Rozprawy doktorskie na temat „Brides in literature”
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Gregory, Rabia Burns E. Jane. "Marrying Jesus brides and the Bridegroom in medieval women's religious literature /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1122.
Pełny tekst źródłaTitle from electronic title page (viewed Mar. 27, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies Medieval and Early Modern Christianity." Discipline: Religious Studies; Department/School: Religious Studies.
Leonte, Eva. "Enacting the Silence of Subaltern Women : Julie Otsuka and the Japanese Picture Brides". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144396.
Pełny tekst źródłaRees, Shelley S. "Gender and Desire in Thomas Lovell Beddoes' The Brides' Tragedy and Death's Jest-Book". Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3078/.
Pełny tekst źródłaWunker, Erin. "Borders of becoming : an examination into absence and desire for self and subjectivity in Anne Carson's Men in the off hours and Gail Scott's Main brides". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79985.
Pełny tekst źródłaArvidsson, Therese. "Train–Bridge Interaction : Literature Review and Parameter Screening". Licentiate thesis, KTH, Bro- och stålbyggnad, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-144843.
Pełny tekst źródłaNya järnvägslinjer byggs kontinuerligt och befintliga linjer uppgraderas. Det finns därför ett behov av forskning inriktad på effektiv design av de bärande konstruktionerna. Alltmer avancerade beräkningsmetoder kan vara motiverade, särskilt i projekt där stora besparingar kan erhållas från att verifiera att befintliga konstruktioner kan bära ökade axellaster och högre hastigheter. Föreliggande avhandling behandlar broars dynamiska respons under belastning av gods- och passagerartåg. Huvudfokus är att studera modelleringsalternativ för tåglasten och vilka konsekvenser de har för utvärderingen av brobanans vertikala acceleration. För att garantera trafiksäkerhet vid höga tåghastigheter definierar de europeiska normerna en maximalt tillåten vertikal acceleration i brobanan. Genom att beakta tåg-bro-interaktion, där tågkomponenterna modelleras som avfjädrade stela kroppar istället för konstanta punktlaster, kan en minskning av brons respons erhållas. Reduktionen av brobanans acceleration är typiskt mellan 5 och 20% för broar med en spännvidd på upp till 30 m. Minskningen kan vara högre för vissa tåg-brosystem och kan vara viktigt också för spännvidder över 30 m. Denna avhandling syftar till att klargöra för vilka kombinationer av tåg-broparametrar effekten av tåg-bro-interaktion är viktig. I detta syfte har en omfattande litteraturstudie genomförts inom området tåg-spår-brodynamik. De styrande parametrarna i 2D tåg-brosystem har studerats vidare i en parameterstudie. Två-nivå faktorförsök har tillämpats för att studera effekten av parametervariationer samt den ytterligare effekten av samtidiga förändringar i flera parametrar. Effekten av valet av lastmodell sattes därmed i relation till effekten av andra parametervariationer. Resultaten visar att resonans kan uppstå från godstrafik inom ett realistiskt hastighetsintervall (< 150 km/h). Vid dessa resonanstoppar kan en betydande minskning av broresponsen erhållas med en tåg-bro-interaktionsmodell. Från studien av nyckelparametrar kan man vidare dra slutsatsen att reduktionen som erhålls med en tåg-bro-interaktionsmodell beror på flera systemparametrar, både för gods- och passargerartåg. Enligt de europeiska normernas rekommendationer för dynamisk kontroll av broar för passagerartrafik kan en ökad brodämpning introduceras som ett förenklat sätt att ta hänsyn till minskningen från tåg-bro-interaktion. Mängden tilläggsdämpning anges idag som en funktion av enbart brons spännvidd, vilket är en grov förenkling. Det arbete som presenteras i denna avhandling visar på behovet av en förbättrad definition av tilläggsdämpningen.
QC 20140429
Ellasante, Ian, i Ian Ellasante. "Bridges Between Me: Liminality, Authenticity, and Re/integration in American Indian Literature". Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/293493.
Pełny tekst źródłaBentley, Sarah Ann. "The bridge of language : children's literature as dialogic experience". Thesis, University of Hull, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342926.
Pełny tekst źródłaMooney, Susan. "Drawing bridges : publicprivate worlds in Russian women's fiction". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60561.
