Rozprawy doktorskie: „Bricolage”

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Trivière, François-Xavier. "La bricole ouvriere savoirs professionnels et activites peripheriques en milieu ouvrier". Nantes, 1997. http://www.theses.fr/1997NANT3025.

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Cette recherche effectuee aupres d'une population d'ouvriers de la region de nantes-saint-nazaire, porte sur des pratiques de travail, dites "de bricole", realisees en marge de l'emploi salarie. A la suite d'une etude lexicographique ayant permis d'exhumer une categorie de pensee et d'experience du "travail de bricole", puis d'une relecture de sources monographiques du siecle dernier visant a mettre en perspective historique des formes marginales du travail observables aujourd'hui, l'auteur analyse la construction d'un champ du loisir dans lequel ces pratiques ont ete classees au chapitre du bricolage. Cet effort d'elaboration repond a une interrogation, formulee dans l'entre-deux- guerres dans une litterature d'organisateurs des loisirs ouvriers, devant l'evolution des conditions de vie ouvrieres et du travail industriel. Cette preoccupation croise alors une reflexion sociologique sur le travail ouvrier qui fait ici l'objet d'un examen critique. Il en est ressorti une definition du bricolage comme travail de loisir, libre de contraintes productives et operant a contre-sens de la vie professionnelle. L'analyse des pratiques observees retourne cette perspective. Il est montre en effet que le travail professionnel constitue une matrice des pratiques de bricoleurs, qui mobilisent, en les recomposant, des logiques et des savoirs industriels dans la sphere privee. Ils y retablissent un "ordre productif" et etendent les marges du travail
This research, conducted among a working class population in the nantes-saint-nazaire area, concerns working practices referred to as "de bricole", carried out on the fringe of regular paid employment. Following a lexicographical study making it possible to point out a category of thought and experience relating to the "travail de bricole" (almost to potter, to tinker), in turn followed by a rereading of monographic sources from the last century aiming at situating from a historical standpoint certain marginal forms of work discernable today, the author analyses the construction of a field of leasure in witch these practices were classified in the do-it-yourself category. This effort on elaboration answers a questionning formulated between the two world wars in literature dealing with working class leasure activity, in light of the evolution of working class living conditions and industrial labor. This concern encounters a sociological reflection on working class labor wich herein forms the subject of a critical examination. The end result is a definition of do-it-yourself/ odd jobs as a leasure activity, exempt from productive constraints and operating against the tide of professional life. The analysis of currently observed practices overturns this viewpoint. Indeed, it is shown that professional labor constitutes a matrix of do-it-yourself practices by those people concerned wich mobilizes, while reconstructing them, industrial logic and knowledge in the private sphere. They in turn reestablich a "productive order" and widen the scope of work

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Edwards, Mogammad Sharief. "Analysis and design as bricolage". Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/19893.

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Information Systems in generally acknowledged to be a complex field and many studies over time have quoted significant failure statistics. This paper seeks to answer the question - How to more appropriately evaluate and select information systems design (ISD) methods that better enable successful design outcomes. The research covers literature relating analysis and design, information systems design methods, complexity, ontology and conceptual modelling and how they relate to ISD. This research was conducted within a larger national research project aiming to improve organising practices within IT in organisations. To this end the research followed a participatory action research approach underpinned by systems thinking theoretical perspective. What emerged out of this study was the appreciation for the bricolage that takes during an analysis or design effort - this perspective highlighted the following factors that can enable improved method evaluation and selection, namely: Epistemology, Contextual Influences and Social Action. These factors are shown to operate in dialectic process that if engaged with can provide insight into what an appropriate method can be.

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Masters, Joel. "Building as Bricolage: Confronting Hyperconsumption". University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1313768493.

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Hutchinson, Steven. "Boundaries, bricolage and student-teacher learning". Thesis, Open University, 2008. http://oro.open.ac.uk/23596/.

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This thesis explores the learning opportunities that are presented to student-teachers as they talk about teaching and learning with their school-based mentor and part-time university-based tutor. Against the backcloth of endemic complexity in initial teacher education, the study asks what these conversations tell us about student-teacher learning. What each of these participants talk about, the sources they draw on and the levels of agreement, disagreement or contradiction evident in their conversations with one another are issues that are central to developing an understanding of this research problem and to this thesis. The thesis adopts an activity theoretical approach, complemented by a social learning theory perspective, to investigate the way that boundaries between university study and the classroom as a site for work-based learning are seen as learning assets. The research is in two phases, the first in the form of a scoping questionnaire which attempts to identify the level of perceived contradiction by student-teachers on a PGCE course and the second in the form of four case studies. A variety of data-gathering tools and methods inform the studies and, in particular, content analysis is used to examine and report on conversations which centre around one taught lesson in each case. The study reveals understandings about the way that learning opportunities are presented to student-teachers. When teaching is presented as a process of bricolage and when provenance is not fully articulated, opportunities for expansive and systemic learning are restricted. The thesis argues that by looking at student-teacher learning systemically, with a focus on dissonance, student-teacher learning can be enhanced. It concludes with recommendations for the Open University PGCE programme team.

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Roberts, Michael David. "Tournier, bricolage and the mythical imagination". Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253831.

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Lind, Karl. "Bricolage : The lost treasures of architecture". Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-171729.

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Senyard, Julienne M. "Bricolage and early stage firm performance". Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/84389/1/Julienne_Senyard_Thesis.pdf.

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Bricolage is one way firms innovate in the midst of resource constraints. In this thesis bricolage in entrepreneurial firms is investigated as is its impact on firm performance. The research provides empirical tests of bricolage and firm performance and tests environmental dynamism and team compositions as moderating effects that impact the bricolage-performance relationship. The limits of bricolage during firm creation are also explored. This research offers several novel theoretical contributions and some suggestions for entrepreneurs who typically use bricolage in attempts of firm creation.

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Bonnette-Lucat, Claude. "Le bricolage : usages sociaux du "temps libre"". Paris 8, 1991. http://www.theses.fr/1991PA080526.

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Cette étude de la pratique actuelle du bricolage en France s'appuie sur l'analyse secondaire des grandes enquêtes statistiques, les revues spécialisées depuis 1920, et surtout des entretiens semi-directifs et des observations auprès de 82 bricoleurs qui permettent une description détaillée des actes concrets de bricolage (type et taille des travaux, pratiques exclues et matériaux préférentiels. Objectifs de décoration ou de réparation, polyvalence ou spécialisation, importants de l'équipement) et de leur variation selon les groupes sociaux. Le bricolage met en œuvre des compétences : ces savoirs amateurs ne se réduisent pas à l'imitation dégradée des pratiques professionnelles et manifestent curiosité et initiative face aux objets et à la technique. Le bricolage est analyse aussi comme travail. 1. Par les rapports qu’il entretient pour chaque bricoleur avec son propre monde du travaul. 2. Parce que c'est un travail de production dans un ensemble de tâches domestiques impliquant un rapport au marché des biens et des services. La pratique des bricoleurs est replacée dans leur vie et leurs rapports à autrui déterminants à plusieurs moments de leur carrière de bricoleur. Cet ensemble d'éléments et la confrontation des discours des bricoleurs aux discours socialement visibles (sociologues, écrivains, journalises, publicistes) permet une description des significations et des valeurs qu'ils assignent à leur propre pratique : vertus et ressources, hésitations entre définitions de loisir et de nécessité, résistance limitée mais réelle a la consommation, a l'équivalence temps-argent, attachement à l'autonomie dans des formes diverses selon les classes
This study of to it yourself activities in France now is based on the analysis of nation wide surveys, specialized magazines from 1920 and particularly on semi-structured interviews and observations of 82 diy men and women, which allow a detailed and concrete description of what do (type and size of works, which they take in charge and which they don't, materials they prefer, aims of decorating or repairing, polyvalency or specialization and equipment) and of the variations according to social groupe. Did it yourself requires competences : these knowlegdes of amateurs are not only a pour imitation of professionnal knowledges and show curiosity and initiative towards things and technics. Do it yoourself is also analysed as work, 1. In the connection for each diy man between it and its own professionnal world, 2. As a production, part of the domestics tasks, and involving a relation with the market of oggds and services. The practive of diy men os replaced in their biography and their relations with other people which determines phases of their career as diy men. Relating what diy men say and the ideas of sociologists, writers, journalists and adverstisers, allows to describe the meanings and the values they assign to their own practice : virtues and resources they display in it, hesitation between definitions as leisure or obligation; limitezd but effective resistance against consumption and against the ideology of "time is money", emplasis on autonomy with varuious forms in

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Magliozzi, Marielle. "Art brut, architectures marginales : un art du bricolage /". Paris [u.a.] : Harmattan [u.a.], 2008. http://swbplus.bsz-bw.de/bsz285369385inh.htm.

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Wei, Hua. "Institutional bricolage : the development of China's futures market". Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/institutional-bricolage-the-development-of-chinas-futures-market(259c51cf-35d8-45ba-95f1-fb93813e28a5).html.

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China's futures market has undergone a significant structural change. It was a 'vertical silo' and now it is being developed into a 'horizontal' structure with Chinese characteristics. Such a change involves a series of changes in institutional arrangement. If researching the phenomenon when it was settled, the observation and, consequently, the conclusion would likely to see it was the state that had led the change. However, participated and observed through the change, this thesis is going to argue that the grassroots heroes, the practitioners from a marginalized sub-sector, have contributed significantly. The state is powerful and dominant whereas the regional exchanges leveraged their resources to corral the state and shape the institutional field. The focus of organizational and management studies can be roughly categorized as three dimensions: how changes occur within organizations, how the institutional environment shapes organizations and how organizations influence the sociocultural context within which they operate (Parsons, 1956). In the recent decades, organizational studies have made significant progress in the first two but little in the third (Barley, 2010). Research should progress in the third dimension regardless of the untidy and unaesthetic nature of the reality, as organizations have influenced the sociocultural context substantially. The purpose of this thesis is to contribute to the third dimension by arguing that institutional bricolage characterizes the process by which individuals and organizations change institutions to fulfil their purposes, be it changing the institutions, building a market or protesting the constraints imposed upon them. Institutional bricolage is the strategy, mentality and philosophy for grassroots heroes who have no political power but are still ambitious to have their voices heard and hence influence the change from the lower strata. The ideas in this paper are informed by the experience of China's futures market, where the researcher participated as a strategy manager for about a year. The organization in question is a regional exchange that previously had no place in China's official market structure and became legitimized as the outcome of a regulatory crackdown. This thesis, therefore, uncovers the underexplored part of China's financial market, the regional exchanges, and sheds light on China's institutional change.

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Muftic, Sanjin. "The poetics of planetary theatre: image and bricolage". Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30796.

