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Artykuły w czasopismach na temat "Catherine II, Empress of Russia, 1729-1796 – Drama"
Suraeva, Natalia G. "THE IMAGE OF CHINA IN THE CORRESPONDENCE OF CATHERINE II". Scientific and analytical journal Burganov House. The space of culture 17, nr 4 (10.11.2021): 62–78. http://dx.doi.org/10.36340/2071-6818-2021-17-4-62-78.
Pełny tekst źródłaRozprawy doktorskie na temat "Catherine II, Empress of Russia, 1729-1796 – Drama"
Evstratov, Alexei. "Le théâtre francophone à Saint-Pétersbourg sous le règne de Catherine II (1762-1796) : organisation, circulation et symboliques des spectacles dramatiques". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040149.
Pełny tekst źródłaEighteenth-Century Russia was a period of accelerating modernisation, where specifically, under the reign of Catherine II, the new Empire launched into the international political scene. Despite real diplomatic hostility between France and Russia during the period, French theatre was always considered the most perfect expression of the dramatic arts. French theatre was imported into Russia as an important means to provide and influence social and political representation.From the earliest studies, including Robert-Aloys Mooser’s work on the opéra-comique, this important period of Francophone theatre in Russia has never been systematically analysed. Thus the first goal of this present study is to gather the diverse and geographically dispersed elements regarding the Francophone theatre of Russian courts at the time. A chronological list of these performances, as well as an inventory of plays preformed, accompanies this study as a separate volume. My second goal is to explore the diffusion of these dramatic texts and theatrical practices in Saint Petersburg in an analytical essay on the sociology and ideology of theatrical circulation. Although the main stage of the capital was at the Russian court, this was not the only theatrical venue: the city’s theatre, school stages, théâtres de société (private theatres owned by local nobility)—several theatrical enterprises welcomed Francophone performances at the time. After having examined how these theatres were influenced by the court, I analyse the reasons behind this dramatic diversity and its affect on the theatrical experiences of Russia’s multiple theatre publics
McBurney, Erin. "Art and Power in the Reign of Catherine the Great: The State Portraits". Thesis, 2014. https://doi.org/10.7916/D8CC0XT5.
Pełny tekst źródłaKsiążki na temat "Catherine II, Empress of Russia, 1729-1796 – Drama"
Vincent, Zu. Catherine the Great: Empress of Russia. New York: Scholastic, 2009.
Znajdź pełny tekst źródłaMadariaga, Isabel De. Catherine the Great: A short history. New Haven: Yale University Press, 1990.
Znajdź pełny tekst źródłaErickson, Carolly. Great Catherine. London: Robson Books, 1998.
Znajdź pełny tekst źródłaMcGuire, Leslie. Catherine the Great. New York: Chelsea House, 1986.
Znajdź pełny tekst źródłaRounding, Virginia. Catherine the Great: Love, sex and power. London: Hutchinson, 2006.
Znajdź pełny tekst źródłaSimon, Dixon. Catherine the Great. New York: HarperCollins, 2009.
Znajdź pełny tekst źródłaSimon, Dixon. Catherine the Great. New York: Ecco, 2009.
Znajdź pełny tekst źródłaDukes, Paul. Catherine the Great and the Russian nobilty: A study based on the materials of the legislative commission of 1767. Cambridge: Cambridge University Press, 2008.
Znajdź pełny tekst źródłaAlexander, John T. Catherine the Great: Life and legend. London: The Folio Society, 1999.
Znajdź pełny tekst źródłaCatherine. Love & conquest: Personal correspondence of Catherine the Great and Prince Grigory Potemkin. DeKalb: Northern Illinois University Press, 2005.
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