Rozprawy doktorskie na temat „Carnivalesque”
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Deumier, Morgan. "Governing Carnivalesque Plays". Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-35690.
Pełny tekst źródłaAlmohanna, Mohammad. "Carnivalesque in satyr play". Thesis, University of Nottingham, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.585485.
Pełny tekst źródłaSlutskaya, Natasha. "Carnivalesque insights in identity transformation". Thesis, University of Exeter, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502717.
Pełny tekst źródłaRampaul, Giselle A. "The carnivalesque in West Indian literature". Thesis, University of Reading, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406623.
Pełny tekst źródłaCook, Jonathan Neil. "The Carnivalesque Laughter of Flannery O?Connor". NCSU, 2006. http://www.lib.ncsu.edu/theses/available/etd-04212006-002139/.
Pełny tekst źródłaMiller, C. "Women's business? Carnivalesque spaces and transgressive acts". Thesis, Keele University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510160.
Pełny tekst źródłaWilkinson, Jacqueline. "'Fearful joy' : Thomas Hardy and the carnivalesque". Thesis, Lancaster University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.552828.
Pełny tekst źródłaShorter, Mark Travers. "Variety theatre, performance art and the carnivalesque". Phd thesis, Sydney College of the Arts, 2011. http://hdl.handle.net/2123/12477.
Pełny tekst źródłaKelley, Marion Louis. "Carnivalesque enculturation: Rhetoric, play, and "Wabbit Literacy"". Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/289105.
Pełny tekst źródłaDwyer, Bryce. "James Ensor: Northern European Art and the Carnivalesque". Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1216.
Pełny tekst źródłaBachelors
Arts and Humanities
Art History
De, Oliveira Antonio Eduardo. "The grotesque and the carnivalesque in Conrad's fiction". Thesis, University of Reading, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302832.
Pełny tekst źródłaPalau, Carolina Noguera. "Carnivalesque expressions in musical composition: a Colombian perspective". Thesis, Birmingham City University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573690.
Pełny tekst źródłaSaggers, Emma Louise. "Carnivalesque inversion : the subversive fiction of Kurt Vonnegut". Thesis, University of Essex, 2016. http://repository.essex.ac.uk/19697/.
Pełny tekst źródłaDombrowski, Renee. "The Carnivalesque and the Grotesque in Elizabeth Bishop's Poetry". ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1304.
Pełny tekst źródłaLino, e. Silva Moises. "Metafreedom? : the carnivalesque of freedom in a Brazilian favela". Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3095.
Pełny tekst źródłaGouriey, Brian Camillus. "Carnivalesque and grotesque : transgression in the writings of John Bale". Thesis, Queen's University Belfast, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.501268.
Pełny tekst źródłaGreen, Megan. "Bikies, burqas and Bakhtin: Autoethnographic reflections on a carnivalesque life". Thesis, Green, Megan (2018) Bikies, burqas and Bakhtin: Autoethnographic reflections on a carnivalesque life. PhD thesis, Murdoch University, 2018. https://researchrepository.murdoch.edu.au/id/eprint/41553/.
Pełny tekst źródłaNekrashevich, Yulia O. "Language of Carnival: How Language and the Carnivalesque Challenge Hegemony". Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7868.
Pełny tekst źródłaTrotman, Tiffany Gagliardi, i n/a. "Eduardo Mendoza�s Ceferino series : spanish crime fiction and the carnivalesque". University of Otago. Department of Languages and Cultures, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070613.114325.
Pełny tekst źródłaChan, Siu-wai Sylvia, i 陳小惠. "Carnivalesque adventures in Kiss of the spider woman and Nights at thecircus". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29789151.
Pełny tekst źródłaHasanefendic, Sandra. "The carnivalesque in selected short stories by Deborah Eisenberg and Wells Tower". Master's thesis, Universidade de Aveiro, 2011. http://hdl.handle.net/10773/5362.