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Images are all around us. They serve as a tool of communication, whether transmitted in words, sound or in visual media. An image may simultaneously be a thing placed in front of us and a thing that we create in our minds – a fragment that fleetingly captures our attention and is difficult to articulate. To describe images is to undo them: they are too unstable, fluid, and personal to each of us, yet we constantly exchange them. In this sense, images become migrants as they travel through time, cultures and media; repeating, re-occurring, re-mixing and carrying the baggage of their contexts in their journeys. They contribute to shaping identities and culture in a global intermedial space saturated by media exposure. The central question of this study is how images work to make theatre. I place myself within the postdramatic and intercultural theatre context and consider how one of the tasks of the theatre-maker is to construct and shape images into a performance. Through a focus on several theatre productions, I investigate the features of theatrical images and highlight their usefulness within both the devising and performance stages of theatre-making. In doing so, I develop a poetics to establish an image-driven dramaturgy from rehearsal to performance. This poetics places the body in an intermedial space which constructs itself through the exchange and juxtaposition of images from across the planet. My investigation is guided by two interwoven theories. The first is that of Gayatri Chakravorty Spivak’s (2003a) concept of the planetary, which asserts the necessity of recognizing diverse experiences and perceptions on the planet in order to redefine who we see as the “other”. I utilize her approach by juxtaposing fragments in order to defamiliarize theatrical images. Through the use of fragments, the second theory of bricolage is informed by, amongst others, Claude Lévi-Strauss (1966). I thus seek to identify myself as a bricoleur; someone whose art-making poetics is dependent on using pre-existing material through sampling and montage. These poetics seek to capture my own experience as a migrant, who sees the planet as a rhizome of images and their associations. My project makes the claim that a poetics of the planetary (dramaturgy) is found through the exchange of images drawn from those involved in the creation of an intermedial theatrical event.

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Coleman, Anita Sundaram. "William Stetson Merrill and Bricolage for Information Studies". Elsevier, 2006. http://hdl.handle.net/10150/105517.

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This is a preprint published in Journal of Documentation 62 (4): 462-481. Purpose: This paper examines William Stetson Merrill, the compiler of A Code for Classifiers and a Newberry Library employee (1889-1930) in an attempt to glean lessons for modern information studies from an early librarianâ s career. Methodology/Approach: Merrillâ s career at the Newberry Library and three editions of the Code are examined using historical, bibliographic, and conceptual methods. Primary and secondary sources in archives and libraries are reviewed to provide insight into Merrillâ s life at the Newberry and his attempts to develop or modify tools to solve the knowledge organization problems he faced. The concept of bricolage, developed by Levi-Strauss to explain modalities of thinking, is applied to Merrillâ s career. Excerpts from his works and reminisces are used to explain Merrill as a bricoleur and highlight the characteristics of bricolage. Research Implications and Limitations: Findings show that Merrill worked collaboratively to collocate and integrate a variety of ideas from a diverse group of librarians such as Cutter, Pettee, Poole, Kelley, Rudolph, and Fellows. Bliss and Ranganathan were aware of the Code but the extent to which they were influenced by it remains to be explored. Although this is an anachronistic evaluation, Merrill serves as an example of the archetypal information scientist who improvises and integrates methods from bibliography, cataloging, classification, and indexing to solve problems of information retrieval and design usable information products and services for human consumption. Originality/Value of Paper: Bricolage offers great potential to information practitioners and researchers today as we continue to try and find user-centered solutions to the problems of digital information organization and services. Paper Type: Research paper

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Arnoult, Laurent. "Bricolage évolutif chez des drosophiles à pois noirs". Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM4015/document.

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Au cours de mes travaux de thèse, je me suis penché sur le pendant génétique de l'adaptation. Certes, les mutations sont générées au hasard; mais quelles sont celles que l'évolution retient et pourquoi? Peut-on définir certains principes qui déterminent les chemins génétiques favoris qu'emprunte et ré-emprunte l'évolution ? Ces principes génétiques bornent-ils parfois le jeu des adaptations possibles ? Le substrat génétique qui nourrit la sélection est-il le même lorsqu'il s'agit de l'émergence d'un caractère nouveau ou bien lorsqu'il s'agit de la diversification ou le raffinement d'un caractère existant ?Pour répondre à ces questions, je me suis penché sur des drosophiles à pois noirs. En particulier, des drosophiles du groupe melanogaster, dont un ancêtre s'est paré d'une tache noire sur le bout de l'aile, il y a environ 20 millions d'années. Cette tache s'est transmise de génération en génération, en se modifiant de façon spectaculaire dans certaines lignées.J'ai d'abord tenté de mettre à jour la logique génétique du bricolage qui a fondé l'émergence puis la diversification de cette tache. Ces travaux suggèrent un modèle général dans lequel les deux versants de l'adaptation, émergence et diversification, correspondent à deux bricolages génétiques distincts.Dans un deuxième temps, je me suis concentré sur l'émergence de cette tache. Ce travail en cours a permis de dégager certaines caractéristiques génétiques du module de régulation qui sous-tend le développement de cette tache. Mon travail de thèse contribue, dans son ensemble, à une meilleure compréhension des ressorts génétiques sur lesquels repose l'adaptation
In my thesis, I studied the genetics of adaptation. Certainly, mutations are randomly generated, yet evolutionary relevant mutations are not randomly distributed; why? Can we define some principles that determine the most favorable genetic paths, in the light of evolution? Would these principles sometimes limit the range of possible adaptations? Are mutations that feed emergence of a new character and diversification or refinement of an existing character the same? To answer these questions, I studied fruit flies with black spots. In particular, fruit flies from the melanogaster group, whose ancestor evolved a black spot on the tip of its wing, about 20 million years ago. This spot has been inherited through generations, and diversified dramatically in some lineages.I first tried to uncover the logic of genetic tinkering underlying the emergence and diversification of the spot. Our results suggest a general model in which the two sides of adaptation, emergence and diversification, correspond to two distinct genetic tinkering.Second, I focused strictly on the emergence of this spot. This ongoing work has identified some general genetic features of the regulatory module underlying the development of this spot.Overall, my thesis contributes to a better understanding of the genetics of adaptation

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Ogunleye, Michael. "Social Entrepreneurship: Exploring the Bricolage Model in Nigeria". ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/6640.

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Nigerian entrepreneurs face government barriers and lack the skills and awareness needed for successfully creating and scaling public value in resource-constrained environments. The concept of bricolage, which involves doing business by making do with resources at hand, has been addressed in the literature, but not as it occurs among Nigerian entrepreneurs. This study was conducted with the aim of narrowing this gap in knowledge by exploring how Nigerian entrepreneurs have successfully carried out their businesses. The research question addressed how Nigerian entrepreneurs overcame critical situations to successfully address the challenges of scaling and creating public value, and whether the theory of entrepreneurial bricolage can support their actions. A qualitative descriptive single case study with a purposeful sample of 22 interview respondents was employed. A total of 145 critical incidents were analyzed by fitting them into themes constructed a priori from the known behavioral patterns that emerged through the theoretical taxonomy of the concept of entrepreneurial bricolage. The results showed that Nigerian entrepreneurs made do with the resources at hand, improvised, and invoked stakeholder participation and persuasion to solve critical challenges of business continuity. The outcome of the research should help potential entrepreneurs determine strategies to scale their ideas or innovations to achieve positive social change. The results may be useful to any fledgling entrepreneur who needs encouragement when feeling overwhelmed by the challenges of doing business in Nigeria. Budding entrepreneurs can learn from the experiences of those who are deemed successful in their businesses, thereby avoiding challenges when they can and strategizing for those challenges that are unavoidable.

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Vila, Gisselle. "Institutional bricolage in Peruvian Amazonia: a native community’s experience". Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/78621.

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Este artículo explora el proceso de bricolaje institucional que se desarrolla en una comunidad nativa y que conduce a la creación de una comisión de regantes. A partir de una revisión histórica, se identifican las dinámicas de préstamo de arreglos previos, como relaciones familiares o modalidades de reunión, para dar sentido a nuevos marcos institucionales promovidos por proyectos de desarrollo, como el trabajo cooperativo o el pago de una tarifa por el uso del agua. El argumento sostiene que se trata de un proceso de alteración institucional, dado que no conduce a la creación de un nuevo organismo cualitativamente distinto sino que reproduce lógicas y acuerdos previamente establecidos.
This article explores the institutional bricolage process developed in a native community, which derives in the creation of a water user’s association. Based on a historical review, the article identifies the borrowing dynamics from previous arrangements, such as family relationships and meetings, in order to make sense of the new institutional frameworks promoted by development projects, such as cooperative work and the payment of a water tariff. The argument proposes that this is a process of institutional alteration, because it does not led to the creation of a qualitatively different organism, but rather it reproduces previously stablished logics and agreements.

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Duailibe, Nayala Nunes. "Etnografia das polifonias do centro histórico de São Luís". Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/4216.

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This work aims at presenting ethnographically called historic center of São Luís - Maranhão, World Heritage since 1997. Anthropology focuses on this category showing the region delimited as the historical center from multiple possibilities of understanding. The city has an ancient urban layout with a core of civil architecture from the eighteenth and nineteenth centuries, whose characteristics, mostly from colonial origin, were maintained: irregular urban layout, churches, houses, properties of domestic and commercial use. To IPHAN the brand's historic center is the maintenance of urban layout and the preservation of "mansions". For people who live transit and appropriate other issues relate to the conflict marked by heritage. In this place, are direct relationships with property issues on which we can realize appropriations, senses of places, sociability. On the other hand, the memories lead to understanding of a plural place, thus the DIY category is used as a tool to make sense of the present experiences of place in the historic center. Also apprehends the idea of a polyphonic place through the list of names given by the speakers: Praia Grande, Revive and historic center. These categories are used to show that the place used, subverted and even recollected, too, is one of places, a polyphonic discourse.
Este trabalho tem por objetivo apresentar etnograficamente o chamado centro histórico de São Luís - Maranhão, Patrimônio Mundial desde 1997. A Antropologia debruça-se sobre esta categoria mostrando a região delimitada como centro histórico a partir de múltiplas possibilidades de entendimento. A cidade apresenta um núcleo antigo com um traçado urbano de arquitetura civil dos séculos XVIII e XIX, cujas características, em sua grande maioria de origem colonial, foram mantidas: traçado urbano irregular, igrejas, casario, imóveis de uso doméstico e comercial. Para o IPHAN a marca do centro histórico é a manutenção do traçado urbano e a preservação dos ”casarões”. Para as pessoas que vivem transitam e se apropriam outras questões relacionam-se ao conflito marcado pelo patrimônio. Nesse lugar, estão relações diretas com questões patrimoniais sobre as quais pode-se perceber apropriações, sentidos de lugares, sociabilidades. Por outro lado, as memórias conduzem a compreensão de um lugar plural, dessa forma, a categoria bricolagem é utilizada como instrumento para entender o sentido das experiências de lugar presentes no centro histórico. Apreende-se também a ideia de um lugar polifônico por meio da relação dos nomes dada pelos interlocutores: Praia Grande, Reviver e centro histórico. Estas categorias são usadas para mostrar que o lugar, usado, subvertido e mesmo rememoradas é, também, um entre lugares, um discurso polifônico.

