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Artykuły w czasopismach na temat „Book publishing”
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1
Onyshchuk, Mykhaylo. "The book industry in Germany". Вісник Книжкової палати, nr 6 (24.06.2021): 18–26. http://dx.doi.org/10.36273/2076-9555.2021.6(299).18-26.
Pełny tekst źródłaStreszczenie:
The article analyzes book publishing, book distribution in Germany. Some features and tendencies of development of the German book industry in the modern period are covered. The article analyzes the geography of large publishing centers, shows German publishing houses that have their own history, traditions, market segment, publish books in the relevant field of knowledge, and finally have their own philosophy.
Export markets of German books, problems of distribution of editions abroad are considered.
Book market segments are highlighted.
The role and place of e-book publishing, audiobook sector, e-book are clarified in the general system of the book industry.
The features of book distribution, sales volumes of the largest publishers of Germany, specifics of activity of book trade networks are shown.
2
Tóth, Miroslav, i Alena Tóthová. "Basic economic indicators of book publishing". SHS Web of Conferences 83 (2020): 01067. http://dx.doi.org/10.1051/shsconf/20208301067.
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The publishing activity and the publishing of books are part of the creative industry. A peculiarity of the book publishing industry is that it combines art, culture, business and technology. Although it creates less than 1% of job opportunities in Slovakia, it is linked to another 1% of co-workers. The importance of publishing books is also that it contributes to the employment of women and youth. In our paper we explore the book publishing industry. We find out the development of the number of enterprises, the development of the number of employees, basic economic indicators such as cash income, income, costs, profit, profitability. We follow these indicators across the book publishing industry. We examine the effectiveness of business activity by recalculating the above indicators per employee.
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Tatarinova, Larysa. "European government support for book publishing". Вісник Книжкової палати, nr 8 (28.08.2023): 11–18. http://dx.doi.org/10.36273/2076-9555.2023.8(325).11-18.
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The article examines models of state support in the field of book publishing, applied in various countries of Europe and the world as a whole. The author analyzed different approaches to help publishing books throughout the book publishing chain: from the beginning of the creation of a book (provision of subsidies to the author); support of manufacturers (publishing houses and related enterprises); book distributors; to support the end consumer (the reader). The author researched three main models of book publishing support, which were described by O.-M. Baruch: English, Swedish, French. In addition, three models of target groups were described, which are focused on the reader, the writer, and the reconstruction support. The article describes the models and features of the book trade in Great Britain, France and Germany. The application in Ukraine of one of the models of state support for book publishing existing in Europe should become a powerful impetus for the recovery and further development of Ukrainian book publishing.
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Tatarinova, Larуsa. "Self-published". Вісник Книжкової палати, nr 2 (26.02.2020): 5–11. http://dx.doi.org/10.36273/2076-9555.2020.2(283).5-11.
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Continuing to consider the trends of the world book publishing, it is impossible not to dwell on the self-publishing, which has been gaining momentum in the world since the beginning of the century. Back in 2008, samizdat was equal to the number of titles published with books published by traditional publishers. In 2018, 1 million book titles were self-published in the US. China has crossed the million mark long ago. Statistics from China and Japan coming to the International Publishers Association also include self-published books, so the number of titles published in China is a staggering 65 007 519 and Japan's 2 017 808, including those published by traditional publishers in China — 203 000, and in Japan — 76 581 [1]. In our study, we sought to identify causes and identify trends in the emergence, growth, and spread of self-publishing in European countries and the United States. How self-publishing allows authors of publications to bypass publishers and bookstores and sell books directly to a potential reader. The impact of self-publishing on the publishing industry as a whole has been established: reducing the cost of printing, storing and distributing books. It has been proven that the impetus for self-publishing publications has been the development of technology, the improvement of e-book and tablet readers that have improved readability; provided free access to view and purchase the book. The article explores the advantages and disadvantages of self-publishing a book; the role of publishing platforms that allow the author to publish the book independently; the author's image risks are analyzed when publishing a book with self-view; attention is paid to the concept of graphic arts; the difference between graphomaniac and true self-expression is determined. Literary genres preferred by authors who decide to publish a book by themselves are considered. Self-published books are generally not eligible for prizes for literary or artistic achievement. The article gives examples of the first literary awards for self-published authors.
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Kroshneva, M. E. "PUBLISHING HOUSE, “EXCELLENTLY PUBLISHING WORTHY BOOKS...”". Bulletin of Udmurt University. Series History and Philology 31, nr 3 (13.07.2021): 564–70. http://dx.doi.org/10.35634/2412-9534-2021-31-3-564-570.
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The paper explores the actual features of the historical and literary context of book culture in Finland in Russian. On the example of the publishing house "Biblion" (1919-1921) the information is provided that contributes to the study of the publishing activities of foreign organizations, subjects of Sweden and Finland, contributing to the appearance of books of fiction by many Russian authors, the most famous of which during this period were Leonid Andreev and Alexander Kuprin. For a more complete presentation of the issue of the development of Russian book publishing between 1919 and 1921, it is necessary to know not only about trends on a national scale, to see the features of the development of book publishing in the regions, but also to take into account the specifics of the work of publishing houses and publishing activities of Russian abroad. The relevance of the issue is confirmed by the lack of domestic studies on the topic of publishing Russian literature abroad. The results of the work can be used in teaching courses on literature and culture of the Russian abroad countries, the history of Russian literature of the 1/3 of the XX century, studies of regional literature, with the refinement and addition of biobibliographies, bibliographies, catalogs, encyclopedias, other publications of Russian literature abroad.
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Yezhyzhanska, Tetiana, Tetiana Krainikova i Larysa Masimova. "Book PR: do readers influence on the communication of publishing company?" Innovative Marketing 15, nr 4 (16.12.2019): 66–77. http://dx.doi.org/10.21511/im.15(4).2019.06.
