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Artykuły w czasopismach na temat "Blake, William (1757-1827). Jerusalem"
Buckley, Peter J. "William Blake (1757–1827)". American Journal of Psychiatry 162, nr 5 (maj 2005): 866. http://dx.doi.org/10.1176/appi.ajp.162.5.866.
Pełny tekst źródłaSteil, Juliana. "Traduções de William Blake no Brasil". Revista Letras Raras 7, nr 2 (29.09.2018): 58–66. http://dx.doi.org/10.35572/rlr.v7i2.1120.
Pełny tekst źródłaAlkayid, Majd M., i Murad M. Al Kayed. "The Language of Flowers in Selected Poems by William Blake: A Feminist Reading". Theory and Practice in Language Studies 12, nr 4 (2.04.2022): 784–89. http://dx.doi.org/10.17507/tpls.1204.20.
Pełny tekst źródłaBillingsley, Naomi. "Re-viewing William Blake’s Paradise Regained (c. 1816–1820)". Religion and the Arts 22, nr 1-2 (16.02.2018): 16–39. http://dx.doi.org/10.1163/15685292-02201001.
Pełny tekst źródłaYan, Hanjin. "Reforming the Relations of the Sexes: Zhou Zuoren’s Translation and Imitation of William Blake’s Poems about Love and Sexuality". NAN NÜ 22, nr 2 (2.12.2020): 313–41. http://dx.doi.org/10.1163/15685268-02220003.
Pełny tekst źródłaPicón Bruno, Daniela. "El libro como soporte de la experiencia visionaria en las profecías iluminadas de William Blake y el Libro Rojo de Carl Gustav Jung". Literatura: teoría, historia, crítica 19, nr 1 (1.01.2017): 63–85. http://dx.doi.org/10.15446/lthc.v19n1.60564.
Pełny tekst źródłaCornils, Ingo. "Editorial". Literatur für Leser 38, nr 1 (1.01.2015): 1–3. http://dx.doi.org/10.3726/90071_1.
Pełny tekst źródłaBaradaran Jamili, Leila, i Sara Khoshkam. "Interrelation/Coexistence between Human/Nonhuman in Nature: William Blake’s Songs of Innocence and Songs of Experience". Advances in Language and Literary Studies 8, nr 4 (31.08.2017): 14. http://dx.doi.org/10.7575/aiac.alls.v.8n.4p.14.
Pełny tekst źródłaConrad, Leon. "Roots, shoots, fruits: William Blake and J M Robertson: two key influences on George Spencer-Brown's work and the latter's relationship to Niklas Luhmann's work". Kybernetes 51, nr 5 (20.01.2022): 1879–95. http://dx.doi.org/10.1108/k-11-2020-0726.
Pełny tekst źródłaSoltan Beyad, Maryam, i Mahsa Vafa. "Transcending Self-Consciousness: Imagination, Unity and Self-Dissolution in the English Romantic and Sufis Epistemology". International Journal of Linguistics, Literature and Translation 3, nr 8 (30.08.2021): 08–18. http://dx.doi.org/10.32996/ijllt.2021.4.8.2.
Pełny tekst źródłaRozprawy doktorskie na temat "Blake, William (1757-1827). Jerusalem"
Zhao, Hui. "La naissance d'une œuvre ouverte : analyse de Jerusalem de William Blake à travers une heuristique du montage". Electronic Thesis or Diss., Université Paris sciences et lettres, 2023. http://www.theses.fr/2023UPSLP004.
Pełny tekst źródłaWell-known for its esoteric character and for its defiance of rational understanding, Jerusalem, William Blake's poetic-visionary masterpiece offers its readers a passage of divine revelation, as well as an unique laboratory where the image and the text not only intertwine, but also exchange their roles in expression. Drawing on Warburgh's notion of pathosformal, the thesis introduces an analysis of the image that escapes from the confusion nominal and dedicates itself to penetrate the darkness of the text of Jerusalem. The study aims to show, in a heuristic network of the montage juxtaposing elements of the heterogeneous repertoire from which Blake draws inspiration, the artistic and cultural depth of this "bricolage" of Blake - Jerusalem, whose meaning is constantly evolving, in questioning the nature of verbal expression and that of visual expression
Fuglem, Terri. "William Blake and the ornamental universe". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69556.
Pełny tekst źródłaOrmsby, Bronwyn Ann. "The materials and techniques of William Blake's tempera paintings : William Blake, 1757-1827". Thesis, Northumbria University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275737.
Pełny tekst źródłaPharabod-Ibata, Hélène. "William Blake : l'invention d'une esthétique". Paris 3, 1998. http://www.theses.fr/1998PA030178.
