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Artykuły w czasopismach na temat "British black identity"
JOHNES, MARTIN, i MATTHEW TAYLOR. "BOXING, RACE, AND BRITISH IDENTITY, 1945–1962". Historical Journal 63, nr 5 (14.02.2020): 1349–77. http://dx.doi.org/10.1017/s0018246x19000724.
Pełny tekst źródłaWrenn, Andrew. "Black and British? History, Identity and Citizenship". History Education Research Journal 3, nr 1 (1.01.2003): 69–73. http://dx.doi.org/10.18546/herj.03.1.08.
Pełny tekst źródłaLilyana, Sandra. "THE DISRUPTION OF HOME AND IDENTITY IN BLACK BRITISH WRITING". Kajian Linguistik dan Sastra 19, nr 2 (25.03.2015): 112–20. http://dx.doi.org/10.23917/kls.v19i2.4424.
Pełny tekst źródłaDiawara, M. "Black British Cinema: Spectatorship and Identity Formation in Territories". Public Culture 3, nr 1 (1.10.1990): 33–48. http://dx.doi.org/10.1215/08992363-3-1-33.
Pełny tekst źródłaKwei-Armah, Kwame. "‘Know Whence You Came’: Dramatic Art and Black British Identity". New Theatre Quarterly 23, nr 3 (sierpień 2007): 253–63. http://dx.doi.org/10.1017/s0266464x07000152.
Pełny tekst źródłaShrestha, Ravi. "Double Consciousness in Hanif Kureishi’s The Black Album". Curriculum Development Journal 29, nr 43 (1.12.2021): 155–62. http://dx.doi.org/10.3126/cdj.v29i43.41086.
Pełny tekst źródłaOlofinjana, Rev Israel Oluwole. "Reverse Mission: Towards an African British Theology". Transformation: An International Journal of Holistic Mission Studies 37, nr 1 (23.10.2019): 52–65. http://dx.doi.org/10.1177/0265378819877902.
Pełny tekst źródłaKundu, Anwesha. "British but not a Briton: Anglophilia and Black British Identity Formation in E. R. Braithwaite". ariel: A Review of International English Literature 54, nr 3-4 (lipiec 2023): 99–125. http://dx.doi.org/10.1353/ari.2023.a905711.
Pełny tekst źródłaMbah, Ndubueze L. "The Black Englishmen of Old Calabar". Radical History Review 2022, nr 144 (1.10.2022): 45–75. http://dx.doi.org/10.1215/01636545-9847802.
Pełny tekst źródłaGreen, Venus. "Race, Gender, and National Identity in the American and British Telephone Industries". International Review of Social History 46, nr 2 (sierpień 2001): 185–205. http://dx.doi.org/10.1017/s0020859001000141.
Pełny tekst źródłaRozprawy doktorskie na temat "British black identity"
James, Melissa Sarah. "Black Deaf or Deaf Black? : an investigation of identity in the British Black Deaf community". Thesis, City University London, 2000. http://openaccess.city.ac.uk/8278/.
Pełny tekst źródłaConnell, Patricia. "Theorising woman abuse through identity : the experience of Black British women". Thesis, University of Cambridge, 1998. https://www.repository.cam.ac.uk/handle/1810/272683.
Pełny tekst źródłaGiovannetti, Jorge L. "Black British subjects in Cuba : race, ethnicity, nation, and identity in the migratory experience, 1898-1938". Thesis, London Metropolitan University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589412.
Pełny tekst źródłaMoudouma, Moudouma Sydoine. "Re-visiting history, re-negotiating identity in two black British fictions of the 21st Century: Caryl Phillips’s A distant shore (2003) and Buchi Emecheta’s The new tribe (2000)". Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2120.
