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1
Bidgood, Lee. "Fall Celebration". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/3253.
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Strader, Mary Darty Linda. "Celebration and Ceremony". [Greenville, N.C.] : East Carolina University, 2010. http://hdl.handle.net/10342/2675.
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Cassidy, James E. "Bridges the celebration of passage". Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/53061.
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The purpose of this paper was to investigate the architectural appearance and the evolution of bridges. It is to show the intentions and consequent symbols of civilizations who built bridges. The paper also investigates bridge types, foundations and falsework.Master of Architecture
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Stewart, Gary. "Kardia a celebration of marriage /". Theological Research Exchange Network (TREN), 1996. http://www.tren.com.
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Tanner, Michael Clark. "A celebration of God's presence". Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.
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Smith, David. "The Celebration of the Ordinary". Spiritus Press, 2003. http://digital.library.duq.edu/u?/spiritanbook,13746.
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Table of Contents -- Dedication and Appreciation, by David L. Smith, CSSp. -- (p. vii)-- Preface, by David L. Smith, CSSp. -- (p. xi) -- Contributors -- (p. xv) -- 1. The Life and Work of Poullart des Places, Henry J. Koren, CSSp. -- (p. 1) -- 2. Francis Libermann: To the Ends of the Earth, Boniface Hanley, O.F.M. -- (p. 23) -- 3. The Role of the Holy Spirit in Spiritual Direction, Marie L. Baird, Ph.D. -- (p. 45) -- 4. Why do we call the Spirit "The Comforter"?: Thoughts on the Holy Spirit and Suffering, William M. Thompson-Uberuaga, Ph.D. -- (p. 57) -- 5. The Embodied Spirit of Libermann's Spirituality and Some Psychological Themes, David L. Smith, CSSp., Ph.D. -- (p. 73) -- 6. The Holy Spirit and the Creative Imagination, George S. Worgul, Jr., S.T.D., Ph.D. -- (p. 101)
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Sheehy, Margaret. "Community and celebration in community plays". Thesis, University of Kent, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369683.
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Williams, Alison Jane. "Tricksters and pranksters in medieval and Renaissance French and German literature". Thesis, University of Bristol, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389342.
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D'Mello, James. "The dual religious marriage celebration in India". Thesis, University of Ottawa (Canada), 1985. http://hdl.handle.net/10393/4751.
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Cameron, Roger Neil, i n/a. "New Alignments in Ritual, Ceremony and Celebration". Griffith University. School of Arts, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20050627.105721.
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Increasingly, cultural workers and artists from many disciplines are finding themselves involved in the creation of public and private rituals, ceremonies and celebrations. Focusing on ritual and celebration in Australian contexts, this thesis posits a new categorisation of the types of event that might be encountered, grouping and examining them according to their action upon participants with the aim of enabling a more practical methodology of design in contemporary societal conditions. Existing categories, which have defined these age-old activities in terms of anthropological observation or social intention, must now be regarded as obsolete because they take no account of rapid and widespread changes in degrees of adherence to traditional belief systems, in social orientation and in Western cultural practices. There is a need to reappraise why individuals and communities might continue to hold rituals and celebrations, and how these can be designed, managed and operated most effectively. The thesis identifies four major categories of ritual: Transformation, Reinforcement, Transcendence and Catharsis. It argues that, by recognising the differences between how each category operates for participants and also certain commonalities across categories, effectiveness of design is facilitated. In developing parameters for each category and giving examples of contemporary praxis, the writer stresses the importance of understanding traditional ceremonies so that elements of a rich repertoire of techniques developed over long periods can be planned into new rituals for contemporary application, despite the dissipation of shared, coherent belief systems in a highly secularised culture. This impels consideration of questions of cultural sensitivity, raises the need for close community involvement in design, and requires exploration of managing the challenges of multiple signification. Contemporary cultural contexts for ritual and celebratory events are marked by plurality, multi-vocalism and multicultural experience. Designers thus need to achieve, out of difference, an event that produces coherence, deep effects for each participant and a sense of shared experience. The thesis demonstrates means to this end through informed praxis, that is, by practitioners ensuring that theory and practice are working together in these complex contexts that involve the well being of individuals and communities. The categories have been identified through investigations into the literature of myth, ritual and celebration, helpful frameworks developed in cognitive science, and extensive research provided by thirty years of practice in the field. As a designer and director of rituals and celebrations, the writer seeks both to confirm the importance of the artist within the process and to demonstrate a new, practical, ethically located and effective approach for the education of intending practitioners. No claim is made that the four categories are definitive or mutually exclusive of one another. It is accepted that in many situations the categories might coalesce, be added to and/or fragment. However, the categorisation provides a fresh vantage point from which to view the potentially powerful effects of ritual experience, an effective tool of construction for the use of artists and cultural activists working in this field, and an informed basis for praxis. In developing this new categorisation the writer argues an ongoing need for rituals and celebrations to clarify and enrich the lives of individuals and the community while stressing the importance of careful and appropriate design of such events.
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Blackwelder, Reid B. "Celebration and Ceremony: Recreating the Residency Experience". Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etsu-works/6959.
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Cameron, Roger Neil. "New Alignments in Ritual, Ceremony and Celebration". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366171.