Pełny tekst źródłaWith its strong opposition to theories and its disrespect of contemporary representational expectations, william blake's graphic and pictorial work seems isolated from artistic developments at the turn of the nineteenth century. In this study, blake's links with the epistemological transformations of the enlightenment are reexamined, in order to stress the artist's thorough grasp of the intellectual revolutions of his time. His new conception of the interaction between the artist, the work, and the public, are traced back to this cultural background. Blake's fragmentary and dogmatic writings on art, which point to intellectual isolation, are complemented by his myth and visual work, in order to stress the tolerance and complexity of artistic choices present in his own practice. Recent experimental research on the production techniques of the illuminated books helps to show how the artist's stylistic intentions, and possibly theoretical effort, might have been tempered by a concrete everyday experience of graphic materials. Blake's aesthetics, we hope to show, is characterized by a new consciousness of the ever-changing interaction between the artist and his work, and the eye of the beholder
Bouchet, Claire. "Les métaphores dans la poésie de William Blake : enjeux de traduction". Paris 3, 2004. http://www.theses.fr/2004PA030125.
Pełny tekst źródłaThis study aims at probing, measuring and defining how the act of translating can contribute to literary analysis. It concentrates particularly on metaphors as they appear in four French translations of William Blake’s “Lambeth Books”. Translation is an activity which involves defining the cultural references of the work of art as well as the inner networks of imagery, and leads to making decisions in translating the text, according to the rules of semantics, syntax or morphology in both languages. Added to the analysis of the specificity of poetry writing, all these elements tend to show that translating is a creative activity based on a specific strategy of reading and which show how the translator is also a literary critic, the initiator into an author’s style and a creator of literary works
Saklofske, Jon A. H. ""Enough! or too much" : the functions of media interaction in William Blake's composite designs". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19469.
Pełny tekst źródłaDougherty, Karen. "Dorothy Livesay and William Blake : the situation of the self". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68083.
Pełny tekst źródłaPicón, Bruno Daniela. "Escenas de escritura visionaria: Hildegard de Bingen y William Blake". Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/108581.
Pełny tekst źródłaMeckelborg, Robert James, i University of Lethbridge Faculty of Arts and Science. "The Satanic Blake : the continuing empathy with rebellious and creative energy as presented in "Satan Rousing His Legions"". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2007, 2007. http://hdl.handle.net/10133/622.
Pełny tekst źródłaiv, 236 leaves : ill. (some col.) ; 29 cm.
Rayneard, Max James Anthony. "Reading William Blake and T.S. Eliot: contrary poets, progressive vision". Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1007545.
Pełny tekst źródłaKsiążki na temat "Blake, William (1757-1827). Jerusalem"
Blake's 'Jerusalem' as visionary theatre: Entering the divine body. Oxford: Oxford University Press, 2011.
Znajdź pełny tekst źródłaAnkarsjö, Magnus. William Blake and religion: A new critical view. Jefferson, N.C: McFarland & Co., 2009.
Znajdź pełny tekst źródłaWilliam Blake and religion: A new critical view. Jefferson, N.C: McFarland & Co., 2009.
Znajdź pełny tekst źródłaMartin, Butlin, red. William Blake, 1757-1827. Wyd. 3. London: Tate Gallery, 1990.
Znajdź pełny tekst źródłaHarold, Bloom, red. William Blake. New York: Chelsea House Publishers, 1985.
Znajdź pełny tekst źródłaDavid, Punter, red. William Blake. New York: St. Martin's Press, 1996.
Znajdź pełny tekst źródła1757-1827, Blake William, red. William Blake. Princeton, NJ: Princeton University Press, 1999.
Znajdź pełny tekst źródłaReading William Blake. Basingstoke: Macmillan, 1992.
Znajdź pełny tekst źródłaBehrendt, Stephen C. Reading William Blake. New York: St. Martin's Press, 1992.
Znajdź pełny tekst źródłaWilliam Blake. Oxford, Oxfordshire, UK: B. Blackwell, 1985.
Znajdź pełny tekst źródłaCzęści książek na temat "Blake, William (1757-1827). Jerusalem"
Piquet, François. "Blake, William (1757–1827)". W A Handbook to English Romanticism, 19–31. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_9.
Pełny tekst źródłaPiquet, François. "Blake, William (1757–1827)". W A Handbook to English Romanticism, 19–31. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_9.
Pełny tekst źródła"William Blake (1757–1827)". W The Routledge Anthology of Poets on Poets, 219–44. Routledge, 2003. http://dx.doi.org/10.4324/9780203360118-23.
Pełny tekst źródła"William Blake (1757–1827)". W London, 318–24. Harvard University Press, 2015. http://dx.doi.org/10.2307/j.ctv22jnsm7.73.
Pełny tekst źródłaBauer, Mark S. "William Blake (1757–1827)". W A Mind Apart, 123–24. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336405.003.0041.
Pełny tekst źródła"William Blake (1757–1827; English)". W Romanticism: 100 Poems, 12–16. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.004.
Pełny tekst źródła"William Blake (1757–1827) Holy Thursday". W London, 318. Harvard University Press, 2015. http://dx.doi.org/10.4159/9780674273702-109.
Pełny tekst źródła"William Blake (1757–1827) Cat. nos. 29–31". W Great British Watercolors: From the Paul Mellon Collection at the Yale Center for British Art. Yale Center for British Art, 2007. http://dx.doi.org/10.37862/aaeportal.00227.014.
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