Pełny tekst źródłaCapogna, Kyle E. "Badges Earned and Bridges Burned: Essays". Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1366914232.
Pełny tekst źródłaBross, Miriam. "Bridget Jones's Legacy : gender and discourse in contemporary literature and romantic comedy adaptations". Thesis, University of East Anglia, 2016. https://ueaeprints.uea.ac.uk/64175/.
Pełny tekst źródłaCoyle, Gregory K. "No Boat, No Bridge". PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5079.
Pełny tekst źródłaDhrodia, Reshma. ""Have you met Miss Jones?": Feminism and difference in the Bridget Jones diaries". Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/27125.
Pełny tekst źródłaKraemer, Angelika Natascha. "Engaging the foreign language learner using hybrid instruction to bridge the language-literature gap /". Diss., Connect to online resource - MSU authorized users, 2008.
Znajdź pełny tekst źródłaTitle from PDF t.p. (viewed on July 2, 2009) Includes bibliographical references (p. 253-272). Also issued in print.
Jones, Jessica L. "The masquerade and bisexuality in Margaret Atwood's The robber bride /". Electronic version (PDF), 2007. http://dl.uncw.edu/etd/2007-1/jonesj/jessicajones.pdf.
Pełny tekst źródłaBeden, Nadja. "Femininity and Masculinity in Bridget Jones's Diary by Helen Fielding". Thesis, Mittuniversitetet, Institutionen för humaniora, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-13976.
Pełny tekst źródłaHug, Christine. "Discourse and translation, comparative descriptive analysis of William Goldman's The Princess Bride and its French translation". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ58463.pdf.
Pełny tekst źródłaAnderson, Joshua Tyler. "Dams, Roads, and Bridges: (Re)defining Work and Masculinity in American Indian Literature of the Great Plains, 1968-Present". DigitalCommons@USU, 2013. https://digitalcommons.usu.edu/etd/1768.
Pełny tekst źródłaSjöstrand, Jessica. "An Investigation of the Characterization in Bridget Jones’s Diary from a Feminist Perspective". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-72861.
Pełny tekst źródłaEnemark, Nina. "'Recrossing the ritual bridge' : Jane Ellen Harrison's theory of art in the work of Hope Mirrlees". Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6443/.
Pełny tekst źródłaLister, Samuel John. "'Disappointed Bridges': Language, Identity and Historiography in the Works of James Joyce and Samuel Beckett". Thesis, University of Canterbury. Culture, Literature and Society, 2008. http://hdl.handle.net/10092/1937.
Pełny tekst źródłaMiller, Jeanette Leigh. "Beat Women: The Thunder Before the Storm-An Analysis of Feminism's Bridge Generation". OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1486.
Pełny tekst źródłaButcher, Santana Kasey. "From the Classroom to the Movement: Schoolgirl Narratives and Cultural Citizenship in American Literature". Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1468956893.
Pełny tekst źródłaGarcia, Arlene. "Trains, planes, and ships : machine culture and the cityscape in Hart Crane's The bridge". FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/3597.
Pełny tekst źródłaYi, Yongfei. "Building a Literary Bridge and Reconstructing Culture in Postwar Japan: Takeda Taijun and His Chūgoku Mono (China-related Writings)". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1525448084944.
Pełny tekst źródłaKennett, Christian. "The harmonic species of Frank Bridge : an experimental assessment of the applicability of pitch-class generic theory to analysis of a corpus of works of a transitional composer". Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262644.
Pełny tekst źródłaSandell, Alfred. "Folksagans övernaturliga väsen i Yamazaki Kores mangaThe Ancient Magus' Bride : – "folkloresque" eller folklore?" Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-64909.
Pełny tekst źródłaJúdice, Maria Benedita de Almeida Garrett Mendes Pinto. "Da harpa ao altar : as pontes da espiritualidade em The Bridge, de Hart Crane". Master's thesis, Porto : [Edição de Autor], 2007. http://hdl.handle.net/10216/14667.
Pełny tekst źródłaJúdice, Maria Benedita de Almeida Garrett Mendes Pinto. "Da harpa ao altar : as pontes da espiritualidade em The Bridge, de Hart Crane". Dissertação, Porto : [Edição de Autor], 2007. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000181013.