Pełny tekst źródłaNotions of home, belonging, and identity haunt the creative minds of fiction writers belonging to and imagining the African diaspora. Detailing the ways in which two diasporic authors “re-visit history” and “re-negotiate identity”, this thesis grapples with the complexity of these notions and explores the boundaries of displacement and the search for new home-spaces. Finally, it engages with the ways in which both authors produce “new tribes” beyond the bounds of national or racial imaginaries. Following the “introduction”, the second chapter titled “River Crossing” offers a reading of Caryl Phillips’s A Distant Shore, which features a black African man fleeing his home-country in search of asylum in England. Here, I explore Phillips’s representation of the “postcolonial passage” to the north, and of the “shock of arrival” in England. I then analyse the ways in which the novel enacts a process of “messing with national identity”. While retracing the history of post-Windrush migration to England in order to engage contemporary immigration, A Distant Shore, I argue, also re-visits the trans-Atlantic slave trade. In the final section, I discuss “the economy of asylum” as I explore the fates of the novel’s two central characters: the African asylum-seeker and the outcast white English woman. My reading aims to advance two points made by the novel. Firstly, that individuals are not contained by the nations and cultures they belong to; rather, they are owned by the circumstances that determine the conditions of their displacement. Phillips strives to tell us that individuals remain the sites at which exclusionary discourses and theories about race, belonging and identity are re-elaborated. Secondly, I argue that no matter the effort exerted in trying to forget traumatic pasts in order to re-negotiate identity elsewhere, individuals remain prisoners of the chronotopes they have inhabited at the various stages of their passages. The third chapter focuses on Buchi Emecheta’s The New Tribe. Titled “Returning Home?”, it explores the implications of Emecheta’s reversal of the trajectory of displacement from diasporic locations to Africa. The New Tribe allows for the possibility of re-imagining the Middle Passage and re-figuring the controversial notion of the return to roots. In the novel, a young black British man embarks on a journey to Africa in search of a mythic lost kingdom. While not enabling him to return to roots, this journey eventually encourages him to come to terms with his diasporic identity. Continuing to grapple with notions of “home”, now through the trope of family and by engaging the “rhetoric of return”, I explore how Emecheta re-visits the past in order to produce new identities in the present. Emecheta’s writing reveals in particular the gendered consequences of the “rhetoric of return”. Narratives of return to Africa, the novel suggests, revisit colonial fantasies and foster patriarchal gender bias. The text juxtaposes such metaphors against the lived experience of black women in order to demythologise the return to Africa and to redirect diasporic subjects to the diasporic locations that constitute genuine sites for re-negotiating identity.
Dahmani, Taous Rose. "Faire scène : stratégies d'émergence et d'institutionnalisation des photographes noirs britanniques dans la longue décennie 80". Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H082.
Pełny tekst źródłaDuring the long 1980s, non-white photographers and Black women photographers imagined forms of opposition to a milieu that consistently ignored them. Individually and collectively, Black photographers challenged continual denial with gestures of resistance. Together, and on their own they made their scene. Instigators of a multitude of acts, they became the agents of their being recognised as artist-photographers. The scene produced an empowerment which in turn shaped that scene. This thesis recounts the strategies they put in place to challenge the status quo. The creation of this scene occurred through two fundamental axes: firstly publications; and secondly exhibitions. In the first place, the study of printed matter reveals the mechanisms of exclusion and inclusion of these individuals, and indicates their essential role in encounters, exchanges, experimentation, debate, theoretical elaboration and the display of visual productions. To this end, we examine three photographers' magazines: Camerawork, Ten.8 and Polareyes; and comment on the absence of photographers' books. In the second place, our study of the need to show work on walls, through exhibitions, enables us to identify a "Do It-Yourself" attitude in which artists become curators and coordinators of spaces. The thesis concludes on the institutionalization of the scene through the history of the Association of Black Photographers as an organization. Our pivot is the emergence of a scene despite a society opposed to it, and tells the story of its slow inclusion in the world of British photography in the second half of the 20th century
Giommi, Francesca <1976>. "Identità e appartenenze nella narrativa Black British di origine afro-caraibica". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/558/1/giommi.pdf.
Pełny tekst źródłaGiommi, Francesca <1976>. "Identità e appartenenze nella narrativa Black British di origine afro-caraibica". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/558/.
Pełny tekst źródła"Caribbean Women and the Black British Identity: Academic Strategies for Navigating an ‘Unfinished’Ethnicity". Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.54815.
Pełny tekst źródłaDissertation/Thesis
Doctoral Dissertation Justice Studies 2019
Polatti, Alessia. "New Paths in Black British Literature. Global Trajectories towards "Home"". Doctoral thesis, 2018. http://hdl.handle.net/11562/979196.
