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Rozprawy doktorskie na temat "Catherine II (1729-1796 ; impératrice de Russie)"
Lerede, Chiara. "Il giglio reale e l’aquila imperiale : la missione diplomatica del conte di Ségur presso la corte di Caterina II di Russia (1785-1789). Prospettive commerciali e itinerari diplomatici franco-russi alla fine dell’Ancien Régime". Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL029.
Pełny tekst źródłaThis doctoral thesis focuses on the figure of Count Ségur and his diplomatic mission at the court of Catherine II of Russia (1785-1789). The research explores various aspects, including the commercial and diplomatic relations between France and Russia, Ségur's role as a diplomat and his interactions with key figures such as Catherine the Great and Potëmkin. It also analyses Ségur's identity and personality, considering the social and cultural context of the time. The main objective of the research is to provide a new perspective on French history of the pre-revolutionary period, seeking to better understand the diplomatic and political dynamics of the time
Evstratov, Alexei. "Le théâtre francophone à Saint-Pétersbourg sous le règne de Catherine II (1762-1796) : organisation, circulation et symboliques des spectacles dramatiques". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040149.
Pełny tekst źródłaEighteenth-Century Russia was a period of accelerating modernisation, where specifically, under the reign of Catherine II, the new Empire launched into the international political scene. Despite real diplomatic hostility between France and Russia during the period, French theatre was always considered the most perfect expression of the dramatic arts. French theatre was imported into Russia as an important means to provide and influence social and political representation.From the earliest studies, including Robert-Aloys Mooser’s work on the opéra-comique, this important period of Francophone theatre in Russia has never been systematically analysed. Thus the first goal of this present study is to gather the diverse and geographically dispersed elements regarding the Francophone theatre of Russian courts at the time. A chronological list of these performances, as well as an inventory of plays preformed, accompanies this study as a separate volume. My second goal is to explore the diffusion of these dramatic texts and theatrical practices in Saint Petersburg in an analytical essay on the sociology and ideology of theatrical circulation. Although the main stage of the capital was at the Russian court, this was not the only theatrical venue: the city’s theatre, school stages, théâtres de société (private theatres owned by local nobility)—several theatrical enterprises welcomed Francophone performances at the time. After having examined how these theatres were influenced by the court, I analyse the reasons behind this dramatic diversity and its affect on the theatrical experiences of Russia’s multiple theatre publics
Nicoud, Guillaume. "Une galerie issue des Lumières : la galerie impériale de l’Ermitage et la France de Catherine II à Alexandre Ier (1762-1825)". Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4015.
Pełny tekst źródłaThis study proposes to clarify the contribution of France during the first stage of development of the Imperial Gallery of Paintings, which gave birth to the State Hermitage Museum, in Saint Petersburg. It is during this period that the gallery of the Russian sovereigns, within a new palatial complex, is gathered, organized and housed immediately just next to the Winter Palace – the seat of power – in an establishment which is quickly given the – French – name, “Hermitage.”This study is divided in three parts. First, the study will present the contribution of France under Catherine the Great (1729-1762-1796), by examining both the construction of the Hermitage’s building and the formation of the collections. Secondly, we will delve into the reigns of Paul I (1754-1796-1801) and especially his son, Alexander the Great (1777-1801-1825), in order to determine how they managed this inheritance, by highlighting how these sovereigns used the ideas and artworks from France. Finally, the study will establish, how, at the end of this first stage of the evolution of the Hermitage, France stimulated the transformation of the Imperial Gallery into an institution whose trajectory arced towards becoming a museum
Książki na temat "Catherine II (1729-1796 ; impératrice de Russie)"
Catherine the Great. New York: Meridian, 1994.
Znajdź pełny tekst źródłaRounding, Virginia. Catherine the Great: Love, sex and power. London: Hutchinson, 2006.
Znajdź pełny tekst źródłaCatherine the Great: Love, sex and power. New York: St. Martin's Press, 2006.
Znajdź pełny tekst źródłaAlexander, John T. Catherine the Great: Life and legend. London: The Folio Society, 1999.
Znajdź pełny tekst źródłaAlexander, John T. Catherine the Great: Life and legend. New York, USA: Oxford University Press, 1989.
Znajdź pełny tekst źródłaTroyat, Henri. Catherine La Grande. French & European Pubns, 1998.
Znajdź pełny tekst źródłaCatherine the Great. Dorset Press, 1991.
Znajdź pełny tekst źródłaCatherine la grande. J'ai lu, 2001.
Znajdź pełny tekst źródłaCatherine the Great: Love, Sex, and Power. St. Martin's Griffin, 2008.
Znajdź pełny tekst źródłaRounding, Virginia. Catherine the Great: Love, Sex, and Power. St. Martin's Press, 2007.
Znajdź pełny tekst źródła