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The impact of readers as target audiences of publishing houses in Ukraine on PR communication is not clearly understood. The goal of this research is to examine the role of readers in the communication process between publishing houses and customers. The readers become an important source of information about the events of the book publishing market and book novelties. The article shows the results of the poll of visitors of the largest book festivals in Ukraine – Book Arsenal Festival in Kyiv and Book Forum in Lviv for 2017–2019. These respondents (200 interviews per event) are not only the main consumers of book products publishing houses, but also they are the source of information about new books and activities of Ukrainian publishing houses themselves. According to the results of the poll, visitors of book fairs pay attention to the advice of their colleagues and friends, which are an important source of information about the events of the book publishing market and book novelties. Almost 50% of respondents create and distribute user-generated content about the events of the book publishing market. This activity is explained by the lack of information about the book market news of more than half of visitors. The results of the research confirm that readers are important publishing communications subjects, consumers are active advocates of the publisher’s brand, friends and colleagues actively create the content about the events of the book publishing market in Ukraine.
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Zell, Hans M. "Publishing in Africa". Logos 30, nr 4 (8.05.2020): 16–36. http://dx.doi.org/10.1163/18784712-03004002.
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This is the second instalment of a two-part article. Part 1 of this article appeared in Logos, 30 (3). Part 2 sets out a number of suggestions to strengthen the book industries in Africa, and the way forward, especially on capacity- and skills-building; training for book industry personnel; strengthening book professional associations, South–South linkages, and knowledge-sharing; encouraging international collaboration; the need for ongoing research and documentation; African books in the global marketplace; and the important but still neglected area of publishing in African indigenous languages. An Appendix provides a summary of the International Publishers Association (IPA) and Association for the Development of Education in Africa (ADEA) meetings on the African book industry, held in Nairobi in June 2019, together with links to a number of articles, reports, and press statements about the meetings.
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Margolin, Malcolm. "The Boom Interview". Boom 4, nr 4 (2014): 4–15. http://dx.doi.org/10.1525/boom.2014.4.4.4.
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Boom editor Jon Christensen interviews Malcolm Margolin, who is celebrating forty years of publishing books with Heyday. Margolin discusses Heyday's origins and how the local publishing scene has changed in the intervening decades, the roundhouse model of publishing—which sees each book published as an opportunity for people to come together and build community—the stories that Californians have to tell, and the concept of “deep hanging out.” The interview is illustrated with images from recent Heyday publications.
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Onyshchuk, Mykhaylo. "Poland: history and development trends of the book industry". Вісник Книжкової палати, nr 4 (28.04.2021): 10–15. http://dx.doi.org/10.36273/2076-9555.2021.4(297).10-15.
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The article examines the history and some current trends in the book industry in Poland. The origin of the Polish printed book, the formation of the publishing market in modern conditions, the peculiarities of publishing, distribution and reading of the book in Poland are analyzed. The production of Polish books by thematic categories, state support of book publishing is shown.
It is proved that book distribution in Poland is entirely based on Western advertising technologies, the search for new ways of distributing the book, the dominance of private companies in the book market.
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Lizunova, I. V., i A. S. Metel'kov. "New pages of the history of national librarianship". Bibliosphere, nr 1 (30.03.2018): 79–88. http://dx.doi.org/10.20913/1815-3186-2018-1-79-88.
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The paper includes speeches of the participants of discussion platform «Independent book publishing: realities, prospects for the future»: theorists and practitioners of books-publishers - writers, poets, editors, kulturträgers, bibliologists. This article describes different points of view on the problems and prospects of developing the independent book publishing in various Russian regions and in the world. It emphasis on the history of the independent book publishing in Russia and Germany, new opportunities emergence for independent authors’ expressions: online publications, electronic publications, etc. Particular attention is paid to discussing the definitions, what is meant by «independent publishing», «self-publication», «self-edition», «self-printing», «self-editor», «kulturträge», «zine culture». The central topic of discussion was the problem of determining the quality of literature, self-promoting publications and distribution of professionals’ published books: bookselling network, social media, activity profitability, etc. Participants attempted to identify the place of Siberian independent publishers in the all-Russian and international publishing space, prospects for further development of independent book publishing in Siberia.
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Tai, Meng Tsung, Chia Kai Lin, Zou Ren Ke i Pi Yu Chen. "A Study of E-Book Readability". Applied Mechanics and Materials 262 (grudzień 2012): 227–30. http://dx.doi.org/10.4028/www.scientific.net/amm.262.227.
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Due to the popularity of the Internet and portable readers, the digital publishing market was highly developing. A study from Displayban showed that digital publishing had a market value of 13 billion U.S. dollars and had increased 68 percent of production value compared to that in 2010 globally. Meanwhile, the production value of e-book readers had a market share of 80 percent to the whole digital publishing market. However, reading and manipulating a traditional printed book and an e-book were tremendously different. The design and layout of an e-book definitely affected the readability. Therefore, how to increase e-book readability was a topical concern in digital publishing industry. A content analysis and an in-depth interview methods were adopted in the study. The content analysis aimed to analyze the best-selling car e-magazine, Car News, regarding to its readability. The in-depth interview was to consult the chief editor of the publishing house to understand readability strategies and rules applied in its e-book products. Finally, after the reliability test of encoders passed, and the results from e-book content analysis and in-depth interview were comprehensively compared in every aspects of readability. The conclusions were that the traditional rigorous book layout design principles, such as indent, column, paragraph style, typography, etc. should be applied onto e-books to provide a better readability. Meanwhile, too many interactive or multimedia objects can reduce readability. Although, editors and experts from digital publishing industry were all agree with this, but most of current e-books indeed had too many interactive or multimedia objects. Nevertheless, multimedia and interaction objects were the most important features of e-books in spite of less readability. In short, based on the study and trade off the readability of e-books, publishing companies should not import multimedia and interactive objects deliberately. On the contrary, based on the book content, multimedia or interactive objects could be applied with a proper consideration to achieve their characteristics and strengths. By doing this, subjects of e-book could be emphasized and readability can be remained as well.
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Park, Chan Su, i Jungmyoung Kim. "A Study on the construction of Book Metadata for the Sustainability of Book Ecosystem". Academic Association of Global Cultural Contents 57 (30.11.2023): 61–78. http://dx.doi.org/10.32611/jgcc.2023.11.57.61.
