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Data publikacji: 22 czerwca 2024

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1

Guillot, Renée-Paule. Les ducs de Bourgogne: Le rêve européen. Paris: F. Lanore, 1998.

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2

Delaforce, Patrick. The country wines of Burgundy and Beaujolais. Wheathampstead: Lennard, 1987.

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Fried, Eunice. Burgundy: The country, the wines, the people. New York: Harper & Row, 1986.

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4

Paravicini, Werner, i Holger Kruse. Die Hofordnungen der Herzöge von Burgund. Ostfildern: Thorbecke, 2005.

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5

Morand, Kathleen. Claus Sluter: Artist at the court of Burgundy. London: Harvey Miller, 1991.

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6

Morand, Kathleen. Claus Sluter: Artist at the court of Burgundy. Austin: University of Texas Press, 1991.

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7

Gabriele, Keck, Marti Susan, Borchert Till, Bernisches Historisches Museum, Groeningemuseum i Kunsthistorisches Museum Wien, red. Charles the Bold, 1433-1477: The splendour of Burgundy. [Brussels]: Mercatorfonds, 2009.

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8

Heinricks, Geoffrey. A fool and forty acres: Conjuring a vineyard three thousand miles from Burgundy. Toronto: M&S, 2004.

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9

1960-, Stein Robert, red. Powerbrokers in the late Middle Ages: The Burgundian Low Countries in a European context = Les courtiers du pouvoir au Bas Moyen-Age : les Pays-Bas bourguignons dans un contexte européen. Turnhout, Belgium: Brepols, 2001.

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10

Greene, Jeffrey. French spirits: A house, a village, and a love affair in Burgunday. New York: Morrow, 2002.

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11

Paravicini, Werner. Menschen am Hof der Herzöge von Burgund: Gesammelte Aufsätze. Stuttgart: Thorbecke, 2002.

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12

Small, Graeme. George Chastelain and the shaping of Valois Burgundy: Political and historical culture at court in the fifteenth century. Woodbridge, Suffolk, UK: Royal Historical Society, 1997.

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13

Hiltmann, Torsten. Spätmittelalterliche Heroldskompendien: Referenzen adeliger Wissenkultur in Zeiten gesellschaftlichen Wandels (Frankreich und Burgund, 15. Jahrhundert). München: Oldenbourg, 2011.

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14

de, Lancastre Margarida, i Abecasis Teresa, red. Princesas partem, princesas chegam--: D. Isabel de Portugal, do Paço de Sintra ao Ducado de Borgonha. Lisboa: Associação Acordar História Adormecida, 1991.

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15

Taubert, Karl Heinz. Barock-Tanze: Geschichte, Wesen und Form, Choreographie und Tanz-Praxis : Tanz-Zyklus I, "La Bourgogne" Burgund : Courante, Bourrée, Sarabande, Passepied : Choreographie von Louis Pécour für Marie Adelaide Herzogin von Burgund um 1697 : Tanzbeschreibungen, Notenbeilage, Bilder zu Tanz- und Kulturgeschichte. Zürich: Verlag Musikhaus Pan, 1986.

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16

Hiltmann, Torsten. Spätmittelalterliche Heroldskompendien: Referenzen adeliger Wissenkultur in Zeiten gesellschaftlichen Wandels (Frankreich und Burgund, 15. Jahrhundert). München: Oldenbourg, 2011.

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17

Witt, Sabine. Die Skulpturen der Sluter-Nachfolge in Poligny: Stiftungen und Hofkunst in der Freigrafschaft Burgund unter den Herzögen aus dem Hause Valois. Korb: Didymos-Verlag, 2009.

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18

Brown, Andrew. Court and civic society in the Burgundian Low Countries c.1420-1530. Manchester: Manchester University Press, 2007.

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19

Jonge, Krista de. El legado de Borgoña: Fiesta y ceremonia cortesana en la Europa de los Austrias (1454-1648). [Madrid]: Fundación Carlos Amberes, 2010.

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20

Beazley, Mitchell, i Hubrecht Duijker. Burgundy (Touring in Wine Country). Mitchell Beazley, 1996.

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21

Duijker, Hubrecht. Touring In Wine Country: Burgundy (Touring in Wine Country). Mitchell Beazley, 2000.

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22

Cartellieri, Otto. Court of Burgundy. Taylor & Francis Group, 2013.

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23

Cartellieri, Otto, i C. K. Ogden. Court of Burgundy. Taylor & Francis Group, 1997.

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24

Cartellieri, Otto. Court of Burgundy. Routledge, 2013.

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25

Cartellieri, Otto. Court of Burgundy. Taylor & Francis Group, 2014.

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26

Cartellieri, Otto. Court of Burgundy. Taylor & Francis Group, 2013.

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27

Delaforce, Patrick. The Country Wines of Burgundy and Beaujolais. Queen Anne Press, 1989.

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28

Fried, Eunice. Burgundy: The Country, the Wines, the People. HarperCollins, 1986.

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29

Fried, Eunice. Burgundy: The Country, the Wines, the People. HarperCollins, 1986.

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30

Scott, Tom. The Romandie. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198725275.003.0014.

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Much of francophone Switzerland (the Romandie) was a region open to rival political powers. Savoy controlled the Chablais and the Vaud, but Burgundy had designs upon the Romandie, and so did France, both in respect of the Franche-Comté and eastwards across the Jura mountains to the county of Neuchâtel. Alsatian cities and western Swiss cities, principally Bern, in turn had western ambitions, whether active or reactive. The principal means of securing influence in this open landscape was the protective alliance (Burgrecht), granted to lords, ecclesiastical foundations, and towns in return for admission to citizenship in the cities, some of whom became in due course associated members of the Confederation. The many and renewed Burgrechte between Bern (and Fribourg) and Savoy came under strain, however, because the cities accepted Savoy subjects as citizens, latterly citizens of Geneva, over which Savoy asserted jurisdiction.