Pełny tekst źródłaAxelsson, Magnus. "Passive and Active Romantic Heroines and their Patriarchs : A Comparative Feminist Study of Gender Portrayal with a Focus on Romantic Love in Jane Eyre and Bridget Jones’s Diary". Thesis, Högskolan Dalarna, Engelska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30485.
Pełny tekst źródłaJeannin, Clémence. "Bribes et murmures : étude sur l'aridité et la fragmentation dans l'oeuvre en vers et en prose de Camillo Sbarbaro". Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0347.
Pełny tekst źródłaCamillo Sbarbaro (1888-1967) is a ligurian poet whose work in prose and poetry is characterised by its minimalism. Through the form of the fragment and its stark style, the poetic language is stripped down to the essential. This thesis is a study about the concepts of aridity and fragmentation, halfway between Sbarbaro’s vision of the world and his peculiar style. Trying to go beyond the mere observation of a rhetorical starkness, my aim is to analyse precisely how Sbarbaro’s style could be described and defined, opting for a comparative reading of his prose and poetry, in order to show how the author breaks down the barriers between genres. Avoiding to sanctify the individuality of this style, the links between the writer and his own time are reported, since his literary career and the development of his style are influenced by traditional models and by contemporary movements, among which the Italian avant-gardes of the 20th century. Sbarbaro’s style is partially made of exogenous patterns and does not exclude diversity. The author’s variations and his translations show that his style, despite its general poverty, can sometimes tend to increase the initial literarity of the text. Plus, there is no absolute contradiction between the minimalist aridity of Sbarbaro’s style and the relief – or emphasis – of some stylistic devices, nor the fragmentation prevents the author from constructing complex sentence structures or textual sequences, as if the syntagmatic relations prevailed over the paradigmatic organisation. Sbarbaro’s style is the result of a tension between the starkness and the relief of figures, and between discontinuity and the syntagmatic structures
Werner, Gregor [Verfasser]. "Die militärische Macht der Mongolen in den Berichten der Carpinimission : Die Unterschiede in der Darstellung bei Carpini und C de Bridia / Gregor Werner". Hagen : Fernuniversität Hagen, 2011. http://d-nb.info/1015313361/34.
Pełny tekst źródłaLindahl, Charlotte. "Sex, shopping och singlar - Vad måste en bra chick lit innehålla?" Thesis, Växjö University, School of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2560.
Pełny tekst źródłaPetereit, Elisabeth. "Beunruhigungen vom Rand ˸ Weiblichkeit, Phantastisches und Ornament in der Literatur des deutschsprachigen Realismus (Keller, Storm, Fontane)". Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030054.
Pełny tekst źródłaThis dissertation offers an analysis of canonical texts from German literary realism using the anxiety that is felt by readers and writers in what constitutes the margins of realist literature in the 19th century: the feminine, the fantastic and ornamentations.These aesthetic, anthropologic and social categories are linked as they are all defined by a binary opposition that turns them into the Other or the Inessential: male-female, reality-fantastic, art-ornamentation. The hierarchy upon which these oppositions are built is however not that stable as these elements at the margin do trouble and replace what constitutes the society’s normative core. The fantastic elements in the works of the authors are used as constituting materials to engage the literary discussion on present and real social problems at the time of writing. The relationships between the sexes and genders which were so clearly described in the bourgeois era are seen as ambivalent and in motion.The three parts of this dissertation provide an in-depth analysis of the works of Theodor Fontane, Gottfried Keller and Theodor Storm. The first section of the work will focus on the figure of the woman as an aesthetic which is both captured and fixed in the image. It will show that this idealised and pictured feminine becomes the catalyst for unbridled and unruly imagination. Then, the traditional roles and behaviours within patriarchal marriage will then be shown to be largely inspired by literary tradition, and in particular in the myths and the fairy-tale (Penelope, Cinderella, the Witch, etc.). Lastly, the relationships between the ideal bourgeois family and the patriarchal family will be analysed in the work of Fontane and Storm. As the era of German realist literature ended, patriarchal marriage was haunted by the ghosts of gender roles, which however obsolete, were still predominant. This paradox made families unheimlich in the Freudian sense
Gabriel, Nathan Edward. "Knowing More Than the Hero: An Exploration of Nathan Gabriel's 2011 Production of A View from the Bridge". Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/212261.