Pełny tekst źródłaEsta dissertação analisa a aplicação do conceito do carnavalesco em termos de aspectos formais e temáticos às obras de dois importantes escritores de contos norteamericanos, Deborah Eisenberg e Wells Tower. Enquanto as narrativas de Tower apresentam o uso de “billingsgate”, e outras características grotescas, bem como as inversões de paródia, ironia e também humor negro, o clima carnavalesco bakhtiniano que pressuponha uma celebração festiva que supostamente confronta a cultura dominante está ausente. Deborah Eisenberg, por outro lado, engloba bem o aspecto dialógico, polifónico e heteroglóssico das teorias bakhtinianas, com interessantes inversões paródicas. No entanto, mesmo as suas narrativas não podem ser designadas como carnavalescas, pelo menos não no verdadeiro sentido do termo bakhtiniano. A análise realizada revela que a análise destas narrativas breves e contemporâneas seguindo uma perspectiva estritamente bakhtiniana do carnavalesco é impossível, e embora dê frutos em alguns aspectos, a reavaliação de alguns princípios básicos de Bakhtin é necessária para atender às exigências desencantadas dos tempos modernos.
The dissertation deals with contemporary American short stories and the analysis of the application of the concept of the carnivalesque to both formal and thematic aspects in the works of two prominent American short story writers Deborah Eisenberg and Wells Tower. While Tower´s stories show billingsgate and grotesque features, as well as parodic and ironic inversions and dark humour, the Bakhtinian carnivalesque atmosphere of festive celebration that counters the dominant culture is lost. Deborah Eisenberg on the other hand encompasses well the dialogic, polyphonic and heteroglossic aspect present in Bakhtin’s theories, with interesting parodic inversions. However, even her stories cannot be termed as carnivalesque, at least not in the truly Bakhtinian sense of the word. The analysis conducted therefore reveals that analyzing these contemporary short stories following a strictly Bakhtinian perspective of the carnivalesque is impossible, and although it bears fruit in some aspects, the reevaluation of some of Bakhtin´s basic principles is needed to suit the disenchanted requirements of modern times. vi
Davis, Randy. "BAKHTIN’S CARNIVALESQUE: A GAUGE OF DIALOGISM IN SOVIET AND POST-SOVIET CINEMA". VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3442.
Pełny tekst źródłaFranklyn, Blair Scott. "Towards a Theory of Postmodern Humour: South Park as carnivalesque postmodern narrative impulse". The University of Waikato, 2006. http://hdl.handle.net/10289/2252.
Pełny tekst źródłaRoughley, Megan. "Looking for the forest in the trees : Djuna Barnes's Nightwood and the carnivalesque". Thesis, University of York, 1991. http://etheses.whiterose.ac.uk/4264/.
Pełny tekst źródłaFirca, Stefan. "Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination". The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306865194.
Pełny tekst źródłaStewart, Matthew D. ""A continuing survey of the farce" "The New Pantagruel" and the carnivalesque tradition /". Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=1939351851&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
Pełny tekst źródłaTruesdale, Mark David. "Mingling kings and clowns : carnivalesque politics of the fifteenth-century King and Commoner tradition". Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/82347/.
Pełny tekst źródłaBird, Wendy. "The carnivalesque in the work of Francisco Jose de Goya y Lucientes (1746-1828)". Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299044.
Pełny tekst źródłaMaera, Claudia. "Carnivalesque disruptions and political theatre : plays by Dario Fo, Franca Rame, and Caryl Churchill". Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299610.
Pełny tekst źródłaJohnson, Jeffrey. "Novelness in comical Edo fiction : a carnivalesque reading of Ihara Saikaku's Koshoku Ichidai Otoko /". Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/6656.
Pełny tekst źródłaSylvester, Anthony L. "Let's Go to the Carnival: Hybridization of Heterotopian Spaces in the Films of Kevin Smith". Scholar Commons, 2015. https://scholarcommons.usf.edu/etd/5584.
Pełny tekst źródłaClem, Chad Jameson. "Going with Your Gut: A Study of Affect, Satire, and Donald Trump in the 2016 Presidential Election". Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/78226.
