.
Pełny tekst źródłaFortin, Andrée. "La longue marche des carrés rouges". Recherche 54, nr 3 (12.12.2013): 513–29. http://dx.doi.org/10.7202/1021002ar.
Pełny tekst źródłaDenti, Mario, i Philippe Lanos. "Rouges, non rougies. Les briques de l'Incoronata et le problème de l'interprétation des dépôts de céramique". Mélanges de l’École française de Rome. Antiquité 119, nr 2 (2007): 445–81. http://dx.doi.org/10.3406/mefr.2007.10401.
Pełny tekst źródłaBallet, Pascale, i Sandrine Élaigne. "Modèles exogènes de la production céramique des ateliers de Bouto (Delta, Égypte) : inspirations italiques du répertoire de la vaisselle de table". Revue archéologique 76, nr 2 (29.11.2023): 273–333. http://dx.doi.org/10.3917/arch.232.0273.
Pełny tekst źródłaMoore, Mary B. "La Céramique thasienne à figures noires. By A. Coulié." American Journal of Archaeology 109, nr 4 (1.10.2005): 802–4. http://dx.doi.org/10.1086/ajs40025709.
Pełny tekst źródłaRousset, Denis. "Une coupe attique à figures rouges et un pentamètre érotique à Élatée de Phocide". Revue des Études Grecques 125, nr 1 (2012): 19–35. http://dx.doi.org/10.3406/reg.2012.8075.
Pełny tekst źródłaMacías Quintero, Juan Ignacio, Ciprian Florin Ardelean, Socorro Del Pilar Jiménez Álvarez, Berenice Solis Castillo i Adriana Gómez Espinosa. "Cerámica prehispánica asociada a cazadores-recolectores del semidesierto de Zacatecas, México / Pre-Hispanic pottery of hunter-gatherers from the Zacatecas northern semi-deserts, Mexico". Revista Trace, nr 79 (29.01.2021): 119. http://dx.doi.org/10.22134/trace.79.2021.757.
Pełny tekst źródłaRozprawy doktorskie na temat "Céramique à figures rouges"
Campenon, Christine. "Études sur la céramique attique a la fin du Ve siecle et au premier quart du IVe siècle". Paris 10, 1987. http://www.theses.fr/1987PA100051.
Pełny tekst źródłaPart one of the thesis deals with the production of attic red-figured vases, from 450 to 320 B. C. It consists of a survey of four types of shapes (skaters - chapter 1 -, oinochoai – chapter 2 -, drinking vessel – chapter 3 -, lekythoi – chapter 4 -) : typology of the different varieties, peculiarities and common features and development of the shapes. Concluding part one, some considerations on the development of the shapes. Concluding part one, some considerations on the evolution of the fashion, of the conditions of production (development of mass-production? More specialized workshops?), on the relationships betwen attic red-figured vases, black pottery and metalwork. The second part of the thesis deals with the trade of attic red-figured ceramics. Chapter one: geographical distribution of the different kinds of vases studied in part one. Secondly, catalogue of the shapes found in the main market-places of Mediterranean sea: specific regional features. Finally, the problem of the conditions of trade: development of mass-production and distribution. In appendix, a survey on dating (the main chronological references and their value)
Enríquez, de Salamanca Alcón Macarena. "Mégara Hyblaea au IVe siècle av. J.-C. : étude d'un corpus fragmentaire de vases à figures rouges sicéliotes provenant du secteur public de la cité". Electronic Thesis or Diss., Tours, 2022. http://www.theses.fr/2022TOUR2016.
Pełny tekst źródłaThis thesis studies and analyses a mostly unpublished corpus of Sicilian red-figured vase fragments, decorated with scenes related to the sphere of Aphrodite and the Dionysian universe. These fragments are dated to the second half of the 4th century B.C. and probably come from the agora area of Megara Hyblaea, an ancient Greek colony in eastern Sicily. This city was rediscovered thanks to the excavations carried out by G. Vallet and Fr. Villard between 1949 and 1978. Following its discovery, Megara Hyblaea has been the subject of numerous excavation campaigns, studies and publications that focused in particular on the questions of the foundations of the city and its archaic phase. During the last study programs of the Ecole française de Rome, research on the post-archaic material of the city was relaunched. This thesis is part of these programs as well as the scientific collaboration, established in 2019, between the EfR and the Centre Jean Bérard in Naples (collaboration that continues the study of the selection of material carried out by Fr. Villard). The aim of this thesis is firstly to measure the contribution of the corpus to the history of Megara during the second half of the 4th century B.C. Secondly, we try to contribute to the revision of the production of Sicilian red-figured vases, in particular the revision of the organization of the different groups proposed by A.D. Trendall as well as their chronology. We also seek to establish some lines of thought on the end of the production of red figures in Sicily. In order to carry out this project, the corpus is subjected to a complete analysis - form of the vase, type, iconography, style, preliminary observations on the clay, context of discovery and region of provenance - as well as to a comparative study with the other vases of the Sicilian and Italiote regions (notably Campania and Paestum). This work allows the development of at least three parts. The first part highlights the material data of the corpus (forms, types, iconographic elements, quantities of material, clays, etc.) and allows to build a basis for the other sections of the thesis. The second part focuses on the stylistic analysis of a part of the fragments of the corpus, which allows the development of stylistic comparisons between the corpus and the comparative material and thus to refine the dating of the corpus. In this section, the revision of two groups belonging to the Sicilian production (the production of the Painter of Biancavilla and the production of the Group of Lentini-Manfria) is set up. This part also develops the identification of a possibly unpublished group. Finally, the third part uses the information obtained in the first two parts to try to better understand the context of provenance of our corpus. The hypotheses of the material's provenance are made on different scales (regional, local and cultural) and seek to solidify the place of Megara Hyblaea in the distribution networks of red-figured vases in Sicily during the 4th century, as well as the other contexts that could explain the presence of our material (sanctuary, theatre culture)
Niddam, Noémie. "Objets dans le champ et champs de l'objet dans la peinture sur vase à figures rouges attiques autour du Ve siècle av. J. -C". Paris 1, 2009. http://www.theses.fr/2009PA010563.
