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Artykuły w czasopismach na temat "Business enterprises in motion pictures"
STEPANOVA, Olena. "FORMATION OF ELEMENTS OF THE COMPLEX MANAGEMENT INFORMATION SYSTEM FOR INFORMATION SUPPORT OF THE DEVELOPMENT OF TOURIST ENTERPRISES". Management 35, nr 1 (13.07.2023): 143–51. http://dx.doi.org/10.30857/2415-3206.2022.1.11.
Pełny tekst źródłaArmashova-Telnik, G. S., i T. A. Bobovich. "Key areas of staffing at the enterprises of the North-West region". Proceedings of the Voronezh State University of Engineering Technologies 83, nr 4 (17.01.2022): 375–81. http://dx.doi.org/10.20914/2310-1202-2021-4-375-381.
Pełny tekst źródłaBakker, Gerben. "How Motion Pictures Industrialized Entertainment". Journal of Economic History 72, nr 4 (14.12.2012): 1036–63. http://dx.doi.org/10.1017/s002205071200068x.
Pełny tekst źródłaHennig-Thurau, Thorsten, Victor Henning i Henrik Sattler. "Consumer File Sharing of Motion Pictures". Journal of Marketing 71, nr 4 (październik 2007): 1–18. http://dx.doi.org/10.1509/jmkg.71.4.001.
Pełny tekst źródłaHennig-Thurau, Thorsten, Victor Henning i Henrik Sattler. "Consumer File Sharing of Motion Pictures". Journal of Marketing 71, nr 4 (październik 2007): 1–18. http://dx.doi.org/10.1509/jmkg.71.4.1.
Pełny tekst źródłaWierenga, Berend. "Invited Commentary—Motion Pictures: Consumers, Channels, and Intuition". Marketing Science 25, nr 6 (listopad 2006): 674–77. http://dx.doi.org/10.1287/mksc.1050.0185.
Pełny tekst źródłaQiang, Niu, Teng Hai i Martin Wolff. "China EFL: Teaching with movies". English Today 23, nr 2 (kwiecień 2007): 39–46. http://dx.doi.org/10.1017/s0266078407002076.
Pełny tekst źródłaFranses, Philip Hans. "Modeling box office revenues of motion pictures✰". Technological Forecasting and Social Change 169 (sierpień 2021): 120812. http://dx.doi.org/10.1016/j.techfore.2021.120812.
Pełny tekst źródłaBudeva, Desislava. "Cross‐cultural differences in evaluating product characteristics: motion pictures". Management Research Review 33, nr 5 (23.04.2010): 423–36. http://dx.doi.org/10.1108/01409171011041875.
Pełny tekst źródłaMarvasti, A. "Motion Pictures Industry: Economies of Scale and Trade". International Journal of the Economics of Business 7, nr 1 (luty 2000): 99–114. http://dx.doi.org/10.1080/13571510084087.
Pełny tekst źródłaRozprawy doktorskie na temat "Business enterprises in motion pictures"
黃曉恩. "華人院商家族與香港戲院業變遷, 1930-1930年代 = Chinese cinema operators and cinema business in Hong Kong, 1930s-1960s". HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1373.
Pełny tekst źródłaSörling, Marie-Louise, i Viktor Wallgren. "Media Placement of Locations : An Exploratory Study of the Possible Trends within the Film Industry". Thesis, Jönköping University, JIBS, Business Administration, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-159.
Pełny tekst źródłaProduct placement is a relatively new idea within marketing. Despite this, it has become a more accepted and used concept, especially within the motion picture industry. It has been noticed that exposure on screen has had a positive effect on sales of the showed products, even though there are still no clear method to measure its efficiency. Evidence has shown that there is an increased tourism to destinations exposed on screen. For example, the movie Braveheart increased tourism to Scotland, Notting Hill has brought attention to London’s district Notting Hill, and the books of Wallander has benefited Ystad. We therefore see a possible development of product placement, which so far only has incorporated products, to also include placement of geographical places (cities, region or nations etc), i.e. location placement. The exposures that to this point has occurred has been random, with no active participation from marketers or filmmakers.
Our purpose is to investigate if media placement of locations (defined as paying for the placement) is a possible future source of revenue for location marketers as well as film and product placement agencies.
We have interviewed people from three main areas: marketer of a geographical location, product placement agency, and representatives from the film production. Since we had some problems collecting sufficient data, we decided to complement our empirical findings with secondary data.
We see a potential development of location placements. It does however require some conditions to be fulfilled. First, the placement must be seamlessly placed, should lead the story forward and should not be the main focus before the script. Second, the placement must be communicated openly throughout the entire production process and with all parties involved. Finally we see that placement must be founded on good relationships and having the right channels. The actors involved in a location placement are the marketer, product placement agency, location shout, director and other film production crew.
To sum up, a well thought-thru location placement that are consistent with the overall location brand image and the story, would benefit both the location and the film.
Banchuen, Woraphat. "A comparative study of product placement in movies in the United States and Thailand". CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3265.
Pełny tekst źródłaMessenger, Cory Luke Joseph. "Calling the Tune: Hollywood and the Business of Music". Thesis, Griffith University, 2011. http://hdl.handle.net/10072/366651.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Humanities
Arts, Education and Law
Full Text
Hamonic, Wynn Gerald. ""Disney is the Tiffany's and I am the Woolworth's of the business" : a critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry". Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/6436.
Pełny tekst źródłaDean, Adam T. "The Paradox of Creativity and Business in Feature Hollywood Filmmaking: The Relationship Between Motion Picture Production and Budgeting". Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4885/.
