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Artykuły w czasopismach na temat "Buddhist Sculptures"
Jinsin, Kun. "Chinese Buddhist Sculpture of the Early Period. Iconographic Features". Scientific and analytical journal Burganov House. The space of culture 16, nr 2 (10.06.2020): 114–26. http://dx.doi.org/10.36340/2071-6818-2020-16-2-114-126.
Pełny tekst źródłaSyrtypova, S. K. "Buddha Akshobhya in Mongolia". Orientalistica 2, nr 4 (16.01.2020): 817–37. http://dx.doi.org/10.31696/2618-7043-2019-2-4-817-837.
Pełny tekst źródłaDemenova, Victoria V. "Sino-Tibetan Style of Buddhist Sculpture: Articulation of the Attribution Problem". Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, nr 2 (2022): 272–86. http://dx.doi.org/10.15826/izv2.2022.24.2.039.
Pełny tekst źródłaXiao, Wei. "The Technique of Creating Buddhist Polychrome Sculpture". Scientific and analytical journal Burganov House. The space of culture 15, nr 3 (10.09.2019): 55–74. http://dx.doi.org/10.36340/2071-6818-2019-15-3-55-74.
Pełny tekst źródłaTiwari, Akanksha, i Alok Shrotriya. "Divine Expressions in Pala Art: Sculptures of Transcendence with special reference to Buddhist minor Deities". RESEARCH REVIEW International Journal of Multidisciplinary 8, nr 11 (14.11.2023): 155–69. http://dx.doi.org/10.31305/rrijm.2023.v08.n11.024.
Pełny tekst źródłaHe, Liqun. "On the development of Buddhist sculpture in Ye City and the “Ye City Style” reflected by the Bei Wuzhuang hoard". Chinese Archaeology 16, nr 1 (27.11.2016): 189–200. http://dx.doi.org/10.1515/char-2016-0018.
Pełny tekst źródłaStiller, Maya. "Precious Items Piling up Like Mountains: Buddhist Art Production via Fundraising Campaigns in Late Koryŏ Korea (918–1392)". Religions 12, nr 10 (15.10.2021): 885. http://dx.doi.org/10.3390/rel12100885.
Pełny tekst źródłaБардалеева, С. Б. "Collection of the Buddhist sculptures of Mongolia of the National Museum of the Republic of Buryatia". Iskusstvo Evrazii [The Art of Eurasia], nr 3(22) (30.09.2021): 68–77. http://dx.doi.org/10.46748/arteuras.2021.03.006.
Pełny tekst źródłaZhao, Jinchao. "Connecting the Sacred: Network Analysis of Buddhist Images on Early Medieval Chinese Pagodas from Nannieshui, Shanxi". Religions 14, nr 5 (6.05.2023): 625. http://dx.doi.org/10.3390/rel14050625.
Pełny tekst źródłaElikhina, Yu I. "The artistic Heritage of Dzanabadzar and his School preserved in the Collections of the State Hermitage". Orientalistica 3, nr 3 (3.10.2020): 662–80. http://dx.doi.org/10.31696/2618-7043-2020-3-3-662-680.
Pełny tekst źródłaRozprawy doktorskie na temat "Buddhist Sculptures"
Leoshko, Janice. "The iconography of Buddhist sculptures of the P?la and Sena periods from Bodhgay? /". The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487327695623672.
Pełny tekst źródłaLeoshko, Janice. "The Iconography of Buddhist Sculptures of the Pala and Sena Periods from Bodhgaya Volume I". The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392309418.
Pełny tekst źródłaPons, Jessie. "Inventaire et étude systématiques des sites et des sculptures bouddhiques du Gandhāra : ateliers, centres de production". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040086.
Pełny tekst źródłaBuddhist statues and narrative relieves from Gandhāra share common characteristics thus justifying the designation of “Gandhāran art”. The homogeneity of Gandhāran art is certainly manifest in its material, its subject and its composite nature, yet it is possible to distinguish important iconographic and stylistic variations. This doctoral thesis aims to highlight these variations in order to provide the first identification and characterisation of the various stylistic languages of Gandhāran Buddhist art. The introductory reflections on the geographical, historical and religious contexts within which Gandhāran Buddhist art developed, are followed by prolegomena of the historiographical and theoretical frameworks of the research. These emphasise the need for an appropriate methodology and terminology and the necessity for a corpus of correctly documented pieces on which a stylistic study can be founded. The preliminary inventory of Gandhāran sculptures has identified approximately 5000 pieces of known provenance gathered in an electronic database. The last part focuses on the identification of Gandhāran schools, artistic zones, production centres and workshops and on their characterisation in terms of iconography and form. The review is geographically organised, thus revealing the existing correlation between the stylistic levels and Gandhāran geography and allowing the recognition of various interaction networks. The thesis concludes with an attempt to identify ancient routes, a reassessment of old stylistically based chronologies and a reflection on the geographical normalisation of Buddhist iconographies
Chiu, Angela Shih Chih. "The social and religious world of northern Thai Buddha images : art, lineage, power and place in Lan Na monastic chronicles (Tamnan)". Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617604.