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The domestic and international publishing industry is facing environmental changes in the media industry. Information technology and data integration in the publishing industry are considered fundamental infrastructure for innovation and demand generation in the book business market. This study examines the digitization of publishing, with a focus on book metadata, to support the sustainable book ecosystem in South Korea, which is navigating through the evolving media landscape. The importance of book metadata lies in its efficient data utilization, data accumulation, enhancing discoverability and sales of books, as well as providing useful services to stakeholders in the publishing industry. Additionally, it plays a crucial role in marketing efficiency. In this context, the implications for the sustainability of the book ecosystem are as follows: Firstly, it involves cost savings through standardized book information input and the creation of an environment for marketing using uniform book data. Secondly, it emphasizes the need for interconnected sharing of information among publishers, bookstores, distributors, and other relevant parties. Thirdly, it highlights the requirement for data analysis infrastructure to support comprehensive support systems for stakeholders in the publishing and distribution ecosystem. Finally, it underscores the necessity of utilizing book metadata for the establishment of policies promoting the development of the publishing industry.
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Xirong, Wang, i Cao Xiwan. "The Publishing Department of Modern Peking University Library and Its Predecessor’s Book Publishing—Data Based upon Literature Retrieval". Journal of Asian Research 8, nr 2 (17.05.2024): p37. http://dx.doi.org/10.22158/jar.v8n2p37.
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Based on literature search, this paper introduces and analyzes the book publishing situation of book publishing in the Publishing Department affiliated to Peking University Library. It is pointed out that the vast majority of book versions published by the publishing department affiliated to Peking University Library are printed in lead, and the books it publishes cover almost all disciplines, especially humanities and social sciences, many of which later became the foundation works of corresponding disciplines. The quality of the books published by modern Peking University Library is high, and they are distributed both on and off campus. Even today, this point has reference significance.
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Woo, Benjamin. "Is there a comic book industry?" 9ª Arte (São Paulo) 9, nr 1 (21.12.2020): 122–44. http://dx.doi.org/10.11606/issn.2316-9877.v9i1p122-144.
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The “American comic book industry” is not American, its true product is not comic books, and it may not even be an industry. This article uses a geospatial map of comic book and graphic novel publishers active in the US market as well as sales estimates derived from both the direct market of specialty comic book retailers and trade book stores to question inherited “mental maps” of comic book publishing, such as the divide between “mainstream” and “alternative”/“independent” publishing. Adopting a relational approach, it suggests that a sociology of comics publishing – and of the cultural industries more generally – must be cautious of taking on board un-sociological concepts like “industry.”
15
Tatarinova, Larуsa. "Trends in the development of book printing and book distribution in the world's leading countries through the lens of reading problems". Вісник Книжкової палати, nr 1 (2.02.2022): 4–10. http://dx.doi.org/10.36273/2076-9555.2020.1(282).4-10.
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The features of book distribution systems in different countries of the world are investigated. The role of book clubs and book chains in the way of a book to its reader is revealed. The leading role of the state support for book publishing is outlined. Factors of state support for book publishing and book distribution, such as creating reading development programs, facilitating the opening of new bookstores, organizing book fairs, exhibitions, festivals and other events to support the book, establishing literary prizes and competitions, replenishing library funds, protecting copyright, have been identified. Possibilities of introduction of experience of leading countries of the world (in particular Canada) in support of book publishing and book distribution industry, such as granting of preferential credits, influence on book pricing, introduction of a "fixed" price during book realization, are investigated. The media habits of the inhabitants of different countries of the world have been researched, it has been found out how much time a person spends watching TV programs, listening to music on the radio, reading. Although in the modern world, residents are spending less and less time on the book, preferring other types of entertainment and leisure, the books are no less printable, book publishing remains a large business, valued at $ 151 billion and generating more than cinema, magazines, video games and music. In an effort to survive, book publishers are united in media conglomerates, most of their profits are from book sales. The readers' preferences been investigated. The competitiveness of paper and e-books has been investigated too. The advantages of paper books over e-books have been proved. Research shows that e-books are growing in popularity, but growth has slowed slightly since 2016. It is emphasized that paper books are the basis of reader's attention and demand.
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Zhevazhenko, Iryna. "Promotion on the pages of book science periodicals in Galicia of the 1920-1930s". Proceedings of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, nr 11(27) (2019): 19–40. http://dx.doi.org/10.37222/2524-0315-2019-11(27)-2.
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The article examines the theoretical principles of promotion as a component of publishing marketing. Much attention is focused on analyzing the concepts of PR, promotion, propaganda and branding as effective methods of promotion in book publishing. The term «publishing promotion» is proposed in the course of the research, as it covers the whole range of promotional activities aimed at promoting both the subjects and the objects of book publishing. The article shows the main channels of promotion and its place and role in the distribution of the Ukrainian books on the pages of book science periodicals in Galician of the 1920–1930s. Quotations illustrate the basic means of publishing promotion of the period under review (reviews, bibliographic reviews, announcements of book exhibitions and fairs, etc.). The focus is on the activities of the scientific and cultural educational institutions of the time («Prosvita» Society, NTSh in Lviv, «Ukrainian Society of Bibliophiles in Lviv», etc.), who played a key role in the development of publishing promotion in the 20–30’s of the twentieth century. Keywords: publishing marketing, promotion, book exhibition, review.
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Chyzh, Ivan. "Afterword or prologue?.." Вісник Книжкової палати, nr 6 (24.06.2021): 31–35. http://dx.doi.org/10.36273/2076-9555.2021.6(299).31-35.
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The current state of national book publishing is also of great concern. The Ukrainian book market is occupied by cheap foreign books. Of the ten books sold in Ukraine, nine were produced in Russia. The "shuttle" business on Russian book production annually launders 80-100 million US dollars from Ukraine. At the same time, the state treasury receives meager funds from the sale of Ukrainian books: about UAH 40 million. For comparison, in Russia the book publishing industry is among the five most profitable and budget-generating, along with, in particular, the oil and gas industry.Although it should be noted that the situation is gradually changing for the better with the introduction of the Law of Ukraine "On State Support of Publishing in Ukraine". There is a positive dynamics of increasing the volume of books and brochures. However, the successes achieved may be reversed if the policy of state protectionism in the publishing industry is not implemented. Positive trends must be made permanent and irreversible, because the book continues to be the best form of existence and preservation of the cultural and spiritual heritage of the nation.
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Woodford, Charles H., i Richard Carlin. "Book Publishing". Dance Research Journal 23, nr 2 (1991): 58. http://dx.doi.org/10.2307/1478776.
