Gotowa bibliografia na temat „Catacombs in art”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Spis treści
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Catacombs in art”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Catacombs in art"
Fatyushyna, N. Yu. "Basic features of early Christian art (painting, mosaic, architecture, music)". Ukrainian Religious Studies, nr 25 (27.12.2002): 110–17. http://dx.doi.org/10.32420/2003.25.1434.
Pełny tekst źródłaKardis, Mária, i Dominika Tlučková. "The Symbol of the Phoenix in the Catacombs of Priscilla in Rome and Its Transformation in Early Christianity". Biblical Annals 12, nr 1 (27.01.2022): 65–88. http://dx.doi.org/10.31743/biban.12903.
Pełny tekst źródłaYavorska, V. V., V. A. Sych, K. V. Kolomiyets i A. M. Shashero. "Odessa catacombs as an integral part of the tourist image of the Black Sea region". Вісник Дніпропетровського університету. Геологія, географія 26, nr 1 (30.03.2018): 219–26. http://dx.doi.org/10.15421/111822.
Pełny tekst źródłaSzkołut, Paweł. "Sceny męczeństwa i ocalenia w późnoantycznej sztuce synagogalnej". Vox Patrum 44 (30.03.2003): 381–96. http://dx.doi.org/10.31743/vp.8093.
Pełny tekst źródłaPresti, Olga Lo, i Maria Rosaria Carli. "Italian Catacombs and Their Digital Presence for Underground Heritage Sustainability". Sustainability 13, nr 21 (30.10.2021): 12010. http://dx.doi.org/10.3390/su132112010.
Pełny tekst źródłaNovikoff, Alex J. ":Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism". Sixteenth Century Journal 44, nr 1 (1.03.2013): 240–42. http://dx.doi.org/10.1086/scj24245320.
Pełny tekst źródłaOlin, Margaret. "Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism (review)". Shofar: An Interdisciplinary Journal of Jewish Studies 31, nr 2 (2013): 174–77. http://dx.doi.org/10.1353/sho.2013.0007.
Pełny tekst źródłaKuvatova, Valeria. "SYMBOLISM OF EARLY CHRISTIAN PRAYERS IN ROMAN, GREEK AND EGYPTIAN FUNERARY ART". Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, nr 1 (2024): 177. http://dx.doi.org/10.31857/s086919080029093-9.
Pełny tekst źródłaRabinovich, Irina. "Hawthorne’s Rome – A city of evil, political and religious corruption and violence". Ars Aeterna 9, nr 1 (27.06.2017): 1–6. http://dx.doi.org/10.1515/aa-2017-0001.
Pełny tekst źródłaPedro, Julia Valeryevna. "Polytheism in the symbols of Roman Catacomb painting". Voprosy kul'turologii (Issues of Cultural Studies), nr 7 (5.06.2012): 38–42. http://dx.doi.org/10.33920/nik-01-1207-07.
Pełny tekst źródłaRozprawy doktorskie na temat "Catacombs in art"
Sutherland, Reita J. "Prayer and Piety: The Orans-Figure in the Christian Catacombs of Rome". Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24259.
Pełny tekst źródłaIngle, Gabriela Elzbieta. "The significance of dining in Late Roman and Early Christian funerary rites and tomb decoration". Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25949.
Pełny tekst źródłaMarin, Françoise. "La catacombe de Santa Lucia de Syracuse : genèse et développement". Paris 4, 2009. http://www.theses.fr/2009PA040019.
Pełny tekst źródłaThe catacomb of Santa Lucia is a part of main Christian community cemeteries of Syracuse. She is situated in the heart of the district of Acradina and is connected with a basilica, a monastery and the Church of the Holy grave. She is constituted by four regions which develop in oily mark around the grave of Saint Lucie. Four regions (A,B,C,D) were successively fitted out, both first ones before and both following ones after the Peace of the Church. Regions A and B were fitted out according to the same architectural techniques. Galleries are installed in aquducts, graves fitted out their walls and the increases are made by deepening the grounds. The plan of the region C was preconceived: it obeys rules of a symmetry as the alternation cubiculi / loculi charactéristic of the site. Thereis almost no more track of the topographic evolution of the region D. Each of these regions is endowed with an oratory. The first one was restored in the Byzantine time (fresco of Forty Martyrs). The existence of the oratory B remains hypotetical. Oratories C and D were fitted be know to be known and emphasised. The research work allowed to redraw the genesis and the topographic development and as a consquence to re-place it in its historic context. The questions of the modalities of its funeral and religious use were also approached
Buhagiar, Mario. "The christianisation of Malta : catacombs, cult centres and churches in Malta to 1530 /". Oxford : Archaeopress, 2007. http://catalogue.bnf.fr/ark:/12148/cb41146227n.