Pełny tekst źródłaLingley, Kate Alexandra. "Widows, monks, magistrates, and concubines social dimensions of sixth-century Buddhist art patronage /". Click to view the dissertation via Digital dissertation consortium, 2004.
Znajdź pełny tekst źródłaGalloway, Charlotte Kendrick. "Burmese Buddhist imagery of the early Bagan period (1044-1113)". Connect to this title online, 2006. http://thesis.anu.edu.au/public/adt-ANU20071112.160557/index.html.
Pełny tekst źródłaKarlsson, Klemens. "Face to face with the absent Buddha : The formation of Buddhist Aniconic art". Doctoral thesis, Uppsala University, Department of Theology, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-421.
Pełny tekst źródłaEarly art in Buddhist cultic sites was characterized by the absence of anthropomorphicimages of the Buddha. The Buddha was instead represented by different signs, like awheel, a tree, a seat and footprints. This study emphasizes the transformation this artunderwent from simple signs to carefully made aniconic compositions representing theBuddha in a narrative context.
Buddhist aniconic art has been explained by a prohibition against images of theBuddha or by a doctrine that made it inappropriate to depict the body of the Buddha.This study rejects such explanations. Likewise, the practice of different meditationalexercises cannot explain this transformation. Instead, it is important to understand thatearly art at Buddhist cultic sites consisted of simple signs belonging to a shared sacredIndian culture. This art reflected a notion of auspiciousness, fertility and abundance.The formation of Buddhist aniconic art was indicated by the connection of these auspi- cious signs with a narrative tradition about the life and teachings of the Buddha.
The study emphasizes the importance Sakyamuni Buddha played in the formation ofBuddhist art. The Buddha was interpreted as an expression of auspiciousness, but hewas also connected with a soteriological perspective. Attention is also focused on thefact that the development of Buddhist art and literature was a gradual and mutualprocess. Furthermore, Buddhist aniconic art presaged the making of anthropomorphicimages of the Buddha. It was not an innovation of motive for the Buddhists when theystarted to make anthropomorphic images of the Buddha. He was already there.
Le, Thua Tien Art College of Fine Arts UNSW. "Journey to inner peace installation and sculpture from a buddhist perspective". Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/41874.
Pełny tekst źródłaGalloway, Charlotte Kendrick, i charlotte galloway@anu edu au. "Burmese Buddhist Imagery of the Early Bagan Period (1044-1113)". The Australian National University. Faculty of Arts, 2007. http://thesis.anu.edu.au./public/adt-ANU20071112.160557.
Pełny tekst źródłaLok, Wai-ying, i 駱慧瑛. "The significance of Dunhuang iconography from the perspective of Buddhist philosophy: a study mainly based onCave 45". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48199321.
Pełny tekst źródłapublished_or_final_version
Buddhist Studies
Doctoral
Doctor of Philosophy
Książki na temat "Buddhist Sculptures"
India. Ministry of Information and Broadcasting., red. Buddhist sculptures and monuments. New Delhi: Publication Division, Ministry of Information and Broadcasting, Govt. of India, 1994.
Znajdź pełny tekst źródłaBuddhist sculptures in Tibet. Hong Kong: Visual Dharma, 2001.
Znajdź pełny tekst źródłaLiao, Dongfan. Tibetan sculptures. Beijing: China Intercontinental Press, 2003.
Znajdź pełny tekst źródłaLiao, Dongfan. Tibetan sculptures. Beijing: China Intercontinental Press, 2003.
Znajdź pełny tekst źródłaC, Sharma R. Bharhut sculptures. New Delhi: Abhinav Publications, 1994.
Znajdź pełny tekst źródłaMurthy, K. Krishna. Sculptures of Vajrayāna Buddhism. Delhi, India: Classics India Publications, 1989.