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Hade, Daniel, i Jacqueline Edmondson. "Children’s Book Publishing in Neoliberal Times". Language Arts 81, nr 2 (1.11.2003): 135–44. http://dx.doi.org/10.58680/la20032887.
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Ilyina, Ol’ga N., i Natal’ya G. Patrusheva. "XIX Pavlenkov Readings: Book Publishing in Russia in the 19th - early 20th century". Bibliotekovedenie [Russian Journal of Library Science], nr 6 (8.12.2015): 118–22. http://dx.doi.org/10.25281/0869-608x-2015-0-6-118-122.
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The article presents information on the International scientific conference XIX Pavlenkov Readings held on 13-15 October, 2015 in the National Library of Russia, traditionally considering the history of book publishing in pre-revolutionary Russia of the 19th - early 20th century. The conference was devoted to I. Frolova - the historian-bibliognost, a quarter of century having led the Sector of bibliology of the National Library of Russia. At the plenary session and three sections (“History of publishing, History of book collections and rare books”, “History of censorship”) there were highlighted various aspects of book culture history of the Russian Empire: issues of publishing, bookselling, history of censorship, libraries, readership, bibliophilism, and book publishing in the province. Conference
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Perova, Galina V., i Konstantin M. Sukhorukov. "Book Publishing in Russia in 2023". Bibliography and Bibliology, nr 1 (29.03.2024): 17–60. http://dx.doi.org/10.25281/2411-2305-2024-1-17-60.
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The authors provide the main statistical indicators of domestic book publishing for 2023. 13 tables with comments give a clear picture of the number of titles of books and brochures, their circulation, themes, types and kinds of publications, the main publishers, printing houses and the most popular authors in the field of fiction for adults and children. Special attention is paid to the problem of legislative support of the domestic book industry and its main subjects — authors and publishers. The decrease in the two main statistical indicators of 2023 compared to 2022 was 11.9 per cent in the number of titles of books and brochures and 14.64 per cent in their total circulation.
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MORRISSEY, MARIETTA. "On Books and Book Publishing". Gender & Society 12, nr 3 (czerwiec 1998): 253–54. http://dx.doi.org/10.1177/0891243298012003001.
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Kovač, Miha, i Arūnas Gudinavičius. "Publishing under COVID-19 in small book markets". Knygotyra 75 (28.12.2020): 17–37. http://dx.doi.org/10.15388/knygotyra.2020.74.58.
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The paper is based on a survey that was conducted among publishers in Slovakia, Iceland, Lithuania and Slovenia in May and August 2020. The paper looks at how publishers reacted to the COVID-19 crisis in their respective countries, what was its impact on book sales and how did the publishers adapt the production of new books to changed circumstances. In addition, the paper analyses changed attitudes of publishers towards e-books and other digital book formats that become more popular in lockdown times. The research revealed that COVID-19 lockdowns resulted in decreased sales of printed books in all four small book markets. However, sales of e-books and audiobooks slightly increased during that period. This increase in digital sales did not contribute significantly to overall results of book industries due to its small market share in all four countries.
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Kovač, Miha, i Arūnas Gudinavičius. "Publishing under COVID-19 in small book markets". Knygotyra 75 (28.12.2020): 17–37. http://dx.doi.org/10.15388/knygotyra.2020.74.58.
Pełny tekst źródłaStreszczenie:
The paper is based on a survey that was conducted among publishers in Slovakia, Iceland, Lithuania and Slovenia in May and August 2020. The paper looks at how publishers reacted to the COVID-19 crisis in their respective countries, what was its impact on book sales and how did the publishers adapt the production of new books to changed circumstances. In addition, the paper analyses changed attitudes of publishers towards e-books and other digital book formats that become more popular in lockdown times. The research revealed that COVID-19 lockdowns resulted in decreased sales of printed books in all four small book markets. However, sales of e-books and audiobooks slightly increased during that period. This increase in digital sales did not contribute significantly to overall results of book industries due to its small market share in all four countries.
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Cheng, Ran. "Challenges in China's Thriving Children's Book Market: A Comprehensive Analysis and Solutions". Journal of Education, Humanities and Social Sciences 23 (13.12.2023): 853–56. http://dx.doi.org/10.54097/ehss.v23i.14122.
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With the development of society and the improvement of material conditions for Chinese people's lives in the 21st century, parents are increasingly willing to invest more money in books to educate their children. Consequently, the children's book market in China is becoming more and more prosperous. As an essential component of China’s publishing industry, the children's book publishing sector is very competitive. However, many problems have emerged behind the boom. This research aims to investigate various challenges amidst this growth by analyzing existing literature and comparing data. It is found that there are three significant problems, including the circulation of books that are not conducive to children’s physical and mental development, publishers engaging in repetitive behaviors solely for profitability, and parents’ excessive concern about education leading them to overly scrutinize seemingly innocuous books. This research also aims to offer targeted suggestions for addressing these problems.
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Boer, Tanja de. "The Museum of the Book in the Hague". Art Libraries Journal 25, nr 1 (2000): 19–24. http://dx.doi.org/10.1017/s0307472200011408.
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Established in 1960, the Museum van het Boek is known for its holdings and exhibitions of Western book art from the last 110 years. Building on the starter collections of two donors, a private printer and a bibliophile, the Museum’s acquisitions now focus mainly on modern book art. More than 25,000 of the 450,000 objects in the Museum are books showing the development of standard Dutch publishing, the work of individual book illustrators, type designers and calligraphers, contemporary Dutch private presses and artists’ books. There is also considerable foreign material, notably from Germany and Great Britain.
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Golovko, Svetlana I. "Russian Bestsellers: Experience of Publishing in 1970–1980". Bibliotekovedenie [Russian Journal of Library Science], nr 6 (2.12.2009): 50–55. http://dx.doi.org/10.25281/0869-608x-2009-0-6-50-55.
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The article accumulates and generalizes innovative experience of publishing Russian super books, editions characterized by rich and bright artwork, being full of illustrations, presenting an image of integral book set, in 1970s — 1980s. The books represent a certain stage in the history of Russian book publishing and possess the qualities peculiar for book culture memorials. The topic of the article is of special importance within the framework of increased interest for culture and history of the nation.