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Increasingly, cultural workers and artists from many disciplines are finding themselves involved in the creation of public and private rituals, ceremonies and celebrations. Focusing on ritual and celebration in Australian contexts, this thesis posits a new categorisation of the types of event that might be encountered, grouping and examining them according to their action upon participants with the aim of enabling a more practical methodology of design in contemporary societal conditions. Existing categories, which have defined these age-old activities in terms of anthropological observation or social intention, must now be regarded as obsolete because they take no account of rapid and widespread changes in degrees of adherence to traditional belief systems, in social orientation and in Western cultural practices. There is a need to reappraise why individuals and communities might continue to hold rituals and celebrations, and how these can be designed, managed and operated most effectively. The thesis identifies four major categories of ritual: Transformation, Reinforcement, Transcendence and Catharsis. It argues that, by recognising the differences between how each category operates for participants and also certain commonalities across categories, effectiveness of design is facilitated. In developing parameters for each category and giving examples of contemporary praxis, the writer stresses the importance of understanding traditional ceremonies so that elements of a rich repertoire of techniques developed over long periods can be planned into new rituals for contemporary application, despite the dissipation of shared, coherent belief systems in a highly secularised culture. This impels consideration of questions of cultural sensitivity, raises the need for close community involvement in design, and requires exploration of managing the challenges of multiple signification. Contemporary cultural contexts for ritual and celebratory events are marked by plurality, multi-vocalism and multicultural experience. Designers thus need to achieve, out of difference, an event that produces coherence, deep effects for each participant and a sense of shared experience. The thesis demonstrates means to this end through informed praxis, that is, by practitioners ensuring that theory and practice are working together in these complex contexts that involve the well being of individuals and communities. The categories have been identified through investigations into the literature of myth, ritual and celebration, helpful frameworks developed in cognitive science, and extensive research provided by thirty years of practice in the field. As a designer and director of rituals and celebrations, the writer seeks both to confirm the importance of the artist within the process and to demonstrate a new, practical, ethically located and effective approach for the education of intending practitioners. No claim is made that the four categories are definitive or mutually exclusive of one another. It is accepted that in many situations the categories might coalesce, be added to and/or fragment. However, the categorisation provides a fresh vantage point from which to view the potentially powerful effects of ritual experience, an effective tool of construction for the use of artists and cultural activists working in this field, and an informed basis for praxis. In developing this new categorisation the writer argues an ongoing need for rituals and celebrations to clarify and enrich the lives of individuals and the community while stressing the importance of careful and appropriate design of such events.Thesis (Masters)
Master of Philosophy (MPhil)
School of Arts
Full Text
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Bidgood, Lee, i Doctors and Outlaws. "Celebration of 1970s Country-Rock-Grass Fusion". Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1063.
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A one-time celebration of the 1970s country-rock-grass fusion of Crowe, Parsons, the Rices, the Burritos, etc. View the YouTube videos below:
Part 1: https://www.youtube.com/watch?v=lbWzeKhdbus
Part 2: https://www.youtube.com/watch?v=ImrFFCPPXw4
Part 3: https://www.youtube.com/watch?v=Je5oXBpDGmU
Part 4: https://www.youtube.com/watch?v=WkNjD079QFQ
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Jodog, I. Made. "Procession: The Celebration of Birth and Continuity". Scholar Commons, 2004. https://scholarcommons.usf.edu/etd/1095.
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The procession is an exhibition of sculpture which expresses the birth and continuity of life. It uses mixed material such as cloting, balloon, latex, epoxy, nylon and oil paint. The writen project is part of the exhibition.
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Fisher, Carl Francis. "Early Darwinian commemoration in Britain, 1882-1914". Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/269789.
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This dissertation recounts the commemoration of Charles Darwin in Britain from his death in 1882 to his birth centenary in 1909. As a broadly chronological and episodic history, individual memorials are considered in themselves, in relation to others, and in their national and local contexts. In this way, they are shown to have been informed by contemporary scientific and wider cultural developments, previous memorialisations, and – consonant with a more recent historiographical turn to ‘place’ – local imperatives alongside those arising further afield. Consequently, memorialisers and observers are shown to have acted not merely as unreflective publicists or passive consumers, but as interpreters of Darwin’s memory who brought their own concerns to his commemoration. Darwin’s funeral, at Westminster Abbey, was widely accepted as a national endorsement of his social respectability, and, by extension, that of a burgeoning scientific profession which organised it. Further to this first posthumous elevation, and appropriation, of Darwin, subsequent presentations were informed by contemporary literary developments, and particularly the sudden decline in the posthumous reputation of Thomas Carlyle, which reflected changing attitudes to long-established ‘heroic’ tradition. As such, the production, reception and mobilisation of Darwinian biography (primarily his Life and Letters and its subsequent editions and sequels) recognised these recent literary concerns and further contributed to Darwin’s elevation as a personal and scientific exemplar. The ways in which Darwin’s reputation was elaborated and used are recovered at a range of sites of Darwinian significance, most notably Edinburgh, Cambridge, Shrewsbury, Oxford and London. Encompassing metropolitan, provincial, institutional and civic commemoration, accompanying periodical reportage, commentary and memorialisation is also considered. Common to the majority of these productions, Darwin’s theory of natural selection was criticised, contradicted or ignored. Nevertheless, the esteem in which the celebrated naturalist was held was to grow in inverse proportion to the reputation of his famous theory. Against this background, an extended memorial season peaked in the summer of 1909 at the Darwin Celebration at the University of Cambridge. That grandiose occasion echoed and developed themes which were well recorded in preceding commemorations, both ceremonially and in the periodical press. Consequently, man and work were brought into closer relation with a widely-expressed interest in the origins of his apparently exceptional abilities and character. The great naturalist was celebrated as a hereditary, as well as a moral and intellectual, exemplar. This development was supported by the new findings of Mendelian biology and Darwin’s memorial association with advancing eugenic activism. For the first time attending to his early ‘afterlife’ in Britain, this account traces the interaction of Darwin’s commemoration not only with the emerging biological sciences, but also with wider preoccupations concerning secularisation, democratisation and reform across the decades either side of the turn of the twentieth century. Ultimately, Darwin’s early memorialisation can be apprehended as a scientific activity in itself, contributing to professional, disciplinary and theoretical developments in the biological sciences.