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31

Thoene, Marijim, i Guy Mermier. End of Time in the Middle Ages: The Vineyard of Our Saviour - Bodleian MS. Douce 134. Maize Books, 2022. http://dx.doi.org/10.3998/mpub.11767532.

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The first publication of an English translation of The Vineyard of Our Saviour, a 15th-century French/Latin sermon on the end of time comes at an auspicious time. The anonymous author of The Vineyard speaks of events at the end of the world, which ravage our world today-- raging forest fires, earthquakes, floods, draughts, and wars. The Vineyard also describes the appearance of the Antichrist, the Last Judgment, the tortures of hell and the joys of paradise. The drama of the text is heightened by over 70 illuminations that make this medieval manuscript one of the most treasured in the Bodleian Library. These images may be viewed while reading the translation thanks to the generosity of the Bodleian. The anonymous artists of these illuminations present unforgettable images of maniacal devils inflicting horrendous tortures on the damned, as well as scenes of saints and angels singing and playing musical instruments in the heavenly courts of Christ and the Blessed Virgin. The illuminations also link The Vineyard to the Carthusians and to the music and musical instruments in the courts and chapels of the dukes of Burgundy. Place of honor is given to two Carthusian monks kneeling at the feet of Christ in paradise. The monks are in all likelihood modeled from those in the Carthusian monasteries that flourished during the writing of this manuscript: the Chartreuse de Champmol, located on the outskirts of Dijon and built by the first Duke of Burgundy, Philip the Bold; and the Grande Chartreuse situated in the mountains above the city of Grenoble. The musical instruments in the courts of heaven are those of the royal courts and chapels of the Dukes of Burgundy. The illuminations reveal many details that define the God-centered milieu that inspired religious devotion and the finest sacred music of the 15th-century.

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32

Greene, Jeffrey. French Spirits: A House, a Village, and a Love Affair in Burgundy. Harper Perennial, 2003.

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33

Greene, Jeffrey. French Spirits: A House, a Village, and a Love Affair in Burgundy. Harper Perennial, 2003.

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34

Matthews, Patrick. Discovering Wine Country: Burgundy: How to Find Great Wines off the Beaten Track (Discovering Wine Country). Mitchell Beazley, 2005.

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35

Hayhoe, Jeremy. Enlightened Feudalism: Seigneurial Justice and Village Society in Eighteenth-century Northern Burgundy. University of Rochester Press, 2008.

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36

Moodey, Elizabeth J. Illuminated Crusader Histories for Philip the Good of Burgundy. Brepols Publishers, 2013.

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37

Hayhoe, Jeremy. Enlightened Feudalism: Seigneurial Justice and Village Society in Eighteenth-Century Northern Burgundy (Changing Perspectives on Early Modern Europe). University of Rochester Press, 2008.

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38

Greene, Jeffrey. French Spirits. Bantam, 2003.

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39

Nijsten, Gerard. In the Shadow of Burgundy: The Court of Guelders in the Late Middle Ages. Cambridge University Press, 2004.

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40

Princesas partem, princesas chegam--: D. Isabel de Portugal, do Paco de Sintra ao Ducado de Borgonha. Reader's Digest, 1991.

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41

Tabri, Edward. Political Culture In The Early Northern Renaissance: The Court Of Charles The Bold, Duke Of Burgundy (1467-1477) (Renaissance Studies). Edwin Mellen Press, 2005.

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42

O'Hara, Alexander. Jonas of Bobbio and the Legacy of Columbanus. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190858001.001.0001.

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Jonas of Bobbio, writing in the mid-seventh century, was not only a major Latin monastic author but also a historic figure in his own right. Born in the ancient Roman town of Susa in the foothills of the Italian Alps, he became a monk of Bobbio, the monastery founded by the Irish abbot Columbanus, soon after the saint’s death. He became archivist and personal assistant to successive Bobbio abbots, traveled to Rome to obtain the first papal privilege of immunity, and served as a missionary on the northern borderlands of the Frankish kingdom, where he wrote his Vita Columbani, one of the most influential works of early medieval hagiography. As abbot of a community in the far north of the Frankish kingdom, Jonas was part of an extensive monastic network that stretched from the English Channel to the Italian Apennines. By the time of Jonas’s death toward the end of the seventh century, the monastic landscape of this region had been transformed. This was the result of a socioreligious revolution, initiated by Columbanus (d. 615) and continued by his Frankish disciples in the decades after his death. Columbanus established a cluster of monasteries in the Vosges forests of Burgundy in the last decade of the sixth century, chief among them Luxeuil. During the seventh century, Luxeuil, its abbots, and the Merovingian royal court in Paris spearheaded an unprecedented monastic movement in Merovingian Gaul that would transform the interrelationship between religious and secular authorities in the Early Middle Ages.

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43

Brown, Andrew, i Graeme Small. Court and Civic Society in the Burgundian Low Countries c. 1420-1520 (Manchester Medieval Sources). Manchester University Press, 2008.

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44

Memories, Forever. Guest Book: Pink Pastel Rose Floral Flowers Burgundy Vintage Rustic Country - a Perfect Signing Message Book for All Occasions Such As a Wedding Reception, Baby/Bridal Shower, Birthday Party, Anniversary, Memorial, Farewell, Graduation, Retirement. Independently Published, 2021.

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