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Jennings, Chris. "Iterative Publishing". Logos 28, nr 4 (2.03.2017): 38–48. http://dx.doi.org/10.1163/1878-4712-11112140.
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Books like other created artefacts go through a number of iterations before being ready for public display. It is possible to observe and record what those changes are and when they happened and who made them? This article considers how the reader of the book will know what version they are reading and the author/editor will know what version they are editing. It does so in relation to print, digital, and author or editor workflow.
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Wen, Wen. "Research on Modern Book Packaging Design Based on Aesthetic Evaluation Based on a Deep Learning Model". Scientific Programming 2022 (15.09.2022): 1–10. http://dx.doi.org/10.1155/2022/8329745.
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Through the analysis of the application and development of deep learning in the field of book design and publishing, the article expounds on the positive impact of deep learning on book design and publishing, discusses the shortcomings of deep learning in creative ability, aesthetic ability, emotion, etc., and then discusses the design and publishing of books. The future development direction of intelligent aided design and intelligent personalized design is proposed to provide a reference for researchers in deep learning and book design and publication.
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Резник, Семен, i Semen Reznik. "EXPERIENCE AND PROBLEMS OF INCREASING THE EFFECTIVENESS OF COOPERATION WITH THE AUTHORS OF ECONOMIC PUBLISHER EDUCATIONAL AND SCIENTIFIC LITERATURE". Bulletin of Kemerovo State University. Series: Political, Sociological and Economic sciences 2017, nr 1 (25.03.2017): 53–57. http://dx.doi.org/10.21603/2500-3372-2017-1-53-57.
Pełny tekst źródłaStreszczenie:
<p>The article is devoted to the experience and problems of interaction between the authors of educational and scientific literature and publishers. It examines the types of educational and methodological and scientific publications, such as scientific article, monograph, textbook, manual, as well as the specifics of collective work preparation and the stages of interaction between authors and publishers. Particular attention is paid to the increasing role of authors in the promotion of their books, as well as in the preparation of supplemented and revised publications. The problems of modern book publishing are identified, in particular the slowdown in sales, pricing in book publishing, new opportunities for using electronic library systems, the use of scientific journals controlled by the publishing house to promote books of the publishing house. The article is based on the thesis of the author's speech at the round table of the allRussian conference "Book Publishing and Professional Education: Priorities for Interaction and Cooperation", conducted by the INFRA-M research and publishing center in cooperation with the Russian State Humanitarian University.</p>
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Wishaupt, Maggy. "Art book publishing in the Netherlands". Art Libraries Journal 17, nr 3 (1992): 49–50. http://dx.doi.org/10.1017/s0307472200007999.
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Probably only about 5% of books published in the Netherlands are art books. There is a very limited demand for art books in the Dutch language; in order to sell in greater numbers, books have to be produced in English or in several languages, and/or as co-editions, while the domestic market is flooded by foreign imports including cheap remainders. In these circumstances the publication of art books depends on grants or on the income which some publishers earn from bookselling, printing, or other activities. Nonetheless a few, small, specialist publishers are producing art books of high quality, while some general publishers also publish the occasional art book. Museum publishing activities are considerable but are largely confined to exhibition catalogues.
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Buryak, Svitlana, i Hanna Cherniak. "Book publishing activity in Ukraine following the results of 2020". Вісник Книжкової палати, nr 5 (27.05.2021): 7–14. http://dx.doi.org/10.36273/2076-9555.2021.5(298).7-14.
Pełny tekst źródłaStreszczenie:
The analytical review considers and analyzes the current state of publishing books and brochures in Ukraine in 2020, gives a detailed description of the general characteristics of book publishing in 2019—2020. Quantitative and qualitative indicators have been determined, the state of Ukrainian book publishing in 2020 has been analyzed according to the range of publishing products, its linguistic and territorial features. Statistical data on the issue of books and brochures by leading domestic publishers of various forms of ownership, including the sphere of management of the State Committee for Television and Radio Broadcasting, are presented. The analytical review was conducted on the basis of statistical data published in the statistical collection "Print of Ukraine (2019)" and consolidated statistical reports on the issue of non-periodicals in Ukraine in 2019—2020.
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Buryak, Svіtlana. "Book publishing activity in Ukraine following the results of 2019". Вісник Книжкової палати, nr 5 (28.05.2020): 12–20. http://dx.doi.org/10.36273/2076-9555.2020.5(286).12-20.
Pełny tekst źródłaStreszczenie:
The analytical review considers and analyzes the current state of publishing books and brochures in Ukraine in 2019, gives a detailed description of the general characteristics of book publishing in 2018—2019. Quantitative and qualitative indicators have been determined, the state of Ukrainian book publishing in 2019 has been analyzed according to the range of publishing products, its linguistic and territorial features. Statistical data on the issue of books and brochures by leading domestic publishers of various forms of ownership, including the sphere of management of the State Committee for Television and Radio Broadcasting, are presented. The analytical review was conducted on the basis of statistical data published in the statistical collection "Print of Ukraine (2018)" and consolidated statistical reports on the issue of non-periodicals in Ukraine in 2018—2019.
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Vorontsova, Anzhela, i Nataliy Myzuthenko. "Book publishing activity in Ukraine following the results of 2022". Вісник Книжкової палати, nr 4 (27.04.2023): 3–11. http://dx.doi.org/10.36273/2076-9555.2023.4(321).3-11.
Pełny tekst źródłaStreszczenie:
The analytical review considers and analyzes the current state of publishing books and brochures in Ukraine in 2022, gives a detailed description of the general characteristics of book publishing in 2021—2022. Quantitative and qualitative indicators have been determined, the state of Ukrainian book publishing in 2022 has been analyzed according to the range of publishing products, its linguistic and territorial features. Statistical data on the issue of books and brochures by leading domestic publishers of various forms of ownership, including the sphere of management of the State Committee for Television and Radio Broadcasting, are presented. The analytical review was conducted on the basis of statistical data published in the statistical collection "Print of Ukraine (2021)" and consolidated statistical reports on the issue of non-periodicals in Ukraine in 2021, 2022.
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Vorontsova, Angela, i Hanna Cherniak. "Book publishing activity in Ukraine following the results of 2021". Вісник Книжкової палати, nr 8 (25.08.2022): 5–13. http://dx.doi.org/10.36273/2076-9555.2022.8(313).5-13.