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Lea, Carolyn. "Beyond Celebration: A Call for Rethinking Cultural Studies". Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1194285318.
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Camidge, Linda Margaret. "The celebration of kingship in fifteenth-century England". Thesis, University of Exeter, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337728.
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Pina, Almeida Jose Carlos. "Commemorations of Portugal : national identity and public celebration". Thesis, University of Bristol, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369870.
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Kanekar, Aarati K. (Aarati Kumar). "Celebration of place : processional rituals and urban form". Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/36922.
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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.Includes bibliographical references (leaves 103-108).
The celebration of processional rituals of festivity is a significant, dynamic, social and temporal dimension of the static form of the built environment. This study endeavors to understand the means by which meaning was added to the form, space and character of the built environment by these processional rituals. Processional rituals influence and are influenced by various aspects of the spatial framework. This study analyzes those spatial aspects that play a significant role in the relationship between processional rituals and urban form in general and then examines how these analytical principles work in the three specific case studies examined in the Indian subcontinent. The first case, that of the South Indian temple cities, focuses on the religious processional rituals; the second, Delhi is important for consideration of political and ceremonial processions; and the third case, Bhaktapur has both the religious as well as the political dimension working together. This thesis shows that processions do have a tremendous impact on urban form and spaces - some of which lose meaning and character without the rituals they were meant to house. Even when the original processional ritual is changes, urban spaces have a determining role in the creation of new rituals.
by Aarati K. Kanekar.
M.S.
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Talarico, Gui. "Urban Data Center: A Architectural Celebration of Data". Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/42855.
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Throughout the last century, the popularization of the automobile and development of roads and highways has changed the way we live, and how cities develop. Bridges, aqueducts, and power plants had comparable impact in the past. I consider each of these examples to be â iconsâ of infrastructures that we humans build to improve our living environments and to fulfill our urge to become better.Fast forward to now. The last decades showed us the development of new sophisticated networks that connect people and continents. Communication grids, satellite communication, high speed fiber optics and many other technologies have made possible the existence of the ultimate human network - the internet. A network created by us to satisfy our needs to connect, to share, to socialize and communicate over distances never before imagined. The data center is the icon of this network.Through modern digitalization methods, text, sounds, images, and knowledge can be converted into zeroâ s and oneâ s and distributed almost instantly to all corners of the world. The data center is the center piece in the storage, processing, and distribution of this data.The Urban Data Center hopes to bring this icon closer to its creators and users. Let us celebrate its existence and shed some light into the inner workings of the worldâ s largest network. Let the users that inhabit this critical network come inside of it and understand where it lives. This thesis explores the expressive potential of networks and data through the design of a data center in Washington, DC.Master of Architecture
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Reynolds, Nena. "Day of celebration at Grace United Methodist Church". Theological Research Exchange Network (TREN), 2005. http://www.tren.com.
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Stoffle, Richard W. "Sustainability in Small Islands (Bahamas 40th Independence Celebration)". Bureau of Applied Research in Applied Anthropology, 2013. http://hdl.handle.net/10150/293208.
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Crittenden, Jeff. "Holy leisure, a life of prayer, contemplation and celebration". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ65176.pdf.
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Bennett, Alan David. "The Great Western Railway and the celebration of Englishness". Thesis, University of York, 2000. http://etheses.whiterose.ac.uk/2523/.
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Sarabia, Jose Raul Salas. "Human Crafted : A Vehicle as a Celebration of Humanity". Thesis, Umeå universitet, Designhögskolan vid Umeå universitet, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-149736.
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With smart machines taking over each time more tasks, there is a risk of a future without relevant field for human action. In the 19th Century, the Arts and Crafts movement proposed a reaction against the alienation generated by industrial machines. Today, following the spirit of Arts and Crafts, this project intends to pose a reaction against the aesthetics of Artificial Intelligence by embracing human-crafted methods. Furthermore, to tell a complete story of humanizing experiences, the production and use of the vehicle are focused on human interaction; in the first case as a bespoke process and in the second as a vehicle interior that fosters human interaction. With Rolls-Royce Bespoke Design as collaborator for this thesis, the project has been branded after them, taking advantage of the company's hand-crafted approach as a positive value with humanistic potential. The main inspiration consisted of a reinterpretation of traditional artisan methods in order to design a vehicle with novel attributes. In contrast to the common practice of vehicle design where the generation of geometry rules the latter selection of materials and production process, for this project the early inspiration from hand-crafted methods dictated material and form, which could result in limitations during the form finding process, but which could also trigger unexpected results. At the same time, the simulation of the bespoke process with a relevant individual playing the role of the product's user had a major influence on the final outcome. The final result is a vehicle in which the main design focus lies on the interior, although the exterior had to be developed to some extent to provide a frame for development of the inside. The main design contribution is the proposal of structural elements with an aesthetic intention which was dictated by material properties and authenticity. As a story, the project intends to question the increasing presence of Artificial Intelligence and what could be an appropriate scenario for its usage (i.e. autonomous drive algorithms enabling human interaction inside the vehicle). So with the goal of providing humanizing experiences for makers and users of the product, even overlapping the role of makers and users during the bespoke process, the project tells a story of humanization through craftsmanship and dialogue.