Pełny tekst źródłaAttia, Alexandra. "Étude et contextualisation des ateliers à figures rouges du "Lucanien récent" (2ème moitié du IVè siècle av. J.-C.) : le cas du Peintre du Primato". Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H107.
Pełny tekst źródłaSince 1967 and New Zealander's A.D. Trendall 's stylistic classification of Late Lucanian vases -designating South-italian red-figure vases produced in Lucania around the second half of the 4th century B.C. until its so-called «barbarization» presumably occuring in the last decades of that same century -this field of research has not expanded. To overcome persistent shadows regarding the location and articulation of these workshops' production and in the face of numerous recent archeological finds in Basilicata and Puglia, this research offers a new awaited methodological study. Multidisciplinary, it encompasses the initial stylistic corpus, an updated inventory, and new approaches informed by contextual archeology and archeology of production. Focusing on late Lucanian vases attributed to the Primato Painter and his colleagues, considered in their formal, iconographic, stylistic, and technological aspects, the scope interprets the established new contexts while responding to a local demand, from italic people of ancient Lucania. The analysis of contemporary productions both Lucanian, with the Painter of Naples 1959 and his followers in an era of decline of Lucanian wares, and Apulian, with the Lycurgus painter from whom the Primato sourced his main inspiration, contributes to highlight the specificities of his “language”, as well as his networks of contacts and influences that accompanied the emerging of a workshop culture
Coulié, Anne. "La céramique thasienne à figures noires". Paris 1, 1996. http://www.theses.fr/1996PA010670.
Pełny tekst źródłaThis study concerns a workshop of archaic black-figured ceramics in thasos, an island in the north of the egean sea. Why Thasian? no workshop has been revealed through excavations, but technical coherences and specific shapes testifies of the homogeneity of the group. For instance, the decoration of the foot of the lekanai - the favourite shape - has no parallel in the greek world. Furthermore, one of the oldest coin of the city is impressed inside of one lekane. The determination of a thasian fabric allows us to attribute to the same workshop a series very similar to chian models executed in the reserved and in the black-figured style. The first chapter studies the thasian style, as a local style, it can be caracterized by its electism. Some imitations are so closed to chian and attic models than we have to underline its colonial dimension. This city of the borders affirms itself, in front of the barbarian world, as greek rather than as specifically thasian. The second chapter resitues the organisation of the workshop. It appears that at least two generations of painters collaborated during more than three generations. Through the way lekanai were decorated, one can discern workshop's traditions. The third chapter precises the chronology of the workshop, activ during more than a century, from 580 bc. Following an appendix on the shapes, the conclusion insists on the contribution of this study on ceramics to the history of the thasian city in the archaic period
Fless, Friederike. "Rotfigurige Keramik als Handelsware : Erwerb und Gebrauch attischer Vasen im mediterranen und pontischen Raum während des 4. Jhs. v.Chr. /". Rahden/Westfalen : M. Leidorf, 2002. http://catalogue.bnf.fr/ark:/12148/cb39277746b.
Pełny tekst źródłaRenaud, Denis. "Les œnochoes attiques à figures rouges : production, distribution, iconographie". Master's thesis, Université Laval, 1989. http://hdl.handle.net/20.500.11794/33528.
Pełny tekst źródłaMontréal Trigonix inc. 2018
Papadakis, Manuela. "Ilias- und Iliupersisdarstellungen auf frühen rotfiguren Vasen /". Frankfurt am Main : P. Lang, 1994. http://catalogue.bnf.fr/ark:/12148/cb39150502w.