Pełny tekst źródłaStreszczenie:
The analytical review considers and analyzes the current state of publishing books and brochures in Ukraine in 2021, gives a detailed description of the general characteristics of book publishing in 2020—2021. Quantitative and qualitative indicators have been determined, the state of Ukrainian book publishing in 2021 has been analyzed according to the range of publishing products, its linguistic and territorial features. Statistical data on the issue of books and brochures by leading domestic publishers of various forms of ownership, including the sphere of management of the State Committee for Television and Radio Broadcasting, are presented. The analytical review was conducted on the basis of statistical data published in the statistical collection "Print of Ukraine (2020)" and consolidated statistical reports on the issue of non-periodicals in Ukraine in 2020, 2021.
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Vorontsova, Anzhela. "Book publishing activity in Ukraine following the results of 2023". Вісник Книжкової палати, nr 4 (25.04.2024): 9–17. http://dx.doi.org/10.36273/2076-9555.2024.4(333).9-17.
Pełny tekst źródłaStreszczenie:
The analytical review considers and analyzes the current state of publishing books and brochures in Ukraine in 2023, gives a detailed description of the general characteristics of book publishing in 2022—2023. Quantitative and qualitative indicators have been determined, the state of Ukrainian book publishing in 2023 has been analyzed according to the range of publishing products, its linguistic and territorial features. Statistical data on the issue of books and brochures by leading domestic publishers of various forms of ownership, including the sphere of management of the State Committee for Television and Radio Broadcasting, are presented. The analytical review was conducted on the basis of statistical data published in the statistical collection "Print of Ukraine (2022)" and consolidated statistical reports on the issue of non-periodicals in Ukraine in 2022, 2023.
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Dwyer, Melva J. "Art book publishing in Canada". Art Libraries Journal 17, nr 3 (1992): 34–37. http://dx.doi.org/10.1017/s030747220000794x.
Pełny tekst źródłaStreszczenie:
Canadian publishing was inhibited from the beginning by Canada’s colonial origins and dependence on Great Britain and the USA. Few art books were published until quite recently; the relatively small, scattered population, the flooding of the market with British, American and (in Quebec) French books, and limited (at best) or non-existent sales outside Canada continue to be constraining factors. The necessity to include both English and French texts adds to the cost of book production in Canada. The publication of art books, and of exhibition catalogues, depends on the availability of government grants. Publications on the art of the North American Indian and Inuit peoples are an exception, attracting widespread interest and leading in some instances to co-publishing initiatives. In addition to the larger publishing houses, a number of small presses produce occasional art books, thanks to grants and in a few cases with the added benefit of sales abroad achieved through international networking. A government programme of support for Canadian publishing, launched in 1986, is continuing.
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Khramova, Karyna, Anastasiia Shymoshenko i Yaroslav Reshetniak. "Commercialization of innovations in ukrainian book publishing: current trends and prospects". Vìsnik Sumsʹkogo deržavnogo unìversitetu 2024, nr 2 (2024): 7–17. http://dx.doi.org/10.21272/1817-9215.2024.2-01.
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The article examines the peculiarities of innovative activity and commercialization of innovations in Ukrainian book publishing. Innovations are an essential factor in the development of the industry, as they make it possible to improve the quality of book products, make them more accessible and exciting for readers, and contribute to the popularization of reading. Because a third of Ukrainians do not read at all, the need to attract an audience that is used to an "easy" perception of information through watching videos, etc., is essential to developing a healthy and educated society. The hypothesis is that innovation activity in Ukrainian book publishing is not active enough, its development is relatively slow, and the implemented innovative projects are limited in number but of high quality. It is due to the conservatism of Ukrainian publishers, who are unwilling to enforce innovations if they involve too many additional risks, as well as the adverse effects of the COVID-19 pandemic and armed aggression against Ukraine. To test the hypothesis, this study analyzed the state of innovation in Ukrainian book publishing, examined the experience of Ukrainian publishers in implementing innovative projects, and identified trends in the development of innovation in Ukrainian book publishing. The analysis showed that innovation in Ukrainian book publishing has several trends and prospects. In particular, the popularity of e-books and audiobooks is growing, digital publishing is developing, new book formats are being introduced, and new technologies are being used to promote books both in the physical and digital space. Considering the current trends and prospects of innovative activity and commercialization of innovations in the Ukrainian book market, the industry needs a more comprehensive approach and the attraction of additional resources, both from the public and private sectors. In addition, to increase the number of readers and, accordingly, the development of the industry in Ukraine through the introduction of innovative technologies, we suggest moving to increasing the number of publications in electronic and audio formats, conducting experiments with the visual design of books, using environmentally friendly raw materials in the production process, developing digital publications in the format book sites for publishing poetry or short fiction, using QR codes, augmented reality and mobile applications with more paper editions, etc.
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Senchenko, Mykola. "Publishing and book trade bibliography in foreign countries". Вісник Книжкової палати, nr 11 (23.03.2022): 3–9. http://dx.doi.org/10.36273/2076-9555.2020.11(292).3-9.
Pełny tekst źródłaStreszczenie:
The article considers aspects of formation and characteristics of publishing and book trade bibliography in foreign countries. Its historical experience is diverse and specific due to national conditions, but even in this diversity, the general patterns and features inherent in the publishing and book trade bibliography of many countries are clear. On the example of the history of origin, development and modern practice of publishing and book bibliography of Great Britain, the USA, Germany and France we trace both national features and regularities of the historical way and modern structure of this kind of activity.
It is emphasized that bibliographic information about publishing products is the only possible form of presenting information about the product in the book trade. Management decisions, success of commercial enterprises, profit-making, etc. depend on the rules and principles on the basis of which bibliographic information is created and disseminated. The importance of modern bibliography enhances the widespread introduction of Internet technologies, their use in the sale of books and other publishing products, the organization of virtual bookstores and more.
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Zaveri, Smit. "The Power of Open". Logos 33, nr 2-3 (29.12.2022): 94–99. http://dx.doi.org/10.1163/18784712-03104045.