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Samsonow, Emily L. "Material Celebration: Exploring the Architectural Potential of Waste Materials". University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306501078.
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Farr, Virginia. "The role of celebration in building classroom-learning communities". [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-0407103-141706/unrestricted/FarrV041103f.pdf.
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Thesis (Ed. D.)--East Tennessee State University, 2003.Title from electronic submission form. ETSU ETD database URN: etd-0407103-141706. Includes bibliographical references. Also available via Internet at the UMI web site.
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Chang, Ting-Chun. "Creating History Towards Utopia: The 2016 Taiwanese LDS Celebration". BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6551.
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This thesis argues that emotions and memories in a community are essential to shaping a common future. Furthermore, when performed on stage, these memories and emotions create a utopian experience that moves performers and audience members towards a brighter future. The foundation for this thesis is built upon the ideas of utopian performative theories combined with the Asian Ganzhi belief that every sixty years a new cycle of hope begins. This thesis also includes a practical work. I was invited to write and direct a cultural production for the 60th year anniversary celebration of The Church of Jesus Christ of Latter-day Saints in Taiwan. The practical experience of creating this production and the utopian theories and Ganzhi beliefs interacted throughout the process of creating the production and writing this thesis. These utopian and Ganzhi ideas influenced the production and the production tested the theories. Historical memories of one generation performed by and to the next generation is a way for a community to shape a brighter future together. The performance of the 60th year anniversary celebration was based on the re-creation, restoration and emotional connection of the members of the performing group to the personal historical memories of the previous generation. When the Taiwanese LDS members prepared, rehearsed and performed their cultural celebration in October of 2016, the production shaped a common, brighter future.
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Marks, Lori J. "2002 Deaf Awareness Week and Disability Awareness Month Celebration". Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etsu-works/3696.
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Mainiero, Cathy A. "A reading celebration program from kindergarten through fifth grade". CSUSB ScholarWorks, 1986. https://scholarworks.lib.csusb.edu/etd-project/153.
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Charles, Craig, i s9901040@student rmit edu au. "Telling the Stories: Art Making as a Process of Recovery, Healing and Celebration". RMIT University. Education, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070205.150934.
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I am a Latje Latje man born and raised in Mildura. I am a contemporary artist, a dancer and a father. I began dancing with the Latje Latje dance group when I was four. I come from river country. I spent the first six years of my life on the banks of the Murray River. The river runs right through my work. During the course of my Masters, I have been spending time in the north of Victoria, in central Victoria and in South Gippsland by the sea in Boonerwrung country. I a man of the river, but since the birth of my son, I have been developing a relationship with the sea. My relationship to the sea changed when my son moved to the sea. My spiritual connection to the sea has grown the more time I have spent there and the more spiritual knowledge I have gained of my ancestral country of the Boonerwrung. Within this research project, I explore the question: How can art-making generate a process of recovery, healing and celebration? In my Masters I have developed two series of paintings, one from the river and one from the sea. The first group of paintings were shown in a nine-month solo exhibition, 'City Style - Country Youth' at Bunjilaka, the Aboriginal Section of the Melbourne Museum. The second group were shown at another solo exhibition called 'Mungo Stories' held at the Australia Dreaming Art gallery in Fitzroy, Melbourne. Artefacts My Master of Arts includes the following artefacts: An Exhibition of Paintings selected from the 63 artworks I have undertaken during the course of my Masters An Exegesis in which I tell the story of my paintings and my research and in which I give an overview of the paintings I have done during my research degree A Digital Story which combines didgeridoo music with a selection of my images Two Audio Tracks, 'Paintings Talk' and 'Grinding the Ochre' A Short Film in which I describe my experience as a contemporary Indigenous artist.
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Šimoliūnas, Tadas. "Miesto šventinė įranga ir apipavidalinimas". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080929_140156-22364.
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Magistro darbas “ Miesto šventinė įranga ir apipavidalinimas“ apima kelis objektus. Tai kompleksinio projektavimo darbas, kuriame labai svarbus ansambliškumas, bei harmoninga visuma. Kuriant šventinę įrangą buvo remiamasi bioninėmis formomis. Improvizuotos gyvosios gamtos formos įgalina sukurti neįprastus objektus, turinčius savitą stilistiką, tektoniką, ritmiką ir charakterį. Būtent iš gamtos nesenkančio šaltinio galima semtis naujų idėjų funkciniu ir estetiniu atžvilgiais. Lengvos konstrukcijos ir dinamiškos formos organiškai integruojasi į natūralią aplinką. Įranga yra sezoninis, todėl pasirinkta surenkamų konstrukcijų idėja. Tokiu būdu yra sukuriama sezoniška pramogų ir poilsio erdvė.
Be struktūrinės konstrukcinės sandaros neįmanoma įsivaizduoti net elementariausio architektūros objekto. Šiuolaikinėje architektūroje struktūriškumas yra vie¬nas plastinės išraiškos elementų. (Mogilnickas I. (1995). Techninės estetikos pradmenys. Vilnius)
Surenkamos metalo konstrukcijos ir šiuolaikinė tekstilinė architektūra sukuria lengvumo įspūdį ir suteikia įrangai išskirtinį charakterį.
