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Artykuły w czasopismach na temat "Bon rituals"
Gyatso, Ngondzin Ngawang. "The Lhadag Leu (lha bdag le’u), Ritual Specialists of the Black Water Bon of the Phenomenal World in Southern Amdo: A Brief Introduction". Archiv orientální 84, nr 3 (16.12.2016): 561–75. http://dx.doi.org/10.47979/aror.j.84.3.561-575.
Pełny tekst źródłaGélard, Marie-Luce. "Alimentation et dessiccation en contexte saharien". Anthropology of the Middle East 15, nr 2 (1.12.2020): 55–71. http://dx.doi.org/10.3167/ame.2020.150206.
Pełny tekst źródłaGélinas, Fabien, Clément Camion, Karine Bates i Emily Grant. "ARCHITECTURE, RITUALS, AND NORMS IN CIVIL PROCEDURE". Windsor Yearbook of Access to Justice 32, nr 2 (1.10.2015): 213. http://dx.doi.org/10.22329/wyaj.v32i2.4711.
Pełny tekst źródłaChattopadhyay, Arkaprava. "Traditional Rituals as Conduits for Political Ascendancy: The Pang Lhabsol Festival of Sikkim, India". New Theatre Quarterly 38, nr 3 (19.07.2022): 283–97. http://dx.doi.org/10.1017/s0266464x22000203.
Pełny tekst źródłaTrapido, Joseph. "THE POLITICAL ECONOMY OF MIGRATION AND REPUTATION IN KINSHASA". Africa 81, nr 2 (28.04.2011): 204–25. http://dx.doi.org/10.1017/s0001972011000064.
Pełny tekst źródłaZhang, Chunfeng, i Jianjun Zhu. "The Scripture on the Five Emperors in the Five Directions: Evidence of the Spread of Taoism Amongst the Naxi". SAGE Open 13, nr 1 (styczeń 2023): 215824402311531. http://dx.doi.org/10.1177/21582440231153125.
Pełny tekst źródłaSapkota, Bhesh Nath, Govinda Prasad Adhikari i Purnima Syangtan. "Socio-Demography of Tamang Community in Nepal". Research Journal of Padmakanya Multiple Campus 2, nr 1 (30.09.2023): 1–10. http://dx.doi.org/10.3126/rjpkmc.v2i1.62984.
Pełny tekst źródłaMirzaeva, Saglara V. "Тувинская рукопись «Сутры о восьми хулилах»". Oriental Studies 14, nr 5 (30.12.2021): 1032–45. http://dx.doi.org/10.22162/2619-0990-2021-57-5-1032-1045.
Pełny tekst źródłaAnderson, Dean, i Joanna De Souza. "The importance and meaning of prayer rituals at the end of life". British Journal of Nursing 30, nr 1 (14.01.2021): 34–39. http://dx.doi.org/10.12968/bjon.2021.30.1.34.
Pełny tekst źródłaK, Shanthi. "Life cycle rituals in Sangam Literature". International Research Journal of Tamil 1, nr 3 (30.07.2019): 24–30. http://dx.doi.org/10.34256/irjt1934.
Pełny tekst źródłaRozprawy doktorskie na temat "Bon rituals"
Bhutia, Kunsang Ongmu. "Bhutia (LHOPO), shamans of Sikkim : a study in change and continuity". Thesis, University of North Bengal, 2021. http://ir.nbu.ac.in/handle/123456789/4804.
Pełny tekst źródłaBiriba, Ricardo Barreto. "Parintins cidade ritual: boi-bumbá, performance e espetacularidade". Escola de Teatro, 2006. http://repositorio.ufba.br/ri/handle/ri/27484.