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Abstract Pratham Books is a not-for-profit children’s picture book publisher headquartered in Bangalore, India, with a mission to see ‘a book in every child’s hand’. Pratham Books has been addressing the book famine in India and by extension the world through its low-cost, high-volume, multilingual publishing since 2004. But upon realizing the limitations of print, they moved towards something more audacious – adopting an open licence to create an innovative digital platform, StoryWeaver, that not only housed Pratham Books’ titles but empowered users to use, adapt, download, and translate books as they saw fit to address the gaps in their own spheres and help put books in children’s hands. In just seven years, StoryWeaver has grown 50 times in size and scope, from a repository of 800 books in 24 languages to over 45 000 books in 314 languages. By disrupting traditional publishing models, Pratham Books’ StoryWeaver has shown us what the future of publishing and reading looks like.
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Thoburn, Nicholas. "Twitter, Book, Riot: Post-Digital Publishing against Race". Theory, Culture & Society 37, nr 3 (16.01.2020): 97–121. http://dx.doi.org/10.1177/0263276419891573.
Pełny tekst źródłaStreszczenie:
This article considers today’s ‘post-digital’ political publishing through the material forms of an experimental book, The 2015 Baltimore Uprising: A Teen Epistolary. Anonymously published and devoid of all editorial text, the book is comprised entirely of some 650 screen-grabbed tweets, tweets posted by black Baltimore youth during the riots that ensued on the police killing of Freddie Gray. It is a crisis-ridden book, bearing the wrenching anti-black terror and rebellion of Baltimore 2015 into the horizon of publishing. Drawing on critical theories of books and digital media, and bringing Saidiya Hartman and Frank Wilderson to bear on issues of publishing, the article appraises seven aspects of this book’s materiality: its epistolary structure and rupture with the book-as-closure; its undoing of the commodity form of books; the ‘poor image’ of its visual scene; its recourse to facial redaction and voiding of narrative progression; and its destabilization of readers’ empathy.
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Luchka, Lyudmila. "Book heritage of Dnipropetrovsk region of the 20s–30s of the 20th century: historical review and analysis of sources". Grani 24, nr 3 (30.03.2021): 56–61. http://dx.doi.org/10.15421/172126.
Pełny tekst źródłaStreszczenie:
The article deals with general state of the national book publishing business of the 20s – 30s of the 20th century. The author reveals and analyses the publications of the university book collection valuable in terms of content, design, and time of printing. The history and destiny of some books of educational, scientific and fiction literature are researched. The author’s attention is focused on the problems of book publishing process in Ukraine, in particular books of social, economic, agricultural and technical content. The activity of well-known Ukrainian publishing houses of this period is analysed and a bibliographic review of the repertoire of the publications is given. The author notes a significant percentage of academic literature among Ukrainian book production, in particular the works of scientists in various fields of knowledge.The role and place of publishing houses of the regional level are determined. The literature devoted to the World War I is an important contribution to the development of the Ukrainian publishing space. General picture of preparation and printing of works of Ukrainian fiction literature and popular science editions from various branches of knowledge is created. The attention of publishing houses was paid to the preparation of textbooks for rural schools. the creation of popular serial publications was a special feature. Lviv magazines, bulletins on the history and geography of Ukrainian lands are valuable in terms of content. Materials on censorship oppression and seizure of books on Ukrainian science, literature and art are provided. A number of local history publications related to the national book heritage are revealed and analysed, in particular by D.I. Yavornitsky, I.I. Ohienko, L.V. Pisarzhevsky and others. During the scientific research, the author tries to highlight the unknown and forgotten pages of book printing in Ukraine, which are related to development and inhibition of social, economic and political processes.
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Maasri, Zeina. "The Visual Economy of “Precious Books”". Comparative Studies of South Asia, Africa and the Middle East 40, nr 1 (1.05.2020): 95–114. http://dx.doi.org/10.1215/1089201x-8186104.
Pełny tekst źródłaStreszczenie:
Abstract Shedding light on the postcolonial Arabic book, this article expands the literary and art historical fields of inquiry by bringing into play the translocal design and visual economy of modern art books. It is focused on the short-lived Silsilat al-Nafa'is (Precious Books series, 1967–70), published in Beirut by Dar an-Nahar and edited by modernist poet Yusuf al-Khal (1917–87). The series engaged prominent Arab artists and foregrounded the aesthetic dimension of the printed Arabic book as a “precious” art object. Situated historically at the threshold of contemporary globalization, this publishing endeavor formed a node connecting transnational modernist art and literary circuits with book publishing and was thus paradigmatic of new forms of visuality of the Arabic book. This materiality was enabled by a network of changes in the visual arts, printing technologies, and the political economy of transnational Arabic publishing in late 1960s Beirut. Relations between these three fields are analyzed through a multifaceted lens, focusing on the book as at once a product of intellectual and artistic practice, a commodity in a capitalist economy of publishing, and a translocal artifact of visual and print culture.
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De, Milinda. "Sarat Book House". Logos 33, nr 2-3 (29.12.2022): 69–73. http://dx.doi.org/10.1163/18784712-03104042.
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Abstract The journey of Sarat Book House, set up close to 70 years ago in Kolkata, documents the evolution and growth of a regional bookseller and publisher in India, and how it has adapted to the changing demands of the bookselling and publishing ecosystem. From early innovations such as opening shelves for customers to browse and curating a niche and rare list of specialist titles, the second generation of the family feels equally dedicated to the books business and has ushered in the next level of changes such as computerisation, starting Sarat’s own publishing and reprints lists, expanding to other parts of the country, and running its own press. Subject to systemic and evolutionary challenges, the publishing and bookselling ecosystem demands an agile, flexible yet long-term approach from players like Sarat Book House.
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Baldanza, Kathlene. "Publishing, Book Culture, and Reading Practices in Vietnam". Journal of Vietnamese Studies 13, nr 3 (2018): 9–28. http://dx.doi.org/10.1525/vs.2018.13.3.9.
Pełny tekst źródłaStreszczenie:
The Nôm Preservation Foundation recently made the libraries of two Buddhist temples near Hà Nội available in digitized form. The resulting composite temple collection allows us to pose questions about the history of the book in Vietnam. The history of the book in Vietnam must be understood from an interregional perspective. The availability of relatively inexpensive Chinese books influenced what was worthwhile to print locally. At the same time, even books with the same title are remarkably diverse in terms of content, medium, and annotation. A close look at individual books can show us what and how people read.