Viena iš įvaizdžio formavimo proceso sudėtinių dalių yra sėkmingas miesto reprezentavimas. Spaudiniai pagal visuomeninius kriterijus, informatyvumą, funkcionalumą lemiančius veiksnius, turi atspindėti vartotojo, interesanto interesus. Projektuojami plakatai ir visi kiti spaudiniai įgavo reprezentacinę – estetinę, negu reprezentacinę – informacinę prasmę, nes dėmesys daugiau... [toliau žr. visą tekstą]This is a work of complex design where a sense of ensemble and harmony is very important. While creating the parts of the complex, unfailing resources of bionic forms were the base for it. Improvised forms of animate nature enable to create unusual objects which have specific stylistics, tectonics, rhythmic and character. Exactly nature is the unfailing source of new ideas according to both functional and aesthetic points of view. Light constructions and dynamic bionic forms integrate the celebration facilities into a natural environment organically. The celebration facilities are a seasonal one; that is why an idea of portable constructions was chosen. Thanks to this a seasonal space for entertainment and recreation is formed. Even an elementary object of architecture cannot be imagined without a structural constructional framework. In modern architecture, structure is one of the elements of plastic expression (Mogilnickas (1995) Techninės estetikos pradmenys / Basics of Technical Aesthetics [in Lithuanian]). Portable metal constructions and modern textile architecture form an impression of lightness and provide the construction with an exceptional character. One of image presentation parts, is successful town‘s representation. Prints must represent users interests by information, function. Prints become representative – aesthetic, but not representative – informative, because attention is more concentrated on unity of form and aesthetic symbols search, which... [to full text]
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Qiu, Lingling, i doublelingqiu@hotmail com. "Landscape as Caricature?" RMIT University. Architecture and Design, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080725.120217.
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Can Landscape be created like a caricature? How can the key characteristics of a site be celebrated in different ways through design? Can potential design possibilities be generated through celebrating the key characteristics of a site's contexts? My research started with the idea of 'Identity', as the existing Central Plaza copies the physical form of an adjacent park (People's Park) in a simplistic way without considering its own unique key contexts, and I think every location and context is different. Careful consideration of both physical and cultural contexts is what a landscape architect undertakes as an essential part of developing a design, however, how can a stronger or more interesting idea be created for a specific site? One day, the idea of CARICATURE suddenly occurred to me when I was having a shower. What I find inspirational about caricature is the aspect of 'Celebration' which it encourages. Just as a site has unique characteristics and each of them can be celebrated differently, each caricature celebrates the particular physical and emotional characteristics of a single, unique original identity. Each successful caricature can be related clearly to the key characteristics of its own identity, so you can still recognize the person and you are encouraged to have fun as well in that game of recognition. By 'Celebration' I mean the carefully chosen, positive exaggeration, intensification and emphasis of key characteristics which reveal how good, how important, or how unique the site is. 'Celebration' is an act of revealing and sharing the positive potential qualities of a site. In terms of landscape design, what I sought to do is to reinforce the key qualities of my site through design or designs which would emphasize. If landscape is thought about and designed like caricatures are created, interesting or potential possibilities could be generated for design responses. Before celebrating, it is necessary to make sure that the site contexts have been fully analyzed and understood. After that, we can celebrate particular qualities through design. I have produced three different designs based on the conceptual idea of 'caricature'. They are called Topopark, Occupark and Tocopark. Topopark started from a focus on one of the physical context of the site - that is, its topography. It celebrates the topographic context as well as the relationship of the activities between and beneath Central Plaza and People's Park. Occupark focuses on the celebration of the various types of occupation activities which take place. Tocopark started around the possibility of generating the plaza's organisation from the organization of circulation systems and combines to celebrate both topography and active occupation. Although Tocopark is more intensive than Topopark and Occupark in terms of the idea of celebration, all three have different strengthens and weaknesses. Like the example of the caricatures of Ronaldinho, the same identity is celebrated in different ways, but you still can recognize him in each one and enjoy them equally as well, because all of them relate to t he key characteristics of his appearance and personality.
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Maria, Timoshenko, Bolotov G. I, Тимошенко Мария Николаевна, Болотов Григорий Иванович, Тимошенко Марія Миколаївна i Болотов Григорій Іванович. "Sources of development of aviation bases in Ukraine. Personalities and memorable places". Thesis, National Aviation University, 2012. http://er.nau.edu.ua/handle/NAU/36984.
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Lendrum, Evan Frayne Fraser. "An exploration and celebration of storytelling : directing The Arabian Nights". Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/58808.
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An Exploration and Celebration of Storytelling: Directing the Arabian Nights, explores my directorial practice and the challenges presented in staging The Arabian Nights as part of the UBC Department of Theatre and Film’s season at the Frederic Wood Theatre, March 17 – April 2, 2016.
As presented in the following pages, my primary objective was to present a wholly entertaining, clearly directed production of The Arabian Nights by Mary Zimmerman. My practice explored the process of directing a large cast through a variety of disciplines including dance, live music, physical theatre, monologue and ensemble based storytelling. I believe that the combination of all of these disciplines can have a tremendously powerful empathetic effect on an audience while communicating clearly the story and the intentions of the playwright. I also explored the process of working with a Sound Designer to create a live musical score for the production. A particular challenge was working on a text translated from the tales of a different culture. Through the process of research, consultation and collaboration, I was able to better understand the challenges, pit-falls and rewards on working on this type of project. In the process of these explorations, I was able to engage with different aspects of theatre directing than I have in the past, expanding my theoretical and practical vocabulary towards my practice of directing theatre. This thesis includes my director’s preparation of the script, the journal chronicling my production process, production photos and a chapter containing my reflections on the experience in its entirety.Arts, Faculty of
Theatre and Film, Department of
Graduate
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Davies, Helen. "The politics of participation, a study of Canada's Centennial celebration". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/NQ44994.pdf.
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Wilker, Kathleen. "Quilted lives, a celebration of female creativity, community and competence". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ62162.pdf.