Pełny tekst źródłaGebacz, Chloe C. "Why So Short?: The Changing World of the Short Film Industry and Online Distribution". Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429898301.
Pełny tekst źródła"Crossing the transnational Hong Kong cinema co-production: production culture, policy, business, and individual practitioners". Thesis, 2011. http://library.cuhk.edu.hk/record=b6075095.
Pełny tekst źródłaChan, Ka Ming.
Adviser: Lai-Kwan Pang.
Source: Dissertation Abstracts International, Volume: 73-04, Section: A, page: .
Thesis (Ph.D.)--Chinese University of Hong Kong, 2011.
Includes bibliographical references (leaves 317-338).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstract also in Chinese.
Książki na temat "Business enterprises in motion pictures"
Balio, Tino. Grand design--Hollywood as a modern business enterprise, 1930-1939. New York: Scribner, 1993.
Znajdź pełny tekst źródłaBalio, Tino. Grand design: Hollywood as a modern business enterprise, 1930-1939. Berkeley: University of California Press, 1995.
Znajdź pełny tekst źródłaFujita, Kōsei. Eiga de manabu kokusai bijinesu: Bijinesuman ni fukaketsu na ibunka rikai. Wyd. 8. Tōkyō: Taishūkan Shoten, 1994.
Znajdź pełny tekst źródłaThiermeyer, Michael. Internationalisierung von Film und Filmwirtschaft: Ihr seid doch Medientechniker oder? Wann hat Gutenberg den Buchdruck erfunden? Na, wer weiß es? Köln: Böhlau, 1994.
Znajdź pełny tekst źródłaRussell, Lynette. Savage imaginings: Historical and contemporary constructions of Australian Aboriginalities. Melbourne: Australian Scholarly Publishing, 2001.
Znajdź pełny tekst źródłaWildman, Steven S. International trade in films and television programs. Cambridge, Mass: Ballinger, 1988.
Znajdź pełny tekst źródłaTharoor, Shashi. Show business. New Delhi, India: Viking, 1991.
Znajdź pełny tekst źródłaPeter, Muller. Show business law: Motion pictures, television, video. New York: Quorum Books, 1991.
Znajdź pełny tekst źródłaTharoor, Shashi. Show business: A novel. New York: Arcade Pub., 1992.
Znajdź pełny tekst źródłaCones, John W. Business plans for filmmakers. Carbondale: Southern Illinois University Press, 2010.
Znajdź pełny tekst źródłaCzęści książek na temat "Business enterprises in motion pictures"
Nordin, Norazman, Norizarina Ishak, Nurfadhlina Abdul Halim, Siti Raihana Hamzah i Ahmad Fadly Nurullah Rasadee. "A Geometric Brownian Motion of ASEAN-5 Stock Indexes". W AI and Business, and Innovation Research: Understanding the Potential and Risks of AI for Modern Enterprises, 779–86. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42085-6_67.
Pełny tekst źródłaWaller, Gregory A. "Putting Films to Work". W Films That Work Harder. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462986534_ch13.
Pełny tekst źródłaGUZMAN PARRA, VANESA F., FRANCISCO JAVIER MAQUEDA LAFUENTE i JAIME GIL LAFUENTE. "A COMPARATIVE RELEASE PATTERN: SEASONALITY, REVENUE AND SURVIVAL OF MOTION PICTURES AT THE SPANISH BOX OFFICE". W Decision Making Systems in Business Administration, 329–41. WORLD SCIENTIFIC, 2012. http://dx.doi.org/10.1142/9789814452052_0028.
Pełny tekst źródłaKester, George W., Gregory J. Cooper, Roger A. Dean, Peter T. Gianiodis i Michael G. Goldsby. "Hollywood in the Classroom". W Handbook of Research on Teaching Ethics in Business and Management Education, 619–36. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-61350-510-6.ch036.
Pełny tekst źródłaGraham, Margaret. "The Threshold of the Information Age Radio, Television, and Motion Pictures Mobilize the Nation". W A Nation Transformed by Information, 137–76. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195127010.003.0005.
Pełny tekst źródłaCulkin, Nigel, Norbert Morawetz i Keith Randle. "Digital Cinema as Disruptive Technology". W Information Communication Technologies and Emerging Business Strategies, 160–78. IGI Global, 2007. http://dx.doi.org/10.4018/978-1-59904-234-3.ch009.
Pełny tekst źródłaVujnović, Ljubica. "UTICAJ AUTORSKOG PRAVA I PRAVA KONKURENCIJE NA ZAČETKE I USPON AMERIČKE FILMSKE INDUSTRIJE". W USKLAĐIVANjE pravnog sistema Srbije sa standardima Evropske unije: Knj.9, 627–40. University of Kragujevac, Faculty of Law, 2021. http://dx.doi.org/10.46793/upssix.627v.
Pełny tekst źródłaMarzola, Luci. "Epilogue". W Engineering Hollywood, 195–98. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190885588.003.0008.
Pełny tekst źródłaErish, Andrew A. "1905–1908". W Vitagraph, 31–57. University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181196.003.0003.
Pełny tekst źródłaCulkin, Nigel, Norbert Morawetz i Keith Randle. "Digital Cinema as Disruptive Technology". W Information Communication Technologies, 1832–45. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-949-6.ch129.
Pełny tekst źródłaStreszczenia konferencji na temat "Business enterprises in motion pictures"
Hu, Xudong, Yanhong Yuan i Weiping Shen. "Weaving Loom Integration in Textile Enterprise". W ASME 2003 International Mechanical Engineering Congress and Exposition. ASMEDC, 2003. http://dx.doi.org/10.1115/imece2003-41661.
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