Pełny tekst źródłaGuyon, Jean. "Le Cimetière aux Deux Lauriers : recherches sur les catacombes romaines /". Rome : Paris : École française de Rome : Pontificio istituto di archeologia cristiana ; diff. de Boccard, 1987. http://catalogue.bnf.fr/ark:/12148/cb36626462r.
Pełny tekst źródłaCappelletti, Sylvia. "The Jewish community of Rome : from the second century B.C. to the third century C.E. /". Leiden : Brill, 2006. http://catalogue.bnf.fr/ark:/12148/cb402434025.
Pełny tekst źródłaZibaoui, Mahmoud. "Peintures paléochrétiennes d'Egypte : Karmouz, Wardian, Abou-Girgeh, Abou-Hennis, Bagawat". Paris 1, 2002. http://www.theses.fr/2002PA010565.
Pełny tekst źródłaVAROQUI, JACQUES. "Le temoignage iconographique sur le christianisme preconstantinien". Université Marc Bloch (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR20025.
Pełny tekst źródłaThis thesis locates the christian art in the oldest areas of the catacombs of lucina, callixt, domitilla and priscilla in rom, as well as that of the mausoleum m of the vatican necropolis, of the babtistery of dura-europos and the sacophages, in the global artistic context of the third century, in its technical and artistic evolution, its stylistic chronology, the psycho-social, philosophical, mystical and ecclesial area. It proposes a semantic analysis of the figurative representations and the non christian and patristic litterary signs that are connected to it. Concerned with bringing to light the isomorphism in sens and the cultural adequation, we study the traditional fund of roman iconography (landscapes, festoons, basins, crowns and the allegories of the seasons), the newness of the new testament representations (the mother and child, wise men, baptism of christ, healings, lazarus), the old testament representations (adam and eva, noah, abraham, isaac, moses, daniel, the furnace, suzanna), the neo-platonic stereotypes in its ideographical images (dove, fish, anchor, angler, lyre), its anthropomorphics (orant, criophorus, pedagogus), and its worship figures (meal and sacral aliments). The iconographic apolog of jonas is treated separately. A special attention is given to the analogical connections on a naturalistic and cosmological, bio-physiological and anthropological, mystagogical and chritological level, and to the symbolic, allegorical, metaphorical and paradigmatic functions of the representations. A chronological, iconological synthesis on art in its vision to universe, man and god as well as a methodological evaluation will conclude the thesis, which includes abondant illustrations
Arango, Restrepo Luz. "El Alimento y la muerte en el ritual y las prácticas estéticas contemporáneas". Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/460894.
Pełny tekst źródłaIn a game of history counter opposition, death and food come together in the Día de Muertos [Day of the Dead] ritual and in five works of contemporary artists. The goal set for this research is to explore this intrinsic relationship. In the ritualistic portion of this research, we explore two separate practices: the offerings on the altar for the dead’s consumption and the exchange of sugar skulls. In contemporary art, Joseph Beuys and Marina Abramović use food and organic matter as expressive factors in works aspiring to tie the ritual to art itself. Furthermore, both Félix González-Torres and Jana Sterbak have used food in their works, thus transferring their symbolic properties to the works. Every work and aesthetic manifestations studied provides a different vision of death.
Magill, Kelley Clark. "The catacombs, martyrdom, and the reform of art in Post-Tridentine Rome: picturing continuity with the Christian past". Thesis, 2014. http://hdl.handle.net/2152/30321.
Pełny tekst źródłatext
Książki na temat "Catacombs in art"
Wiesbaden, Museum, red. Thomas Virnich: Fliegende Katakomben = flying catacombs. Nürnberg: Verlag für moderne Kunst Nürnberg, 2001.
Znajdź pełny tekst źródłaJudaism and Christian art: Aesthetic anxieties from the catacombs to colonialism. Philadelphia: University of Pennsylvania Press, 2011.
Znajdź pełny tekst źródłaStützer, Herbert Alexander. Frühchristliche Kunst in Rom: Ursprung christlich-europäischer Kunst. Köln: DuMont, 1991.
Znajdź pełny tekst źródłaCioffarelli, Ada. Guide to the catacombs of Rome and its surroundings. Roma: Bonsignori, 2000.
Znajdź pełny tekst źródłaCioffarelli, Ada. Guide to the catacombs of Rome and its surroundings. Roma: Bonsignori, 2000.
Znajdź pełny tekst źródłaSociety, International Catacomb, red. Vaults of memory: Jewish and Christian imagery in the catacombs of Rome : an exhibition. Boston, Mass: International Catacomb Society, 1985.