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Wilker, Kathleen. "Quilted lives, a celebration of female creativity, community and competence". Thesis, University of New Brunswick, 1999. http://hdl.handle.net/1882/300.
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Colombo, Stefano. "The rhetoric of celebration in seventeenth-century Venetian funerary monuments". Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/94209/.
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This thesis investigates seventeenth-century Venetian funerary monuments as representing the Republic’s celebrative imagery. Going beyond the traditional interpretation of these monuments as a display of funerary memory, a series of case studies provided in six chapters examines them as rhetorical devices which celebrated Venice and instilled subtle forms of its republican propaganda. Chapter One focuses on early seventeenth-century ducal monuments and the republican ethos, scrutinising their function as ideological instruments which asserted the grandeur of Venice through their celebration of the doges. Chapter Two analyses the architectural and visual sources of the monument to Doge Giovanni Pesaro, a crucial model for later funerary monuments, focusing on the interaction between sculpture, architecture and the viewer. The comparative reading of contemporary panegyric poems of the Pesaro monument demonstrates how it was perceived as a living presence which was capable of eliciting the involvement of the viewer and gaining his or her persuasion. Monuments to the Venetian captains Caterino Cornaro and Antonio Barbaro are investigated in Chapter Three as significant examples which embody the notion of sacrifice as an act of both civic and religious piety. This forms the basis of the fabrication of the Venetian identity of the newly ennobled families and merchants through the memorials on the façades of San Moisè and Santa Maria dei Derelitti which are analysed in Chapter Four. Chapters Five and Six explore Antonio Gaspari’s project proposals for Doge Francesco Morosini and the Valier family, which remained unexecuted. Inspired by Roman Baroque architecture, Gaspari enhanced the aggrandisement of the ducal families to a quasi-imperialist state. Nevertheless, the actual Valier monument devised by Andrea Tirali remained an indirect celebration of Venice through the celebration of the doge’s achievements. The six chapters thus demonstrate how funerary monuments create a public imagery which complements the so-called “myth of Venice”.
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Keuler-Venter, Sara Johanna. "InsideOut Interiors Biennale 2013 : a celebration of the found space". Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/29930.
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Bell (Gigli, et al. 2007:ix) believes that “design that is good should be embedded within all that surrounds us in the unnatural world. Good design and good architecture improve all our lives - they are not just about decoration.” An understanding of what good design entails and a comprehension of the interior designer’s role within the built environment and public realm could anchor this belief. The International Federation of Interior Architects/Designers (IFI) established Design Frontiers: The Interiors Entity (DFIE) to define the interiors discipline for IFI stakeholders and the general public alike. The planned Interiors Biennale in 2013, the final phase of the DFIE, is intended to visualise this knowledge, actualising the global consensus as reflected in the IFI Interiors Declaration. The objective of the dissertation is to design a travelling exhibition for the IFI Interiors Biennale 2013. The study investigates exhibition design as a method of communicating the seven basic pillars of the interiors profession as described by the Declaration. A normative position derived from the event title, ‘designing from the inside out’, establishes the premise for the design approach. The project explores the temporary imprint that results from the relationship between the general (host structure) and the specific (installation). While acknowledging that the design cannot be completely site specific, the proposal identifies characteristics of ‘the universal exhibition host’ to obtain a set of constraints that inform the design of a travelling installation. A proto-site is identified within Johannesburg, embodying the universal specification. The site typology has the least impact on the design development with the event typology (travelling exhibition), and the design brief (IFI Interiors Declaration) driving the process. The investigation points to an adaptive solution: design for disassembly. This design philosophy influences the chosen construction and fabrication method as well as the selected material type. The design objective is not to curate the event, but rather to provide a flexible and innovative ‘kit of parts’ to facilitate the projected communication needs of the client (IFI).Dissertation (MInt(Prof))--University of Pretoria, 2011.
Architecture
unrestricted
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Carter, Sue Ellen. "Landscapes For Celebration; An Investigation and Design of Wedding Gardens". Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/32303.
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This thesis explores the design of landscapes for celebration. These celebrations include all types of events or rituals that mark special times in peopleâ s lives. The focus of this work is landscapes for weddings. The goal is to illuminate the importance of these spaces for celebration as well as reveal how landscape architectural design can have a profound influence on how these places are perceived by the user and their experience of their celebration. These events have characteristics that set them apart from everyday activities and these elements can be enhanced by design. There are shared qualities among landscapes for celebration that draw people and make the place meaningful, these are compiled into a sort of set of design principles for these spaces. The structure of the event, both physically and psychologically, can be enhanced by design to add more meaning to the experience of the participants. Through literature review on ritual, sacred spaces, and ritual spaces information is gathered to inform the design. Case studies of celebratory landscapes and powerful places are also performed to gather knowledge. Through this investigation a set of design principles is collected, and then applied to a wedding garden design. Thoughtful design, incorporating knowledge of ritual, ritual structure, and the event being designed for, will create places that support and enhance one in a lifetime events. Design of celebratory landscapes should strive to create spaces that are meaningful, rooted in the community, supportive of the structure of the event, and reflective of the participants.Master of Landscape Architecture
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Magee, Kate. "Fixed + Flexible: a Mixed-Use Celebration of Richmond's Creative Culture". VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2410.