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Miller, Roland Conrad. "Montage, collage and bricolage : the assemblage of 'incorporating' 1998/1999". Thesis, De Montfort University, 2000. http://hdl.handle.net/2086/4131.

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Labuschagne, Elizabeth Jacomina. "Speelse plastiek : kontemporere juweliersware as bricolage : ’n praktyk-gebaseerde ondersoek". Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86664.

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Thesis (MA(VA))--Stellenbosch University, 2014.
ENGLISH ABSTRACT: This thesis investigates adults who play. Through my investigation, I discovered that play for adults is not distraction or a waste of time as is generally accepted. It is a basic need and necessary for survival. Although there are different forms of play, such as sport matches, hobbies and gambling, I specifically focus on play where objects can be created. This type of play is inherently more creative and stimulates lateral thinking. In play there is a freedom and safe environment which is not necessarily tied to reality. At the same time it is a self-reflective discovery process which stimulates brain activity. In my practice I use plastic bags as an accessible and malleable material to design and make contemporary jewellery. It is a way to act as an active agent in the world, rather than a passive consumer. The discussion of my art pieces forms the primary research of the thesis and is supported by theoretical research. In the process of making a deeper understanding and knowledge is extracted, which can be established through ritual play. New connections are formed in the brain and contrasting ideas can be linked which would otherwise not have happened. Play has value because it does not only stay in ‘play state’. It can spill over to the confrontation, questioning and uniting of the sociological, economical, cultural and political contrasts in my immediate South African environment. Consequently play contributes to our ability to adapt, process everyday contradictions (such as social inequality) and find creative solutions. Furthermore, it possesses the potential to contribute to our social wellbeing, happiness, trust, the will to share and to live empathetically.
AFRIKAANSE OPSOMMING: Hierdie tesis handel oor volwassenes wat speel. Deur my ondersoek ontdek ek dat spel vir volwassenes nie afleiding of ŉ mors van tyd is soos algemeen aanvaar word nie. Dit is ŉ behoefte en noodsaaklik vir oorlewing. Alhoewel daar verskillende vorme van spel is, soos byvoorbeeld sportkragmetings, stokperdjies, dobbelary, fokus ek spesifiek op spel waar objekte gemaak word. Dié tipe spel is inherent kreatief en stimuleer laterale denke. In spel is daar is ŉ vryheid en veilige ruimte wat nie met die werklikheid verenig hoef te word nie, maar terselfdertyd is dit ŉ self-refleksiewe ontdekkingsproses wat breinaktiwiteite verhoog. In my praktyk maak ek gebruik van plastieksakke as toeganklike en vervormbare materiaal om kontemporêre juweliersware te ontwerp en te maak. Dit is ’n manier om as ŉ aktiewe agent in die wêreld op te tree, eerder as ’n passiewe verbruiker. Die bespreking van my kunswerke vorm die primêre navorsing van die tesis en word ondersteun deur teoretiese navorsing. In die maakproses word daar ŉ dieper begrip en kennis ontgin wat vasgelê kan word deur rituele spel. Nuwe konneksies word in die brein gevorm en kontrasterende idees kan verbind word wat nie andersins sou plaasvind nie. Spel is waardevol omdat dit nie net in die ‘spel toestand’ bly nie. Dit kan oorspoel na die konfrontasie, bevraagtekening en vereniging van sosiologiese, ekonomiese, kulturele en politiese kontraste in my onmiddellike Suid-Afrikaanse omgewing. Gevolglik dra spel by tot ons vermoë om aan te pas, alledaagse teenstrydighede (soos sosiale ongelykheid) te verwerk en kreatiewe oplossings te vind. Dit besit verder die potensiaal om by te dra tot ons sosiale welstand, gelukkigheid, vertroue, die wil om te deel en empaties te lewe.

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Goda, Yosuké. "Alfred Jarry : réécriture et Bricolage : étude sur le recyclage littéraire". Thesis, Le Mans, 2013. http://www.theses.fr/2013LEMA3016.

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Ce travail propose de considérer l’oeuvre de Jarry comme une déformation, simple ou indirecte, de textes antérieurs écrits par autrui. Afin de décrire et d’analyser les différents aspects de son travail de seconde main, d’établir une typologie de ses formes et de ses pratiques, nous adoptons ces deux approches : l’intertextualité et l’historicité. D’une part, nous distinguons les deux formes de son écriture, allusive et dynamique : la réécriture comme production linéaire et le bricolage comme production combinatoire. D’autre part, nous situons l’oeuvre de Jarry dans un temps et un lieu déterminés. En dépit de la forte singularité de la personne de Jarry, ses textes sont indissociables des contextes qui caractérisent la fin du XIXe siècle. On ne saurait comprendre en effet le véritable enjeu de sa littérature au second degré sans tenir compte de ses multiples références à la philosophie occulte, à l’idéalisme subjectiviste, à l’esthétique archaïsante ou encore à la politique des faits divers
This study sets out to consider Jarry’s works entirely as a deformation of texts written by others, whether direct or indirect. In order to describe and analyze the various aspects of this “creation at secondhand” and establish a typology of its forms and practices, we have approached it from the dual angle of the intertextual and the historical. In the first case we can discern both an allusive form and a dynamic form of Jarry’s writing: rewriting as a linear product and bricolage as a patchwork product, uniting various elements. In the second case we have situated Jarry’s work in the specific time and place of their appearance. Despite Jarry’s very individual personality, his texts cannot be taken out of the context that binds them to the end of the nineteenth century. It is impossible to understand the real issues underlying his literature of allusion without taking his many references to occult science, idealism and the prevailing archaizing aesthetics into account, to say nothing of the politics of “faits divers’’, the newspaper sensations of the day

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Watterson, Linda (Hongbin). "Profiles of Creative Entrepreneurs and their Engagement with Government in the Chinese Context". Thesis, Griffith University, 2015. http://hdl.handle.net/10072/367147.

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The concept of creative industries was first introduced to China in early years of the twenty-first century. Arguably, an understanding is lacking of how creative entrepreneurs operate in their daily business activities in terms of dealing with constraints and limits that industry-specific rules and regulations imposed on private operators. Culture, as both the object of government’s ideological control and the essential element of the products and services of creative businesses, plays a crucial role in the organisational construction and strategies for creative entrepreneurs, whose key resources are very much embedded in the social connections and relations that underpin their cultural capital. Making do by using resource ‘at hand’ is the principle of the key theory – bricolage in business by Baker and Nelson (2005). Through the main device of application of the concept of bricolage to the in-depth study of three everyday entrepreneurs, this thesis provides insights into how creative entrepreneurs in Chinese set up their businesses to survive or succeed by answering the following three questions: Q1. What are the characteristics of institutional environment of the creative industries that make the entrepreneurs work as bricoleurs to operate their businesses? Q2. What are entrepreneurs’ resources ‘at hand’ to be utilised in their business operation? Q3. How do creative entrepreneurs use bricolage in their business operations in response to the characteristics of the creative industries; in particular, how they do they use bricolage in dealing with external and internal institutional and cultural environments? Combined with the notions from institutional work (Lawrence & Suddaby 2006) and strategic choice (Child 1972), the cases of entrepreneurs and their companies’ use of bricolage in response to their external and internal operation conditions are dissected through examining four components in the theoretical framework: industrial and institutional environment, resources ‘at hand’, institutional bricolage and strategic bricolage.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith Business School
Griffith Business School
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Costa, Hulda Silva Cedro da. "UMBANDA, UMA RELIGIÃO SINCRÉTICA E BRASILEIRA". Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/758.

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This thesis analyzes the Umbanda religion and its consolidated training process through a continuous syncretism that began in the late 17th Century, with the first black religious communities, mostly Bantu s origin. This formation process of Umbanda presented four phases. The first one began with the Calundu, in the 17th Century, advancing to Cabula, in the early 19th Century, the Macumba, in the middle of this same century, resulting in Umbanda, which emerged in the early 20th century, and has become the fourth phase of this syncretic religious and continuous process. The research is intended to open a discussion about the formation process of the structural basis of The Umbanda Religion, which origin comes from the fusion of several elements of African origin, the Spiritualism of Kardecista, the elements of indigenous origin and even the elements of Catholicism. This way, it characterizes a highly syncretic process, and because of its approach to Christianity, a significant separation from its African headquarters occurred. Nowadays, some theorists do not want to use the term syncretism, relating it to situations of domination, as something impure, and therefore, relegated as a negative term, considered a pejorative concept, such as bringing in its essence, a conception of the mixture, thus denying the originality and identity of the African s descent people. Thus, some researchers prefer to use the terms hybridity and bricolage(DIY), stating that these terms are different from the term syncretism. As a result of this debate, we can clearly identify in which parts of the discussion these authors either match or differ in their points of view, and how different and distant they are in their theories about these terms, in order to verify the applicability of the Umbanda Religion. We approach the search process of its legitimation as a Brazilian Umbanda religion, and to be accepted by the ruling class. Accordingly, we analyze its passage by the Vargas era, its relationship with the Catholic Church and the military dictatorship, when it reached its zenith. We analyzed its precipitous decline, from the 1980s on, with the growth of neo- Pentecostal movements. Since then, the Umbanda has been in decline, but revived in the 21st. century, represented by three major religious segments namely: Initiative Umbanda, Holy Umbanda and Cross Line Umbanda.
A presente tese analisa a religião Umbanda e seu processo de formação consolidado por meio de um sincretismo contínuo que teve início no final do século XVII, com as primeiras comunidades religiosas negras, em sua grande maioria de origem banto. Esse processo formador da Umbanda apresentou quatro fases. A primeira, se iniciou com o Calundu, no século XVII, perpassando pela Cabula, no início do século XIX, pela Macumba, em meados deste mesmo século, resultando na Umbanda, que surgiu no início do século XX, e se constituiu a quarta fase deste processo religioso sincrético e contínuo. A pesquisa tem a finalidade de abrir uma discussão acerca do processo formador da base estrutural da religião Umbanda, que nasceu da fusão de vários elementos de origem africana, do Espiritismo Kardecista, de elementos de origem indígena e ainda de elementos advindos do catolicismo, caracterizando dessa forma, um processo altamente sincrético, e por causa da sua aproximação com o cristianismo, ocorreu um afastamento significativo de suas matrizes africanas. Atualmente, alguns teóricos não querem utilizar o termo sincretismo, relacionando-o às situações de dominação, como se fosse algo impuro, sendo, portanto, relegado como um termo negativo, considerado um conceito pejorativo, no sentido de que ele poderia trazer em seu bojo uma concepção de mistura, negando assim a originalidade e a identidade dos povos afro descendentes. Assim, alguns pesquisadores preferem utilizar os termos hibridismo e bricolagem, afirmando que esses termos são diferentes do termo sincretismo. Diante desse debate, verificamos onde esses diferentes autores se encontram e onde se distanciam em suas teorizações acerca desses termos, para verificar a aplicabilidade na religião Umbanda. Abordamos o processo de busca de legitimação da Umbanda como uma religião brasileira, e para ser aceita pela classe dominante. Nesse sentido, analisamos a sua passagem pela era Vargas, sua relação com a igreja católica e com o regime militar, momento este último, que lhe proporcionou vivenciar o seu apogeu. E analisamos a sua queda vertiginosa, a partir dos anos de 1980, com o crescimento dos movimentos neopentecostais. A partir daí, a Umbanda entrou em declínio, mas ressurgiu no século XXI, representada por três grandes segmentos religiosos a saber: a Umbanda Iniciática, a Umbanda Sagrada e a Linha Cruzada.