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Parintins CIDADE RITUAL: BOI-BUMBÁ PERFORMANCE E ESPETACULARIDADE, concentrado na linha temática Matrizes Culturais na Cena Contemporânea do Curso de Doutorado do Programa de Pós Graduação em Artes Cênicas da Escola de Teatro e Escola de Dança da Universidade Federal da Bahia trata dos processos de transformação ocorridos nos Bois- Bumbás de Parintins, Amazonas. Estes Grupos incorporaram novas tecnologias desenvolvidas por artistas locais, como recursos cênicos para as suas apresentações, que foram intensificadas com a criação do Festival Folclórico no ano de 1965. Situado na investigação de questões relativas a estudos etnocenológicos sobre a linguagem cênica dos Bois-Bumbás Garantido e Caprichoso enquanto fenômenos da cultura amazônica; discute a transculturação, a performance e o ritual enquanto processos dialógicos, entre os valores culturais locais, o imaginário indígena e as novas tecnologias na cena espetacular do Festival Folclórico de Parintins, e, como este interfere na construção da identidade cultural parintinense; contribui para estudos das formas cênicas, métodos e processos criativos de manifestações da cultura brasileira com perfil étnico. Este trabalho traz também para o âmbito acadêmico das artes, estudos a partir de análises dos métodos e dos processos criativos e das linguagens que compõem as cenas dessas manifestações com foco de atenção situado na condição de um espetáculo-ritual-performático e suas relações que se estabelecem entre o artista, a obra de arte e o público.
Parintins Ritual City: Boi-bumbá, Perfomance and Spectacularity concentrated on the themattic line culltural matrixes on the comtemporary scene of the doctorate cource for the Post Graduation Program in Scenic Arts at the Theater School and Dance School at Bahia Federal University deals with the processes of transformation occurred on the Bois-Bumbás of Parintins, Amazon. These groups have incorporated new technologies developed by local artists, as scenic resources to their presentations, that were intensified with the creation of the Folk Festival in 1965. Situated in the investigation of issues related to ethnocenological studies about the scenic language for Bois-Bumbás Garantido and Caprichoso as Amazonic culture phenomena. It discusses the transcultural and transformation processes, performance and ritual, as dialogic processes, among the local cultural values, the indian imaginary and the new technologies on the spectacular scene of the Parintins Folk Festival and as it interferes on the Parintinian cultural identity construction. It contributes to the studies of the scenic forms, methods and creative processes of manifestations with the ethnical profile of the Brazilian Culture. This work also brings to the arts academic extent studies starting from the analysis of the methods and creative processes and of styles that compose the scenes of the manifestation focusing on the condition of the performing ritual spectacle and its relations that are established among the artist, the work of art and the public.
Hasselmann, Kristiane. "Die Rituale der Freimaurer : zur Konstitution eines bürgerlichen Habitus im England des 18. Jahrhunderts /". Bielefeld : Transcript, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783899428032.
Pełny tekst źródłaMarques, Francisca Helena. "Festa da Boa Morte e Glória: ritual, música e performance". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-19022010-174044/.
Pełny tekst źródłaThis work discusses the musical and ritual performance during the Sisterhood of Good Death Celebration, which occurs in the second half of August in the city of Cachoeira, Recôncavo Area of Bahia. Involving symbolic, cultural, religious, social and political elements, the Sisterhood of Good Death Celebration engages musical performances inside a complex ritual performance that is at the same time collective and absolutely restrictive. The Sisterhood of Good Death is a collective of elderly women, all of them religious while devoted to candomblé and popular Catholicism. As a group, the Sisterhood is considered the elite in the stuggle of black people against oppression and slavery in Brazil. The Sisters were and still are distinguished women in many different ways: during the colonial period, they were called black women from the partido alto; mythically transgressing the dominant masculinity, they are considered iamis and organized in a religious ministry that congregates different candomblé nations. They are also the ones who possess the axé (eleyes). In the past, the sisters bought the manumission of other priests and priestesses, and commited to guaranteeing dignified funerals to themselves and to their people. The Celebration is associated with their female antecessors (eguns) and to their orixás during public catholic rituals and secret candomblé ceremonies. According to the sisters, they are living up to a promise made by their antecessors: If all the slaves were freed, they would all worship Mary in life and in death. Characters narrating and staging repeated performances, the sisters develop ritual and musical sequences which go from the annunciation of the death of the Virgin Mary to her vigil on the first day; on the second she is buried and on the third the Sisters demonstrate their belief in life after death through the glorification and elevation of Mary. These are the three most important moments of the public ritual, followed by three days of samba de roda . The samba takes place parallel to the development of the secret rituals started before the Celebration. On the last day of feast, the sisters deliver a gift to the waters, destinated to the female orixás Nanã, Iemanjá and Oxum.
Berinyuu, Abraham. "Healing rituals as theological drama : insights from Kaaba healing rituals among the Frafra in Ghana /". Berlin ;Münster : Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=3012700&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaZIMERER, F. V. S. "ELEMENTOS ESTÉTICOS E RELAÇÕES SIMBÓLICAS NO RITUAL DO REIS DE BOI". Universidade Federal do Espírito Santo, 2017. http://repositorio.ufes.br/handle/10/8505.