Znajdź pełny tekst źródłaFabrizio, Bisconti, i Mazzoleni Danilo, red. The Christian catacombs of Rome: History, decoration, inscriptions. Wyd. 3. Regensburg: Schnell & Steiner, 2009.
Znajdź pełny tekst źródłaThe Catacombs of San Gennaro: Historical and artistic guide. Napoli: Edizioni San Gennaro, 2019.
Znajdź pełny tekst źródłaPergola, Philippe. Le catacombe romane: Storia e topografia. Roma: Carocci, 1999.
Znajdź pełny tekst źródłaFerrua, Antonio. The unknown catacomb: A unique discovery of early Christian art. New Lanark: Geddes & Grosset, 1991.
Znajdź pełny tekst źródłaCzęści książek na temat "Catacombs in art"
Smith, Eric C. "Art and Heterotopia". W Foucault’s Heterotopia in Christian Catacombs, 39–70. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137468048_5.
Pełny tekst źródłaZimmermann, Norbert. "Catacombs and the Beginnings of Christian Tomb Decoration". W A Companion to Roman Art, 452–70. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886205.ch23.
Pełny tekst źródłaSiano, S., F. Fratini, M. Mascalchi, G. Patrizi i B. Mazzei. "CHAPTER 2. Study and Laser Uncovering of Hypogean Early Christian Wall Painting of Roma's Catacombs of Santa Tecla and Domitilla". W Science and Art, 28–45. Cambridge: Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781839161957-00028.
Pełny tekst źródłaZimmermann, Norbert. "Catacomb Painting and the Rise of Christian Iconography in Funerary Art". W The Routledge Handbook of Early Christian Art, 21–38. First [edition]. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-2.
Pełny tekst źródłaBondar, Kseniia M., Yurii Yu Bashkatov, Ruslan V. Khomenko, Serhii V. Didenko, Iryna V. Tsiupa i Serhii A. Popov. "Geophysical Survey in Support of Archaeological Rescue Excavations at Industrial Area of Kremenchuk Magnetic Anomaly in Ukraine". W One World Archaeology, 463–82. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-57900-4_18.
Pełny tekst źródłaOryshkevich, Irina. "Cultural History in the Catacombs: Early Christian Art and Macarius’s Hagioglypta *". W Sacred History, 250–66. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:oso/9780199594795.003.0012.
Pełny tekst źródłaWhitlark, Jason A. "A Reception History of the Letter to the Hebrews". W The Oxford Handbook of Hebrews and the Catholic Epistles, 321–46. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190904333.013.23.
Pełny tekst źródłaNicholson, Paul T., Steve Mills, Scott Williams i Hendrikje Nouwens. "THE CATACOMB". W The Catacombs of Anubis at North Saqqara, 51–134. Peeters Publishers, 2021. http://dx.doi.org/10.2307/j.ctv1vwbtfm.12.
Pełny tekst źródłaFinney, Paul Corby. "The Earliest Christian Art". W The Invisible God, 146–274. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195082524.003.0006.
Pełny tekst źródłaNICHOLSON, Paul T., i John P. HARRISON. "CREATING THE CATACOMB". W The Catacombs of Anubis at North Saqqara, 39–50. Peeters Publishers, 2021. http://dx.doi.org/10.2307/j.ctv1vwbtfm.11.
Pełny tekst źródłaStreszczenia konferencji na temat "Catacombs in art"
Tanasi, Davide, David Cardona, S. Hassam, K. Kingsland, Paolino Trapani, Dario Calderone, Lara De Giorgi i Giovanni Leucci. "Preliminary results from remote sensing surveying at the Abbattija tad-Dejr Catacombs (Rabat, Malta)". W 2022 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2022.050.
Pełny tekst źródłaGalone, Luciano, Sebastiano D'Amico, Emanuele Colica, Jonathan Borg i David Cardona. "Non-invasive investigation and digital reconstruction of a small catacomb complex in Rabat (Malta)". W 2022 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2022.084.
Pełny tekst źródłaDyachenko, Alexander. "AN �NTHROPOLOGICAL MARKER FOR MIGRATIONS IN CATACOMB CULTURE ARCHAEOLOGICAL COMPLEXES FROM THE LOWER VOLGA KURGAN CEMETERIES". W 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/2.2/s06.002.
Pełny tekst źródłaСуханов, Е. В. "POLISHED POTTERY OF THE NON-ALAN POPULATION OF THE SALTOVO-MAYAKI CULTURE FROM THE MIDDLE DON RIVER: SELF-PRODUCED OR IMPORTED WARES?" W Вестник "История керамики". Crossref, 2020. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-316-9.79-90.
Pełny tekst źródłaN., Stepanova. "CENSERS OF THE EARLY BRONZE AGE FROM THE ALTAI MOUNTAINS". W MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.26.
Pełny tekst źródła