Pełny tekst źródłaMaster of Arts
McCosham, Anthony. ""This is generally followed by a blackout" power, resistance, and carnivalesque in television sketch comedy /". Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1174927139.
Pełny tekst źródłaPas, Annette. "A Bakhtinian perspective on collective learning : an approach based on dialogue, polyphony and the carnivalesque". Thesis, Lancaster University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577548.
Pełny tekst źródłaBiscaia, Maria Sofia Pimentel. "Tales of the grotesque and the carnivalesque: the fiction of Angela Carter and Salman Rushdie". Master's thesis, Universidade de Aveiro, 1999. http://hdl.handle.net/10773/18437.
Pełny tekst źródłaHerder, Richard A. "Strategies of Narrative Disclosure in the Rhetoric of Anti-Corporate Campaigns". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/32.
Pełny tekst źródłaAndresen, Ingeborg. "Fetma som underhållningsvärde : Porträtteringen av överviktiga karaktärer i TV-serien Here Comes Honey Boo Boo ur ett klass och genus perspektiv". Thesis, Stockholms universitet, JMK, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125981.
Pełny tekst źródłaStehle, Rudolf. "Karnavaleske elemente in die uitbeelding van geweld in Blood Meridian deur Cormac McCarthy en Buys deur Willem Anker". Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/63959.
Pełny tekst źródłaIn hierdie verhandeling word ’n vergelykende studie onderneem van ’n Afrikaanse roman, Willem Anker se Buys: ’n Grensroman (2014), en ’n Amerikaanse roman, Cormac McCarthy se Blood Meridian, or The Evening Redness in the West (1985). Die studie fokus op die aard en funksie van karnavaleske elemente in die uitbeelding van geweld in die twee romans. Die teorie van die karnavaleske, soos ontwikkel deur Mikhail Bakhtin in Rabelais and His World (1984) dien as breë teoretiese vertrekpunt, terwyl Steven Frye se artikel “Blood Meridian and the Poetics of Violence” (2013) meer spesifiek as teoretiese invalshoek dien vir die ondersoek na die uitbeelding van geweld in die twee romans. Na aanleiding van Frye se beskouing van die karnavaleske as ’n “estetiese strategie” word daar ook aansluiting gevind by Terry Eagleton, Kenneth Burke en Fredric Jameson se sienings van die literêre teks as ’n strategiese reaksie op ’n gegewe situasie of konteks. Die romans word dus benader met inagneming van die gewelddadige kontekste waarbinne hulle gestalte gekry het, te wete Amerika in die nadraai van die Viëtnam-oorlog in die geval van Blood Meridian en die geweldgeteisterde postkoloniale Suid-Afrika in Buys se geval. Verbande word getrek tussen die karnavaleske en die postkoloniale diskoers, asook tussen die karnavaleske en geweld. Daar word kortliks aangetoon hoedat ekstreme geweld in Blood Meridian en Buys verestetiseer word deur karnavaleske beelde wat gepaard gaan met poëtiese, beeldryke taalgebruik wat die leser emosioneel betrek. Daar word stilgestaan by etiese voorbehoude oor die verestetisering van geweld in literatuur, terwyl die etiese waarde wat Kearney heg aan ’n narratiewe benadering tot historiese geweld ook onder die loep kom. Dit word gevolg deur ’n vergelykende ontleding van geweldstonele in die twee romans waarin die groteske liggaam, karnavaleske kleredrag, die karnavaleske vermenging van die kombuis en die slagveld en karnavaleske taalgebruik voorkom. Ten slotte word tot die gevolgtrekking gekom dat die aanwending van karnavaleske beelde in geweldstonele in Blood Meridian en Buys ’n estetiese strategie is waardeur die leser se ervaring van daardie geweldsvergrype in die verlede geïntensiveer word deurdat hy emosioneel daarby betrek word. Dit verhoog die leser se bewustheid van die historiese werklikheid van morele transgressie – ’n rol wat ook deur die oorspronklike karnaval in die Middeleeue vertolk is – en maak ’n appèl op die leser dat die geweldsvergrype ’n etiese respons vereis.
