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Artykuły w czasopismach na temat "Cambodia. Musée national"
Bourquin, Nora. "Une singulière Mahiṣāsuramardinī du Musée national du Cambodge". Arts asiatiques 77, nr 1 (2022): 151–58. http://dx.doi.org/10.3406/arasi.2022.2171.
Pełny tekst źródłaEstève, Julia, i Dominique Soutif. "Un liṅgakośa inscrit au Musée national du Cambodge (K. 1286)". Arts asiatiques 69, nr 1 (2014): 97–106. http://dx.doi.org/10.3406/arasi.2014.1869.
Pełny tekst źródłaEstève, Julia, i Brice Vincent. "L'about inscrit du musée national du Cambodge (K. 943) : nouveaux éléments sur le bouddhisme tantrique à l'époque angkorienne". Arts asiatiques 65, nr 1 (2010): 133–58. http://dx.doi.org/10.3406/arasi.2010.1710.
Pełny tekst źródłaSoutif, Dominique. "Le pendentif inscrit du musée national du Cambodge : une «bague de Rāma » datant du règne de Jayavarman VII (K. 1277) ?" Arts asiatiques 65, nr 1 (2010): 121–32. http://dx.doi.org/10.3406/arasi.2010.1709.
Pełny tekst źródła"Une exposition d'inscriptions préangkoriennes au musée national du Cambodge de Phnom Penh (Corpus des inscriptions khmères)". Bulletin de l'Ecole française d'Extrême-Orient 95, nr 1 (2008): 431–33. http://dx.doi.org/10.3406/befeo.2008.6117.
Pełny tekst źródłaRozprawy doktorskie na temat "Cambodia. Musée national"
Biard, Sophie. "Les statues issues des fouilles de la Conservation d'Angkor ˸ conservation, restauration, et diffusion de 1908 à nos jours". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA019.
Pełny tekst źródłaNowadays, Angkorian statues are world renowned. Their fame being triggered in the early 20th century with the birth of archaeology, the creation of museums and the implementation of conservation and restoration techniques in Cambodia. These practices and structures spread throughout the country during the establishment of the French protectorate. This culminated in the creation of an institution of scientific research: The Ecole Française d’Extrême-Orient (EFEO) and its dependent Conservation d’Angkor created in 1908. The sculptures found in the ruins of Angkor temples were initially brought together, creating a corpus of deposits, in which artifacts were placed into various collections within the country and abroad. Following decolonization, responsibility for the collections was returned to Cambodia. This hand over was underpinned by the legacy of institutions created under the French protectorate, in particular the National Museum. At the same time, Cambodia arranged the sustainability of EFEO work in Angkor. The Civil War that afflicted the country in the late 70’s brutally interrupted the development of national and French institutions for the management of Cambodian heritage. The struggle to emerge from this conflict furthered the wide spread looting of many precious artefacts. Cambodia had to find solutions to prevent this ongoing problem, and to retrieve its stolen artworks. The country received International help to support post-conflict reconstruction. This assistance also involved in the field of heritage management of Angkor and its sculptures, and the creation of new venues for their exhibition. The change in the political landscape of Cambodia throughout the 20th and early 21th century has heavily influenced the evolution of conservation, restoration, and diffusion practices applied to Angkorian statues
Książki na temat "Cambodia. Musée national"
Jessup, Helen Ibbitson. Masterpieces of the National Museum of Cambodia: An introduction to the collection = Chefs d'œuvre du Musée national du Cambodge : introduction aux collections. Norfolk, CT: Friends of Khmer Culture, 2006.
Znajdź pełny tekst źródłaDalsheimer, Nadine. L' art du Cambodge ancien: Les collections du musée national de Phnom Penh. Paris: Ecole Française d'Extrême-Orient Editions Magellan, 2001.
Znajdź pełny tekst źródłaDalsheimer, Nadine. Les collections du Musée national de Phnom Penh: L'art du Cambodge ancien. Paris: Ecole française d'Extrême-Orient, 2001.
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