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Pessoa, Nara da Cunha. "Museu vivo : uma an?lise do Museu C?mara Cascudo". Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13558.

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Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico
This work was developed from the research field in the Museu C?mara Cascudo (MCC) and the theoretical research in Museum Studies, enlarging the idea of museum while ambience of culture. We believe that the MCC, located in the city of Natal RN, is a relevant sociocultural institution because it is a university museum, because it was created two years after the foundation of the Universidade Federal do Rio Grande do Norte, and because it develops researches and studies about man on his physical and cultural aspects. Thus, this work is made up by a reflection on the transient and mobile aspect of culture living culture to understand the role of the museum in contemporary society. The MCC analysis, including its history, its functioning, its main activities, and its expositions, illustrates one part of our investigation. The other part is composed by theoretical consideration made from the reading of authors such as Bauman, L?vi-Strauss, Morin, Kristeva, Foucault, Le Goff, among others
Esta disserta??o desenvolveu-se a partir da pesquisa de campo no Museu C?mara Cascudo (MCC) e da pesquisa te?rica em museologia, aprofundando a id?ia de museu como ambi?ncia da cultura. Acreditamos que o MCC, localizado na cidade do Natal RN, ? uma institui??o s?cio-cultural de grande relev?ncia por ser um museu universit?rio, por ter sido criado dois anos ap?s a exist?ncia da Universidade Federal do Rio Grande do Norte e por realizar pesquisas e estudos sobre o homem em seus aspectos f?sicos e culturais. Assim, este trabalho ? composto por uma reflex?o sobre o aspecto transit?rio e m?vel da cultura cultura viva para compreendermos o papel do museu na sociedade contempor?nea. A an?lise feita no MCC, incluindo sua hist?ria, seu funcionamento, suas principais atividades e suas exposi??es, ilustram uma parte da nossa pesquisa. A outra parte ? composta por considera??es te?ricas feitas a partir da leitura de autores como Bauman, L?vi-Strauss, Morin, Kristeva, Foucault, Le Goff, entre outros

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Stinchfield, Bryan T. "A THEORY OF ENTREPRENEURIAL WORK: ART, CRAFT, ENGINEERING, BRICOLAGE, AND BROKERAGE". Available to subscribers only, 2009. http://proquest.umi.com/pqdweb?did=1967978691&sid=1&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Niculescu, Mira. "Les juifs bouddhistes. Individualisme, bricolage et frontières dans la globalisation religieuse". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH184.

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L’intégration aussi soudaine que réussie du bouddhisme en Occident au XXe siècle a entraîné dans son sillage l’apparition d’une nouvelle figure du croire à trait d’union : les « juifs bouddhistes ». Dans le contexte actuel de l’individualisation du croire et de la globalisation du religieux, cette constellation de postures individuelles se revendiquant à la fois du judaïsme et du bouddhisme témoigne des produits créatifs de l’émergence d’un bouddhisme occidental.Connu principalement aux États-Unis sous le label de « jubu », où selon les estimations, de 6 à 30% des pratiquants bouddhistes occidentaux seraient d’origine juive, le phénomène des juifs dans le bouddhisme est pourtant un phénomène global. Comment s’exprime-t-il en France et en Angleterre, deux autres pôles essentiels de la diaspora juive et du bouddhisme en Occident ? Comment comprendre le succès du bouddhisme en Israël aujourd’hui ? Pourquoi les juifs deviennent-ils bouddhistes, et comment articulent-ils ce choix croyant avec leur identité juive ?Le phénomène des juifs bouddhiste, souvent décrit comme un phénomène post-Shoah, est d’abord un produit de la modernité juive ashkénaze post-Lumières. Dans cette recherche, à partir d’une sociologie croisée de la réception du bouddhisme et de celle des trajectoires croyantes individuelles basée sur une enquête ethnographique longitudinale multisituée conduite entre 2008 et 2018 et composée d’entretiens et d’analyse de récits de vie de pratiquants et enseignants bouddhistes d’origine juive aux États-Unis, en Angleterre, en France et en Israël, je tenterai de dresser un panorama comparatif et diachronique du phénomène des juifs bouddhistes visant à mettre en lumière ses tendances globales, ses particularités locales, et son évolution depuis la contre-culture des années soixante. Parce qu’elle refuse le terme de conversion et s’exprime sous la forme de bricolages identitaires ou croyants, la posture de juif bouddhiste témoigne des liens entre l’individualisme religieux et le groupe, et demande de repenser le concept de syncrétisme dans le contexte de la globalisation religieuse contemporaine
In the wake of the introduction of Buddhism in the West in the XXth century, as sudden as successful, a new hyphenated religious posture has emerged: the “Jewish Buddhists”. In the current context of religious individualism and globalization, this constellation of individual stances claiming to be both Jewish and Buddhist is one of the creative outcomes of the emergence of a Western Buddhism. Mostly known in the states under the label “jubu”, where an estimate of 6 to 30% of the Western Buddhist practitioners would be of Jewish descent, the phenomenon of Jews in Buddhism is however a global phenomenon. How does it play in France and in England, two other essential loci of the Jewish diaspora and of Western Buddhism? How to account for the success of Buddhism in Israel today? Why do Jews become Buddhists, and how do they articulate this choice with their Jewish identity?The phenomenon of the Jewish Buddhists, mostly known as a post-Shoah phenomenon, is first and foremost a product of the post-Enlightenment Jewish Ashkenazi modernity. In this research, combining a sociology of the reception of Buddhism and of individual religious trajectories based on interviews and life-narrative analysis collected via a multisite longitudinal ethnographic fieldwork conducted between 2008 and 2018 between the United States, England, France and Israel, I will attempt to offer a comparative, diachronic panorama of the phenomenon of the Jewish Buddhists, aiming at shedding light on its global tendencies, its local specificities, and its evolution, from the Counter-Culture of the sixties till today.Because it rejects the term « conversion » and expresses itself under the shape of bricolages of identity and belief, the posture of Jewish Buddhist highlights the connections between religious individualism and the group, and calls for rethinking the concept of syncretism in the context of the contemporary religious globalization

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Nomatovu, Rebecca. "Bricolage Behaviour in Small Established Firms Operating in Resource Constrained Environments". Thesis, University of Pretoria, 2018. http://hdl.handle.net/2263/67298.

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The current descriptions of bricolage largely present it as a behaviour in new businesses in richer contexts. Therefore, more diverse context-specific explanations are needed in order to deepen our understanding of bricolage. While Bricolage behaviour has been largely explained in new businesses, in extremely constrained environments, even established firms use bricolage to mobilise resources. This study set out to contribute to the understanding of bricolage by exploring it in an extremely constrained context. Using an interpretivist paradigm, empirical evidence from 8 case studies was collected through in-depth interviews and each is presented in a rich, ‘thick’ description. Through inductive coding, data-driven themes that highlight the nuances of bricolage when settings are extremely poor were derived. The study examines the idiosyncrasies of bricolage behaviour in small established firms, found in poor settings, it finds that, everything is a resource that can be bricolaged. It also finds that there is varied intensity with which underlying constructs of bricolage- making do, using resources at hand and recombining resources are manifested throughout the entrepreneurial process. In the starting phases, making do dominates, in the surviving phase, using resources at hand becomes more prominent, while in the growing phase, recombining resources is prioritised. This suggests that in poor contexts, bricolage manifests as a process that occurs throughout the life of the business. Additionally, the study highlights the sub-processes of bricolage,-scavenging, buttressing and refining. It explains how they interact by showing that scavenging precedes making do, buttressing precedes using resources at hand and refining precedes recombination of resources. Moreover different resources are used varyingly along the bricolage process. Furthermore, it integrates bricolage with two concepts of adaptive persistence and community embeddedness. Adaptive persistence is an active and dynamic experimentation to meet new challenges with the aim of finally solving them. It is exhibited as continuous adjustment to absorb emerging environmental shocks. On the other hand, community embeddedness highlights the firms’ close connection and interface with its local community on activities beyond its core role. In turn, the community becomes both an active advocate and a customer of the firm. These behaviours facilitate firm development. This work contributes to the understanding of bricolage behaviour by showing that the sub processes are more elaborate in poor settings and that established firms adopt these sub-processes varyingly as they develop.
Thesis (PhD)--University of Pretoria, 2018.
Gordon Institute of Business Science (GIBS)
PhD
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DE, BERNARDI CHIARA. "Esaminando l'imprenditoria sostenibile: il ruolo della passione, del bricolage, e dell'autenticità". Doctoral thesis, Università Cattolica del Sacro Cuore, 2020. http://hdl.handle.net/10280/74168.