Pełny tekst źródłaHoffmann, Andreas. "Grabritual und Gesellschaft : Gefäßformen, Bildthemen und Funktionen unteritalisch-rotfiguriger Keramik aus der Nekropole von Tarent /". Rahden/Westfalen : M. Leidorf, 2002. http://catalogue.bnf.fr/ark:/12148/cb39276248d.
Pełny tekst źródłaBibliogr. p. 289-305. Index.
Gebauer, Jörg. "Pompe und Thysia : Attische Tieropferdarstellungen auf schwarz- und rotfiguren Vasen /". Münster : Ugarit-Verlag, 2002. http://catalogue.bnf.fr/ark:/12148/cb39083841s.
Pełny tekst źródłaKsiążki na temat "Céramique à figures rouges"
The red and the black: Studies in Greek pottery. London: Routledge, 1996.
Znajdź pełny tekst źródłaCoulié, Anne. La céramique thasienne à figures noires. Athènes: Ecole française d'Athènes, 2002.
Znajdź pełny tekst źródłaLevent, Jean-Marc. Les ânes rouges: Généalogie des figures critiques de l'institution philosophique en France. Paris: Harmattan, 2003.
Znajdź pełny tekst źródłaLouise, Milot, Roy Fernand 1942- i Robert Lucie 1954-, red. Les figures de l'écrit: Relecture de romans québécois des Habits rouges aux Filles de Caleb. Québec, Québec: Nuit Blanche, 1993.
Znajdź pełny tekst źródłaCampenon, Christine. La céramique attique à figures rouges, autour de 400 avant J.-C.: Les principales formes, évolution et production. Paris: De Boccard, 1994.
Znajdź pełny tekst źródłaJennifer, Jankauskas, Montgomery Museum of Fine Arts, Art Museum of South Texas i Figge Art Museum, red. About face: Contemporary ceramic sculpture. Montgomery, Alabama: Montgomery Museum of Fine Arts, 2019.
Znajdź pełny tekst źródłaFalconet, Etienne. Falconet à Sèvres, 1757-1766: Ou, L'art de plaire : Musée national de céramique, S`evres, 6 novembre 2001-4 février 2002. Paris: Réunion des musées nationaux, 2001.
Znajdź pełny tekst źródłaTrendall, A. D. Second supplement to The red-figured vases of Apulia. London: University of London, Institute of Classical Studies, 1991.
Znajdź pełny tekst źródłaThe art and archaeology of Challuabamba, Ecuador. Austin: University of Texas Press, 2008.
Znajdź pełny tekst źródłaCook, Robert Manuel. Greek painted pottery. Wyd. 3. London: Routledge, 1997.
Znajdź pełny tekst źródłaCzęści książek na temat "Céramique à figures rouges"
Villard, François. "La place de l’Occident dans les exportations attiques à figures rouges au IVe siècle". W La céramique attique du IVe siècle en Méditerranée occidentale, 7–10. Publications du Centre Jean Bérard, 2000. http://dx.doi.org/10.4000/books.pcjb.1934.
Pełny tekst źródłaMaffre, Jean-Jacques. "Remarques préliminaires sur la céramique attique à figures rouges trouvée à Thasos depuis 1956". W Thasos. Metropole et colonies, 309–20. Peeters Publishers, 2017. http://dx.doi.org/10.2307/j.ctv1q26rz5.19.
Pełny tekst źródła"Liste des figures". W La Céramique du groupe épiscopal d’ARADI/Sidi Jdidi (Tunisie), iii—vi. Archaeopress Publishing Ltd, 2016. http://dx.doi.org/10.2307/j.ctvxrq031.3.
Pełny tekst źródłaPouzadoux, Claude. "Figures de devins et signes du destin dans la céramique apulienne". W Euphorion et les mythes, 91–109. Publications du Centre Jean Bérard, 2013. http://dx.doi.org/10.4000/books.pcjb.6561.
Pełny tekst źródłaMaffre, Jean-Jacques. "Fragments de coupes attiques à figures rouges trouvés à La Castellina del Marangone". W Étrusques, 107–21. Presses universitaires de Rennes, 2014. http://dx.doi.org/10.4000/books.pur.49476.
Pełny tekst źródłaAdembri, Benedetta. "2 - Aspects de la céramographie étrusque septentrionale : le cratère à figures rouges de Casole d’Elsa". W Les potiers d’Étrurie et leur monde, 369–80. Armand Colin, 2014. http://dx.doi.org/10.3917/arco.ambro.2014.01.0369.
Pełny tekst źródłaPlatas, Fátima Díez. "Comme le lierre et comme les serpents : poésie visuelle et langage figuratif dans les scènes dionysiaques de la céramique à figures noires". W Mythe et fiction, 307–26. Presses universitaires de Paris Nanterre, 2010. http://dx.doi.org/10.4000/books.pupo.1836.
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