Dissertation (MA)--University of Pretoria, 2017.
Suid-Afrikaanse Akademie vir Wetenskap en Kuns
Afrikaans
MA
Unrestricted
Sharp, Weston Taylor. ""LET THE FEAST OF FOOLS BEGIN, BATMAN!": THE TRADITIONAL AND GOTHIC CARNIVALESQUES IN THE SOUND DESIGN OF THE BATMAN: ARKHAM VIDEO GAMES". OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2141.
Pełny tekst źródłaStreiffert, Elin. "Returning to Wonderland : Utopian and Carnivalesque Nostalgia in Alice's Adventures in Wonderland and Through the Looking-Glass". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24148.
Pełny tekst źródłaMotohashi, Tetsuya. "'The plebeians swarming at their heels' : the carnivalesque and the liberties in Shakespeare's English and Roman histories". Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240899.
Pełny tekst źródłaCase, Marlene Katherine. "The Carnivalesque and Grotesque Realism in Modernist Literature| The Final Novels of Ronald Firbank and Virginia Woolf". Thesis, Florida Atlantic University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096025.
Pełny tekst źródłaConcerning the Eccentricities of Cardinal Pirelli by Ronald Firbank and Between the Acts by Virginia Woolf both liberate the text from the expected form to engage emotional awareness and instigate reform of societal standards. Employing Mikhail Bakhtin’s theories of the carnivalesque and grotesque realism as a means to create this perspective is unconventional; nevertheless, Firbank, predominantly misunderstood, and Woolf, more regarded but largely misinterpreted, both address sexuality and religion to parody what they believe to be the retrogression of civilization by narrating christenings, pageants, and other forms of carnival. Both novels forefront nonconformity, and the conspicuous influence of debasement is identified as a form of salient renewal. Christopher Ames, Melba-Cuddy Keane, and Alice Fox have already expressed remarkable insight into Woolf; unfortunately not a single scholar has approached Firbank’s text in this manner, and this essay discusses the value of both authors in the aspect of Bakhtin’s theories.
Silva, Fortes Bartira. "DEMOCRACY, A TRAGIC CARNIVALESQUE HERO : The Narratives of a Transnational Social Movement Against the Coup in Brazil". Thesis, Stockholms universitet, Socialantropologiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-185590.
Pełny tekst źródłaAston, Richard Michael. "The role of the fool and the carnivalesque in post-1945 German prose fiction on the Third Reich". Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:10b3780b-66bd-4467-849f-8648ec969c55.
Pełny tekst źródłaFleishman, Mark. "Workshop Theatre in South Africa in the 1980s : a critical examination with specific reference to power, orality and the carnivalesque". Master's thesis, University of Cape Town, 1991. http://hdl.handle.net/11427/14236.
Pełny tekst źródłaBurton, Laini Michelle, i n/a. "The Blonde Paradox: Power and Agency Through Feminine Masquerade and Carnival". Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070122.110616.
Pełny tekst źródłade, vocht Lia. "Reconceptualising teacher-child dialogue in early years education: A Bakhtinian approach". Thesis, University of Canterbury. School of Educational Studies and Leadership, 2015. http://hdl.handle.net/10092/10936.
Pełny tekst źródłaHorlacher, Stefan. "A Short Introduction to Theories of Humour, the Comic, and Laughter". Brill | Rodopi, 2009. https://tud.qucosa.de/id/qucosa%3A36440.
Pełny tekst źródłaBurton, Laini Michelle. "The Blonde Paradox: Power and Agency Through Feminine Masquerade and Carnival". Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365277.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Full Text
Covington, Ruth Ellen. "The Subjection of Authority and Death Through Humor: Carnivalesque, Incongruity, and Absurdism in Cormac McCarthy's Blood Meridian and No Country for Old Men". BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4106.
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