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Lo sviluppo sostenibile è oggi uno dei temi più attuali e, allo stesso tempo, una sfida per le aziende. La società, a livello mondiale, deve affrontare, ora più che mai, problemi sia di rilevanza sociale, come una popolazione in costante aumento, sia di tipo ambientale, come il cambiamento climatico. La costante perdita dell’ozonosfera, la distruzione della biodiversità, la sovrappopolazione, l’overtourism, sono solo alcune delle problematiche che sottolineano l’urgente bisogno di individui che siano capaci di far fronte a tali questioni grazie ad un comportamento imprenditoriale sostenibile. Seppur le serie conseguenze del degrado ambientale siano note da tempo, la situazione attuale ci richiede ora di riconoscere e, soprattutto, di ammettere, che le risorse, specialmente quelle naturali, non sono infinite. Il comportamento imprenditoriale con un orientamento spiccatamente green, costituisce una parziale soluzione all’esaurirsi di tali risorse. A tale scopo, la tesi si propone di indagare i drivers dell’imprenditoria sostenibile, al fine di risolvere il degrado ambientale e raggiungere uno sviluppo sostenibile. Attraverso un’analisi della environmental passion, dell’environmental bricolage e dell’authenticity, la tesi pone le fondamenta per lo sviluppo di futuri studi capaci di far riflettere su tali tematiche.
Sustainable development is perhaps the most prominent topic of our time and challenge for businesses. Today, we are facing both social issues, such as an ever-increasing population, and environmental issues, like climate change. We are thus suffering from ozone depletion, destruction of biodiversity, loss of living species, overpopulation, overtourism, and the need of individuals who are able to deal with these challenges through their entrepreneurial behaviour is more than urgent. The serious consequences of environmental degradation have been pointed out for decades, and the current situation requires us to recognize that resources, especially our natural ones, are finite. The thesis focuses on the drivers of sustainable entrepreneurial behaviours aimed at resolving environmental degradation and achieving sustainable development. Through an exploration of environmental passion, environmental bricolage and authenticity, the thesis sets a foundation for developing future thought-provoking studies.

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DE, BERNARDI CHIARA. "Esaminando l'imprenditoria sostenibile: il ruolo della passione, del bricolage, e dell'autenticità". Doctoral thesis, Università Cattolica del Sacro Cuore, 2020. http://hdl.handle.net/10280/74168.

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Lo sviluppo sostenibile è oggi uno dei temi più attuali e, allo stesso tempo, una sfida per le aziende. La società, a livello mondiale, deve affrontare, ora più che mai, problemi sia di rilevanza sociale, come una popolazione in costante aumento, sia di tipo ambientale, come il cambiamento climatico. La costante perdita dell’ozonosfera, la distruzione della biodiversità, la sovrappopolazione, l’overtourism, sono solo alcune delle problematiche che sottolineano l’urgente bisogno di individui che siano capaci di far fronte a tali questioni grazie ad un comportamento imprenditoriale sostenibile. Seppur le serie conseguenze del degrado ambientale siano note da tempo, la situazione attuale ci richiede ora di riconoscere e, soprattutto, di ammettere, che le risorse, specialmente quelle naturali, non sono infinite. Il comportamento imprenditoriale con un orientamento spiccatamente green, costituisce una parziale soluzione all’esaurirsi di tali risorse. A tale scopo, la tesi si propone di indagare i drivers dell’imprenditoria sostenibile, al fine di risolvere il degrado ambientale e raggiungere uno sviluppo sostenibile. Attraverso un’analisi della environmental passion, dell’environmental bricolage e dell’authenticity, la tesi pone le fondamenta per lo sviluppo di futuri studi capaci di far riflettere su tali tematiche.
Sustainable development is perhaps the most prominent topic of our time and challenge for businesses. Today, we are facing both social issues, such as an ever-increasing population, and environmental issues, like climate change. We are thus suffering from ozone depletion, destruction of biodiversity, loss of living species, overpopulation, overtourism, and the need of individuals who are able to deal with these challenges through their entrepreneurial behaviour is more than urgent. The serious consequences of environmental degradation have been pointed out for decades, and the current situation requires us to recognize that resources, especially our natural ones, are finite. The thesis focuses on the drivers of sustainable entrepreneurial behaviours aimed at resolving environmental degradation and achieving sustainable development. Through an exploration of environmental passion, environmental bricolage and authenticity, the thesis sets a foundation for developing future thought-provoking studies.

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VENIER, IVANA. "Bricolage al confine : pratiche d'uso quotidiano lungo alcuni confini dell'ex-Jugoslavia". Doctoral thesis, Università IUAV di Venezia, 2015. http://hdl.handle.net/11578/278645.

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Machado, Thiago de Menezes. "Cristianismo alternativo: relações entre protestantismo, neoesoterismo e rastafarianismo em Alto Paraíso de Goiás". Universidade Federal de Juiz de Fora, 2014. https://repositorio.ufjf.br/jspui/handle/ufjf/660.

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A ascensão do movimento Nova Era, a partir dos movimentos de contestação contraculturais que surgiram nos anos de 1960, representou o surgimento de uma “nova consciência religiosa” no mundo ocidental contemporâneo. Em Alto Paraíso de Goiás, local de convergência new age, essa religiosidade alternativa continua a relacionar-se com a contracultura, especialmente sob sua versão hippie. Esse ambiente torna-se o palco para experimentações religiosas de grupos cristãos alternativos, que, através de afinidades eletivas percebidas entre o universo neoesotérico, no qual se inclui o grupo rastafari, e o cristianismo, fazem suas negociações de sentido em direção a uma vivência religiosa capaz de conjugar a mensagem cristã com o estilo alternativo e neoesotérico. Essas negociações de sentido acontecem pela presença cristã no ambiente fronteiriço de Alto Paraíso e pelos contatos pessoais e cotidianos entre os evangélicos e os grupos neoesotéricos. A pesquisa etnográfica pretende mostrar como essas negociações são feitas entre os grupos evangélico e neoesotérico, bem como suas experiências rituais e estéticas que combinam elementos desses dois universos culturais. A bricolagem, neste caso, é orientada por uma sensibilidade que impõe limites às possibilidades apropriação evangélica dos conteúdos e elementos simbólicos neoesotéricos.
The rising of the New Age movement, from the countercultural movements of contestation that emerged in the 1960s, represented the emergence of a “new religious conscience” in the contemporary Western world. In Alto Paraíso de Goiás, place of new age convergence, this alternative religiosity continues to relate to the counterculture, especially under its hippie version. This environment becomes the stage for religious experimentations of alternative Christian groups, who, through elective affinities perceived between the neoesoteric world, which includes the rastafari group, and Christianity, make their negotiations of meaning towards a religious living capable of conjugating the Christian message with the alternative and neoesoteric style. The negotiations of meaning happen through the Christian presence in the boundary environment of Alto Paraíso and through the personal and daily contacts between the evangelical and neoesoteric groups. The ethnographic research aims to show how these negotiations are made between the evangelical and neoesoteric groups, as well as the ritual and aesthetic experiences which combine elements from these two cultural universes. The bricolage, in this case, is oriented by a sensibility which imposes limits to the possibilities of evangelical appropriation of the neoesoteric contents and symbolic elements.

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Freitas, Waldete Brito Silva de. "A Poética da Improvisação e o Acaso no Processo Cênico do Espetáculo O Seguinte é Isso". Escola de Teatro, 2012. http://repositorio.ufba.br/ri/handle/ri/27498.

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A presente tese consiste na análise estética e reflexiva do uso da improvisação na dança, a partir dos procedimentos e encenação do espetáculo O Seguinte é Isso, apresentado desde 2007, pela Cia. Experimental de Dança Waldete Brito. Investiga-se este processo para desvelar a maneira como os intérpretes-criadores servem-se dos recursos da improvisação na dança e o modo subjetivo de slecionar e reorganizar o repertóri de movimento a cada nova situação surgida na imprevisibilidade da cena. O conceito de improvisação coaduna-se com o pensamento de Nachmanovitch, que afirma ser este movimento um recurso autêntico e indispensável à criatividade, um fazer cujo sentido se organiza por si mesmo. Para compreender a multuplicidade criativa gerada na particularidade deste procedimento aberto a novos arranjos coreográficos, elegeu-se a Fenomenologia da Percepção de Merleau-Ponty. Esta escolha permite revelar de modo particular a interface estética criativa que permeia a improvisação dos intérpretes-criadores, a partir da percepção consciente de si mesmo e do lugar no qual o espetáculo se constrói. Para o estudo do Processo Criativo foi fundamental a abordagem de Cecília Salles, pela compreensão da diversidade dos mecanismos individuais na construção do percurso coreográfico deste trabalho, assim como o Acaso Artísticos proposto por Fayga Ostrower e o conceito de Bricolagem sob a ótica de Joe Kincheloe, em que um dos princípios basilares é entender a multiplicidade de discursos e os modos de produção do conhecimento na inter-relação sujeito e ambiente, multiplicidade esta que se materializa esteticamente por mrio da dialética polifônica de um coletivo de artistas com vivencias corporais em diferentes estéticas coreográficas. Sublinha-se como opções metodológicas a pesquisa-ação, em função do seu aspecto social que possibilita pesquisadores e participantes compartilhare ideias e ações. A etnopesquisa se delineia como o procedimento de observação das circunstâncias determinadas e indeterminadas pela autonômia criativa dos intérpretes-criadores. As entrevistas realizadas com os participantes deste processo cênico somadas as observações via vídeo dos ensaios e apresentações serviram para análise da dramaturgia geral e encontrar respostas aos questionamentos desta pesquisa. Conjectura-se que o intérprete-criador, à medida que exercita os recursos da improvisação, desenvolve certa capacidade criativa e uma veloz habilidade de autopercepção cênica das situações que ocorrem à sua volta.
Cette thèse est l’analyse esthétique et reflexive de la utilisation de l’improvisation em danse, depuis de procédures de création et mise-en-scène du spetacle O Seguinte é Isso, présenté depuis 2007, par Cia. Experimental de Dança Waldete Brito. Ce processus a été étudié pour reveler comment interprétes-créateurs s’utilisent des ressources de l’improvisation em danse, et de façon subjective pour sélectioner et réorganiser le répertorie du mouvement, de chaque nouvelle situation qui a surgi dans l’imprévisibilité de la scéne. Le concept d’improvisation c’est function de la pensée de Nachmanovitch, qu’assure que ce mouvement est un recours authentique et indispensable à la créativité, une production créative dont le sens s’organise lui-même. Pour comprende la multiplicité créative généré das la particularité de cette procédure ouverte à de nouveaux arrangements choréographiques, on a élu la Phenoménologie de La Perception de Merleau-Ponty. Ce choix permet de révéler l’interface esthétique-créative, qui fait partie de l’improvisation des interprètes-créateurs, depuis la perception consciente de lui-même et d’oú le spectacle est construit. Pour l’étude du Processus Créatif était essentiel d’aborder Cecilia Salles, par la compréhension de la diversité des mécanismes individuels dans la construction de l’itinéraire choréographique de ce travail, ainsi que l’Hasard Artistique, tel que proposé par Fayga Ostrower et le concept de Bricolage, du point de vue de Joe Kinchloe, em que le príncipe fondateur est de comprendre la multiplicité des discours est des modes de production des connaissances dans l’inter-relation entre le sujet et l’environnement. Multiplicité que se matérialise esthétiquement à travers la dialectique polyphonique d’un collectif d’artistes ayan vécu expériences corpolles em différents esthétiques chorégraphiques. On souligne comme options méthodologiques la recherche-action, en function de l’aspect social qui permet aux chercheurs et participants partager des idées et actions. L’ethno-recherche est délinée comme la procédure d’observation des circonstances déterminées et indéterminées, par l’autonomie créative des interprétescréateurs. Les interviews avec les participants de ce processus scénique, ajoutées aux observations à travers la vídeo, des répétitions et des spectacles, a permis d’analyser la dramturgie general et trouver des réponses à ces questions de cette recherche. Il est considéré que l’interpréte-créateur, une fois qu’exerce les ressources de l’improvisation développe une certaine capacité créative, et une compétence rapide d’auto-perception scénique, des situations qui se produisent autour de lui-même.