Pełny tekst źródłaO Reis de Boi é uma prática cultural encontrada no Norte do estado do Espírito Santo, nas cidades de São Mateus e Conceição da Barra. É uma prática cultural ligada ao ciclo natalino e tem por devoção Santos Reis. Seu período de apresentação acontece do dia 06 de janeiro (dia de Santos Reis) até 03 de fevereiro (dia de São Brás). O Reis de Boi apresenta em seu ritual, além do momento das louvações, um momento mais lúdico e festivo chamado Brincadeira de Boi. Essa característica enquadra essa prática cultural na classificação de Reisado. Possui um ritual complexo, onde tudo é pensado nos mínimos detalhes e cada objeto, cada Marcha, cada movimentação é cuidadosamente preparada. Conta entre seus integrantes com maioria de negros, entretanto é ligada constantemente à uma origem ibérica, por causa da devoção aos Santos Reis. Buscando um discurso menos excludente que visa dar voz aos seus integrantes, que associam sua origem aos antepassados vindos da África, esse trabalho buscou mostrar - através da análise do ritual sob à luz dos Estudos da Performance que o Reis de Boi conserva elementos simbólicos e artísticos, expressos principalmente através das performances corporais de seus integrantes, que evidenciam a contribuição do negro em seu ritual. Palavras-chave: Reis de Boi. Reisado. Performance cultural. Ritual.
Borralho, Tácito Freire. "O Teatro do Boi do Maranhão: brincadeira, ritual, enredos, gestos e movimentos". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-08032013-145415/.
Pełny tekst źródłaThe Bumba meu boi do Maranhãoo has been an object of study in subjects approaching Folklore as well as Social Sciences like Anthropology and Sociology which, besides an ethnographic record, they investigate the aspects of the Social organization or different organizational structures of the \"Boi\" (like game, ritual and show). Although some theatrical elements have been researched in these studies (like comical theater, the musicianship, the structures of the comedies and the development of literary language), they do not characterize a research focused on the \"Boi\" as a theatrical fact. In this work, through a qualitative approach and application of ethno methodology as a support for a theoretical investigation, it was possible to confirm the existence of two forms of theatricality in the \"Bumba meu boi\" show. The empirical data indicate distinguishing characteristics in the Boi Theater as Animation Theater (performing with mixed techniques) and as Ritualistic theater, contemplating, so, a dialogue with other artistic languages in its production. In addition, the results from this investigation reinforce the relevance of the amount of knowledge that can be observed with the existence of knowledge built from the reflection and practice of this artistic expression. The analysis of these practices allowed that scores of gestures and movements were made from the identification of structures under which the productions of this Boi Theater and these characters are built.
Hayes, David. "Ritual fictions: The enigma made flesh in the novels of Tahar Ben Jelloun". Thesis, University of Canterbury. French, 1999. http://hdl.handle.net/10092/4684.
Pełny tekst źródłaBawanypeck, Daliah. "Die Rituale der Auguren". Thesis, Heidelberg Winter, 2001. http://deposit.ddb.de/cgi-bin/dokserv?id=2670409&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaBawanypeck, Daliah. "Die Rituale der Auguren". Heidelberg Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2670409&prov=M&dokv̲ar=1&doke̲xt=htm.
Pełny tekst źródłaKsiążki na temat "Bon rituals"
Tshul-khrims-ye-śes. Phyi naṅ gsaṅ baʼi bsdus don ñer mkho ʼdod ʼjo ʼkhri śiṅ: An explanation on the essential points in understanding the three aspects of Bonpo ritual activity, with other texts on various aspects of ritual. Ochghat, Himachal Pradesh: Tibetan Bonpo Monastic Community, 1985.
Znajdź pełny tekst źródłaKhaṅ, Khri-brtan Nor-bu-rtseʼi Dpe-mdzod, red. Spyi rgyud chen mo nam mkhaʼ dkar po ye khri mthaʼ sel gyi gsuṅ pod bźugs. Kathmandu: Khri-brtan Nor-bu-rtseʼi Dpe-mdzod Khaṅ, 2005.