Pełny tekst źródłaM.F.A.
In 2011 Nathan Gabriel directed Arthur Miller's A View From The Bridge for his graduate thesis production at Temple University in Philadelphia. In this essay, Gabriel posits that keeping the character of Eddie ignorant about his true feelings for Catherine until the final moments of the play is crucial to making the play work. He supports his argument by pointing to the changes Miller made in the script between the one-act and two-act versions. Gabriel demonstrates how the play followed Aristotle's ideal for a classic Greek tragedy and compares this ideal with Miller's conviction that a true tragedy should not only be sad but should also teach its audience how to better live their lives. He also defends his choice to keep the true sexuality of Rodolpho ambiguous and examines the creative journey of his designers.
Temple University--Theses
Barbosa, Cleusa Salvina Ramos Maurício. "Cultural identities of diáspora : myth and empowerment in Desirable daughters and The tree bride, by Bharati Mukherjee". Universidade Federal de Alagoas, 2011. http://repositorio.ufal.br/handle/riufal/551.
Pełny tekst źródłaBy examining the constitution of identity/ies related to women s diaspora in contemporary times, the present thesis focuses on its representation in two novels written by the Indian born U.S. writer, Bharati Mukherjee Desirable Daughters (2002), and The Tree Bride (2004). I argue that these two novels offer excellent cultural manifestations for the examination of the representation of the identitary process resulting from transnational displacements. Centred on the field of Cultural Studies, the first part of this study presents readings of the women protagonists´ identitary quest portrayed in the novels informed by the major concepts of diasporic identities, hybrid identities and transnationalisms, as they have been theorized by Stuart Hall, Inderpal Grewal, and Homi K. Bhabha. The analyses contained in the second and the third parts of this thesis draw from studies in the area of Gender Studies, and present reflections on the main characters´ trajectories which are illuminated by the central notions of agency, performativity, and empowerment, theorized by Judith Butler and Luce Irigaray. Studies on mythology both from non-feminist and feminist perspectives also provide a backdrop for the readings proposed. The thesis is structured in three chapters: the first one discusses the constitution of diasporic identities, particularly the main character s; the second chapter concentrates on the gender-marked appropriation of mythical discourse by the author in the composition of her narratives by means of the literary strategy of feminist revisionist mythmaking, as pointed out by Alicia Ostriker; and the third section analyzes the protagonist s actions, viewing her process of empowerment as a transformative strategy in terms of subjective development which is strongly marked by gender issues. The main results of the analysis carried out is the perception that, by combining the shaping of diasporic identities, the rewriting of myth, and the deployment of empowerment strategies in the composition of the main characters in her novels, Bharati Mukherjee problematizes the diasporic woman subject s identity formation in relation to the India/U.S. movement, revisiting and reweaving Indian traditions from multifaceted and gender-marked perspectives. This, in turn, may act in terms of raising readers´ understanding and critical awareness of the women subjects´ diasporic process in the contemporary world.
Nelson, Ronald Kent. "Theodor Fontanes Darstellung der Berliner Gesellschaft in seinen Romanen Effi Briest und Irrungen Wirrungen". PDXScholar, 1988. https://pdxscholar.library.pdx.edu/open_access_etds/3857.
Pełny tekst źródłaQuintili, Aurora Elisabeth. "The singular type woman : En narratologisk och genusteoretisk analys av Shirley Jacksons ”The Honeymoon of Mrs Smith (Version II): The Mystery of the Murdered Bride”". Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-54202.
Pełny tekst źródłaSuvanto, Marttaleena. "Applying MBTI to analyzing shōnen manga characters : A case study of My Hero Academia". Thesis, Högskolan Dalarna, Japanska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-35934.
Pełny tekst źródłaBergström, Anna. "Läsning som feber och passion : Om det kvinnliga subjektet som läsare i Madame Bovary, Vattenmelonen och Bridget Jones dagbok". Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-96255.