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Colombero, Sylvain. "Instancier grâce au bricolage collectif : le cas de l'Institution des Bâtiments Protégés". Thesis, Paris, ENMP, 2015. http://www.theses.fr/2015ENMP0033/document.

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Autour de la question de la modernisation des bâtiments protégés, la thèse analyse comment les acteurs implémentent de tels ajustements contemporains sans pour autant dénaturer le Patrimoine véhiculé et personnifié par le bâtiment. Considéré comme la représentation matérielle de l’institution des Bâtiments Protégés – i.e. son instanciation – le bâtiment protégé trouve sa légitimité dans son authenticité dont le respect par les acteurs est primordial pour maintenir la protection institutionnelle. Cependant, parce que la majorité des bâtiments protégés actuels n’ont pas été pensés originellement pour perdurer, i.e. être transmis aux futures générations, les travaux d’intervention pour modifier cet artéfact bâtiment mènent à de nombreux débats entre les acteurs qui participent à ces projets de construction au regard de ce qui doit être ou non patrimonialement considéré. Selon l’approche constructiviste de la méthodologie dite de théorie ancrée, et dans l’optique de comprendre comment ces acteurs parviennent à produire un seul et unique artéfact, la thèse met en avant le processus de construction de l’instantiation au sein duquel les constructions matérielle et symbolique sont considérées. Pour se faire, l’étude propose de coupler l’Institutionnalisme Scandinave et le Bricolage Collectif. En effet, pour sélectionner les matériaux de construction pertinents pour modifier un bâtiment protégé existant, les acteurs doivent dans un premier temps concevoir un cadre interprétatif, commun et partagé, basé sur l’authenticité du bâtiment qu’ils pensent être nécessaire de respecter selon les trois piliers institutionnels en présence. Un tel cadre est en fait une étape préliminaire servant à implémenter un dialogue double-niveau permettant la matérialisation de l’ensemble des idées immatérielles: 1) entre les acteurs et le cadre interprétatif pour tester les solutions matérielles suggérées et 2) entre chaque répertoire de chaque acteur, comprenant leur ressources à disposition, grâce à six critères de sélection qui aident les acteurs à décider quel matériau il est utile ou non d’utiliser
The dissertation studies how actors implement contemporary adjustments in listed buildings without disrupting their embodied Heritage. The listed building’s legitimacy relies on its authenticity whose respect by actors is essential to maintain the institutional protection, as it is the material representation, or instantiation, of the Listed-Buildings Institution. However, intervention works to change such an artifact lead to various debates among actors, as the majority of current listed buildings were not originally constructed to last, i.e. to be transmitted to future generations. One debate during intervention works tackles the issue of what needs to be or not to be considered in terms of Heritage. Through a constructivist grounded-theory methodology, the dissertation allows the understanding of how actors succeed in producing one unique outcome. I propose the instantiation construction process in which both symbolic but also material constructions are emphasised. And to do so, I intertwine Scandinavian Institutionalism and Collective Bricolage. Indeed, actors need first to design, with the help of the three institutional pillars, a shared interpretative frame to select relevant building materials. They could thus modify an existing building in regards to what building’s authenticity deserves to be respected. This frame acts in fact as a preliminary step to implement a simultaneous two-level dialogue enabling the materialisation of the intangible ideas: 1) between actors and the frame to test the material solutions actors suggest and 2) between each actors’ “resources at hand” repertoires by means of six selection criteria that help them to make decision on which material is relevant to use or not

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Lauer, Claire. "Thirdspaces, Tactics and Bricolage: A Postmodern Identity Construction in the Composition Classroom". Diss., Tucson, Arizona : University of Arizona, 2006. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1667%5F1%5Fm.pdf&type=application/pdf.

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Morales, Carolyn J. "Intersectionality: Engaging the Epistemology of Leadership Theory". Antioch University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1569507340956926.

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Tavel, Jose Enrique. "A theory of architecture based on the synthesis of bricolage and linguistic devices". Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/21742.

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Rahman, Fadzilah Abd. "Assessing pre service teachers' pedagogical content knowledge development : the employment of Bricolage approach". Thesis, University of Sheffield, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443858.

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Plewe, Thomas Clayton. "Besting the tract home : a software-based bricolage approach to affordable custom housing". Thesis, Massachusetts Institute of Technology, 2008. http://hdl.handle.net/1721.1/47897.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2008.
Includes bibliographical references (leaf 65).
Tract housing has earned its position as the overwhelmingly dominant paradigm of home building and ownership in America because it's such an efficient and therefore cost-effective system. Custom-designed housing has provable benefits over a one size-fits-all approach, but has remained unreachable for the vast majority of home buyers (or at the very least not worth it) due to the price/time/hassle disadvantage of its inefficient production systems. In attempting to make customized housing competitive with the tract home on a price/time/hassle graph, this thesis searches for efficiency through using bricolage; nonstandard, ambiguous components; the principles of object-oriented programming; and the consumer-centric standard practices of e-commerce. A paradigm and accompanying software are created to allow a custom house to be designed in hours rather than months, enabling architects to design by arranging pre-designed multi-room components, as selected from a searchable database, into a single structure that uniquely fits a client's needs. Sample houses are designed and economic estimates are made to gauge the potential competitiveness of such a system with tract housing, as well as the system's potential effect on the overall economy of architecture.
by Thomas Clayton Plewe.
S.M.

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Scheurich, James Joseph. "Doxological bricolage, methodology in the postmodern : the politics of research theory in education /". The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu148777912090943.

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Bui, Trang Huong. "La réforme des universités vietnamiennes (1986-2016) : un double bricolage ministériel et local". Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20064.

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Durant ces vingt dernières années, les réformes universitaires s’imposent partout dans le monde. L’enseignement supérieur du Vietnam ne peut pas s’isoler. Il est obligé de changer pour adapter à l’intégration et à la globalisation. Pourtant, dans le contexte d’un pays en développement, lorsque la loi sur l'enseignement supérieur n’a été promulguée qu’en 2012 et modifiée récemment en 2018, on peut affirmer que l'éducation en général et l'enseignement supérieur en particulier au Vietnam présentent encore de nombreux inconvénients. Se basant sur une méthode compréhensive – à travers des entretiens ciblés, de l’observation directe et de l’analyse de documents de référence – cette thèse répond à la question de savoir comment les universités vietnamiennes se transforment depuis 1986 à présent, ainsi quel pilotage vis-à-vis cette transformation. La thèse distingue alors trois degrés différents de transformation des universités vietnamiennes dans le processus d’intégration: les transformations limitées, les transformations débutantes et les transformations profondes. En conséquence, la thèse a montré une logique de fonctionnement différente entre les universités publiques et privées et une grande distance entre les domaines des sciences sociales et humaines et des sciences « dures » dans l’enseignement supérieur. Il faut dès lors l’implication des acteurs concernés pour que l’enseignement supérieur du Vietnam puisse se rapprocher du niveau avancé de l’enseignement supérieur mondial
Over the past two decades, university reforms have been known around the world. Vietnam's higher education cannot isolate itself. It is obliged to change to adapt to a globalisation and integration. Yet, in the context of a developing country, when the law on higher education was promulgated only in 2012 and recently amended in 2018, it can be said that education in general and higher education in particular in Vietnam still has many defects.Based on a comprehensive method - through targeted interviews, direct observation and analysis of reference documents - this thesis answered the question of how Vietnamese universities are transforming since 1986, and what is the leadership for this transformation. The thesis then distinguished three different degrees of transformation of Vietnamese universities in the process of integration: limited transformations, beginner transformations and profound transformations.As a result, the thesis has shown a different operating logic between public and private universities and a large distance between the fields of social sciences and humanities and natural sciences in higher education. It is therefore necessary to involve the actors concerned so that higher education in Vietnam can come closer to the advanced level of the world’s higher education

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Ng, Stephanie Yuet Wah. "Modes of production in post-war cantonese cinema : bricolage and sing-song comedy". HKBU Institutional Repository, 2013. http://repository.hkbu.edu.hk/etd_ra/1532.

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Strömgren, Katarina. "Varför klassiskt? : En studie om skönlitteratur på gymnasiet". Thesis, Uppsala universitet, Institutionen för pedagogik, didaktik och utbildningsstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-315760.

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Syftet med uppsatsen är att undersöka gymnasielärares didaktiska resonemang om att använda klassisk skönlitteratur i undervisningen. Det är till företrädelsevis de didaktiska frågorna varför, vad och hur som undersöks. Jag vill undersöka hur lärarna tänker kring undervisningen samt vilka ramfaktorer som styr dem i arbetet och i urvalet av klassisk skönlitteratur. Uppsatsen ämnar också besvara frågan om lärares förhållningssätt till en litterär kanon. Undersökningen grundar sig på fyra stycken lärarintervjuer och har sammanställts och analyserats med analysmetoden bricolage. Studiens resultat visar att elever undervisas i klassisk skönlitteratur för att få ett ökat ordförråd men främst för att utveckla en empatisk förmåga och utvecklas som människor. Eleverna ska nå livskunskap via litteratur det vill säga kunskaper genom litteratur och inte om litteratur. Resultaten stämmer in under Svedners idéer om att kunskapssynen har förändrats. Från att tidigare har varit mer fokus på själva litteraturen för att utvecklas till mer fokus att nå livskunskap via litteraturen. Att läsa ur ett allmänbildningsperspektiv anses som en viktig del för att eleverna inte ska bli exkluderade från samhället. Lärarna nämner att deras urval styrs av olika ramfaktorer som tid, ekonomi, utbud och elevernas förkunskaper. Samtliga lärare arbetar både med muntliga och skriftliga uppgifter och nämner att arbetssätt beror på elevgrupp. På frågan om lärares förhållningssätt till en gemensam litterär kanon är majoriteten av lärarna tveksam till detta då de anser att läraren bäst kan förmedla ett budskap om de själva är insatta eller tycker om verket. Några säger att det redan finns en slags inofficiell kanon även om styrdokumenten varken tar upp klassiska verk eller författare som ska läsas på gymnasiet.