46
Horobets, O. O. "Book Publishing in the Context of Digital Economy: A Statistical Analysis". Scientific Bulletin of the National Academy of Statistics, Accounting and Audit, nr 4 (17.10.2018): 28–37. http://dx.doi.org/10.31767/nasoa.4.2018.03.
Pełny tekst źródłaStreszczenie:
In the era of the digital economy, books should continue to be relevant to modern society, and book publishing needs to be a competitive industry in the market. Therefore, the statistical analysis of world book publishing is necessary to determine the landmark movement for domestic publishers supposed to find a solid niche in the digital economy.
Book publishing is an economic activity which effectiveness is measured by not only publication figures but by the level of education and consciousness of the nation, demonstrating its intellectual capacity to the whole world.
The article gives an example of a successful online Amazon business. The state of popularity of the e-book in France, Korea, and China is investigated. A statistical analysis of book publishing of Ukraine is presented. The dynamics of the increase of Internet subscribers in the territory of Ukraine was observed. The dynamics of the main indicators presented in the tables is simulated. The simulation results showed that the time dependence of the number of published books and brochures, as well as the total circulation of publications, is best described by the polynomial of the fourth degree, Internet subscribers – the polynomial of the third degree. Summarizing the analysis, it was concluded that the years 2014 and 2015, when indicators and number of publications and circulation have rapidly decreased, are critical for book printing, as well as for almost all spheres of life of Ukraine, the first – from 26323 thousand units. in 2013 to 19958 thousand units. in 2015, the circulation during this time decreased by almost one and a half times. Taking into account the number of the population of Ukraine as of 2017 (44.03 million people), the indicators of the book publishing industry can be argued that the index of bookkeeping of Ukraine by 2017 was 1.02 books per person.
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Shvetsova-Vodka, G. N. "The bibliosphere doctrine is a new contribution in library-information science". Bibliosphere, nr 1 (30.03.2017): 3–9. http://dx.doi.org/10.20913/1815-3186-2017-1-3-9.
Pełny tekst źródłaStreszczenie:
The article considers the concept of the bibliosphere functions entered by A. V. Sokolov, terminology denotations and description of separate functions of librarianship, book publishing, bookselling business and bibliographic information, as well as a document and a book. The unity of essence functions of documents, books, and all social institutes of bibliosphere is established. New names of specific social functions of librarianship, book publishing and bookselling institutions are offered from positions of documentology.
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Kharitonov, Vladimir V. "Features of the Publishing Industry Transformation". Tekst. Kniga. Knigoizdanie, nr 26 (2021): 117–28. http://dx.doi.org/10.17223/23062061/26/7.
Pełny tekst źródłaStreszczenie:
There are three stages in the technological history of the modern book industry as a scalable and mass production of books. The main attention is paid to the history of digital books, the beginning of which is associated not so much with the beginning of digital book production, but with the advent of digital distribution. On the technical side, this meant developing common industry standards for the digital book, building a distribution infrastructure based on the Internet, and gaining broadband access to it for the mass consumer. Equally significant were the cultural shifts that accompanied or resulted from this technical transformation. The digitalization of the book itself did not have a significant impact on the industry before the ubiquity of the Internet, since the sphere of existence of digital books was limited to a small number of qualified users. Everything changed in the first two decades of the 21st century, when the laws of the “attention economy” came into force and the mechanism of competition for the user’s time by content was activated. A digital book, on the one hand, is becoming more accessible; on the other hand, the time spent on reading books is being reduced. The development of computer technologies and the Internet, in addition to removing the barrier to access to content, removes a significant number of barriers to content publication. It is important to note that the publishing filter in the context of open publication also ceases to work in legal terms, and its disappearance led, in particular, to the emergence and rapid growth of fan fiction literature, which is in the “gray” zone of copyright. The spread of the Internet, of course, creates not only problems, but also opportunities for publishers, in particular, by changing communication with readers. The Internet has made possible not only direct communication with the reader and reader communities, but also a much more effective prompt response to readers’ requests, including those supported by compelling economic incentives. The changes that are taking place in the book industry at the third stage of technological transformation have a very heterogeneous effect on publishers in different countries, depending on the degree of market development, Internet penetration, and readers’ digital content habits. The main point is that these changes take place in very different ways in different types of book publishing. Obviously, “book”, whatever its definition one gives, is just a convenient collective format for completely different texts, materialized or embodied in digital form in different ways. At the same time, the functional purpose of the text and the way the reader treats it determine the trajectory along which the industrial niche corresponding to certain types of publications will develop, in which direction it will evolve.
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Nienhaus, Sarah A. "The Look of the Book". Journal of World Literature 9, nr 1 (14.03.2024): 60–79. http://dx.doi.org/10.1163/24056480-00901005.
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Abstract This paper shows how book design responds to the Nobel’s prestige. Using previously unpublished materials from German publishing archives, I explore how the Nobel Prize is accompanied by the requirement to design iconic books. This unique material documents how different players in the publishing industry exchange ideas about ‘Nobel Prize-appropriate’ book design. This applies, for example, to the illustrations for an essay by Octavio Paz, designed covers for Nadine Gordimer, and the pictorial representation of Günter Grass’s and Tomas Tranströmer’s ‘life and work’.
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Spence, Paul. "The academic book and its digital dilemmas". Convergence: The International Journal of Research into New Media Technologies 24, nr 5 (3.05.2018): 458–76. http://dx.doi.org/10.1177/1354856518772029.
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The future of the academic book has been under debate for many years now, with academic institutional dynamics boosting output, while actual demand has moved in the opposite direction, leading to a reduced market which has felt like it is in crisis for some time. While journals have experienced widespread migration to digital, scholarly monographs in print form have been resilient and digital alternatives have faced significant problems of acceptance, particularly in the arts and humanities. Focusing in particular on the arts and humanities, this article asks how, and under what conditions, the digitally mediated long-form academic publication might hold a viable future. It examines digital disruption and innovation within humanities publishing, contrasts different models and outlines some of the key challenges facing scholarly publishing in the humanities. This article examines how non-traditional entities, such as digital humanities research projects, have performed digital publishing roles and reviews possible implications for scholarly book publishing’s relationship to the wider research process. It concludes by looking at how digital or hybrid long-form publications might become more firmly established within the scholarly publishing landscape.