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This mixed-use space was designed to celebrate Richmond, Virginia’s arts and design communities. By creating a contemporary Richmond experience in a historic trolley shed, it is a space to create, relax, and inspire. This dynamic platform will showcase Richmond’s talented new creatives, from painters and sculptors to fashion designers and graphic artists. A central retail space featuring the wares of local designers is adjoined by an exclusive art gallery with exhibitions and live performances that change on a regular basis. The space also includes a sit-down restaurant and a smaller, more casual café, where patrons can dine with friends or chat over coffee. This project explores the idea of flexibility as it pertains to architecture and interior design. Strategies such as overlap versus separation, public versus private access, and the use of materiality to delineate hierarchy were all employed in this journey to create a space that remains flexible in both the organization of and interactions amongst its internal occupants and purposes to also serve as a venue for external events.
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Moeketsi, Isaac Tseko. "An investigation into the significance of celebration in Black preaching". Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1015662.
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The Christian faith in God is undergirded by the good news of God's intervention in human life. This intervention of God is good news because the sin of humankind has resulted in alienation with God as well as rendering humankind incapable of restoring fellowship with God. This good news of God's intervention in human affairs through the act of His son Jesus Christ is the centre of Christian kerygma. One outstanding feature of this proclamation is celebration. Salvation offered and given to ailing humankind is cause for celebration for God has paved the way for reconciliation. In Black preaching this note of celebration is remarkably achieved in the extravagant use of figures of speech and imagery drawn from traditional African religiosity, for the African human life in whatever state and condition is cause for celebration. The African responds to life at all levels of encounter with celebration. In sorrow and joy, in sad moments and moments of delight, in want and in plenty, the voice of the African will always rise up in spontaneous acts of celebration. In normal human conversation the use of the African idiom and allegory drawn from their cultural worldview creates unique style. In the use of these the African past is expressly drawn into the present to emphasize the belief in life as a gift from God, a gift to be acknowledged and celebrated. Therefore living through all sorts and conditions of life sharpens the deep feeling and expression of this celebration. The song, praise and dance for the African therefore flows from this spiritual engagement with God in life. The biblical message and the daily experience of life is for the African preacher a stage from which the human drama with God is understood. The nature of God is seen in relation to God's encounter with sinful humankind. God's mercy and grace inspires humans to live their life in confident trust in God. The vicissitudes of life for the African have no dampening effect for life rather they sharpen the awareness of God's surpassing mercy and sustaining steadfastness upon his creatures. Thus in similar vein with the African moroki, the Black preacher calls and inspires his/her audience to celebrate, to engage with life in perfect African celebration.
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Ferrell, Ann. "Beyond Celebration: A Call for the Study of Traditions of Dominance". TopSCHOLAR®, 1999. http://digitalcommons.wku.edu/theses/751.
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In this thesis I examine why and how the focus on aesthetic expression and the avoidance of making certain types of value judgments have shaped the discipline of folklore. In the first chapter I look briefly at some of the major figures and themes in our history in order to ascertain how we arrived at the perspective from which we now work. In Chapter Two I explore and critically examine the limited examples of North American folklore scholarship that examines "dysfunctional" folklore. In Chapter Three I consider the study of belief as an example of an area of folklore scholarship that has considered the consequences of ideas such as objectivity and neutrality, belief and disbelief, yet suggest that the discourse on approaches to the study of belief must continue because of the existence of belief-related practices which suggest that there may be instances in which value judgments are called for. In Chapter Four I discuss folklorists' recent acknowledgment in the last two decades that all that we do and have ever done has political implications. Yet, so far, folklorists have for the most part avoided investigation into the role of folklore in the enculturation of ideology, particularly ideologies that may be injurious to certain members of society. In Chapter Five I tie together the many themes that I have developed throughout this thesis and discuss the implications of our current model of folkloristics, a paradigm of celebration. In so doing, following the suggestions of feminist folklorists who have come before me, I present an example of how folklore serves to benefit from feminist theory. The central purpose of this thesis is to challenge folklorists to begin to move beyond celebration and consider the traditional nature of oppressive ideologies. Folklorists have the training and skills needed to deconstruct the transmission of traditions of dominance; our challenge, therefore, lies in the formulation of appropriate methods for doing so.
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Armstrong, Neil R. "The intimacy of Christmas : festive celebration in England, c.1750-1914". Thesis, University of York, 2004. http://etheses.whiterose.ac.uk/9890/.
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This thesis examines the development of the Christmas festival in England between the mid eighteenth century and the First World War. It argues that 'invented tradition' models of explaining this development, that place a great emphasis on a Victorian construction of a 'modern' Christmas, are an inadequate means of conveying the processes of continuity and change at work. It offers instead an alternative paradigm, termed 'Christmas intimacy', which describes the heightened emotions, feelings, and sentiments that can be experienced during the festival. Whilst this places emphasis on the role of home and family, intimacy is also employed to examine the Christmas experienced in commercial, civic, educational, philanthropic and religious contexts. The relationship between public and private is considered to be complementary and symbiotic, in which performance plays an important mediating role. The thesis is divided into five chapters. The first chapter is concerned with the celebration of Christmas amongst family and friends, in terms of gatherings, sending Christmas wishes, gender roles at Christmas, the experience of children, Christmas presents, decorating and domestic space, and theatricals and music. The chapter concludes by examining the role of servants, and the replication of familial ideals of Christmas within Victorian institutions. Chapter two explores the important religious context, revealing how religion helped shape, but also became obscured by, Christmas intimacy. The third chapter shows how a distinct public culture of Christmas developed in the second half of the nineteenth century, in terms of charity, entertainment, street culture and temperance. Chapter four recognises that leisure time was an important component of Christmas intimacy, and examines the cultures of Christmas that were available in the workplace, schools and associations, as well as highlighting the experiences of shop assistants and postmen, two types of workers who bore much of the physical burden of Christmas intimacy. The final chapter examines the way in which issues of consumption became important to the intimacy of Christmas, with particular emphasis on shopping, advertising and travel.