Znajdź pełny tekst źródłaMullick, C. C. Nalanda sculptures: Their bearing on Indonesian sculptures. Delhi: Pratibha Prakashan, 1991.
Znajdź pełny tekst źródłaVajrayana Buddhism in Khajuraho sculptures. Kolkata: Power Publishers, 2012.
Znajdź pełny tekst źródłaTibetan sculptures. Beijing: China Intercontinental Press, 2003.
Znajdź pełny tekst źródłaRao, Manjushri. Sanchi sculptures, an aesthetic and cultural study. New Delhi: Akay Book Corp., 1994.
Znajdź pełny tekst źródłaCzęści książek na temat "Buddhist Sculptures"
Prasad, Birendra Nath. "The Socio-Religious Dimensions of Dedicatory Inscriptions on Sculptures Donated to a Buddhist Establishment in Early Medieval Magadha: Kurkihar, c. 800 CE-1200 CE*". W Rethinking Bihar and Bengal, 41–84. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003221227-2.
Pełny tekst źródłaPeleggi, Maurizio. "CHAPTER FOUR. THE PLOT OF THAI ART HISTORY: BUDDHIST SCULPTURE AND THE MYTH OF NATIONAL ORIGINS". W A Sarong for Clio, redaktor Maurizio Peleggi, 79–94. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501725937-006.
Pełny tekst źródłaPrasad, Birendra Nath. "A Folk Tradition Integrated into Mahāyāna Buddhism: Some Observations on the Votive Inscriptions on the Sculptures of Puṇḍeśvarī/Pūrṇeśvarī/Puṇyeśvarī Discovered in the Kiul-Lakhisarai Area, Bihar". W Rethinking Bihar and Bengal, 85–93. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003221227-3.
Pełny tekst źródła"2. Early Sculptures". W The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences, 31–75. BRILL, 2013. http://dx.doi.org/10.1163/9789004248328_004.
Pełny tekst źródłaVaneian, Elizaveta S. "The “Spectrum of Corporeality” in Japanese Buddhist Sculpture". W Artificial Body in the World Intellectual and Artistic Culture, 31–57. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0719-9-31-57.
Pełny tekst źródłaNaz, Fozia. "Buddhist art of Gandhāra: a catalogue of newly documented sites in Malakand District". W Gandhāran Art in Its Buddhist Context, 77–87. Archaeopress Archaeology, 2023. http://dx.doi.org/10.32028/9781803274737-06.
Pełny tekst źródłaKhan, Zarawar, Fawad Khan i Ghayyur Shahab. "Gandhāran stucco sculptures from Sultan Khel (former Khyber Agency) in the collection of Peshawar Museum: a study in three parts". W The Rediscovery and Reception of Gandhāran Art, 43–82. Archaeopress Archaeology, 2022. http://dx.doi.org/10.32028/9781803272337-3.
Pełny tekst źródłaPrabha Ray, Himanshu. "Archaeology of Buddhism in post-partition Punjab: the disputed legacy of Gandhāra". W The Rediscovery and Reception of Gandhāran Art, 124–35. Archaeopress Archaeology, 2022. http://dx.doi.org/10.32028/9781803272337-6.
Pełny tekst źródła"Buddhist clay sculptures in Central Asia: Conservation and restoration problems". W Rammed Earth Conservation, 685–90. CRC Press, 2012. http://dx.doi.org/10.1201/b15164-116.
Pełny tekst źródłaCharney, Maurice. "Shakespeare’s Villains1". W The Supervillain Reader, 106–13. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496826466.003.0010.
Pełny tekst źródłaStreszczenia konferencji na temat "Buddhist Sculptures"
Shao, Changzong. "Discussion on the Humanities and Artistry of Buddhist Sculptures in Wei, Jin, Southern and Northern Dynasties". W 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.008.
Pełny tekst źródłaKoc, Adem. "A Symbolic Taste of the City: Eskișehir Met Halva from Legend to Game". W Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.29.
Pełny tekst źródłaHendradi, Rimuljo, Ikhsan Rosyid Mujahidul Anwari i Kinara Al Ghiffari. "Augmented reality application development on universitas airlangga Museum’s sculpture as Hindu-Buddhist history educational media". W 4TH INTERNATIONAL SCIENTIFIC CONFERENCE OF ALKAFEEL UNIVERSITY (ISCKU 2022). AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0181221.
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