Pełny tekst źródłaUppsatsens syfte har varit att analysera och jämföra den kvinnliga protagonisten som subjekt och läsare i tre romaner; Madame Bovary, Vattenmelonen och Bridget Jones dagbok. Metoden har varit närläsning och den teoretiska ingången feministisk och normkritisk. Judit Butlers teorier har varit tongivande, inte minst begreppen subjekt och performativitet. Resultaten visade bland annat att Emma Bovary tenderar att förlora sin roll som subjekt och förvandlas till ett passivt objekt när hon blir betraktad och åtrådd av män. Istället animeras döda ting som får liv och börjar agera som subjekt, vilket skapar en extremt objektifierad gestaltning av Emma som kulminerar i gestaltningen av hennes självmord. Om det alls går att finna någon subjektsposition hos Emma, uppstår den paradoxalt nog genom hennes läsning. Texternas performativitet skapar förvisso orimliga förväntningar på kärleken, men får även Emma att förändra sitt liv inom de snäva ramar 1800-talets borgerliga äktenskap innebär. Protagonisterna i Vattenmelonen och Bridget Jones dagbok är två kvinnliga subjekt som lever i ett modernt samhälle och liksom Emma älskar de att läsa. I dessa romaner förs även en diskussion kring litteratur och kulturella hierarkier. Alla tre protagonister i de undersökta romanerna kan kategoriseras som passionerade läsare och de föredrar att läsa populärlitteratur. I Vattenmelonen och Bridget Jones dagbok har protagonisterna helt andra förutsättningar till självförverkligande och att leva ett självständigt liv, jämfört med Emma Bovary. Trots detta tenderar både Claire och Bridget att objektifiera sig i sina relationer till män. De verbaliserar ofta vikten av kärlek och att ha en man i sitt liv, vilket också är genretypiskt. Tolkat enligt Butler (och Foucault) är förklaringen till detta ”frivilliga” förtryck att underordning inte enbart skapas genom yttre begränsningar, utan även genom påverkan av människors inre, via internaliserade drömmar och önskningar. I Vattenmelonen finns trots allt en subversiv ansats, vilken gestaltas genom Claires nyvunna självständighet i slutet av romanen, samt i förekomsten av ett antal genusparodier. Mest av allt tenderar dock dessa två chick lit-romaner att återupprepa och befästa traditionella genusmönster, trots att de samtidigt ironiserar över dessa.
Mardones, Salgado Daniela Alejandra. "Identidades en fuga: (re)visión de vivencias colectivas y reelaboración de género femenino en En diciembre llegaban las brisas de Marvel Moreno". Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109977.
Pełny tekst źródłaGarnett, Edward Hal. "The trials of creativity: A rhetorical analysis of A View from the Bridge and The Crucible by Arthur Miller". CSUSB ScholarWorks, 1993. https://scholarworks.lib.csusb.edu/etd-project/3032.
Pełny tekst źródłaNilsson, Kristina. "The Accomplished Woman – No Changes Accomplished? : A Comparison of the Portrayal of Women in Jane Austen’s Pride & Prejudice and Helen Fielding’s Bridget Jones". Thesis, Växjö University, School of Humanities, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2567.
Pełny tekst źródłaIn this essay I compare the notion of the accomplished woman in Jane Austen’s Pride & Prejudice and Helen Fielding’s novels about Bridget Jones. My claim is that the notion of the accomplished woman that Austen described 200 years ago is still very relevant and not much different today as reflected in Helen Fielding’s narrative in Bridget Jones, but also that both authors satirically describe the pressure that is put on women to reach the ideal of the accomplished woman. I initially discuss feminist literary theory, and then I analyze the following characteristics and ideas which make up the accomplished woman: Physical appearance, Education & Knowledge, Marriage & Having Children, Career and Skills, Status & Class and Manners & Behaviour. This essay shows that the notion of the accomplished woman is still very much present and in some cases, like physical appearance, the pressure on women to reach this ideal has actually gotten worse. Both Jane Austen and Helen Fielding use irony and satirically describe the pressure on young women as a way of actually criticizing their contemporary societies.
Hooft, Comajuncosas Andreu van 1962. "Eduardo Chicharro Briones La obra narrativa y la obra en verso. Estudio y análisis". Doctoral thesis, Universitat de Lleida, 1995. http://hdl.handle.net/10803/8168.