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Roberts, Gillian Marie. "Nation, celebration and selected works of Michael Ondaatje and Carol Shields". Thesis, University of Leeds, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406897.
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Miovic-Hillel, Dejan 1967. "Peripheral meanings : constructing a celebration of the Jamaica Plain Lantern Festival". Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/68796.
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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.Includes bibliographical references (p. 73).
In order to construct meaning of the world around us, we each internalize and react to a peripheral consciousness that we construct with inputs from our senses along with beliefs and values that we maintain. And so I have constructed an understanding of Jamaica Plain, the place where I live, as many things. My understanding encompasses the built place, the green spaces, the pond, the seasons, my own social relations, time, and so on. Jamaica Pond is somehow always central to my mental construction of this place and the annual Jamaica Plain Lantern Festival is a ritual that to me represents a rich celebration of community, life, place, time . .. My thesis explores this notion of the construction of meaning via a proposed architectural intervention that involves the cross-programming of a park, a public tower, an after-school art center (a home for the lantern parade), and a daycare center - all on a pivotal site at the intersection of Centre and Pond Streets. Centre Street is the 'Main Street' of Jamaica Plain. Pond Street is two blocks long and it connects between Centre Street and the formal entry to Jamaica Pond. Centre Street is a long street that winds through Jamaica Plain (also JP). Along it one finds two main areas of concentrated business activity with a mix of residential, school, non' storefront' commercial, and parking sited in between. I am proposing that a site at the intersection of Pond and Centre Streets would allow for the marking of entry onto Centre Street and thereby define a new entry into Jamaica Plain. In my work, I have attempted to address the above programmatic underpinnings through urbanistic and architectural solutions that maintain complex relationships without the loss of legibility. And there is my hope of creating an architecture that both physically and psychically participates in the ritual of the Jamaica Plain Lantern Festival.
by Dejan Miovic-Hillel.
M.Arch.
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Rüger, Jan Martin. "The celebration of the Fleet in Britain and Germany, 1897-1914". Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619566.
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Ingmire, George. "Life is a One-Way Ticket: Herman Leonard's Eightieth Birthday Celebration". ScholarWorks@UNO, 2004. http://scholarworks.uno.edu/td/74.
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Life is a One-Way Ticket is a twenty-three minute documentary about jazz photographer Herman Leonard's 80th birthday party. The event took place at Rosy's Jazz Hall, a club in the uptown section of New Orleans where musicians including Ella Fitzgerald, Dizzy Gillespie and Stevie Wonder once performed. Within the documentary, I show the celebration as an analogy for the life of Herman Leonard. In short but moving passages, Herman Leonard reflects upon the nature of his longevity, the world today, and the "luck" he has had with photography. In addition to the voice of Herman Leonard, interviews with Herman Leonard's friends and family show him as both a world-class photographer and the down-toearth human being. Upon completion of the documentary, the final cut will be authored onto a DVD. This will allow for extra features, including an extended interview with Herman Leonard.
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Scaptura, Maria N. "Masculinity Threat, Misogyny, and the Celebration of Violence in White Men". Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/93239.
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This study aims to understand the relationship between masculinity and the endorsement of attitudes towards guns and violence and aggressive fantasies. I examine threatened masculinity and masculine gender role stress in addition to a newly developed measure, which assesses traits associated with incels, who believe that social liberalism, feminism, and more sexually active men (“Chads”) are to blame for their lack of sex with women. Incels are largely a disorganized group of men interacting online, but a few self-identifying members have been associated with a number of mass violence events in recent years. The data were constructed from an original self-report survey distributed to men aged 18 to 30 years old, the group most responsible for violence against women and mass violence. I hypothesize that men who perceive that men are losing status as a group (status threat) (1), who feel less acceptance as members of that category (acceptance threat) (2), or who exhibit incel traits (3) are more likely to (a) approve of guns, violence, and aggression, and (b) exhibit aggressive fantasies. This study’s findings support three hypotheses: status threat is positively associated with an approval of guns and violence; acceptance threat is positively associated with approval of guns, violence, and aggressive fantasies; and incel traits are positively associated with aggressive fantasies. Men who experience status or acceptance threat or share incel traits exemplify issues of toxicity present in masculinity today. Their support for gun use, violence and aggressive fantasies further show the connection between male insecurity, aggressive attitudes, and fantasizing about violence.M.S.
This study aims to understand the relationship between masculinity and the endorsement of attitudes towards guns and violence and aggressive fantasies. I examine masculinity and feelings of threat in addition to a newly developed measure, which assesses traits associated with incels (“involuntary celibates”), who believe that social liberalism, feminism, and more sexually active men are to blame for their lack of sex with women. Incels are largely a disorganized group of men interacting online, but a few self-identifying members have been associated with a number of mass violence events in recent years. The data were constructed from a survey distributed to men aged 18 to 30 years old, the group most responsible for violence against women and mass violence. I hypothesize that men who perceive that men are losing status as a group (1), who feel less acceptance as members of that category (2), or who exhibit incel traits (3) are more likely to (a) approve of guns, violence, and aggression, and (b) exhibit aggressive fantasies. This study’s findings support three hypotheses: feelings of group status loss are positively associated with an approval of guns and violence; stress in one’s masculine gender role is positively associated with approval of guns, violence, and aggressive fantasies; and incel traits are positively associated with aggressive fantasies. Their support for gun use, violence and aggressive fantasies further show the connection between male insecurity, aggressive attitudes, and fantasizing about violence.