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Artykuły w czasopismach na temat "Captage à l'arrêt"
Cypess, Rebecca. "‘It Would Be without Error’: Automated Technology and the Pursuit of Correct Performance in the French Enlightenment". Journal of the Royal Musical Association 142, nr 1 (2017): 1–29. http://dx.doi.org/10.1080/02690403.2017.1286115.
Pełny tekst źródłaTorres, Thais María. "El aprendizaje transformacional desde la concepción del autoconcepto en la Educación del Infante". GACETA DE PEDAGOGÍA, nr 38 (1.12.2019): 73–96. http://dx.doi.org/10.56219/rgp.vi38.762.
Pełny tekst źródłaDéroche, François. "Le prince et la nourrice". Journal of Qur'anic Studies 19, nr 3 (październik 2017): 18–33. http://dx.doi.org/10.3366/jqs.2017.0300.
Pełny tekst źródłaFernández Aranaz, Irene. "La grandeur de l’existence face à la petitesse du poème". Anales de Filología Francesa 31 (11.12.2023). http://dx.doi.org/10.6018/analesff.571981.
Pełny tekst źródłaRozprawy doktorskie na temat "Captage à l'arrêt"
Jonckheere, Brice. "Caractérisation multi-physique d'une interface multi-contacts à l'arrêt et en mouvement : cas du captage de courant via l'interface caténaire-pantographe". Electronic Thesis or Diss., Amiens, 2021. http://www.theses.fr/2021AMIE0022.
Pełny tekst źródłaAs for the rapid expansion of high-speed electrified railway industry, the current collection quality of electric locomotives becomes one of the crucial technical issues for the stable operation of trains. Currently, one of the major factors that affect the current collection is the contact wire irregularity, which appears to be very difficult to be measured or detected. This is why the objective of this thesis is to understand complexity involved in the pantograph/catenary interface in order to improve the catchment performance on electrified lines. Therefore. Many problems have been encountered, due to multi-physical character (mechanical, electrical and tribological) at the pantograph/catenary interface. The approach proposed in this thesis will be based on the triptych: "experiment, physical modeling and numerical simulation" in order to understand the complexity of current capture at the interface. So, the studying of multi-contact interfaces is necessary in view to catch all mechanisms in the pantograph/catenary contact. They have still poorly known properties such as their nonlinear and hysteretic current/voltage characteristics. These effects were highlighted in the late nineteenth century by E. Branly. And later by Maxwell's work of 1904, then taken over by Holms in 1958. But these multi-contact interfaces still remain an open problem, which is why this thesis proposes to list and explain the mechanisms of electrical transfer at the interface between two conductors and thus make the link with the surface condition through a simulation. In addition, this thesis brings a new mechanism of electric arc transfer in order to take into account unexplained phenomena
Magnan, Édith. "L'"Espace Pliable" : une structure modulable comme capture de moment". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010505.
Pełny tekst źródłaIn order to have the experience of it, this thesis explores the idea of what's called Foldable Space, meaning a "modulable structure as captured time". Space represented through an artwork, is not only considered as a three-dimensional environment that the spectator moves through, but as an event which questions and reaffirms its spatiality. Constantly moving, because foldable, do we know precisely where the encounter happens? Where it folds and unfolds? As part of my art practice, developing the idea of a Foldable Space, these works made to be unfurled and bent, folded and unfolded, question both the volume from the perspective of its extension and the expanding "field of sculpture". Using a corpus of works mainly from the 1960s to the present day, the thesis linked to this artwork intends to identify and analyse some of the different spatial and temporal relationships at work. Summoning artists such as Robert Morris, Franz Erhard Walther or the architect Hans-Walter Müller, the imperative of this research is to study space in regard to its sculptural and aesthetic characteristics, mainly in order to reconsider our experience of this space. Very nearly a sculptural practice, these installations between visible and invisible, tangible and intangible, seem "to capture" nothing but "space". Supported by Deleuze's analysis of the fold as a dynamic system - because foldable - once inside one of my cubic sculptures, the sculpture becomes a witness of the time the spectator spends with it
Mouret, Magali. "LʼIntime littéraire et photographique". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040078.
Pełny tekst źródłaThis thesis presents a semantic notion of the intimate attempting to limit its scope. It explains how the meanings of theword "intimate" fluctuate throughout history, thereby moving the boundaries and challenging the opposition between thepublic and private spheres, between the individual and the collective, and between the personal and the universal. Thistheoretical development is intended to consider how the intimate is both the source and purpose of art. The works ofAnnie Ernaux and Chloe Delaume analyzed here can illustrate how the intimate shapes a literary text ; the works ofSophie Calle and Nan Goldin show the special relationship between the intimate, sometimes the text, and photography.The verbal and the iconic languages are examined to determine how the style of the work is imbued with the intimatesphere. Beyond the risk or provocation it entails, we see how the work intimate is deeply rooted in time with a specialrelationship with memory. It is also about showing how the intimate art is a struggle for existence, for being recognizedas art. The concepts of value and effect as part of a theory of reception, illuminate this debate. Finally, this thesis isinterested in discovering how the art of the intimate severs from former ethics to build a new one. The purpose of thisstudy is also to define the outline of an aesthetics of intimacy, rekindling issues of realism, beauty, and the sublime
Cotentin, Régis. "Du simulacre numérique. Les images digitales au défi du vivant". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA027/document.
Pełny tekst źródłaThe contemporary authors, from visual artists to blockbusters’ directors, create images where the real and the virtual seem from the same cloth. Theirs movies, videos and installations show a world which emerges from the immateriality of the screens.Unlike images which are the result of the impregnation of the actual light on photosensitive surfaces, digital simulacra stem from binary language. They are made of pure computer code that can transform the image into a sum of data.Therefore, will the digital simulacra change our relationship to images? How do these digital sham images induce a new perception of artistic performances where subjectivity and its contributions are the prime factors?We are confronted with these digital simulacra of images after millennia of imagery that relate from ontology and that maintain a significant link with reality. The viewer, having the need to project himself into something that borrows from his nature and that questions his aspirations, his feelings as well as his beliefs, expects from the digital simulation the same capacity for incarnation and transfiguration that he experiences from others means of expression.Confronting and intertwining the traditional and the contemporary, this research analyses the sensitive eloquence of digital simulacra and how they face the challenge of real life, through film and in visual arts over the decade 2000-2010, based on the concepts of presence, representation and simulation.How do the various uses of digital technology force us to update the cultural and aesthetic codes that we inherited from Art history? Thus, this research attempts to understand the substance and the meaning of the digital pretence of life, which combines the synthetic intangible with an ontological argument
Książki na temat "Captage à l'arrêt"
La liberation de l'ame captive de la matière t.1 :(l'art-thérapie en afriqu. L'Harmattan, 2002.
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