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Mawadia, Anass. "Appropriation d’un ERP dans un groupe de petites filiales : Vers une stratégie de bricolage ?" Thesis, Montpellier, 2018. http://www.theses.fr/2018MONTD016/document.

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Cette thèse porte sur la mise en place d’un ERP (Enterprise Resource planning) dans un groupe de petites filiales à travers une recherche action canonique multi-cycles menée par le chercheur, directeur de projet ERP durant deux ans. Les filiales sont confrontées à de multiples défis : déployer un ERP standard tout en préservant leur flexibilité, concilier les contraintes groupe et contraintes locales, faire avec les moyens du bord vu les ressources limitées. Ce contexte constitue une opportunité pour approfondir la théorie du bricolage, peu mobilisée dans la littérature ERP. Les résultats montrent des processus de bricolage collectif multi-niveaux : intra-filiales, inter-filiales et groupe. Ces processus de bricolage permettent une amélioration continue de l’ERP et son appropriation, et conduisent au final à la conception et l’usage de solutions difficiles à imiter, ce qui génère un avantage compétitif. Ces processus de bricolage collectif supposent des conditions initiales propices, et une évolution d’une symbolique contraignante (ERP standard, best practices) vers une symbolique habilitante. Chemin faisant, le bricolage contribue à développer le réservoir et les capacités créatives, ce qui décuple en retour le potentiel du bricolage, favorisant simultanément les innovations technologiques et managériales
This PhD thesis focuses on the implementation of an ERP in a group of small subsidiaries through a multi-cycle canonical action research conducted by the researcher, ERP project manager for two years. Subsidiaries face multiple challenges : deploying a standard ERP while preserving their flexibility, reconciling the group constraints and local constraints, making do with means at hand given the limited resources. This context is an opportunity to deepen the theory of bricolage, little mobilized in the ERP literature. The results show multilevel collective bricolage processes: intra-affiliates, inter-affiliates and group. These bricolage processes allow continuous improvement of the ERP and its appropriation, and ultimately lead to the design and use of solutions that are difficult to imitate, which generates a competitive advantage. These collective bricolage processes assume favorable initial conditions and an evolution from a constraining symbolic (standard ERP, best practices) to an enabling symbolic. Along the way, bricolage contributes to developing thecreative reservoir and capacities, which in turn increases the potential of bricolage, while simultaneously promoting technological and managerial innovations

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Ferreira, Cristina dos Santos. "Bricolagem e magia das imagens em movimento: o cinema de Moustapha Alassane". Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13840.

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No contexto de p?s-independ?ncia dos pa?ses da regi?o norte ocidental do continente africano e do posicionamento cr?tico e discursivo dos sujeitos frente ?s imagens euroc?ntricas que culminou com a constitui??o das cinematografias africanas, destaca-se a obra do realizador Moustapha Alassane. Com uma pr?tica voltada para uma concep??o particular das imagens em movimento, o autor nigerino reconstr?i o trajeto do encanto pela imagem ? magia do movimento, criando sua lanterna m?gica, animando figuras e impress?es de seu cotidiano, a partir do simples tra?o do desenho ? modelagem e cria??o de marionetes tridimensionais. Um discurso que se faz gesto pela bricolagem de elementos que est?o a seu alcance. E o gesto ir?nico do realizador transforma o cen?rio de um vilarejo no interior do N?ger em um filme de faroeste, uma oportunidade para se apropriar do mito que ? associado ao da cria??o do cinema no Ocidente. Este trabalho toma como refer?ncia os estudos de autores da di?spora, da cr?tica p?s-colonial e de te?ricos africanos. Dessa forma analiso a obra cinematogr?fica e a trajet?ria f?lmica do realizador nigerino pela via de acesso da chegada das cinematografias africanas ao Brasil, levando em conta o car?ter transnacional dos processos sociais contempor?neos, (re)aproximando-nos do continente africano e da reflex?o de combate ao racismo como um sistema-mundo

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Lima, Silas Roberto Rocha. "Kardec, magos negros, caboclos e preto-velhos: o espiritismo de Robson Pinheiro dos Santos". Universidade Federal de Juiz de Fora (UFJF), 2016. https://repositorio.ufjf.br/jspui/handle/ufjf/5622.

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O médium Robson Pinheiro em suas atuais atividades mediúnicas, na região metropolitana de Belo Horizonte, desenvolve uma visão diferente do espiritismo. Autor de mais de quarenta obras psicografadas, vendeu milhares de exemplares, tornando-se um sucesso editorial no meio espirita. No entanto, sua produção literária mescla realidades espirituais e apresenta uma versão inédita de um universo cosmológico espírita que combina elementos da umbanda, candomblé, pentecostalismo, espiritismo e do misticismo da nova era. O médium vivencia esse universo com as práticas e rituais que realiza nos grupos e instituições por ele fundadas. Nesses espaços, os personagens de suas obras se manifestam, via mediunidade, interagem com o público e praticam um espiritismo que não obedece às convenções do espiritismo brasileiro. Nesse sentido, pelas repercussões de sua atuação, obras e presença, o médium Robson Pinheiro pode ser considerado como uma das mais novas expressões dentro do movimento espírita. Essa posição faz com que Robson Pinheiro seja rejeitado por uma parte do movimento espirita mais tradicional que considera suas obras inadequadas. Todavia, alguns dos seguidores do médium o consideram como um reformador que prática um espiritismo mais próximo ao descrito pela codificação originária do espiritismo europeu. Formulei a seguinte questão: o médium mineiro pratica um pós-espiritismo que diverge e rompe da doutrina espírita tradicional ou é responsável pela elaboração de uma nova corrente dentro do espiritismo brasileiro? Para responder esta questão analisei a biografia, os romances escritos e os ritos praticados nos grupos espíritas.
There is in Minas Gerais, Brazil, a medium that distinguishes himself from the traditional spiritism. More precisely in Belo Horizonte, the medium Robson Pinheiro has been developing a work whose cosmological visions presents itself as a combination of elements of umbanda, candomblé, pentecostalism and new age’s mysticism. From this object the following questions may be formulated: Does the medium practices a post-spiritism that diverges and breaks up from the traditional spiritism’s doctrine or is it responsible for the development of a new current within Brazilian spiritism? Robson Pinheiro is the author of more than forty psychographed works and is a publishing success of the segment. His literary production mixes spiritual realities and presents an unseen version of spiritism. The medium experiences this cosmology in his practices and rituals performed in groups and institutions that he has founded. In these places, the characters of his books possess mediums and interact with the public. A practice of spiritism that does not obey the conventions of Brazilian spiritism. In this sense, because of the repercussions of his performances, works and presence, the medium Robson Pinheiro can be considered as one of the newest expressions within the spiritism movement. This fact originates a rejection by traditional adepts of the segment that consider his works inadequate. On the other hand, some of his followers regard him as a reformer and perceive his practices as the closest to the ones described in the original codification of European spiritism. In order to answer the questions presented, this work aimes to analyze the biography, novels and rites practiced in the groups created by the author.

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Nunkoosing, Karl. "Constructing fatherhood : a 'bricolage' about the experiences of fathers of disabled sons and daughters". Thesis, University of East Anglia, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246632.

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Gardes, Cyrine. "Un salariat à bas coût. Le travail dans une enseigne low-cost de bricolage". Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0076.

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La crise du pouvoir d'achat, d'une brûlante actualité, a contribué à l'émergence et au succès, dans de nombreux secteurs de l'économie (distribution alimentaire, de bricolage, transport aérien, ferroviaire, etc), d'enseignes rassemblées sous le vocable de « low-cost » et dépeintes comme des innovations commerciales singulières, de par leurs faibles marges, leurs gammes et/ou leurs services réduits, et plus largement, leurs bas coûts. Ce modèle économique, jamais étudié jusqu'ici en sociologie, est l'objet de cette thèse. Elle s'inscrit dans une volonté de documenter les différentes formes prises par le capitalisme et l'exploitation en contexte de crises, ainsi que leurs effets sur le salariat. Le travail constitue l'entrée majeure de notre analyse, que nous abordons à partir d'une enquête ethnographique réalisée dans deux magasins-entrepôts d'une enseigne low-cost de bricolage, que nous appellerons Bricostock. Nous montrons que l'activité, qui présente des parentés avec d'autres modèles productifs, s'y caractérise par la gestion simultanée d'un flux massif de marchandises, avec une rotation accélérée des stocks, et d'un flux de clientèle, avec qui les interactions doivent être comprimées. La polyvalence entre activités, mais aussi entre rayons, est généralisée et permet une réduction considérable des effectifs par rapport aux enseignes classiques. Par la suite, nous montrons que l'organisation repose sur le travail de salarié.e.s aux caractéristiques sociales spécifiques : hiérarchiques comme subalternes y sont moins bien doté.e.s que dans d'autres entreprises et plus prompt.e.s à en accepter les conditions. Enfin, dans l'optique d'une sociologie attentive aux dynamiques de structuration des collectifs, nous mettons au jour différentes configurations de relations sociales en entrepôt. Loin d'être annihilés par les conditions de travail et d'emploi, les groupes de pairs existent et se construisent selon différents principes de division et de cohésion. Nous montrons en quelles situations ceux-ci sont pertinents pour les actrices et les acteurs, ou au contraire, effacés au profit d'autres : si, par exemple, le masculin est dominant dans l'organisation et dans le groupe de pairs (83 % d'hommes vendeurs en 2016, un des taux les plus élevés du secteur, que l'on impute aux impératifs de manutention), il existe des sociabilités mixtes basées sur l'ancienneté, l'âge, le partage du métier ou les adversaires communs que sont les chef.fe.s. La thèse s'intéresse donc à la façon dont se reproduisent ou se transforment les rapports sociaux dans le travail low-cost, ainsi qu'aux formes diffuses que prend la conflictualité dans de telles organisations
The current crisis of purchasing power, a very pressing problematic at the present time, contributed to the rise and success of low-price retail in various sectors of the economy (food, hardware retail, rail and train transportation), self-promoted as « low-cost » and described as a major commercial innovation, with its low margins, reduced assortment and services, and generally its low production costs. This business model, never before studied in sociology, is the object of the present work, which purpose is to illustrate the different forms taken by exploitation and capitalism, and their effect on the workforce, in a context of economical crisis. The analysis angles itself mainly on work, and was nourished by an ethnographic study in two stores and warehouses of a low-cost hardware retail chain business, that we will call « Bricostock ». We show that the activity of these « low-cost » hardware retail stores, which has similarities with other production models, is characterized by simultaneously managing a very high flow of goods with an accelerated stock rotation, and a fast customer flow, whose interactions with the salespeople therefore have to be reduced. The workers' multi-tasking activities allow an important reduction in workforce numbers, compared to the other businesses of the sector. We also show that this type of organization is based on the work of individuals with specific social characteristics : management and subaltern workers alike are more socially vulnerable than in other firms and have to accept work conditions. Lastly, from the perspective of doing a sociology of the work group's structuration, we study different configurations of the group's social relations. Peer groups, despite the work and employment conditions that could keep them from existing, are present, and they are structured by various principles of division and cohesion. We will show in which situations work peer groups seem relevant to the actors or might be made redundant by other situations : for exemple, if men are dominant in the organisation and in the work group (men make up 83 % of the sales workforce in the firm we studied, one of the highest rate in the sector of hardware retail), there are gender-mixed sociabilities based on the workers' seniority, on age, on a shared position or on common adversaries, such as management and customers. This study deals with the dynamics of reproduction or transformation of social relations in low-cost retail and with the diffuse forms of conflictuality in this type of organisation

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Rosén, Carl-Johan. "Bricoleur, digitala varelser och brus". Thesis, Konstfack, Institutionen för Konst (K), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3313.