Pełny tekst źródłaL'obra d'Eduardo Chicharro sols ha estat estudiada molt parcialment. Fins avui, no existeix, per tant, un estudi crític que tingui com objecte d'investigació, l'estudi i anàlisi tota l'obra, inèdita i publicada, tant en vers com en prosa, d'aquest autor. Del que s'ha dit es desprèn el segon objectiu que es planteja en aquest treball. En altres paraules, es pretén omplir la buidor crítica constatat sobre aquesta obra i presentar, mitjançant una descripció i anàlisi dels poemes, contes i novel·les, les coordenades mestres de l'obra en vers i de l'obra en prosa d'aquest autor.
Finalment i vist que tampoc existeix una descripció, anàlisi i avaluació de la recepció d'aquesta obra i aquest autor dintre del panorama crític i històric de la literatura espanyola de postguerra, aquest estudi té com tercer objectivo presentar i avaluar els judicis emesos per i el lloc que la crítica i la historiografia literària hispàniques han ofert per a Eduardo Chicharro dintre del període literari de la postguerra.
La inexistencia de un catálogo definitivo sobre la obra inédita, la diversidad y la dispersión de publicaciones en las que este autor participó, el carácter minoritario de las mismas, la parcialidad y las inexactitudes de los datos bibliográficos ofrecidos en diversas publicaciones, en fin, el desconocimiento real del volumen y estado de la obra motivan el primer objetivo de este estudio. Este primer objetivo tiene como meta establecer, fijar y delimitar las bases textuales que conforman el volumen real y total de la obra de Eduardo Chicharro, y presentar una visión completa y detallada del estado en que se encuentran los documentos inéditos y las vicisitudes por las que han pasado los poemas y cuentos publicados. El resultado de esta labor de rastreo e investigación filológicas se presenta en forma de un catálogo definitivo y exhaustivo de todos los documentos conservados en el archivo familiar del poeta y de todas las obras publicadas.
La obra de Eduardo Chicharro sólo ha sido estudiada muy parcialmente. Hasta hoy, no existe, por lo tanto, un estudio crítico que tenga como objeto de investigación, el estudio y análisis toda la obra, inédita y publicada, tanto en verso como en prosa, de este autor. De lo dicho se desprende el segundo objetivo que se plantea en este trabajo. En otras palabras, se pretende llenar el vacío crítico constatado sobre esta obra y presentar, mediante una descripción y análisis de los poemas, cuentos y novelas, las coordenadas maestras de la obra en verso y de la obra en prosa de este autor.
Por último y visto que tampoco existe una descripción, análisis y evaluación de la recepción de esta obra y este autor dentro del panorama crítico e histórico de la literatura española de posguerra, este estudio tiene como tercer objetivo presentar y evaluar los juicios emitidos por y el lugar que la crítica y la historiografía literaria hispánicas han deparado para Eduardo Chicharro dentro del período literario de la posguerra.
Oladosu, Olayinka Abdulahi. "Femininity and Sexual Violence in the Nigerian Films, Child, not Bride, October 1 and Sex for Grades". Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1621857462497919.
Pełny tekst źródłaAlston, Ray S. ""Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera"". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524176697602489.
Pełny tekst źródłaMelldahl, Bernt. "Tracce italiane nella Svezia medievale : Documenti in italiano nel Diplomatario Svedese". Thesis, Stockholms universitet, Romanska och klassiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-180553.
Pełny tekst źródłaTaylor, Nadine. "The creation of literary character in the fiction of Theodor Fontane". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:22d5d619-74e4-47d3-91c5-8f7236d1f25d.
Pełny tekst źródłaKirakosian, Racha. "Schrift- und Schreibmystik : Christina von Hane". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:435af122-cc51-4f02-ac75-189227b104e5.
Pełny tekst źródłaBarbour, Kelli D. "Hermine Cloeter, Feuilletons, and Vienna: A Flaneuse and Urban Cultural Archaeologist Wandering Through Opaque Spaces, Bridging Past and Present to Reclaim What Could Be Lost". Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd513.pdf.
Pełny tekst źródłaFujdiak, Radek. "Analýza a optimalizace datové komunikace pro telemetrické systémy v energetice". Doctoral thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2017. http://www.nusl.cz/ntk/nusl-358408.
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