Znajdź pełny tekst źródłaZhwa-dkar Gʹyung-drung Bon-gyi-bshad-sgrub-ʼdus-paʼi-sde (Solan, India), red. Khro bo dbang chen ngo mtshar rgyas paʼi rnam bshad gsal baʼi sgron ma bzhugs so. Via Oachghat, Solan, H.P: Gʹyung-drung Bon-gyi Bshad-sgrub ʼDus-sde, 2015.
Znajdź pełny tekst źródłaʼGro-ʼdul-gliṅ-pa, Hūṃ-chen. Miscellaneous visionary practices and writings of the Sixth Kun-grol-grags-pa Hūṃ-chen ʼGro-ʼdul-gliṅ-pa. Dehra Dun, U.P: Trinley Jamtsho, 1985.
Znajdź pełny tekst źródłaNam-mkhaʼ-bstan-ʼdzin-dbaṅ-gi-rgyal-po. Rab ʼbyams phyi naṅ gsaṅ baʼi bkaʼ rgyud kyi spyi don phyag len ñe mkho blo rdeg du a dar śaʼi dkyil ʼkhor: Instructions on the ritual practices of New Bon (Bon Gsar) traditions. Dehra Dun, U.P: Minling Youngdrung Ling Bon Monastery, 1985.
Znajdź pełny tekst źródła1833, Bde-chen-gliṅ-pa Gter-ston b., i Nam-mkhaʼ-rgyal-mtshan Khyuṅ-sprul 18th cent, red. Nor bu don ʼdus ʼkhor ba ṅan soṅ skye sgo gcod paʼi mdo daṅ cha lag gñis bcas: The popular Bonpo canonical text recited when someone is ill or dies. Dolanji, Distt. Solan, H.P: Tibetan Bonpo Monastic Community, 1985.
Znajdź pełny tekst źródłaStoṅ gsum ʼkhrugs bcos sa sñiṅ gi cho gaʼi skor: A cycle of new Bon revelations concerning the use of thread-crosses (mdos) for the elimination of disturbances and obstacles of phenomenal existence. Dolanji, Ochghat, Himachal Pradesh: Tibetan Bonpo Monastic Community, 1985.
Znajdź pełny tekst źródłaThig le gtiṅ rdzogs drag sṅags Dbal moʼi sgrub skor: A cycle of Bonpo practice focussing upon the deity Dbal-mo. Dolanji, Ochghat, Himachal Pradesh: Tibetan Bonpo Monastic Community, 1985.
Znajdź pełny tekst źródłaNomadi dell'invisibile: L'autosacrificio rituale del chöd nel bön tibetano. Roma: Exòrma, 2010.
Znajdź pełny tekst źródłaShes-rab-rgyal-mtshan. Zhwa-dkar Gʹyung-grung Bon gyi bstan paʼi gtsug rgyan sa gsum ʼgro baʼi ʼdren pa chen po kun mkhyen rgyal ba gnyis pa rje sman ri ba gshen gyi drang srong Mnyam-med Shes-rabs-rgyal-mtshan dpal bzang poʼi bkaʼ ʼbum phyogs bsgrigs bzhugs so. [Chengdu]: Si-khron dus deb tshogs pa, Si-khron Mi-rigs Dpe-skrun Khang, 2015.
Znajdź pełny tekst źródłaCzęści książek na temat "Bon rituals"
Meyer-Blanck, Michael. "Rituals". W The Bonn Handbook of Globality, 1367–75. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-90382-8_56.
Pełny tekst źródłaSchultz, Michael. "Short Report on the Microscopic Examination of Bone Samples from a Neolithic Burial". W Burials, Texts and Rituals, 191–200. Göttingen: Göttingen University Press, 2008. http://dx.doi.org/10.17875/gup2019-1237.
Pełny tekst źródłaFunnell, Lisa, i Klaus Dodds. "Smooth Operator: Space, Mobility, and Social Rituals". W Geographies, Genders and Geopolitics of James Bond, 163–98. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57024-6_7.
Pełny tekst źródłaCucina, Andrea, i Vera Tiesler. "Mortuary Pathways and Ritual Meanings Related to Maya Human Bone Deposits in Subterranean Contexts". W The Bioarchaeology of Space and Place, 225–54. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-0479-2_9.
Pełny tekst źródłaArumugam, Indira. "Hunting for Monsters (and Gods)". W Living with Monsters, 113–31. Earth, Milky Way: punctum books, 2023. http://dx.doi.org/10.53288/0361.1.08.