Pełny tekst źródłaAraslanova, Anna. "Negociace a hybridizace: Konstrukce přistěhovalecké identity v románech Zadie Smith White Teeth a Swing Time". Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404849.
Pełny tekst źródłaKsiążki na temat "British black identity"
The art of being Black: The creation of Black British youth identities. Oxford: Clarendon Press, 1996.
Znajdź pełny tekst źródłaBlack arts in Britain: Literary, visual, performative. Roma: Aracne, 2011.
Znajdź pełny tekst źródłaAlston, Jacquelyn G. Comparative nationalism: Definitions, interpretations and the Black American and British West African experience to 1947. Washington, D.C: J.G. Alston, 1985.
Znajdź pełny tekst źródłaComparative nationalism: Definitions, interpretations, and the Black American and British West African experience to 1947. Wyd. 2. Washington, D.C: Historical Dimensions Press, 1985.
Znajdź pełny tekst źródłaEshun, Ekow. Black gold of the sun: Searching for home in Africa and beyond. New York: Pantheon Books, 2006.
Znajdź pełny tekst źródłaBlack gold of the sun: Searching for home in Africa and beyond. New York: Pantheon, 2005.
Znajdź pełny tekst źródłaMercer, Kobena. Welcome to the jungle: New positions in Black cultural studies. New York: Routledge, 1994.
Znajdź pełny tekst źródłaWelcome to the jungle: New positions in Black cultural studies. New York: Routledge, 1994.
Znajdź pełny tekst źródłaDias, Magan. A critique of race within the films 'Flame in the Streets' and 'Sapphire': Understanding the portrayal of black identity within British society. London: LCP, 1999.
Znajdź pełny tekst źródłaFielding, Henry. The history of Tom Jones, a foundling. New York: Knopf, 1991.
Znajdź pełny tekst źródłaCzęści książek na temat "British black identity"
Weedon, Chris. "Identity and Belonging in Contemporary Black British Writing". W Black British Writing, 73–97. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981134_6.
Pełny tekst źródłaGoddard, Lynette. "Beyond Identity Politics: Black British Playwrights on the Mainstream". W Contemporary Black British Playwrights, 3–17. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137493101_1.
Pełny tekst źródłaPhillips, Mike. "Foreword: Migration, Modernity and English Writing — Reflections on Migrant Identity and Canon Formation". W A Black British Canon?, 13–31. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230625693_2.
Pełny tekst źródłaCuxima-Zwa, Chikukwango. "Performativity of Body Painting: Symbolic Ritual as Diasporic Identity". W Narratives in Black British Dance, 131–66. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70314-5_10.
Pełny tekst źródłaCrow, Brian. "Identity Politics in the Plays of Mustapha Matura". W Modern and Contemporary Black British Drama, 32–46. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-50629-0_3.
Pełny tekst źródłaPeacock, D. Keith. "Black British Drama and the Politics of Identity". W A Concise Companion to Contemporary British and Irish Drama, 48–65. Ames, Iowa, USA: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470690987.ch3.
Pełny tekst źródłaUzor, Tia-Monique. "Negotiating African Diasporic Identity in Dance: Brown Bodies Creating and Existing in the British Dance Industry". W Narratives in Black British Dance, 37–50. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70314-5_4.
Pełny tekst źródłaLynn, Thomas Jay. "Beyond Black and White: British Identity in Achebe’s Fiction". W Chinua Achebe and the Politics of Narration, 111–25. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51331-7_6.
Pełny tekst źródłaTrott, Emma. "A Change of Heart: Animality, Power, and Black Posthuman Enhancement in Malorie Blackman’s Pig-Heart Boy". W Palgrave Studies in Animals and Literature, 217–38. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-41695-8_13.
Pełny tekst źródłaMair, Christian. "Chapter 4. Empire, migration and race in the British parliament (1803–2005)". W Exploring Language and Society with Big Data, 118–41. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/scl.111.04mai.
Pełny tekst źródłaStreszczenia konferencji na temat "British black identity"
Ding, Wowo, Yusheng Gu i Lian Tang. "Identify Urban Spatial Patterns Based on the Plot Shapes and Building Setting in Downtown of Nanjing." W 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5924.
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