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Bricoleur, digitala varelser och brus utgör tre viktiga noder, runt vilka mitt konstnärliga arbete rör sig. Parallellt med ett antal av mina verk beskrivs dessa begrepp kortfattat.
Bricoleur, digital beings and noise are three important nodes, making up cornerstones of my artistic work. These ideas are explained briefly parallel to a selection of my artworks.

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LODDI, Laila Beatriz da Rocha. "Casa de bricolador(a): cartografias de bricolagens". Universidade Federal de Goiás, 2010. http://repositorio.bc.ufg.br/tede/handle/tde/2832.

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This research asks permission to enter in houses of bricoladores, people who make their homes with their own hands, using found fragmentary material, collected, diverted from their original functions, adopting creative procedures and dealing directly with the random and unexpected. Bricolage operates without a pre-designed project, featuring a tactical process of invention which appropriates and reframe available elements of different origins. Inspired by the concept of rhizome and its multiples entries, this study articulates essays that dialogue between themselves, creating ramifications and displacements. Theoretical referential follows the texts to design crossings between images, processes, places and meanings. Trying image beyond the illustrative function, a visual essay proposes sensitive approaches to the houses. Through cartography, a mapping of the landscape and its accidents and transformations, bricolage talks reveal subjectivity productions which emerge from the movement's own power.
Esta pesquisa pede licença e entra em casas de bricoladores, pessoas que criam suas moradas com as próprias mãos, utilizando materiais fragmentários achados, recolhidos, desviados de suas funções originais, adotando procedimentos criativos e lidando diretamente com o acaso e o imprevisto. A bricolagem opera sem projeto pré-concebido, caracterizando um processo tático de invenção que se apropria e resignifica elementos disponíveis, de procedências diversas. Inspirado pelo conceito de rizoma e suas múltiplas entradas, o texto articula ensaios que dialogam entre si, criando ramificações e deslocamentos. O referencial teórico perpassa os ensaios, desenhando cruzamentos entre imagens, processos, lugares e sentidos. Experimentando a imagem para além da função ilustrativa, um ensaio visual propõe aproximações sensíveis com as casas. Através da cartografia, mapeamento da paisagem em seus acidentes e transformações, as falas bricoladoras transparecem e revelam produções de subjetividade que emergem da potência própria do movimento.

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Bodenstein, Gerbrand. "Humor en prediking in ’n veranderende Suid-Afrikaanse konteks". Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/66360.

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Hierdie verhandeling is geplaas binne die studieveld van Praktiese teologie, spesifiek homiletiek. Die studie geskied deur middel van ’n literatuurstudie om die oorkoepelende vraag te bedink: Is die sinvolle/effektiewe gebruik van humor in prediking moontlik? Die studie is aan die hand van Osmer (2008) se vier vrae beantwoord: Wat is aan die gang? (“What is going on?”) – ŉ Beskrywende empiriese ondersoek. Waarom is dit aan die gang? (“Why is it going on?”) – ŉ Interpretasie van die redes waarom dit plaasvind. Hoe behoort dit te wees? (“What ought to be going on?”) – ŉ Normatiewe teologiese toetsing van die verskynsel. Hoe kan ons reageer? (“How might we respond?”) – Hoe die gemeente kan optree om die probleem aan te spreek? In die homiletiekveld is daar ’n vlaag van handleidings en publikasies oor die kuns van prediking. Daar is egter ’n groot leemte in die oorgrote meerderheid resente handleidings. Selde word die tema van humor aangespreek in homiletiekhandboeke. As die tema aangespreek word, bestaan dit dikwels net uit aanhalings, outeurs se kort menings oor humor of staaltjies. Dit is duidelik dat daar ’n navorsingsgaping is vir die studie van humor in prediking. ’n Kort blik op die fenomeen humor, maak dit duidelik dat die betekenis van humor nie so voor die hand liggende onderwerp is nie. Daar word ’n hoofstuk opgedra aan die vraag: wat is humor? Dit bied ’n oorsig oor die enorme veld van humor met verskeie uitgangspunte. ’n Studie van humor in die Bybel is ook aangepak. Die hoof vraag wat uit hierdie hoofstuk gekom het, is: is daar humor in die Bybel en is dit van toepassing in prediking? Die oorgrote meerderheid teoloë en Bybelkundiges bevestig die voorkoms van humor in beide die Ou en die Nuwe Testament, alhoewel daar ’n uiteenlopende hoeveelheid meningsverskille is oor wat as humor gesien kan word. Uiteindelik word daar tot die gevolgtrekking gekom dat die Bybel oor die algemeen nie op sigself humor bevestig nie, maar dit wys ook nie humor af nie. Die woord ‘humor’ kom byvoorbeeld nie in die Bybel voor nie. Humor in die Bybel is duidelik nie in alle gevalle baie voor die hand liggend nie en somtyds is dit ook nie noodwendig baie snaaks nie. Daar is egter verskeie elemente van Bybelse humor wat van groot belang is vir humoristiese prediking. In ’n laaste hoofstuk spesifiek oor humor in homiletiek is daar oorkoepelend ’n paar vrae gevra: Moet/mag ‘n preek snaaks wees? Behoort ’n preek lag aan te moedig? Hierdie vrae word beantwoord deur die voorafgaande hoofstukke se insigte. Dit het duidelik geword dat navorsing oor humor geen grap is nie. Nie alle humor soorte is toepaslik vir die gebruik in prediking nie en daar is talle slaggate waarin ’n prediker kan trap met die poging om humor te gebruik in prediking. Daar is egter verskeie ander ‘veiliger’ humor soorte wat die prediker tot sy of haar beskikking het om te gebruik.
Dissertation (MTh)--University of Pretoria, 2017.
Practical Theology
MTh
Unrestricted

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Pagnini, Alex. "Edilizia e bricolage: una ricerca terminologica puntuale svolta presso il servizio linguistico di Coop Svizzera". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/15384/.

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La presente tesi di laurea magistrale nasce con l'obiettivo di migliorare la produttività del servizio linguistico di Coop Svizzera e la coerenza delle sue traduzioni nel campo dell'edilizia e del bricolage aumentando la qualità della banca dati terminologica. A tal fine, le schede terminologiche appartenenti alla categoria "Heimwerkerbedarf" sono state filtrate e aggiornate seguendo le linee guida per la compilazione adottate dall'ufficio. Il lavoro fonda le sue basi nelle teorie della terminologia classica, ma evidenzia interessanti peculiarità che l’attività terminologica presenta quando si confronta con gli aspetti pratici all'interno di un'azienda. Essa deve infatti tenere conto di molti aspetti propri dell’ambito commerciale e aziendale, come l'uso di nomi commerciali, i diversi livelli di conoscenza dei consumatori e il costo che un’attività tale comporta per l'azienda. Inoltre, l’attività terminologica orientata alla traduzione spesso svolta dai servizi linguistici delle aziende è caratterizzata da approcci diversi da quelli della terminologia classica. La presente tesi di laurea fornisce quindi una panoramica delle caratteristiche del lavoro terminologico all'interno delle aziende sulla base di 43 esempi, costituiti dalle schede terminologiche elaborate nell'ambito della ricerca. Tali schede sono presentate e commentate nella parte conclusiva del lavoro e riportate integralmente in appendice.

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Stathis, Victoria L. "The Explanatory Relationship between Perceived Environmental Dynamism and Entrepreneurial Bricolage in U.S. Business Service Firms". Thesis, Capella University, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13808404.

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This research study examined the relationship between entrepreneurial bricolage and environmental dynamism, contributing to the knowledge base of the resource-based theory. Specifically, this study examined the influence perceived environmental dynamism has on entrepreneurial bricolage while controlling for the firm’s annual revenue, number of employees, age, industry and business experience, and educational level. Prior research has identified firms with higher levels of entrepreneurial bricolage overcome resource limitations through innovation, a primary component of competitive advantage. Prior research has also identified firms that function efficiently in rapidly changing environments demonstrate stronger dynamic capabilities and higher levels of innovation. In addition, previous research has identified entrepreneurial bricolage and environmental dynamism, separately, positively impact innovation; however, no identified research has examined these constructs together within the parameters of this research study. This research study utilized multiple linear regression to analyze the data used to test the hypotheses related to the research questions. The primary research question examined in this study was to what extent does Environmental Dynamism Index (IV) explain variations in the Entrepreneurial Bricolage Index (DV), controlling for Annual Revenue (CV), Number of Employees (CV), Firm Age (CV), Industry Experience (CV), Business Experience (CV), and Education Level (CV). The population for this study included businesses located in the United States in the business services sector (SIC 73) with fewer than 100 employees and annual revenue below $5 million. Results identified perceived environmental dynamism was a statistically significant predictor of entrepreneurial bricolage; no statistically significant relationship was identified between all control variables (annual revenue, number of employees, firm age, business experience, and education level) and entrepreneurial bricolage. Findings of this study suggested that firms operating in environments of greater perceived environmental dynamism demonstrated greater use of entrepreneurial bricolage. This research study was limited in population and did not include all constructs of the Environmental Dynamism Scale; further research is recommended examining the relationship between environmental dynamism and entrepreneurial bricolage in various industries and cultures. In addition, future research is recommended examining these constructs using all constructs included in the Environmental Dynamism Scale.

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Rozprawy doktorskie na temat „Bricolage”

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