Pełny tekst źródłaKvaerne, Per. "Bonpo Death Rituals". W Tibet: Bon Religion, 6–10. BRILL, 1985. http://dx.doi.org/10.1163/9789004666672_006.
Pełny tekst źródłaTashi, Kelzang T. "Phallic Rituals and Pernicious Gossip". W World of Worldly Gods, 163–90. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197669860.003.0007.
Pełny tekst źródłaTashi, Kelzang T. "Buddhist Accommodation of Bon Rites and Practices". W World of Worldly Gods, 191–219. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197669860.003.0008.
Pełny tekst źródłaTashi, Kelzang T. "Dealing with Threats to Health and Welfare". W World of Worldly Gods, 76—C4P100. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197669860.003.0004.
Pełny tekst źródłaTashi, Kelzang T. "Introduction". W World of Worldly Gods, 1–28. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197669860.003.0001.
Pełny tekst źródłaStreszczenia konferencji na temat "Bon rituals"
Vretemark, Maria. "Evidence of animal offerings in Iron Age Scandinavia". W Bones, behaviour and belief. The osteological evidence as a source for Greek ritual practice. Swedish Institute at Athens, 2013. http://dx.doi.org/10.30549/actaath-4-55-06.
Pełny tekst źródłaMagnell, Ola. "The taphonomy of ritual bone depositions. An approach to the study of animal bones and ritual practice with an example from Viking Age Frösö, Sweden". W Bones, behaviour and belief. The osteological evidence as a source for Greek ritual practice. Swedish Institute at Athens, 2013. http://dx.doi.org/10.30549/actaath-4-55-10.
Pełny tekst źródłaBrun, Hélène, i Martine Leguilloux. "Rituels sacrificiels et offrandes animales dans le Sarapieion C de Délos". W Bones, behaviour and belief. The osteological evidence as a source for Greek ritual practice. Swedish Institute at Athens, 2013. http://dx.doi.org/10.30549/actaath-4-55-13.
Pełny tekst źródłaКаспаров, А. К., i В. А. Хршановский. "Faunal Remains of Wild Animals from the Late Antique Necropolis on Kitaion, and the “Alanian Remnant” in the 4th–5th centuries AD". W Древности Боспора. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-339-8.225-245.
Pełny tekst źródłaGardeisen, Armelle. "L’assemblage osseux comme un dernier état de la présence animale en contexte archéologique. Gestuelle et comportements vis-à-vis de l’animal". W Bones, behaviour and belief. The osteological evidence as a source for Greek ritual practice. Swedish Institute at Athens, 2013. http://dx.doi.org/10.30549/actaath-4-55-05.
Pełny tekst źródłaTrantalidou, Katerina. "Dans l’ombre du rite : vestiges d’animaux et pratiques sacrificielles en Grèce antique. Note sur la diversité des contextes et les difficultés de recherche rencontrées". W Bones, behaviour and belief. The osteological evidence as a source for Greek ritual practice. Swedish Institute at Athens, 2013. http://dx.doi.org/10.30549/actaath-4-55-07.
Pełny tekst źródłaRusnali, Nur Aisyah, i Syahrianti Syam. "The Tradition of Mappano’ Lolo as Ritual Communication of the Bugis Bone Community". W 2nd Annual Conference on Education and Social Science (ACCESS 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210525.054.
Pełny tekst źródłaSten, Sabine. "Sacrificed animals in Swedish Late Iron Age monumental mound burials". W Bones, behaviour and belief. The osteological evidence as a source for Greek ritual practice. Swedish Institute at Athens, 2013. http://dx.doi.org/10.30549/actaath-4-55-16.
Pełny tekst źródłaMacKinnon, Michael. "“Side” matters: animal offerings at ancient Nemea". W Bones, behaviour and belief. The osteological evidence as a source for Greek ritual practice. Swedish Institute at Athens, 2013. http://dx.doi.org/10.30549/actaath-4-55-11.
Pełny tekst źródłaA., PODUSHKIN. "ARCHAEOLOGICAL COMPLEX OF CATACOMB-10 OF THE TULEBAITOBE-III BURIAL GROUND". W MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.69.
Pełny tekst źródłaRaporty organizacyjne na temat "Bon rituals"
Hunter, Fraser, i Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, wrzesień 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.
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